| Manassas | |
| Type: | studio |
| Artist: | Manassas |
| Cover: | Manassasss.jpg |
| Released: | April 12, 1972 |
| Recorded: | Late 1971 |
| Studio: | Criteria Sound Studios, Miami, Florida |
| Genre: | Country rock, folk rock |
| Length: | 71:57 |
| Label: | Atlantic |
| Producer: | Stephen Stills, Chris Hillman, Dallas Taylor |
| Chronology: | Stephen Stills |
| Prev Title: | Stephen Stills 2 |
| Prev Year: | 1971 |
| Next Title: | Down the Road |
| Next Year: | 1973 |
Manassas is the 1972 debut double album by Manassas, a blues rock group led by American musician Stephen Stills, released April 1972. It was a critical comeback for Stills, and continued his commercial success by being certified Gold only a month after being released and peaking at number 4 on the US charts.[1]
The album was recorded at Criteria Studio B late 1971, where Stills used his clout to keep the studio and engineers Ron and Howard Albert available around the clock. The band all stayed in a rented house about 30 minutes away from the studio, in Coconut Grove. This allowed Stills to record the album around the clock, waking up band members in the early hours of the morning when an idea struck. Stills would also record in mammoth sessions often going on for days, until Chris Hillman and Stills got into a fight, after which they started to record at regular hours. Al Perkins and Dallas Taylor had a rule where they would not perform any more than seven takes for a single track, so often Stills would stay in the studio editing after having released the band at 4 or 5 am.[2] The band then flew to Stills' house in London in January 1972 to finish recording and mixing the album and to rehearse for an upcoming tour starting in March 1972. It was here that Bill Wyman of the Rolling Stones played bass on and co-authored "The Love Gangster" and is reported to have said that he would have left the Stones to join Manassas. At one point Stills put in an unbroken 106 hour stint in the studio, and engineer Ron Albert said he had just gotten to bed after a marathon session lasting 84 hours when the phone rang with Stills summoning him back to the studio with the words: "I know you're tired, but there's this idea I've got for this song that I want to get on tape before I forget it..." Another time, working to Stills' manic schedule, the band cut eight tracks in two days with no sleep.[3]
The album was split into four thematic sides. Side 1, The Raven, is a composite of rock and Latin sounds that the group would often perform in full live exactly as presented on the album, including the segues that connected several of the songs. Side 2, The Wilderness, mainly centers on country and bluegrass, and features Chris Hillman on mandolin and fiddler Byron Berline. Side 3, Consider, presents a mix of musical styles, including "Johnny's Garden" (reportedly written for the caretaker at Stills' English manor house bought from Ringo Starr), and Stills using a Moog synthesizer on "Move Around". Side 4, Rock & Roll Is Here to Stay, features rock and blues songs, including "The Treasure", a mainstay of Manassas' live sets, and Stills' acoustic solo piece "Blues Man".[4]
Several of the songs on the album are inspired by Stills' romantic relationship with Rita Coolidge, and Coolidge's leaving Stills for his CSNY bandmate Graham Nash. In particular, "Raven" was Stills' nickname for Coolidge,[5] while "What to Do" and "Right Now" were written about CSNY's subsequent breakup and Stills' relationship with Nash.[6]
The artwork was taken after Stills, a Civil War buff, had the band flown over to Manassas station in Manassas, Virginia, where the Confederacy had claimed its first major victory at the Battle of Bull Run. The photo they liked was the band standing on the platform under a Manassas sign, and so the band was named.[7] Included with the album were fold-out posters with named pictures of all the members and hand-written lyrics on the back, including a message urging people to 'Use The Power, Register and Vote'.
The album debuted on the Billboard Top LP's chart for the week ending April 29, 1972 and eventually peaked at No. 4 in June, during a 30-week run.[8] Stills' album shared the top 5 with an album by David Crosby and Graham Nash (Graham Nash David Crosby) and an album by Neil Young (Harvest), all collectively members of the quartet Crosby, Stills, Nash & Young. "It Doesn't Matter" was released as a single and peaked at No. 61, during a chart run of 7 weeks. "Rock & Roll Crazies" was released as the second single and peaked at No. 92 during a 3-week run.[9] By 1974, it had sold an estimated 400,000 copies in the US, which is the equivalent of 800,000 as the album is a double.[10]
Manassas marked a critical comeback for Stills, with AllMusic calling it a "sprawling masterpiece" and Rolling Stone saying it was "reassuring to know that Stills has some good music still inside him. Most of it has a substantial, honest sound found on too few records these days. All the sounds you hear come from the seven group members". Chris Hillman was singled out as an "importance in the success of Manassas and in the comeback of Stills, he can't be over-stressed [...] He's a masterful musician whether he's playing bass, guitar, or mandolin, and his boyishly pure, uncolored voice can carry a lot of emotional weight.".[11] However, Robert Christgau rated the album C+ and in a mixed review stated "Yes, Steve has gotten it together a little, even deigning to cooperate with real musicians in a real band, and yes, some of this four-sided set echoes in your head after you play it a lot. The only problem is you're never sure where the echoes come from".[12] In positive reviews, Record World called it "music of the highest order",[13] Cash Box said it will "convince you of Stills' worth",[14] and Billboard said it "offers loads of class material".[15] In a June 1972 review for The San Diego Door, Cameron Crowe said "Manassas always remains admirable if not exciting. The musicianship is generally excellent with the only pitfall being that the droning Stills' vocal pervades all but one of the LP's sixteen cuts". He also stated the "lyrics represent a low-point in Stills' lyricist career".[16] Chris Welch for Melody Maker said "The blues, soul, rock and country music are all the influences. They play them like the Grateful Dead, with a sincerity and ability that one does not always detect in the work of those exclusively involved in the original idiom".
Andrew Weiner for Creem said "Stills, perhaps the most maligned superstar in recent rock history, has finally - and against all the odds - got it on. And Stills has written too many good songs here even to try count them".[17]
The album was certified Gold on May 30, 1972, just over a month after being released.[1] Stills has stated the album did not receive the recognition it deserved due to Atlantic Records and Ahmet Ertegun (head of Atlantic Records) wanting him back in the "goldmine" that was Crosby, Stills, Nash & Young. Stills said that as soon as the album shipped gold, Ertegun pulled it, and people could not find it in stores.[18]
The album was included in the book 1001 Albums You Must Hear Before You Die.[19]
It was voted number 735 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000).[20]
Retrospectively, in 2022 the album was called a roots rock "landmark".[21]
Manassas
Additional players
Technical
Special thanks to Bruce Berry & Guillermo Giachetti, Daniel J. Campbell, Michael John Bowen, Michael O'Hara Garcia, Buddy P. Zoloth, Edward Astrin & Ahmet Ertegun
| US Billboard Top LPs[22] | 4 | |
| UK Album Charts[23] | 30 | |
| Canadian RPM 100 Albums[24] | 9 | |
| Dutch MegaCharts Albums[25] | 1 | |
| West German Media Control Albums[26] | 34 | |
| Norwegian VG-lista Albums[27] | 6 | |
| Australian Go-Set Top 20 Albums[28] | 17 | |
| Swedish Kvällstoppen Chart[29] | 8 | |
| US Cash Box Top 100 Albums[30] | 6 | |
| US Record World Album Chart[31] | 4 | |
| Chart (2013) | Peakposition | |
|---|---|---|
| Japan Oricon Albums Charts[32] | 292 |
| 1972 | "It Doesn't Matter" | US Billboard Hot 100 | 61 |
| Canada Top Singles (RPM) [33] | 48 | ||
| US Top Singles (Cash Box) | 49 | ||
| US Top Singles (Record World) | 46 | ||
| "Rock & Roll Crazies Medley" | US Billboard Hot 100 | 92 | |
| US Top Singles (Cash Box) | 111 | ||
| US Top Singles (Record World) | 86 |
| Chart (1972) | Position | |
|---|---|---|
| US Billboard Pop Albums[34] | 53 | |
| US Cash Box[35] | 64 | |
| Dutch MegaCharts Albums[36] | 10 |
| Artist: | Stephen Stills Manassas |
| Concert Tour Name: | 1972 Manassas World Tour |
| Last Tour: | Stephen Stills Memphis Horns Tour 1971 |
| Next Tour: | Manassas North American Tour 1973 |
| Start Date: | March 21, 1972 |
| End Date: | December 9, 1972 |
| Number Of Legs: | 7 |
Manassas toured across the world in 1972, this being Stills biggest solo tour date, playing arenas in Americas, and headlining festivals in Australia. After the initial Manassas tour from 9 April to 20 May. Manassas then completed five tours in six months, from July 14 to July 30 they toured the West Coast, the second tour from 11 to 28 August toured the East Coast, they then toured Europe and Scandinavia from September 13 to October 9. The fourth tour was a tour of Midwestern American Colleges, and finally the fifth tour was conducted in the South from December 1–19.[37] [38] During this tour Manassas had a charter plane and toured manically, but Stills was losing money on these tours as he was paying the band very generously.[39]
| Date | City | Country | Venue | Attendance/Notes | |
|---|---|---|---|---|---|
| Europe Tour | |||||
| 21 March 1972 | Bremen | Germany | Beat Club (German TV) | ||
| 22 March 1972 | Amsterdam | Netherlands | Concertgebouw | ||
| 23 March 1972 | Frankfurt | Germany | Jahrhunderthalle | ||
| 25 March 1972 | London | England | Big Beat Club | ||
| 26 March 1972 | Paris | France | L'Olympia[40] | ||
| Australia | |||||
| 31 March 1972 | Albury | Australia | Rock Isle (Mulwala) Festival[41] | Headlined both nights | |
| 1 April 1972 | |||||
| 2 April 1972 | Due to headline (Cancelled due to weather) | ||||
| US Tour | |||||
| 9 April 1972 | Honolulu | United States | HIC Arena | ||
| 14 April 1972 | Auburn | Auburn Memorial Coliseum[42] | |||
| 15 April 1972 | Jackson | Mississippi Coliseum | |||
| 17 April 1972 | New Orleans | Municipal Auditorium | |||
| 19 April 1972 | Baton Rouge | Assembly Center | |||
| 21 April 1972 | Gainesville | Fieldhouse | |||
| 22 April 1972 | Dania | Pirates World | Sold Out[43] | ||
| 23 April 1972 | Tampa | Tampa Jai Alai Fronton | Professionally Recorded | ||
| 26 April 1972 | Oxford | Mississippi Colisseum | |||
| 28 April 1972 | St Louis | Kiel Auditorium | |||
| 29 April 1972 | Peoria | Fieldhouse | |||
| 30 April 1972 | Chicago | Arie Crown Theatre | |||
| 1 May 1972 | |||||
| 2 May 1972 | New York City | Carnegie Hall[44] | |||
| 4 May 1972 | |||||
| 5 May 1972 | Boston | Boston Garden | |||
| 7 May 1972 | Uniondale | Nassau Colisseum | |||
| 9 May 1972 | Buffalo | Buffalo Memorial Auditorium | |||
| 12 May 1972 | Philadelphia | The Spectrum Theatre | 6,410[45] | ||
| 13 May 1972 | Williamsburg | Kaplan Arena | |||
| 15 May 1972 | Atlanta | Alexander Memorial Coliseum | |||
| 18 May 1972 | San Antonio | San Antonio Municipal Auditorium | |||
| 19 May 1972 | Houston | Hofheinz Pavilion | |||
| 20 May 1972 | Dallas | Dallas Memorial Auditorium | |||
| West Coast Tour | |||||
| 8 July 1972 | Miami | United States | Miami Jai-Alai Fronton | Dolphin Benefit, concert recorded[46] John Sebastian, Fred Neil guest | |
| 14 July 1972 | Fresno | Selland Arena | |||
| 15 July 1972 | Las Vegas | Las Vegas Stadium | |||
| 16 July 1972 | Los Angeles | Hollywood Bowl[47] | Bryon Berline guests | ||
| 17 July 1972 | Santa Barbara | Santa Barbara County Bowl | |||
| 20 July 1972 | Sacramento | Sacramento Memorial Auditorium | |||
| 21 July 1972 | Berkeley | Berkeley Community Theatre | Sold Out[48] Roger McGuinn, Neil Young& Graham Nash guest on 22 July | ||
| 22 July 1972 | |||||
| 23 July 1972 | |||||
| 24 July 1972 | Albuquerque | Johnson Gym | |||
| 25 July 1972 | Denver | Denver Coliseum | |||
| 26 July 1972 | San Diego | San Diego Sports Arena | |||
| 28 July 1972 | San Bernardino | Swing Auditorium | |||
| 30 July 1972 | Tucson | Tucson Community Centre | |||
| East Coast Tour | |||||
| 11 August 1972 | Washington | United States | Merriweather Post Pavilion[49] | ||
| 12 August 1972 | New York | Roosevelt Raceway | Festival of Hope[50] | ||
| 14 August 1972 | Clarkston | Pine Knob Music Theatre | |||
| 19 August 1972 | Wildwood | Wildwood Convention Hall | |||
| European Tour | |||||
| 15 September 1972 | Manchester | Europe | The Hardrock Concert Theatre | ||
| 17 September 1972 | London | Rainbow Theatre | BBC TV recorded forStephen Stills Manassas: In Concert – broadcast on 16 Nov 1972 | ||
| 20 September 1972 | Nederlands | Unknown Venue | |||
| 22 September 1972 | Stockholm | Kungliga Tennishallen | |||
| 24 September 1972 | Hamburg | Musikhalle | |||
| 26 September 1972 | Frankfurt | Jahrunderthalle | |||
| 3 October 1972 | Amsterdam | Concertgebouw | |||
| 5 October 1972 | Paris | Bastille Railroad Station[51] | |||
| 7 October 1972 | Norway | Unknown Venue | |||
| 9 October 1972 | Belgium | Unknown Venue | |||
| 10 October 1972 | London | Sundown Festival | |||
| Midwest American College Tour | |||||
| 19 October 1972 | Bloomington | United States | Indiana University Assembly Hall | ||
| 20 October 1972 | Tulsa | Assembly Centre | |||
| 22 October 1972 | Minneapolis | Minneapolis Auditorium | 4,700[52] | ||
| 26 October 1972 | Madison | Dane County Coliseum[53] | |||
| 27 October 1972 | South Bend | Athletics And Convocation Centre | |||
| 28 October 1972 | Indiana University | Assembly Hall[54] | |||
| 2 November 1972 | Dayton | Dayton Arena | |||
| 3 November 1972 | Michigan State University | Jenison Fieldhouse | |||
| 4 November 1972 | Port Clinton | Field House, University of Toledo[55] | |||
| 8 November 1972 | Stanford University | Maples Pavilion[56] | |||
| 11 November 1972 | Washington | Hec Edmundson Pavilion | |||
| 12 November 1972 | Cancelled | ||||
| 16 November 1972 | Portland | United States | Veterans Memorial Coliseum | ||
| 17 November 1972 | Corvallis | Gill Coliseum | |||
| 18 November 1972 | Utah | Dee Glen Smith Spectrum | |||
| South Tour | |||||
| 9 December 1972 | Anaheim | United States | Anaheim Convention Center | ||
Tour setlist
Typical tour set list
All songs written by Stephen Stills, except where noted.