| Suvarna Sundari | |
| Story: | Vempati Sadasivabrahmam Adinarayana Rao |
| Screenplay: | Vedantam Raghavayya |
| Producer: | P. Adinarayana Rao |
| Director: | Vedantam Raghavayya |
| Starring: | Akkineni Nageswara Rao Anjali Devi |
| Music: | P. Adinarayana Rao |
| Cinematography: | M. A. Rahman |
| Editing: | N. S. Prakash |
| Studio: | Anjali Pictures |
| Distributor: | Chamria Talkie |
| Runtime: | 208 minutes |
| Country: | India |
| Language: | Telugu Tamil |
Suvarna Sundari is a 1957 Indian Telugu-language swashbuckler film directed by Vedantam Raghavayya.[1] It stars Akkineni Nageswara Rao, Anjali Devi with music composed by P. Adinarayana Rao. The film was produced by Adinarayana Rao under the Anjali Pictures banner.
The film was simultaneously shot in Tamil as Manaalane Mangaiyin Baakkiyam .[2] [3] Lata Mangeshkar suggested that Suvarna Sundari be remade in Hindi instead of dubbing the film. It was then made in Hindi with the same title as the Telugu version. Nageswara Rao and Anjali Devi did their roles in the Hindi version as well; it was the only Hindi film in Nageswara Rao's film career, while Gemini Ganesan played the male lead in the Tamil version.
The shooting of the film was held at Venus Studios, Madras and the outdoor shooting was held at Shimsha falls, Mysore. The film was released through Chamria Talkie Distributors, headed by Sundar Lal Nahata, and it set a record at the box office by celebrating 50 days in 48 centres and completed 100 days in 18 centres.[4] [5] [6]
Once upon a time, there was a kingdom called Malwa. Prince Jayanth is about to leave after civilizing. Just before, Rajaguru's daughter Sarala denounces him for her refusal as he molested her. So, King Chandra Bhanu penalizes the death penalty when Jayanth absconds. On the way, he is acquainted with three sly thieves, Kailasam, Ullasam and Chadastam, who confront Jayanth to resolve the mystery behind Siva’s temple. Therein, Jayanth relieves Gandharva’s curse and bestows him with 3 marvel gifts. A Jug can supply any food, a Mat that can travel anywhere, and a Wand that punishes irrespective of his strength. Meanwhile, the 3 crafty backstab Jayanth, steal, share them, and split.
Fortuitously, a glorious angel named Surana Sundari descends and inadvertently collides with him, leading to their entanglement, union, and the conception of Sundari. Hereupon, enraged Indra curses her to be human, dismisses her from Jayanth's mind, and molds him as a statue if he lays a finger on her. Right now, Jayanth quits, and Sundari falls on earth and gives birth to a baby boy, but destiny makes them cleft. Years roll by, and Jayanth, as a wanderer, regains 3 objects, ceasing the trickeries. In between, the mishap turns him into a woman in the day & a male at night, and it relieves only after showering with nectar. Following, he signs in a kingdom as Jayanthi affiliates with Princess Prathima Devi. Eventually, Sundari, in men's guise, follows the same destiny, and she is accredited as its Chief Minister. Simultaneously, their son Siva Kumara is raised by a cowherd; after his death, he sets foot into a temple, where Siva & Parvati rear him.
One night, Prathima encounters Jayanth and loves him. Spotting it, grievous Sundari renounces. Later, Jayanth comes across a demon through it and detaches his curse when, unfortunately, he touches Sundari. Nevertheless, retrieving the past, Jayanth mutates into a statue. At that moment, Siva Kumara checks them into the temple where Siva affirms the boy as their own, and to disengage Jayanth, the boy should pick up the Golden Lotus from heaven. After making an audacious journey, the boy secures his father. At last, they return when Jayanth is proven not guilty. Just as Prathima arrives with her father, he hands her to Jayanth & Sundari. Finally, the movie ends happily.
After Paradesi (1953), the inaugural production of Anjali Pictures was an average success at the box office, its producers – husband and wife P. Adinarayana Rao and Anjali Devi – considered making their sophomore production based on folklore. The 1953 Hindi film Anarkali was a success and caught their attention, prompting them to adapt the same story in Telugu with the same title, while putting their folklore film plans on hold; it would eventually be revived as Suvarna Sundari.[7] [8]
Telugu version
Music composed by P. Adinarayana Rao. In an interview to The Indian Express in 1987, he said for a song in the Tamil version, he "adapted a rare composition of the famous Tanjore quartet" which prompted their sons to file a copyright violation, later Adinarayana Rao was bailed out by his friend.[9]
| Song Title | Lyrics | Singers | length | |
|---|---|---|---|---|
| "Piluvakuraa Alugakuraa" | Samudrala Sr. | P. Susheela | 3:22 | |
| "Bangaaru Vannela" | Samudrala Sr. | P. Leela | 4:32 | |
| "Ammaa! Ammaa | " | Samudrala Jr. | Ghantasala | 2:42 |
| "Bommaalammaa" | Samudrala Sr. | P. Susheela | 3:58 | |
| "Eraa Manatoti" | Kosaraju | Pithapuram | 2:51 | |
| "Haayi Haayigaa Aamani Saage" | Samudrala Sr. | Ghantasala, Jikki | 6:14 | |
| "Jagadeeswaraa" | Samudrala Raghavacharya Sr. | P. Susheela / Jikki (two versions) | 4:29 | |
| "Lakshmeem Ksheerasamuri" (Slokam) | Samudrala Jr. | Ghantasala | 0:58 | |
| "Naa Chitti Papa" | Samudrala Sr. | P. Susheela, M. S. Ramarao | 4:19 | |
| "Kommanura" | Kosaraju | P. Leela | 3:18 | |
| "Nee Needalona Nilichenuraa" | Samudrala Sr. | P. Susheela | 2:56 | |
| "Sambho, Naa Mora Vinavaa!" | Samudrala Sr. | P. Susheela | 4:10 | |
| "Tadheem Nanana Thom Tillana" | Kosaraju | P. Leela, Komala | 2:40 |
Tamil version
| Song | Singers | Lyrics | Length (m:ss) |
|---|---|---|---|
| "Thesulaavudhe Then Malaraale" | Thanjai N. Ramaiah Dass | 05:28 | |
| "Azhaikkaadhe Ninaikkaadhe" | P. Suseela | 03:42 | |
| "Mogamadaa Thaalaadha Modamadaa" | 03:33 | ||
| "Jegadheeswaraa" | P. Suseela | 05:58 | |
| "Mannaadhi Mannarum Kannaale" | P. Leela | 04:16 | |
| "Neeye En Vaazhvin Nidhiyaagume" | P. Suseela | 04:03 | |
| "Kanee Nee Vaadaa Kaniye Nee" | M. S. Rama Rao & P. Suseela | 04:30 | |
| "Munivor Manadhil Oliyaai" | Ghantasala | 00:26 | |
| "Joraana Bommai Paarungga" | P. Suseela | 03:26 | |
| "Evanndaa Nam Munne" | 02:48 | ||
| "Utthana Thom Thom Thanaa" | 02:21 | ||
| "Dheva Dhayai Puriya Vaa" | P. Suseela | 04:22 | |
| "Polladha Maaranum Villendhum" | A. P. Komala | 02:57 | |
| "Ammaa Ammaa Enum Anaiyaadha" | Ghantasala | 03:01 |
The renowned director-writer duo, Bapu–Ramana, lauded the film in their review, describing it as a "box office sutrala peddabalasiksha," essentially calling it an encyclopedia of box-office principles.[10]