Mama | |
Type: | single |
Artist: | B. J. Thomas |
Album: | I'm So Lonesome I Could Cry |
B-Side: | Windy |
Studio: | Pasadena Sounds, Pasadena, Texas |
Genre: | Pop |
Label: |
|
Producer: | Music Enterprises |
Prev Title: | I'm So Lonesome I Could Cry |
Prev Year: | 1966 |
Next Title: | Billy and Sue |
Next Year: | 1966 |
"Mama" is a song by American singer B. J. Thomas, released in March 1966 as a single from his debut album I'm So Lonesome I Could Cry. It peaked at number 22 on the Billboard Hot 100 and was later covered by British singer Dave Berry, whose version became a top-ten hit in the UK.
"Mama" was written by Mark Charron and details the devotion of a son to their mother. It was B. J. Thomas' follow-up to his top-ten hit "I'm So Lonesome I Could Cry" and was produced by Huey P. Meaux, credited as his company Music Enterprises. The single was originally released in March 1966 on Meaux's label Pacemaker Records, but was later released in May 1966 on Scepter Records, whereupon it became a hit, reaching the top thirty in the US and topping the chart in Australia.
BIllboard described it as a "nostalgic easy-rocker with top Thomas vocal replaces his hit "I'm So Lonesome I Could Cry."", whilst Cash Box described it as a "haunting, easy-going praise-filled ode to all the mothers in the world."[1] [2]
Chart (1966) | Peak position | |
---|---|---|
Australia (Kent Music Report)[3] | 1 | |
US Cash Box Top 100[4] | 15 |
Mama | |
Type: | single |
Artist: | Dave Berry |
Album: | The Special Sound of Dave Berry |
B-Side: | Walk, Walk, Talk, Talk |
Studio: | Decca Studios, London |
Genre: | Pop |
Label: | Decca |
Producer: | Mike Smith |
Prev Title: | So Goes Love |
Prev Year: | 1966 |
Next Title: | Sticks and Stones/Marble Breaks |
Next Year: | 1966 |
English musician Dave Berry released his version as a single in June 1966 which became his final top-ten single. Berry also sang the song in the film The Ghost Goes Gear.[5]
Reviewed in Record Mirror, "Mama" was described as "a slightly surprising selection – a well-sung and finely accompanied (by Ivor Raymonde) treatment of the ultra-sentimental song currently a big hit in the States via B. J. Thomas. As ever, Dave invests the song with a sense of style and drama."[6] John Wells for New Musical Express described it as "a great performance of this plaintive number by a singer who seems jinxed as far as the British charts are concerned."[7]
Chart (1966) | Peak position | |
---|---|---|
UK Disc and Music Echo Top 50[8] | 5 | |
UK Melody Maker Top 50[9] | 4 | |
UK New Musical Express Top 30[10] | 4 | |
UK Record Retailer Top 50[11] | 5 |