| Native Name: | Persian: {{nastaliq|مخدومقلی فراغی |
| Birth Name: | Magtymguly |
| Pseudonym: | Pyragy (Feraghi) |
| Birth Place: | Hajji Qushan, Khorasan, Safavid Iran |
| Death Place: | Khorasan, Qajar Iran |
| Resting Place: | Aq Taqeh-ye Qadim, Golestan Province, Iran |
| Occupation: | Spiritual leader, philosophical poet, sufi, traveller |
| Language: | Turkmen, Persian, Arabic |
| Nationality: | Turkmen |
| Parents: | Turkmen: [[Döwletmämmet Azady]] (father) |
| Spouse: | Unknown |
| Genre: | Poetry, qoshuk form |
| Subject: | Patriotism, social inequality, love |
| Notableworks: | Türkmeniň |
| Alma Mater: | Turkmen: Idris Baba Madrassah, Turkmen: Gögeldaş Madrassah, (Emirate of Bukhara), Turkmen: Şirgazy Madrassah, (Khanate of Khiva) |
| Period: | Golden Age of Turkmen literature |
| Movement: | Realism |
Magtymguly Pyragy (Persian: {{nastaliq|مخدومقلی فراغی Makhdumqoli Farāghi; Turkmen: Magtymguly Pyragy; in Turkmen pronounced as /ˌmɑɣtɯmɢʊˈlɯ ˌpɯɾɑːˈɣɯ/;,[1] born Magtymguly, was a Turkmen spiritual leader, philosophical poet, Sufi and traveller who is considered the most famous figure in Turkmen literary history.[2]
Magtymguly is the greatest representative of Turkmen literature, credited with the creation of Turkmen written literature, and whose literary form became a powerful symbol of the historical and the incipient national consciousness of the Turkmen people.[3] He is part of a unique period in the cultural history of Central Asia, with his exceptional talent projecting his personal poetic synthesis onto the next generation of poets of the region.
In a wider context, Magtymguly is often placed alongside major figures of the Turkic literary world such as Hoja Ahmad Yasawi, Yunus Emre, Ali-Shir Nava'i and Fizuli.[4]
Magtymguly was born in Haji Qushan,[5] a village near the city of Gonbad-e Qabus in the modern-day province of Golestan, Iran, the northern steppes of which are known as Turkmen Sahra (Turkmen steppes).[6] It was part of the extensive Safavid Empire in the first half of the 18th century.[7]
Magtymguly's name, signifying "slave of Magtym," derives from one of the revered lineages within the Turkmen community. In addition to his given name, the poet adopted a distinctive pen name or makhlas, "Feraghi," in his literary works. It comes from Arabic and means "the one separated from" happiness, or union with his beloved.
Magtymguly's father was Turkmen: [[Döwletmämmet Azady]], himself an educated poet. His father was also a local teacher and mullah, and was highly regarded by his people.[8]
Magtymguly received his early education in the Turkmen, Persian and Arabic languages from his father. He also learned ancestral trades such as felt-making and, according to some sources, jewellery.
Magtymguly continued his studies in various madrassahs (religious school of higher learning), including Idris Baba madrassah in the village of Turkmen: Gyzyl Aýak, Turkmen: Gögeldaş madrassah in Bukhara and Turkmen: Şirgazy madrassah in Khiva.[9] Magtymguly provided basic information about himself, his family and children in his poetry. In his poem "Turkmen: Äleme belgilidir" (Known in the world), Magtymguly says: "Tell those who enquire about me that I am a Gerkez, I hail from Etrek and my name is Magtymguly", identifying his homeland as the banks of the Etrek River and expressing his identity through his tribe.
Magtymguly traveled extensively during his lifetime, mostly to widen his erudition, with the territories of present-day Azerbaijan, India, Iran and Uzbekistan among the countries known to have been visited by him.
Not much is known about Magtymguly's family life. He was unable to marry a woman he loved from his own village, Turkmen: Meňli, whom he dedicated a great deal of his love poems.
The following is the excerpt from Magtymguly's Turkmen: Aýryldym (Separated) poem dedicated to Turkmen: Meňli (in original Turkmen and its English translation):
Magtymguly died in 1807. His resting place is in the village of Aq Taqeh-ye Qadim, in Golestan Province, Iran. Nowadays, his tomb is the site of pilgrimages at which prayers and Sufi "dhikrs" are performed by members of different ethnic groups.
A number of Magtymguly's poems display Sufistic philosophical attitudes that stress certain teachings and practices of the Quran and the sunnah, describing ethical and spiritual goals.
Magtymguly is said to have received his poetic talent from the Islamic prophet Muhammad in a dream.[10]
A number of Magtymguly's ghazals, however, when taken out of context, seem to make antinomian statements with regard to religion. Despite this, Magtymguly should not be compared to an Uzbek poet Mashrab, who was an antinomian heterodox Sufi and hanged in 1712, nor should he be compared to an Iraqi Turkmen poet Nesimi, who adopted self-deification stance. Antinomian heterodoxy appears not to be the major trend in Magtymguly's poetry. His conventional stand, in fact, is the Sufi station of khajrat (bewilderment).
The following is an excerpt from Magtymguly's Turkmen: "Ýar senden" poem is an exemplary work containing all of the familiar Sufi elements:
The following verse is a call to follow the "sunnah", where Magtymguly also uses the laqab of Turkmen: Aşyk Pyrak (Feraghi-in-love). Note: The first four lines is the original (Turkmen) language of the poem written using Arabic alphabet as in one of the earliest manuscripts, while next are in modern Turkmen alphabet; English translation is provided further down.
1
Turkmen: rtl=yes|{{nastaliq|عاشق فراق دير عرضين
Turkmen: rtl=yes|{{nastaliq|روزه نماز ديان فرضين
Turkmen: Aşyk Pyrak diýer arzyn,
Turkmen: Roza, namaz diýen parzyn,
Feraghi-in-love will state his will,
Our sacred duty is to pray and fast,
2
Turkmen: rtl=yes|{{nastaliq|بوينومزدا اوش بو قرضين
Turkmen: rtl=yes|{{nastaliq|جان چقمان بريب كچلی
Turkmen: Boýnumyzda uşbu karzyn,
Turkmen: Jan çykman berip geçeli!
We have this debt on our shoulders,
Let's return it before we leave!
In the poem below, called Turkmen: "Bady-sabany görsem" (I'd Like to Feel the Wind of Dawn), all three people Magtymguly wishes to have seen (known) are considered prominent figures in Sufism, with Bahauddin being the founder of one of the largest Sufi Sunni orders, the Naqshbandi.[11] [12] [13]
Magtymguly lived at a time when Turkmen tribes were displaced from their homeland, and plundered as a result of constant clashes with Iran and Khiva. He deeply resented it and expressed his feelings of repentance in his poems.[14] Indeed, Magtymguly express strong social protest in his poems, but his political thought is mostly directed towards the unification of the Turkmen tribes and the establishment of an independent polity for Turkmens.
Magtymguly was one of the first Turkmen poets to introduce the use of classical Chagatai, the court language of the Khans of Central Asia, as a literary language, incorporating many Turkmen linguistic features.[15] His poetry exemplifies a trend towards increased use of Turkic languages rather than Persian; he is revered as the founder of Turkmen poetry, literature and language.[16] Magtymguly's poetry also gave start to an era litterateurs depict as the "Golden age" in Turkmen literature.[17] His literary form became a powerful symbol of the historical and the incipient national consciousness of the Turkmen people.
Unlike his father and another prominent Turkmen poet of the era, Andalib, Magtymguly employed strophic form, usually quatrains (qoshuk) for his poems making them syllabic. Vast majority of his poems are in the form of folk Turkmen songs, qoshuk and aydish, with the latter being a form of musical contest usually involving two poets.
Magtymguly is part of a unique period in the cultural history of Central Asia; his exceptional talent projected his personal poetic synthesis onto the next generation of poets of the region.
Magtymguly is often placed alongside major figures of the Turkic literary world such as Hoja Ahmad Yasawi, Yunus Emre, Ali-Shir Nava'i and Fizuli.
27 June is celebrated in Turkmenistan as "the Day of Workers of Culture and Arts and the poetry of Magtymguly Fragi".[18]
Monuments to Magtymguly Pyragy are installed in cities across the former USSR, including Kyiv (Kiev), Astrakhan, Tashkent,[19] and Khiva, as well as in Iran and Turkey. A monument to Magtymguly made of concrete and natural stone was erected in Magtymguly Square on Magtymguly Avenue in the center of Ashgabat in 1971.[20] He is also one of several statues that surround the Independence Monument in Ashgabat. The statues depict people praised in the Ruhnama, a spiritual guide written by Turkmenistan president Saparmurat Niyazov.[21]
The following are named after Magtymguly:
In 1959, the USSR issued a postage stamp to mark the 225th anniversary of the birth of Magtymguly.[31] In 1983, the USSR issued another stamp to mark the 250th anniversary of his birth.[32] Turkmenistan issued a 10 manat banknote bearing his likeness in 2009.