Maffeo Barberini (1631–1685) Explained

Maffeo Barberini
Prince of Palestrina, Count of Pacentro, Count of Gagliano, Gonfalonier of the Church
More:no
Successor:Urbano Barberini
Suc-Type:Successor
Spouse:Olimpia Giustiniani
Spouse-Type:Spouse
Father:Taddeo Barberini
Mother:Anna Colonna
Birth Date:19 August 1631
Birth Place:Rome
Death Date:28 November 1685
Death Place:Villa Bagnaia
Place Of Burial:Church of Santa Rosalia, Palestrina

Maffeo Barberini (19 August 1631 – 28 November 1685) was an Italian nobleman of the Barberini and Prince of Palestrina. He was appointed Gonfalonier of the Church.

Family

Born in 1631, Barberini was one of the five children of Taddeo Barberini and Anna Colonna, daughter of Filippo I Colonna. His siblings included cardinal Carlo Barberini and Lucrezia Barberini who married Francesco I d'Este, Duke of Modena.[1]

His great uncle (on his father's side) was Barberini Pope Urban VIII.

Wars of Castro

Between 1639 and 1649, the Barberini fought the Wars of Castro alongside the Pamphili family. Maffeo's father, Taddeo, and Luigi Mattei led the papal armies loyal to Pope Urban VIII and the Barberini family. In 1644, after the first War of Castro, Pope Urban VIII died and Pamphili family Pope Innocent X was elected in his place. Pope Innocent subsequently began an investigation into Antonio Barberini (Maffeo's uncle), prompting him to flee into exile with his two brothers, Francesco and Taddeo (Maffeo's father).

Marriage and titles

Taddeo Barberini died in exile in Paris but the Barberini and Pamphili families were reconciled when, in 1653, his son Maffeo married Olimpia Giustiniani,[2] grand-niece of Pope Innocent X. The marriage had been engineered by Giustiniani's maternal grandmother, papal power-broker Olimpia Maidalchini, and Barberini's uncle, Cardinal Antonio Barberini. Maidalchini, realizing her influence over Pope Innocent was waning, arranged the marriage to facilitate a return of the Barberini to Rome in order to curry favor with a number of the Barberini family's cardinals. The Barberini, too, were keen to return to Rome and were enthusiastic about Maidalchini's plan to marry Pope Innocent's grand-niece, Guistiniani, into their family.

Despite the fact that 12-year-old Guistiniani stubbornly refused to marry her 22-year-old suitor, surprising few, the two were married at a lavish ceremony celebrated by Pope Innocent himself. After the ceremony, however, the child refused to go home with her new groom to allow the marriage to be consummated. Her mother, who had barely been involved in her upbringing, appealed to her by telling her that other girls were forced to marry decrepit old men and that, by comparison, Barberini was a far better option. When the child still refused, Maidalchini forced her granddaughter into a carriage that took her to the Palazzo Barberini and a new life as a daughter of the Barberini.[3]

thumb|left|250 px|Palestrina as it appeared in 1671 during Maffeo Barberini's administration.Barberini was later restored to his father's former title of Prince of Palestrina - nominal patriarch of the Palestrina comune owned by the Barberini family. He was likely also appointed Gonfalonier of the Church on the same basis. Barberini commissioned the construction of the Church of Santa Rosalia in Palestrina (opened in 1677) which includes a tribute to Maffeo's father Taddeo by Bernardino Cametti, commissioned by Maffeo's son Cardinal Francesco.

In 1662, on the death of his uncle (his mother's brother), he applied to King Philip IV of Spain to acquire all feuds and titles (within the King's dominion) which had belonged to the Colonna.[4] The king agreed, despite potential claims from Colonna descendants, and gave Maffeo permission to take control of a series of comunes including and Petrella Salto. Barberini was also given permission to take control of the comune of Torre Annunziata which had been owned by the Orsini family but had been seized by the Spanish Treasury several years earlier.[5]

After further negotiations, in 1664, Barberini officially purchased the Pacentro comune from the Colonna and added Count of Pacentro to his titles. Four years later he purchased the Gagliano comune and thus became Count of Gagliano.[6]

In 1668 he was made a Knight of the Order of the Golden Fleece.

Maffeo Barberini died on 28 November 1685 while he was in residence at the Villa Bagnaia. The villa constituted a part of the estate of Ippolito Lante Montefeltro della Rovere, Duke of Bomarzo and nephew of Cardinal Marcello Lante della Rovere; a contemporary and ally of Maffeo's uncles and father who had been Bishop of Palestrina.

Patron of the arts

Barberini continued the patronage of the arts started by his family members before him. He was, if only for the purpose of maintaining the wealth of the Barberini a collector of art and became the owner of the art collection previously owned by his uncle Antonio Barberini which included at least three paintings by Caravaggio.[7] [8]

Barberini also commissioned paintings by Niccolò Tornioli.

In 1653, Barberini reopened the Teatro delle Quattro Fontane after it had been closed for more than 10 years while his uncles and father had been in exile. It continued to host operatic performances until it was damaged by fire and abandoned.

Issue

Maffeo Barberini and Olimpia Giustiniani had five children:

See also

Notes and References

  1. http://worldroots.com/foundation/families/taddeobarberinidesc.htm Worldroots - Barberini
  2. Web site: History of Pope Innocent X . 2010-06-29 . https://web.archive.org/web/20120728134253/http://www.saint-mike.org/library/papal_library/innocentx/biography.html . 2012-07-28 . dead .
  3. Mistress of the Vatican by Eleanor Herman (HarperCollins, 2008 -)
  4. http://www.comune.petrellasalto.ri.it/cultura/storia%20e%20personaggi%20storici/9/dalfeudalesimo.html History of the comune:
  5. http://www.solepazzo.it/storia.htm History of the comune:
  6. http://www.comunitamontanasirentina.it/?comuni.gaglianoaterno History of the comune:
  7. The Singing 'Lute-Player' by Caravaggio from the Barberini Collection, Painted for Cardinal Del Monte by Denis Mahon (The Burlington Magazine, 1990)
  8. https://www.kimbellart.org/Collections/Collections-Detail.aspx?P=&TypeID=&Focus=&cid=8525&cons=false&prov=true The Cardsharps; provenance