| Lyle Mays | |
| Birth Name: | Lyle David Mays |
| Birth Date: | 27 November 1953 |
| Birth Place: | Wausaukee, Wisconsin, U.S. |
| Death Place: | Los Angeles, California, U.S. |
| Genre: | Jazz, Contemporary jazz |
| Occupation: | Musician |
| Instrument: | Piano, keyboards |
| Years Active: | 1975–2020 |
| Label: | ECM, Geffen, Warner Bros. |
| Associated Acts: | Pat Metheny Group |
Lyle David Mays (November 27, 1953 – February 10, 2020) was an American jazz pianist, composer, and member of the Pat Metheny Group.[1] [2] Metheny and Mays composed and arranged nearly all of the group's music, for which Mays won eleven Grammy Awards.
While growing up in rural Wisconsin, Mays had a lot of curiosity but had to learn many things all by himself due to a lack of available resources and information. He had four main interests: chess, mathematics, architecture, and music. His mother Doris played piano and organ, and his father Cecil, a truck driver, taught himself to play guitar by ear.[3] His teacher allowed him to practice improvisation after the structured elements of the lesson were completed. At the age of nine, he played the organ at a family member's wedding, and at fourteen he began to play in church.[4] During his senior year of high school, at summer national stage band camp in Normal, Illinois, he was introduced to jazz pianist Marian McPartland.[5]
Bill Evans at the Montreux Jazz Festival and Filles de Kilimanjaro by Miles Davis (both recorded in 1968) were important influences. He attended the University of North Texas after transferring from the University of Wisconsin–Eau Claire.[6] [7] [8] He composed and arranged for the One O'Clock Lab Band and was the composer and arranger for the Grammy Award-nominated album Lab 75.[9]
After leaving the University of North Texas, Mays toured in the US and Europe with Woody Herman's Thundering Herd (big band) for approximately eight months. In 1975, he met Pat Metheny at the Wichita Jazz Festival and soon afterward they co-founded the Pat Metheny Group. Mays had an extraordinary career as a core musical architect and sound designer of the group for more than three decades. The group had 23 Grammy nominations, winning the award 11 times.[10]
After the Pat Metheny Group’s long-form recording The Way Up in 2005, a brief 2008-2009 Japan tour, and the "Songbook Tour" in Europe in 2010, Mays decided to retire from public music performance, although he did perform at the Western Michigan University Jazz Club in 2010 and at a Ted Talk event[11] at Caltech in 2011 with his own groups. In an interview with JAZZIZ magazine in 2016, Mays said he had been working as a software development manager because of changes in the music industry.[12] [13]
Mays composed, orchestrated, and arranged as a core member of the Pat Metheny Group, playing piano, organ, synthesizers and, occasionally, trumpet, accordion,[14] agogô bells,[15] autoharp,[16] toy xylophone,[17] and electric guitar. He also composed, performed, and recorded dramatic scores for children's audiobooks, such as East of the Sun, West of the Moon, with text narrated by Max von Sydow; Moses the Lawgiver, told by Ben Kingsley; The Lion and the Lamb, narrated by Amy Grant and Christopher Reeve; and The Tale of Mr. Jeremy Fisher and Tale of Peter Rabbit, read by Meryl Streep.[5] In 1985, Metheny's and Mays's compositions were performed by the Steppenwolf Theater in Chicago in the critically acclaimed production of Orphans by Lyle Kessler.[18] Lyle's Oberheim analog synth pad and his voice counting the second hand of a clock at the recording session, "55..., 3..," which can be heard from the bridge part of "As Falls Wichita, So Falls Wichita Falls (1981)," was used for Christian Dior's Fahrenheit Cologne commercials for almost 30 years, from 1988 to 2016.
Mays was regarded by both professional musicians and music fans as one of the most innovative and creative jazz pianists and keyboardists, but he considered himself more of a serious contemporary composer with an advanced approach to classical music, harmonic aesthetics, and structural development through long forms.[19] [20] He composed several contemporary classical pieces, such as "Twelve Days in the Shadow of a Miracle", a piece for harp, flute, viola, and synthesizer recorded in 1996 by the Debussy Trio.[21] Mays also composed "Distance" for Pat Metheny Group’s Grammy-winning and RIAA-certified Gold album, Still Life (Talking) (1987, Geffen), "Mindwalk"[22] in 2009 for renowned marimba player, Nancy Zeltsman, and previously "Somewhere in Maine"[23] in 1988 for her duo with violinist Sharan Leventhal, Marimolin, and "Street Dreams 3" for his solo album, Street Dreams (Geffen, 1988) with top classical performers in New York City.
Apart from his work with Metheny, Mays formed his own trio with Marc Johnson (contrabass), Jack DeJohnette (drums), and Peter Erskine (drums) and formed the Lyle Mays Quartet with Marc Johnson or Eric Hochberg (contrabass), Mark Walker (drums), and Bob Sheppard (saxophone). In 2015, Naxos Germany released a live double album The Ludwigsburg Concert from their 1993 appearance (with Johnson) there.[24]
He collaborated with electronic keyboard instrument makers, Kurzweil and Korg, to develop their new sounds since he had great knowledge of both computer programming and music synthesis that he learned by himself.
One of Mays’ best-known compositions is "Close to Home," or "Mars" as it was initially called. He first recorded "Mars" in a 1977 session with the Dallas fusion band High Rise.[25] The Pat Metheny Group performed the piece live between 1979 and 1982 with Metheny playing the main theme on guitar. Mays experimented widely with the introductory material, settling on the quintessential blend of synthesizer and piano for his eponymous album in 1986. Mays performed the piece on acoustic piano with his quartet as late as 1993. (See interactive timeline of his performances of "Close to Home" at this link.[26]) The R&B/funk group, Earth, Wind & Fire, recorded "Close to Home" as an interlude on their 1990 album Heritage.[27] The prominent Brazilian singer-songwriter, Milton Nascimento, combined Mays' composition with Portuguese lyrics by Luis Avellar to create "Quem é Você," which was recorded on his 1991 live album, O Planeta Blue Na Estrada Do Sol.[28] Another Brazilian singer, Zizi Possi, sang "Quem é Você" for her 1994 album, Valsa Brasileira.[29]
Since Mays was a young child, he enthusiastically exhibited his architectural fantasies with LEGO bricks and kept the passion until his late years.[30] As an amateur architect, he designed his own house, home studio, and his sister Joan's house in Wisconsin.
Mays was particularly influenced by the legendary American architect, designer, the father of American modernism, and fellow Wisconsinian, Frank Lloyd Wright.[31] Mays brought intellectual and organic architectural concepts in his music and sound design based on the innovative integration of many different sources to create a completely new soundscape as Wright achieved through his unique architectural landscape.
Mays died in Los Angeles at the age of 66 on February 10, 2020, "after a long battle with a recurring illness".[32]
Mays was posthumously awarded the Grammy Award for Best Instrumental Composition at the 64th Annual Grammy Awards in 2022 for his composition "Eberhard," dedicated to the German double bassist and composer, Eberhard Weber.[33]
With Pat Metheny
With other Musicians