| Luis Perdomo | |
| Background: | non_vocal_instrumentalist |
| Birth Date: | February 19, 1971 |
| Birth Place: | Caracas, Venezuela |
| Genre: | Jazz |
| Occupation: | Musician, composer, educator |
| Instrument: | Piano |
| Years Active: | 1983 - present |
| Label: | Hot Tone, RKM, Criss Cross Jazz |
| Associated Acts: | Miguel Zenon, Gerry Weil, Ravi Coltrane, Ralph Irizarry, Harold Danko, David Gilmore, Sir Roland Hanna, Gabriel Vicéns, Mimi Jones, Yosvany Terry, Ray Barretto, David Sanchez, |
Luis Perdomo (born February 19, 1971, in Caracas, Venezuela) is a jazz pianist, composer, and educator.
Perdomo's first paying gig was at age 12.[1] From an early age, he played on Venezuelan TV and radio stations. He says his early gigs in Venezuela were dance music and then traditional Venezuelan music, and that his first jazz gig was at age 15 a hotel in Venezuela. He says soon after that, he played as the house pianist at Juan Sebastian Bar, a jazz club in Caracas.
Perdomo says he visited New York City at age 19 to hang out, returned later, won a scholarship audition for the Manhattan School of Music, and moved there permanently in 1993 at age 22.[2]
He said, "I used to play, in addition to Juan Sebastian Bar, with a lot of jazz artists. I also had a real good pop gig that was paying a lot of money. I was doing fairly well, but I always thought I was a big fish in a small pond. I didn't want to do that. I wanted to come to New York. I sold all my equipment and moved."
Venezuelan percussionist Marlon Simon claimed Perdomo as one of the 1995 founding members of his band the Nagual Spirits who recorded and toured internationally.[3] [4]
By 2001, Perdomo had arrived on the New York scene "playing hard-punching Latin jazz," as Bill Ratliff wrote in the New York Times.[5] Among other engagements, he appeared as a regular member of Puerto Rican bassist John Benítez's New York trio with drummer Tony Cintron.[6]
In 2002, Perdomo joined saxophonist Ravi Coltrane's superlatively-reviewed quartet with double-bassist Drew Gress and drummer E. J. Strickland. The four toured and recorded together at least until 2012.[7] [8] [9] Perdomo's first album as leader, Focus Point, was produced by Coltrane. Recorded in 2003, it was released by Coltrane's label, RKM Music, in 2005.[10] In a 2012 interview for All About Jazz, Perdomo said about Coltrane, "...whatever he says really makes sense. I totally trust him, blindly. I've played in his band for so many years. He knows what I like, musically. When we're in the studio and he's up there listening, I know he's in touch with what I want to express musically."
By 2004, he was playing in Miguel Zenón's well-regarded regular band with Hans Glawischnig on bass and Antonio Sanchez on drums.[11] Zenón called it his "dream band."[12] Perdomo and Zenón were students together at the Manhattan School of Music and have been making music together on the New York scene since at least before 2001.
In 2016, the pianist led Controlling Ear Unit, a group including drummer Rudy Royston and bassist and vocalist Mimi Jones who is also Perdomo's wife.[13] [14]
In 2017, Perdomo was listed as part of the music faculty at the Aaron Copland School of Music at Queens College in New York. As of 2024 he was still serving there as adjunct professor teaching jazz performance in piano.[15] [16] [17]
In 2021, Perdomo was nominated for a Latin Grammy Award for Best Latin Jazz/Jazz Album for his work with Zenón on their collaboration album El Arte Del Bolero. In 2022 the album was nominated for a Grammy Award for Best Latin Jazz Album. In 2024, the duo won the Grammy for El Arte Del Bolero Vol. 2.[18] [19] [20]
From 2023 to 2024, Perdomo was teaching at the Berklee College of Music.[21] [22]
In addition to those mentioned elsewhere in this article, Perdomo has played with Robert Hurst,[23] Jamie Baum,[24] John Ellis,[25] JD Allen, Marcus Rojas, Gregg August, Frank Lacy, Shelley Washington, John Patitucci, Ray Barretto, Alice Coltrane, Brian Lynch, David Sanchez, Dafnis Prieto, Yosvany Terry, David Gilmore,[26] Christian McBride, Jeff (Tain) Watts, Claudia Acuña, Mino Cinélu, Luisito Quintero, Brad Jones,[27] Terreon Gulley, Jon Irabagon,[28] Yasushi Nakamura, Antonio Sanchez,[29] Johnathan Blake, Dafnis Prieto,[30] and others.
Ratliff compared his playing style to Steve Coleman,[31] Danilo Perez, Vijay Iyer, and Dave Holland. Others have heard in his music the influence of Chick Corea, Bill Evans, Keith Jarrett, Herbie Hancock, and McCoy Tyner. His own stated influences are Bud Powell, Oscar Peterson, John Coltrane, Albert Ayler, Jack DeJohnette, Ray Bryant, and Cecil Taylor.
Others he has played with are Ralph Irizarry and Timbalaye, Dave Douglas, Tom Harrell, Henry Threadgill, Steve Turre, David Weiss and Robin Eubanks.
At the age of 10, Perdomo became a student of the Vienna-born Venezuelan musical icon, pianist Gerry Weil,[32] and says he remained Weil's student until age 20.
"The biggest lesson I received from Gerry Weil in Venezuela was to keep my mind open to all types of music," Perdomo said.[33] [34]
At the Manhattan School of Music, where Perdomo earned his Bachelor of Music in 1997, he studied with pianist Harold Danko. Perdomo graduated with a Master's degree from Queens College where he studied with the legendary pianist Sir Roland Hanna.[35] [36]
At the Manhattan School of Music he was also a student of classical pianist Martha Pestalozzi. Luis also cites Jaki Byard as one of his teachers.
Perdomo is married to double-bassist and vocalist Mimi Jones with whom he also performs.[37]
Favorably-reviewed[38] Focus Point was Perdomo's first recording as leader. RKM Music released the album in 2005. Produced by Ravi Coltrane who also contributes musically, it features Perdomo in shifting ensembles with drummer Ralph Peterson Jr., saxophonist Miguel Zenón, and bassist Carlo DeRosa. The New York Times called the music "energetically limber."[39]
Awareness is Perdomo's 2006 album released by RKM Music. It features him as leader both in a conventional jazz trio and in a less conventional quintet with two bassists and two drummers. Besides Perdomo, consistent personnel on all tracks is bassist Hans Glawischnig and drummer Eric McPherson. Added on the quintet tracks are bassist Henry Grimes and drummer Nasheet Waits. In 2007, highlighting this album, Jason Crane interviewed Perdomo for an episode of the podcast The Jazz Session.[40]
Pathways features Perdomo again with Glawischnig and McPherson. The album is a mixture of Perdomo's originals as well as his arrangements of standards and folk songs. AllMusic's review states, "Of the many piano-bass-drums jazz trio recordings that tumble into the marketplace year after year, this one is notable and a standout from the crowd."[41]
In 2012, RKM Music released Perdomo's superlatively reviewed Universal Mind, a trio album with bassist Drew Gress and drummer Jack DeJohnette whom Perdomo says had been one of his major musical influences, even back to his early years in Venezuela. The New York Times wrote that "it exudes such strong, uncluttered conviction that it feels like a forward leap."
Also in 2012, the Criss Cross label released Perdomo's The Infancia Project which features Perdomo with tenor saxophonist Mark Shim, drummer Ignacio Berroa, percussionist Mauricio Herrera, and bassist Andy Gonzáles. In an "long overdue"[42] and intentional nod to Perdomo's cultural origins, the group performs Latin versions of jazz standards as well as the pianist's own compositions.[43]
Described by Jazzwise as "a nice change of pace" because of its reliance on more straightahead material that "would be easier to identify with," Links includes Zenón on alto saxophone, bassist Dwayne Burno, and drummer Rodney Green. To pay homage, Perdomo selects some of the music composed by his teachers Sir Roland Hanna, Harold Danko, and Gerry Weil.[44] All About Jazz writes that the album "doesn't rely on any 'gimmicks' for its originality but instead relies on the strength of the improvisers and of the group as a whole to really bring innovation to the music."[45]
Released 22 years after Perdomo moved from Caracas to New York to study music at age 22, this CD features Controlling Ear Unit, his trio with bassist and vocalist Mimi Jones and drummer Rudy Royston.[46] With musical and other callbacks to his teachers during that time and programmatic depictions of New York City and historic Venezuela, the music tells the story of that transitional point in Perdomo's life.[47] "Stimulating" is what Jazziz called this collection of mostly originals, save one cover of the Bee Gees' "How Deep Is Your Love."[48]
Responding to Perdomo's solo album Montage, the New York Times wrote in 2016 that the project confirmed "his strong foothold in a modern harmonic continuum."[49]
With Tom Harrell
With Miguel Zenon
With Ravi Coltrane
With David Sanchez
With Henry Threadgill
With Ray Barretto
With David Gilmore
With Steve Turre
With Jon Irabagon
With Ben Wolfe
With Ralph Irizarry and Timbalaye
With Gregg August