| Władysław Syrokomla | |
| Pseudonym: | Władysław Syrokomla |
| Birth Name: | Ludwik Władysław Franciszek Kondratowicz |
| Birth Date: | 29 September 1823 |
| Birth Place: | Smolhava, Minsk Governorate, Russian Empire |
| Death Place: | Vilnius, Vilna Governorate, Russian Empire |
| Resting Place: | Rasos Cemetery, Vilnius |
| Language: | Polish and Belarusian |
| Genre: | Romanticism |
| Signature: | Autograph-WladyslawSyrokomla.png |
Ludwik Władysław Franciszek Kondratowicz (29 September 1823 – 15 September 1862), better known as Władysław Syrokomla, was a Polish romantic poet, writer and translator working in Vilnius and Vilna Governorate, then Russian Empire, whose writings were mainly dedicated to the former Grand Duchy of Lithuania. In his writings, Syrokomla called himself a Lithuanian but was disappointed by his inability to speak the Lithuanian language.[1]
Syrokomla was born on 29 September 1823 in the village of, in the Minsk Governorate of the Russian Empire (now Minsk Region, Belarus), to an impoverished noble family.[2] His parents were Aleksander Kajetan Kondratowicz (d. 1858) and Wiktoria (née Złotkowska). His uncle was Hilary Kondratowicz (1790–1823), a Polish teacher of maths in Vilnius gymnasium, who published some articles in . A year after his birth his parents moved to another village called . In 1833 he entered the Dominican school in Nyasvizh. He had to give up his studies due to financial problems. In 1837, he began work in a folwark.
Between 1841 and 1844, he worked as a clerk in the Radziwiłł family land manager's office. On 16 April 1844 in Nyasvizh he married Paulina Mitraszewska, with whom he had four children; three of them would die in the same year (1852). Later, Syrokomla had a widely criticised an affair with a married actress Helena Kirkorowa.[3]
In 1844, he published the first of his poems – Pocztylion – under the pen-name Władysław Syrokomla, coined after his family's coat of arms. The same year he also rented the small village of Załucze. In 1853, after the death of three of his children, he sold it or gave his manor to his parents, and settled in Vilnius itself. After a few months he rented the Bareikiškės village, near Vilnius.
He became one of the editors (1861–1862) of the Kurier Wileński, the largest and most prestigious Polish-language daily newspaper published in the Vilnius region. In 1858, he visited Kraków, and some time later he visited Warsaw. For taking part in an anti-tsarist demonstration in 1861 in Warsaw he was arrested by the Okhrana and then sentenced to home arrest in his manor in Bareikiškės. He died on 15 September 1862 and was buried in the Rasos Cemetery in Vilnius.
Throughout his life, Syrokomla would remain impoverished; Czesław Miłosz wrote that he was "forever struggling against his lack of education and his poverty". Despite that, Syrokomla had many influential and even wealthy friends; his manor was visited by count Eustachy Tyszkiewicz, Stanisław Moniuszko, Ignacy Chodźko, Mikołaj Malinowski, Antoni Pietkiewicz and others.
Syrkomla was influenced by Adam Mickiewicz. In his prose he supported the liberation of peasants and secession of the lands of former Polish–Lithuanian Commonwealth from Russian Empire, which had annexed portions of the Commonwealth, including what was the Grand Duchy of Lithuania, during its late 18th-century partitions.
Among the most notable of Syrokomla's works are translations of various Russian, French, Ukrainian, German and Latin poets, including works by Goethe, Heine, Lermontov, Shevchenko, Nekrasov, Béranger and others. His translations are considered a "great service" for the Polish language. Syrokomla also produced a number of works about the rustic nature, people and customs of Lithuania and Belarus.[2] The vast majority of his works were written in the Polish language, however, he also wrote several poems in Belarusian.[4] Syrokomla is considered by some as one of the early influential writers in modern Belarusian language, although many of his Belarusian poems are believed to be lost.
Nevertheless, based on the knowledge of how the small nobility lived in Lithuania in the first half of the 19th century, it is assumed that Syrokomla was bilingual from childhood and was equally fluent in Belarusian and Polish. This is evidenced by the statements of the poet himself, which speak about the knowledge of the Belarusian language and how to master it in everyday contacts with the Belarusian people. He mentioned this in «Teka Wileńska»: "Karamzin, as a Russian, probably didn't know the old Belarusian dialect as we did, which we learned in everyday relations with the people".[5] [6] [7]
The poet was interested in the Belarusian language, introduced it into his works and mentioned it to the readers of the "Gazeta Warszawska". He wrote about the Belarusian language and its meaning in the past:[6] [7] During his lifetime, his works were translated into several languages, including Lithuanian. The composer Tchaikovsky adapted one of his works expressing a sympathetic view of the then-unliberated peasants – The Coral Beads – into a song. He also wrote of the Tatar community in Lithuania and its mosques and of a Jewish bookseller in Vilnius.
Some of his works are classified as gawęda (a story-like Polish epic literary genre).[4]
While majority of sources refer to him as a "Polish poet", his legacy is best understood in the context of the multicultural Polish-Lithuanian identity. His birthplace was located within the former Grand Duchy of Lithuania,[4] and he referred to himself as a Lithuanian when expressing his identity.
In his book ('Picnics from Vilnius throughout Lithuania') from 1857–1860, Syrokomla wrote the following:
Another village near the manor is called . On Sunday, a slightly more upbeat life buzzed in it. The inn could hear the noise of revelers. Girls and children were running in the street, shouting in Lithuanian. Unfortunately, the Lithuanian language is incomprehensible to us, who write historical poems of Lithuania. The Lithuanian villager turns out to be more civilized than us. In addition to his native Lithuanian language, he understands Polish well and explains it well.
On the right, behind Airėnai, you can see the beautiful Geisiškės manor with a Gothic-style palace, which now belongs to the Giedraičiai dukes. This manor and the adjacent Europe or Eirope manor are former Jesuit properties. These two estates are separated by a beautiful lake with a small stream flowing out of it. Along it there is a dam covered with brambles and a mill. How I wanted to ask the villager something, but he did not understand me and answered with one word "" [I don't understand]. I, a Lithuanian in the land of Lithuanians, couldn't talk to a Lithuanian!Syrokomla also identified himself with the land of modern Belarus and its people. During Syrokomla's burial ceremony, the Lithuanian poet Edvardas Jokūbas Daukša emphasized that while Syrokomla was influenced by Polish culture, he was a Lithuanian poet, closest to Lithuania after Adam Mickiewicz. Teofil Lenartowicz wrote a memorial poem on his death referring to him as a "lirnik Litewski" (Lithuanian lyricist).[8] His works were often translated into Lithuanian and Belarusian languages.
In modern Belarus, he is being praised for depicting the life of 19th century Belarus and for his ethnographic research of Belarusians. In his publications, Syrokomla supported the Belarusian language and the Belarusian theatre plays by the playwright Vintsent Dunin-Martsinkyevich.
In Belarus, there are streets named after W. Syrokomla (vulica Uladzislava Syrakomli) in Minsk, Grodno and in smaller towns Novogrudok, Nyasvizh, Pinsk, Vawkavysk, Maladzyechna and Pruzhany. In Smolhava a school is named after Syrokomla.
In Warsaw's residential district Bródno (city district Warszawa-Targówek) there are two streets dedicated to the poet: Ludwik Kondratowicz St and Władysław Syrokomla St.
In Vilnius, a Polish-language school of the Polish minority in Lithuania is named after him.