Lover (album) explained

Lover
Type:studio
Artist:Taylor Swift
Cover:Taylor Swift - Lover.png
Border:yes
Alt:The album cover is a picture of Taylor Swift along a backdrop of clouds, with the album title written above.
Recorded:November 2018 – February 2019
Studio:
Genre:
Length:61:48
Label:Republic
Producer:
Prev Title:Reputation
Prev Year:2017
Next Title:Live from Clear Channel Stripped 2008
Next Year:2020

Lover is the seventh studio album by the American singer-songwriter Taylor Swift, released on August 23, 2019, by Republic Records. It is her first album after her departure from Big Machine Records, which caused a public dispute over the ownership of Swift's past albums.

Swift recorded Lover after finishing her 2018 Reputation Stadium Tour, having recalibrated her personal life and artistic direction following the public controversies that preceded her previous studio album, Reputation (2017). She produced Lover with Jack Antonoff, Joel Little, Louis Bell, and Frank Dukes. Described by Swift as a "love letter to love", the album explores wide-ranging emotions like infatuation, commitment, lust, and heartache; a few songs discuss political issues such as LGBT rights and feminism. The production incorporates a 1980s-inspired electropop, pop rock, and synth-pop sound characterized by atmospheric synthesizers, mid-tempo rhythms, and acoustic instruments, with eclectic elements of country, folk, and funk.

Swift extensively promoted Lover through television shows, magazine covers, and press interviews. Lover cover art and visual aesthetic feature bright pastel colors. Four singles were released in 2019–2020: "Me!", "You Need to Calm Down", "Lover", and "The Man"; the first three reached the top 10 of the Billboard Hot 100. The fifth single, "Cruel Summer", was released in 2023 and topped the Billboard Hot 100. In the United States, Lover was Swift's sixth consecutive Billboard 200 number-one album and the best-selling album of 2019, and the Recording Industry Association of America certified it triple platinum. The global best-selling album by a solo artist of 2019, it topped the charts and received platinum certifications in Australia, Canada, New Zealand, Norway, and the United Kingdom.

When Lover was first released, music critics generally praised the emotional maturity and free-spirited sound of Swift's songwriting, but some took the issue with the wide-ranging musical styles as incohesive. Many publications included the album in their rankings of the best albums of 2019. It was nominated for the Grammy Award for Best Pop Vocal Album and won the American Music Award for Favorite Pop/Rock Album. Retrospective reviews have placed Lover as a weaker album in Swift's discography, upholding her mature songwriting but saying that the eclectic sound brought mixed results.

Background

Swift recalibrated her artistry and image from country music to pop with her 2014 fifth studio album, 1989, which incorporated a 1980s synth-pop sound with dense synthesizers, programmed drum machines, electronic vocal processing, and dance-oriented arrangements. 1989 sold over five million copies in the United States within one year and propelled Swift toward global pop stardom,[1] [2] but her fame was blemished by tabloid gossip that publicized her short-lived romantic relationships with Calvin Harris and Tom Hiddleston.[3] A mid-2016 dispute with the rapper Kanye West over his single "Famous" led to an internet cancellation movement against Swift.

The controversies influenced Swift's 2017 studio album, Reputation,[4] [5] a hip hop-influenced record with themes of vengeance and drama, representing a vindictive image that outgrew her previous "America's Sweetheart" reputation.[6] Reputation was Swift's last album with Big Machine Records, to which she had signed in 2006.[7] [8] She reflected on the album as a "defense mechanism" that helped her protect her mental health amidst the controversies[9] and her forgone "America's Sweetheart" reputation as liberating, as she no longer had to be self-aware of being "always smiling, always happy".[10]

After finishing the Reputation Stadium Tour in November 2018, Swift signed with Universal Music Group label Republic Records. She publicly voiced her political opinion for the first time upon endorsing two Democrat candidates for the 2018 midterm elections in her home state Tennessee.[11] Swift recalled that on the Reputation Stadium Tour, her fans saw her "as a flesh-and-blood human being" and not just the media image of her, which "[assigned] humanity" to her life.[12] She channeled this realization in writing songs for her seventh studio album: "This time around I feel more comfortable being brave enough to be vulnerable, because my fans are brave enough to be vulnerable with me."[13]

Themes and lyrics

As with her past albums, Lover was a reflection on Swift's personal life;[14] she focused on creating music, deprioritized social media, and took her occupation as an entertainer less seriously.[15] [16] She wrote the album after having adjusted her state of mind and embraced a newfound sense of creativity.[17] This sentiment is reflected in the opening track, "I Forgot That You Existed", in which Swift sings about no longer seeking vengeance against those who wronged her. She described the songwriting as very confessional and autobiographical, yet also playful and whimsical;[18] she avoided disclosing the inspirations behind her lyrics.[19] In the September 2019 issue of Vogue, Swift dubbed the album a "love letter to love, in all of its maddening, passionate, exciting, enchanting, horrific, tragic, wonderful glory".[20] The track list consists of 18 songs that depict this theme, inspired by Swift's realization of what she called "love that was very real".[21] In addition to purely romantic songs, Lover includes themes of sorrow and loneliness, which Swift said could be perceived "through a romantic gaze".[22]

Most tracks are straightforward, open-hearted love songs. The title track is about commitment to a romantic partner;[23] the ways couples customize their marriage vows inspired its bridge. "Me!" is about self-affirmation and self-love.[24] Lust is the theme of "I Think He Knows", which is about self-confidence after a reciprocated infatuation; and "False God", about the false hopes in a long-distance relationship. "Paper Rings" and "London Boy" explore playful and quirky aspects of love; the former is about a committed romance without materialistic concerns, and the latter is a romantic confession to an Englishman with tongue-in-cheek lyrics that name locations in London. The penultimate track "It's Nice to Have a Friend" tells a love story that begins in childhood and proceeds to adulthood; Swift considered the song a representation of the feelings one wishes to experience whether they are a child or an adult.[25]

Other songs explore the pitfalls of romance. "The Archer" is about her self-awareness and acknowledgement of her past mistakes, and "Cruel Summer" is about a painful, fleeting summer romance. "Cornelia Street" narrates a relationship in which Swift is afraid she will lose her partner again if she repeats her earlier mistakes.[26] She takes the blame for having hurt her partner on "Afterglow" and contemplates a loved one's prolonged medical treatment on "Soon You'll Get Better". "Death by a Thousand Cuts" was inspired by the romantic comedy film Someone Great[27] and is about overcoming a failed relationship's painful aftermaths.[28] Swift said that writing "Death by a Thousand Cuts" was "incredible news" to her because she could continue writing songs about heartbreak even if she was in a healthy relationship.[29] In the closing track, "Daylight", Swift says that she "[wants] to be defined by the things that [she loves]" and contemplates that love to her now is "golden" rather than "burning red" as she once believed, a reference to the title track of her 2012 studio album Red.

A few songs reflect Swift's perception of contemporary US politics. Since her 2006 debut as a country-music artist, Swift's record company had warned her against becoming involved in politics, but after witnessing the political events affecting the rights of certain people, she became disillusioned and decided to involve in the public political discourse. Swift wrote "Miss Americana & the Heartbreak Prince" after the 2018 midterm elections; its lyrics use high school as a metaphor for American politics because she thought the social events of a traditional American high school, like the political landscape, can alienate some people. "The Man" was inspired by the double standards women experience the music industry and in wider society. "You Need to Calm Down" advocates for LGBT rights, inspired by a conversation in which a friend asked Swift what she would do if she had a gay son; other inspirations were cyberbullies, cancel culture, and the way the mass media "pits [women] against each other".[30]

Production and music

Swift started recording Lover in November 2018, soon after she completed the Reputation Stadium Tour. She wanted to incorporate eclectic styles to accompany the diverse lyrical themes, which was made possible by her new contract with Republic Records granting her more artistic freedom than before. Swift recorded and produced much of Lover with Jack Antonoff, who had produced 1989 and Reputation; other producers are Joel Little, Frank Dukes, and Louis Bell, all of whom were first-time collaborators of Swift.[31] The producers of respective tracks are credited as their co-writers alongside Swift, except for songs Swift wholly wrote; "Lover", "Cornelia Street", and "Daylight".[32] The hip-hop producer Sounwave co-wrote and co-produced "London Boy", the singer Brendon Urie co-wrote "Me!", and the musician St. Vincent (credited as Annie Clark) co-wrote of "Cruel Summer".

While recording, Swift revisited musical styles with which she had earlier experimented. While she associated Reputation musical style, devoid of acoustic instruments, with imagery of "nighttime cityscape ... old warehouse buildings that had been deserted and factory spaces", she conceptualized Lover as "a barn wood floor and some ripped curtains flowing in the breeze, and fields of flowers"; the songs on Lover use many acoustic instruments. Swift recorded her vocals as though she were performing live, stating much of the album is nearly whole takes.[33] In publications' reviews, music critics categorized Lover as primarily a pop album[34] with a 1980s-influenced sound combining pop rock and electropop.[35] Compared to the dark, hip hop tones of its predecessor, Lover musical styles are brighter, more lighthearted, and atmospheric. The tracks are of varying tempo, and are built on straightforward song structures with piano melodies, rock arrangements, and standard chord progressions; a few experiment with styles and song structures that were new to Swift.

Antonoff co-produced 11 tracks, all of which were recorded at Electric Lady Studios in New York City; "Paper Rings", "London Boy", and "Daylight" were additionally recorded at Metropolis Studios in London; the first two tracks, and "Cruel Summer" and "I Think He Knows", were additionally recorded at Conway Recording Studios in Los Angeles. Antonoff's production is characterized by 1980s drums, atmospheric synthesizers, and reverbed beats,[36] exploring eclectic styles across genres including synth-pop, punk, folk rock, and quiet storm.[37] Because of Antonoff's 1980s-style production, some critics commented Lover expands on the 1980s synth-pop sound of 1989. Billboard journalist Jason Lipshutz commented Lover is not an expansion on 1989 sound but a more-ambitious record that is larger in scope. Swift conceptualized tracks like "Lover" and "Paper Rings" as songs that might have been played in a 1970s wedding reception; as such, these tracks use retro instruments to bring forth the timeless feel she desired. For "Lover", Swift and Antonoff used instruments that, according to Swift, were invented before the 1970s; it is a waltzing-tempo track combining indie folk and alternative country with acoustic guitar, percussion, and pizzicato strings. "Paper Rings" is a gleeful new wave-influenced pop punk track with influences from rockabilly and 1980s pop.[38] [39]

Many songs produced with Antonoff have a radio-friendly pop production.[40] "Cruel Summer" is a 1980s-influenced, synth-pop song with pulsating synthesizers and distorted vocals,[41] and "London Boy" is a bubblegum pop song with layered synthesizers and repeated beats.[42] The upbeat, electropop and R&B track "I Think He Knows" features influences of funk with Swift's falsetto vocals over guitars, a deep bass, and a marching beat.[43] Despite its lyrics about a painful heartbreak, "Death by a Thousand Cuts" has an upbeat production with a recurring guitar line, quivering synthesizers, and faint church bells with vocal harmonies in the background. The ballads "The Archer", "Cornelia Street", and "Daylight" are characterized by dense, atmospheric synthesizers;[44] the first of which combines dream pop and synth-pop with steady kick drum beats throughout. "Soon You'll Get Better" and "False God", which were produced with Antonoff, feature subtler production compared to the dominant uptempo sound. "Soon You'll Get Better" is a country ballad featuring slide guitars and the Dixie Chicks contributing background harmonies, banjo, and fiddle. "False God" combines elements of jazz, trap, neo-soul, and 1980s R&B; Swift sings over hiccupping vocal samples and a lone saxophone line.

Little co-produced four tracks on Lover; these were recorded at Electric Lady Studios in New York, Golden Age Studios in Los Angeles, and Golden Age West in Auckland, New Zealand. Swift had first met Little at a Broods concert in Los Angeles; they got acquainted at the New Zealand show of her Reputation Stadium Tour. Shortly after, Swift invited Little to New York to record songs with her; "Me!" is one of the first songs they created together.[45] "Me!", which features Brendon Urie of Panic! at the Disco, contains pop hooks, and the horns and marching band drums in the refrain evoke a 1960s big band sound.[46] "Miss Americana & the Heartbreak Prince" is at atmospheric, gloomy, synth-pop track with shouting cheerleaders' voice in the background. The synth-pop tunes "The Man" and "You Need to Calm Down" feature pulsating synthesizers;[47] "The Man" is built on a pulsating drum beat[48] and "You Need to Calm Down" features cascading vocal echoes in the refrain.

The three tracks Swift produced with Bell and Dukes, which were recorded at Electric Feel Studios in Los Angeles, have an experimental quality.[49] The opening track "I Forgot That You Existed" is a lighthearted post-tropical house tune that is built on piano and finger snaps.[50] The power ballad "Afterglow" has a slow-building melody consisting of slow bass and Swift's falsetto vocals.[51] Some critics considered the penultimate track "It's Nice to Have a Friend" as the album's most original and experimental song.[52] The song includes a sample of "Summer in the South" from the Toronto-based Regent Park School of Music's album Parkscapes;[53] it has a sparse production with steelpans, harps, and tubular bells; and is punctuated by a trumpet solo and church bells near the middle.[54] Swift said she wrote the track with only verses, and was more focused on the "vibe and feeling", contrasting her usual songwriting with a clear refrain and structure. Recording wrapped on February 24, 2019; a sample of Cautious Clay's song "Cold War" used for "London Boy" was approved in June that year.[55]

Release and promotion

Title and artwork

Swift initially considered choosing "Daylight" as the album's title track but scrapped the idea because she thought it is too sentimental. She picked Lover as the title because she felt it better represents the overall theme and is "more elastic as a concept"; songs such as "You Need to Calm Down", which is about LGBT rights, could align with this concept. Colombian photographer and collage artist Valheria Rocha, who worked with Swift on the album's art direction, photographed and edited the album's cover art.[56] The cover depicts Swift with sapphire hair tips and a pink, glittery heart shape on her right eye in front of colorful, pink clouds.[57] [58] Some media commented the artwork evokes the atmosphere of summer and music festivals.[59]

Swift used the bright, pastel colors of the cover art in her social media posts and clothing during promotion of Lover, departing from the dark, black-and-white art and aesthetic of Reputation.[60] In an article for Entertainment Weekly, Emma Madden said Lover cover art looks like "a fan-made aesthetic post on Tumblr", and called it part of the emerging trend of "kitschy album artwork". By using cover art that deliberately looks like a fan-made product rather than art commissioned from professional graphic designers, Lover brought "a level of iconicness and relatability" to Swift's audience because, according to Rocha, they could create their own versions of the cover art.[61]

Marketing

See also: City of Lover.

Whereas Swift avoided social media and public appearances during promotion of Reputation, she embarked on an extensive promotional campaign for Lover on social media, televised events, and press interviews.[62] Media speculation on Swift's follow-up to Reputation arose when she appeared at the 2019 iHeartRadio Music Awards in March, where she was adorned with butterfly motifs and pastel tones, the aesthetic she later used in her clothing for public appearances.[63] Her social media posts showed her outgoing, comfortable persona, departing from the dark, antagonistic image she adopted for Reputation.[64] Swift conducted interviews with publications including Entertainment Weekly, The Guardian, Vogue, and Rolling Stone, where she openly spoke about her adjusted personal life.[65] A few weeks before the album's release, Swift invited a select group of fans to private Secret Sessions listening parties in London, Nashville, and Los Angeles;[66] she had hosted similar sessions for 1989 and Reputation.[67] She also gave interviews on the American morning television programs CBS Sunday Morning and Good Morning America,[68] and the talk shows The Ellen DeGeneres Show and The Tonight Show Starring Jimmy Fallon.[69] [70]

Swift promoted Lover with corporate tie-ins and promotional deals, including a merchandise deal with Capital One, airplay deals with SiriusXM and iHeartMedia, a deal with YouTube Music with Swift hosting a live stream on the platform, an Amazon deal featuring images of Swift on packaging and an exclusive concert for Amazon Prime users, and a Target Corporation deal to distribute four deluxe editions of Lover on CD;[71] the deluxe editions were also available on Swift's website. Each deluxe edition contains a CD with two bonus audio memos, a blank journal, a poster and different bonus content of Swift's old journal entries and photos. She also collaborated with the English fashion designer Stella McCartney on a limited-edition merchandise collection.

Lover was released on both digital and physical formats on August 23, 2019, through Republic Records; it was her first album after ending her 12-year contract with Big Machine Records, her first released on streaming from its first week, and the first whose master recording she owned. Leading up to the release, Swift was involved in a public dispute over the ownership of her Big Machine Records albums' master recordings. In a social media post on June 30, 2019, after Big Machine had been acquired by manager Scooter Braun, Swift accused the label of having neglected her desire to acquire the master recordings and called the deal with Braun, whom she deemed an "incessant, manipulative [bully]", the "worst-case scenario". After Lover was released, Swift began implementing her plan to re-record her past albums.

Swift performed on many televised shows, starting with a performance of "Me!" with Brendon Urie at the 2019 Billboard Music Awards on May 1.[72] She again performed the song with Urie on The Voice,[73] and alone on Germany's Next Topmodel,[74] The Graham Norton Show,[75] and the French version of The Voice.[76] At the 2019 MTV Video Music Awards, where she won three awards, Swift opened the show with a medley of "You Need to Calm Down" and "Lover".[77] Swift later performed Lover songs on BBC Radio 1's Live Lounge,[78] Saturday Night Live,[79] NPR Music's Tiny Desk Concert,[80] the Jingle Bell Ball 2019 in London,[81] and iHeartRadio Z100's Jingle Ball in New York City.[82] She also promoted the album on Nippon TV's Sukkiri Morning Show in Tokyo[83] and at the Singles' Day Countdown Gala by Alibaba Group in Shanghai.[84]

At the 2019 American Music Awards, at which Swift was honored as the Artist of the Decade, she performed a medley of "The Man", "Lover", and her past singles.[85] On May 17, 2020, ABC aired a concert special titled Taylor Swift: City of Lover, which was filmed at her September 2019 one-off concert in Paris.[86] Swift planned to embark on a worldwide festival and concert tour titled Lover Fest, which was due to begin in mid-2020 and included four shows in the United States, ten shows in Europe, and two shows in Brazil.[87] It was officially cancelled in February 2021 due to the COVID-19 pandemic.[88]

Singles

Three singles preceded Lover.[89] Swift released the first, "Me!" featuring Brendon Urie of Panic! at the Disco, on April 26, having commissioned a large butterfly mural in a Nashville neighborhood and a social-media countdown. The second single "You Need to Calm Down" was released on June 14 after Swift encouraged her fans to call for the passing of the Equality Act on her social media feeds; the media viewed this release as Swift's intention for the release to coincide with Pride Month. The title track was released as the third single on August 16.[90] All three singles peaked in the top ten of the Billboard Hot 100, and the first two peaked at number two.[91] "Me!" broke the record for the largest single-week jump when it rose from number 100 to number two after one week.[92] "The Archer" was released as a promotional single on July 23. A fourth single, "The Man", was released on January 27, 2020.[93] After Swift embarked on the Eras Tour in spring 2023, "Cruel Summer" resurged in popularity and was released to radio on June 13, 2023, as the fifth single from Lover;[94] it topped the Billboard Hot 100.[95]

Media response

Lover received extensive media coverage; the BBC's Nick Levine wrote; "if it doesn't become her sixth in succession to top the Billboard 200, it would be a major music industry shock". Some publications noted the extensive promotional campaign was old-fashioned compared to the emerging trend of surprise album releases in the digital era; Rolling Stone Elias Leight commented Swift was the last-remaining pop star to rely on radio push and corporate tie-ins to promote albums. Her first album released on streaming platforms from the beginning, it was noted in some articles as a sign Swift had abandoned her anti-streaming stance. Because of Swift's Billboard 200 record of having four albums sell over one million copies each, some journalists debated whether she would achieve the feat the fifth time, and whether streaming would impact its sales figures.

Some reviewers said they thought Lover would perform well on charts even if critical reviews were negative, and that it was also a means for Swift to rebuild her public image after the Reputation controversies, and the dispute with Big Machine and Braun. Kate Knibbs from The Ringer wrote; "as Swift tries to control the narrative, it is a reminder that ... Swift has achieved an American Dream—she's too big to fail". Billboard Andrew Unterberger, noting the diverse styles and themes of the four songs released prior to Lover—"Me!", "You Need to Calm Down", "The Archer", and "Lover"—said Swift released Lover to focus on her artistic merit on her own terms, and not because she wanted to control her image.[96] In the September 2019 issue of Entertainment Weekly, Maura Johnston commented although Swift's blurring of the line between the personal and the promotional, and although her social media posts might prompt tabloid gossip, Lover should stand the test of time with its best songs.

Critical reception

In mainstream publications, Lover received positive reviews from music critics.[97] [98] At review-aggregating website Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received a mean score of 79, which is based on 26 reviews.

Most reviewers commended the album's themes of positivity and emotional intimacy.[99] Many critics, including Jon Caramanica in The New York Times,[100] Neil McCormick in The Daily Telegraph, and Robert Christgau in his Substack-published Consumer Guide column,[101] welcomed Lover as Swift's return-to-form, praised her emotional songwriting ability, and said compared to Reputation antagonistic themes about celebrity, Lover is a sign of Swift's embracing of forward-looking perspectives.[102] [103] Others such as Mikael Wood from the Los Angeles Times and Annie Zaleski from The A.V. Club commented on its emotional maturity that represents Swift's grown-up perspectives.[104] [105]

Praise for the track list's length and diverse musical styles was more reserved. Those complimentary of Lover welcomed its disparate styles as a representation of Swift's creative freedom. Vanity Fair critic Erin Vanderhoof said Lover production "[ties] together a lot of the best impulses in recent pop, in a way that feels like a road map for [pop music's] survival". Nick Catucci in Rolling Stone called the album "evolutionary rather than revolutionary", and appreciated its "free and unhurried" styles. Others, taking issue with its length, commented although Lover is a solid album, it could have been a better record with some refinements.[106] In The Observer, Kitty Empire deemed this "a partial retrenchment until Swift decides what to do next".[107] Paste Claire Martin was critical, deeming the music unimpressive and the lyrics, despite their heartwarming nature, "lacking any profound meaning".[108]

Some critics viewed the album as a culmination of Swift's strengths as a singer-songwriter on her past albums, with particular comparisons to Red (2012);[109] Schwartz and Anna Gaca from Pitchfork also highlighted the personal lyricism that recalls Speak Now (2010).[110] In The Guardian, Alexis Petridis viewed Lover as a testament to Swift's songwriting abilities but commented the genre-spanning styles feel like "consolidation, not progress", and a conservative effort to maintain her commercial success. Carl Wilson from Slate wrote although Lover is a sophisticated album, it is held back by Swift's efforts to satisfy her audience.

Year-end lists

Many publications ranked Lover in their lists of the best albums of 2019.[111] It appeared on the top-tens of lists by Billboard, People, and USA Today. Some publications, including American Songwriter and MTV, included it in their unranked lists.[112] [113] In individual critics' list, the album was ranked within the top ten by Zaleski,[114] Wood,[115] Sheffield,[116] and Willman,[117] with the last two naming it the best album of 2019.

Publication! scope="col" class="unsortable"
ListRank
BillboardThe 50 Best Albums of 2019
The 50 Best Albums of 2019
The 50 Best Albums of 2019
Best Albums of 2019
Best Albums of 2019
NMEThe 50 Best Albums of 2019
PeopleThe 10 Best Albums of 2019
QTop 50 Albums of 2019
Rolling Stone50 Best Albums of 2019
USA TodayThe 10 Best Albums of 2019

Commercial performance

Variety, citing Republic Records, reported Lover sold nearly one million copies before its release.[118] In the United States, the album sold around 450,000 copies in its first day[119] and debuted at number one on the Billboard 200 with a first-week tally of 867,000 album-equivalent units, of which 679,000 were pure sales. It is Swift's sixth number-one album and made her the first female artist to have six albums sell more than 500,000 copies each in one week.[120] In its opening week, Lover outsold all of the other 199 albums on the chart combined, becoming the first album to do so since Swift's Reputation (2017).[121] All of the album's 18 tracks simultaneously charted on the Billboard Hot 100, breaking the record for the most simultaneous chart entries for a female artist.[122] With Lover, Swift returned to the top of the Billboard Artist 100 chart for a thirty-seventh week, extending her all-time record as the longest-running number-one act.[123] By June 2024, the album had spent 250 weeks on the Billboard 200 chart.[124]

The Recording Industry Association of America (RIAA) certified Lover platinum, denoting one million album-equivalent units, after four weeks of release.[125] The only million-selling album of 2019 in the United States, it sold 1.085 million pure copies, both physical and digital, becoming the year's best-selling album. It was the fourth time Swift had the best-selling album of a calendar year in the United States, after Fearless (2009), 1989 (2014), and Reputation (2017). Combining singles sales and streaming, Lover sold 2.191 million units throughout the year.[126] The RIAA certified Lover triple-platinum in October 2022 and the album surpassed two million copies sold in the United States by January 2024, becoming Swift's 10th album to do so.[127] After Swift embarked on the Eras Tour in April 2023, Lover re-entered the top 10 of the Billboard 200.[128]

Lover peaked atop the charts in the English-speaking countries including Australia, New Zealand, the United Kingdom (including Scotland), Ireland, and Canada. It made Swift the artist with the most number-one albums (five) of the 2010s decade in Australia[129] and the first female artist in the same decade to have four number-one albums in both the United Kingdom and Ireland.[130] [131] In March 2024, following the Australian dates of the Eras Tour, Lover again topped the chart in Australia.[132] The album was certified six-times platinum in Australia, five-times platinum in New Zealand, and double platinum in the United Kingdom.

In continental Europe, Lover reached number one in Latvia, Lithuania, the Netherlands, Norway, Portugal, Spain, and Sweden. In China, it became the first international album to sell more than one million units within its first release week and made Swift the first international artist to have three million-selling albums, after 1989 and Reputation.[133] Lover sold more than 3.2 million copies worldwide in 2019, becoming the year's best-selling album by a solo artist and the second overall, behind Japanese group Arashi's greatest hits album 5x20 All the Best!! 1999–2019.[134] [135] The International Federation of the Phonographic Industry (IFPI) recognized Swift as the Global Recording Artist of 2019, making her the first female artist to twice earn that honor—her first being in 2014.[136]

Legacy

Accolades

Lover has received various awards and nominations, including Favorite Album of the Year at the People's Choice Awards,[137] Best International Artist at the ARIA Awards,[138] and two album-sales awards at the BuzzAngle Music Awards.[139] At the 2019 American Music Awards, at which Swift was honored as Artist of the Decade, Lover won Favorite Pop/Rock Album. Winning four other awards, Swift was the most-awarded artist of the night, and with 29 wins was the most-awarded in AMAs history.[140] The music videos for Lover singles won four awards at the MTV Video Music Awards; in 2019, "You Need to Calm Down" won Video of the Year and Video for Good, and "Me!" won Best Visual Effects;[141] and in 2020, "The Man" won Best Direction.[142]

At the 62nd Annual Grammy Awards in 2020, Lover was nominated for Best Pop Vocal Album, which went to When We All Fall Asleep, Where Do We Go? by Billie Eilish. Lover singles "You Need to Calm Down" and "Lover" were respectively nominated for Best Pop Solo Performance (lost to "Truth Hurts" by Lizzo) and Song of the Year (lost to "Bad Guy" by Eilish).[143] Lover won Pop Album of the Year at the iHeartRadio Music Awards,[144] an award in Sales and Marketing (Packaging Campaign) by the American Advertising Federation in Nashville,[145] and was nominated for Top Billboard 200 Album at the Billboard Music Awards.[146] The album won Album of the Year (Western) at the Japan Gold Disc Awards,[147] Best Selling Album (English) at Hong Kong's RTHK International Pop Poll Awards,[148] and a Music Jacket Creative Award at Japan's CD Shop Awards.[149]

Retrospectives

In January 2020, Swift released a Netflix documentary titled Miss Americana, which was directed by Lana Wilson. The documentary, which is titled after the album's seventh track, chronicles the creation and promotion of Lover, and discusses it as an evolutionary phase in Swift's career.[150] [151] It also features the Lover outtake "Only the Young". After canceling the Lover Fest tour due to the COVID-19 pandemic, without prior announcements, Swift released her eighth studio album Folklore, in July 2020, 11 months after Lover release.[152] Journalists noted Lover as Swift's final album that was supported by a "long, fancy pop-album roll-out" before she began using surprise album releases, starting with Folklore.[153] Following the cancellation of Lover Fest, Swift embarked on the Eras Tour (2023–2024) as her sixth headlining concert tour. The tour consisted of 10 acts, the first of which is a tribute to Lover.[154]

Retrospective critical commentary has discussed ways Lover changed Swift's image and artistry from the antagonistic tone of Reputation.[155] Several publications that ranked Lover as a weaker album in Swift's discography and deemed it an unnecessary course correction from Reputation included Consequence,[156] Spin,[157] and Entertainment Weekly.[158] The Alternative Press upheld Swift's mature songwriting but said that the album's free-spirited sound was both "its blessing and its curse".[159] Paste deemed Lover a "mixed bag" containing some songs that failed to demonstrate Swift's craftsmanship but said that as a "transitional work", it was a "perfect inflection point for [Swift, who] found herself caught between her defensive Kanye-beef era and the shimmering resurrection she'd construct throughout the pandemic".[160]

In a USA Today article commemorating Lover two-year anniversary, David Oliver and Hannah Yasharoff lamented the canceled tour and called the album Swift's "lost masterpiece" that represents her artistic maturity and autonomy.[161] After its songs featured on the Amazon Prime Video series The Summer I Turned Pretty in June 2022, Lover re-entered the Billboard 200 chart's top 40.[162] "It's Nice to Have a Friend" featured prominently in the promotion of M3GAN, a 2023 horror film.[163] [164]

Copyright lawsuit

On August 23, 2022, at a Tennessee federal court, the author Teresa La Dart filed a copyright infringement complaint claiming that a number of creative elements of the companion book bundled with the deluxe CD editions of Lover were copied from La Dart's 2010 book that is also titled Lover: the pastel aesthetic, a photograph "in a downward pose", and the book's diary format with "interspersed photographs and writings". La Dart's lawyer said Swift owed "[in] excess of one million dollars" in damages.[165] In March 2023, Swift's attorneys requested a dismissal, calling La Dart's claims "entirely meritless" and "woefully deficient".[166] On July 27, 2023, Billboard reported that La Dart voluntarily withdrew the case without any settlement.[167]

Track listing

Notes

Personnel

Charts

Weekly charts

Chart (2019–2023)! scope="col"
Peak
position
Argentine Albums (CAPIF)[168] 1
Estonian Albums (Eesti Tipp-40)[169] 1
Icelandic Albums (Plötutíðindi)[170] 18
Japan Hot Albums (Billboard Japan)[171] 3
Latvian Albums (LAIPA)[172] 1
Lithuanian Albums (AGATA)[173] 1
Slovak Albums (ČNS IFPI)[174] 1
South Korean Albums (Gaon)[175] 36
Swiss Albums (SNEP Romandie)[176] 1

Year-end charts

Chart (2019)! scope="col"
Position
Australian Albums (ARIA)[177] 6
Austrian Albums (Ö3 Austria)[178] 64
Belgian Albums (Ultratop Flanders)[179] 28
Belgian Albums (Ultratop Wallonia)[180] 158
Canadian Albums (Billboard)[181] 14
Danish Albums (Hitlisten)[182] 99
Dutch Albums (Album Top 100)[183] 52
French Albums (SNEP)[184] 179
German Albums (Offizielle Top 100)[185] 88
Irish Albums (IRMA)[186] 23
Japan Hot Albums (Billboard)[187] 98
Japanese Albums (Oricon)[188] 84
Latvian Albums (LAIPA)[189] 61
Mexican Albums (AMPROFON)[190] 10
New Zealand Albums (RMNZ)[191] 14
Portuguese Albums (AFP)[192] 36
Spanish Albums (PROMUSICAE)[193] 50
Swiss Albums (Schweizer Hitparade)[194] 73
UK Albums (OCC)[195] 24
US Billboard 200[196] 4
Chart (2020)! scope="col"
Position
Australian Albums (ARIA)[197] 15
Belgian Albums (Ultratop Flanders)[198] 44
Canadian Albums (Billboard)[199] 13
Croatian Albums (Foreign Top 40)[200] 14
Danish Albums (Hitlisten)[201] 93
Irish Albums (IRMA)[202] 29
New Zealand Albums (RMNZ)[203] 22
Spanish Albums (PROMUSICAE)[204] 77
UK Albums (OCC)[205] 37
US Billboard 200[206] 15
Chart (2021)! scope="col"
Position
Australian Albums (ARIA)[207] 37
Belgian Albums (Ultratop Flanders)[208] 107
Canadian Albums (Billboard)[209] 38
Irish Albums (IRMA)[210] 44
Spanish Albums (PROMUSICAE)[211] 87
UK Albums (OCC)[212] 83
US Billboard 200[213] 61
Chart (2022)! scope="col"
Position
Australian Albums (ARIA)[214] 26
Belgian Albums (Ultratop Flanders)[215] 59
Canadian Albums (Billboard)[216] 34
UK Albums (OCC)[217] 43
US Billboard 200[218] 49
Chart (2023)! scope="col"
Position
Australian Albums (ARIA)[219] 8
Austrian Albums (Ö3 Austria)[220] 13
Belgian Albums (Ultratop Flanders)[221] 19
Belgian Albums (Ultratop Wallonia)[222] 130
Canadian Albums (Billboard)[223] 10
Danish Albums (Hitlisten)[224] 34
Dutch Albums (Album Top 100)[225] 12
German Albums (Offizielle Top 100)[226] 42
Hungarian Albums (MAHASZ)[227] 31
Icelandic Albums (Plötutíðindi)[228] 68
Italian Albums (FIMI)[229] 88
New Zealand Albums (RMNZ)[230] 11
Swedish Albums (Sverigetopplistan)[231] 59
Swiss Albums (Schweizer Hitparade)[232] 43
UK Albums (OCC)[233] 11
US Billboard 200[234] 9

See also

References

Cited literature

Notes and References

  1. Taylor Swift's 1989 One-Year Anniversary: 13 Impressive Chart Facts for the Blockbuster Album. Trevor. Anderson. Billboard. October 17, 2015. March 16, 2021. May 4, 2021. https://web.archive.org/web/20210504084527/https://www.billboard.com/articles/columns/chart-beat/6745034/taylor-swift-1989-anniversary-chart-facts. live.
  2. Web site: Levine . Nick . August 21, 2019 . Taylor Swift's Lover: The Struggle to Maintain Superstardom . live . https://web.archive.org/web/20210301114553/https://www.bbc.com/culture/article/20190820-taylor-swift-and-the-struggle-to-maintain-pop-superstardom . March 1, 2021 . March 16, 2021 . BBC.
  3. Web site: 5 Things Taylor Swift's Past USA Today Interviews Tell Us About Her Reputation Era. USA Today. November 9, 2017. Patrick. Ryan. November 9, 2017. November 10, 2017. https://web.archive.org/web/20171110033304/https://www.usatoday.com/story/life/music/2017/11/09/5-things-taylor-swifts-past-usa-today-interviews-tell-us-her-reputation-era/840232001/. live.
  4. News: Taylor Swift Avoided – and Mocked – the Media with 'Reputation.' And It Worked.. The Washington Post. Emily. Yahr. November 15, 2017. December 25, 2020. October 19, 2020. https://web.archive.org/web/20201019202738/https://www.washingtonpost.com/news/arts-and-entertainment/wp/2017/11/15/taylor-swift-avoided-and-mocked-the-media-with-reputation-and-it-worked/. live. limited.
  5. 9 Taylor Swift Moments That Didn't Fit in Our Cover Story. Hiatt. Brian. September 30, 2019. Rolling Stone. December 9, 2019. October 1, 2019. https://web.archive.org/web/20191001144210/https://www.rollingstone.com/music/music-features/taylor-swift-moments-that-couldnt-fit-in-our-cover-story-890700/. live. limited.
  6. News: Taylor Swift's Reputation Debuts to Strong Sales, Mixed Reviews. Jill. Serjeant. Reuters. November 11, 2017. February 28, 2024.
  7. Bruner. Raisa. March 15, 2019. New Taylor Swift Music Is Here. Here's What to Know. July 23, 2020. Time. live. September 30, 2020. https://web.archive.org/web/20200930063349/https://time.com/5538862/taylor-swift-countdown/.
  8. Taylor Swift Leaves Big Machine, Signs New Deal With Universal Music Group. Melinda. Newman. Billboard. November 19, 2018. June 8, 2022. June 8, 2022. https://web.archive.org/web/20220608082519/https://www.billboard.com/music/music-news/taylor-swift-leaves-big-machine-signs-new-label-deal-universal-music-8485629/. live.
  9. Web site: Taylor Swift: 'I Was Literally About to Break'. The Guardian. August 24, 2019. Laura. Snapes. June 8, 2022. August 24, 2019. https://web.archive.org/web/20190824114530/https://www.theguardian.com/music/2019/aug/24/taylor-swift-pop-music-hunger-games-gladiators. live.
  10. News: Taylor Swift Is Totally Fine No Longer Being 'America's Sweetheart', and Here's Why. Maggie. Parker. Parade. August 9, 2019. June 12, 2022. April 12, 2021. https://web.archive.org/web/20210412213134/https://parade.com/909700/maggie_parker/taylor-swift-vogue-interview/. live.
  11. Web site: Ten Years of Taylor Swift: How the Pop Star Went From Sweetheart to Snake (and Back Again?). Kate. Kinbbs. The Ringer. August 21, 2019. June 8, 2022. May 25, 2022. https://web.archive.org/web/20220525051120/https://www.theringer.com/music/2019/8/21/20826837/ten-years-of-taylor-swift. live.
  12. Suskind. Alex. May 9, 2019. New Reputation: Taylor Swift Shares Intel on TS7, Fan Theories, and Her Next Era. Entertainment Weekly. https://web.archive.org/web/20190812135902/https://ew.com/music/2019/05/09/taylor-swift-cover-story/. August 12, 2019. August 17, 2019.
  13. Web site: Willman. Chris. May 11, 2019. Everything We Know About Taylor Swift's 'TS7' So Far. February 7, 2021. Variety. February 14, 2021. https://web.archive.org/web/20210214091259/https://variety.com/2019/music/news/everything-we-know-about-taylor-swift-ts7-new-album-so-far-1203211614/. live.
  14. Aniftos. Rania. October 30, 2019. Taylor Swift Compares Lover to Reputation, Talks #MeToo Movement With Zane Lowe For Beats 1 Interview. Billboard. November 14, 2019. April 8, 2020. https://web.archive.org/web/20200408215453/https://www.billboard.com/articles/news/8541404/taylor-swift-zane-lowe-beats-1-interview. live.
  15. Taylor Swift: The Rolling Stone Interview. Brian. Hiatt. Rolling Stone. September 18, 2019. limited. June 9, 2022. September 18, 2019. https://web.archive.org/web/20190918150500/https://www.rollingstone.com/music/music-features/taylor-swift-rolling-stone-interview-880794/. live.
  16. Lipshutz . Jason . December 11, 2019 . Billboard Woman of the Decade Taylor Swift: 'I Do Want My Music to Live On' . live . https://web.archive.org/web/20220614082435/https://www.billboard.com/music/pop/taylor-swift-cover-story-interview-billboard-women-in-music-2019-8545822/ . June 14, 2022 . June 9, 2022 . Billboard.
  17. Web site: 'I Come With Opinions About How We Can Better Our Industry': Taylor Swift. Mark. Sutherland. Music Week. December 13, 2019. June 9, 2022. April 18, 2022. https://web.archive.org/web/20220418180757/https://www.musicweek.com/interviews/read/i-come-with-opinions-about-how-we-can-better-our-industry-taylor-swift-the-music-week-interview/077961. live.
  18. Huff . Lauren . August 22, 2019 . Taylor Swift Talks All Things Lover, Reveals Album's Original Title . live . https://web.archive.org/web/20200322183451/https://ew.com/music/2019/08/22/taylor-swift-lover-livestream-details-original-album-title/ . March 22, 2020 . March 22, 2020 . Entertainment Weekly.
  19. Web site: D'Amelio . John . August 25, 2019 . Taylor Swift on Lover and Haters . live . https://web.archive.org/web/20190825163024/https://www.cbsnews.com/news/taylor-swift-on-lover-and-haters/ . August 25, 2019 . June 9, 2022 . CBS News.
  20. Taylor Swift Calls Lover Album Her 'Love Letter to Love,' Details 2 Unreleased Tracks. Billboard. Rania. Aniftos. August 8, 2019. June 12, 2022. June 12, 2022. https://web.archive.org/web/20220612104220/https://www.billboard.com/music/music-news/taylor-swift-vogue-intereview-lover-two-new-songs-8526948/. live.
  21. Web site: August 23, 2019 . Taylor Swift's Lover: Star Turns a Corner with 'Upbeat' but 'Baggy' Album . live . https://web.archive.org/web/20190924224439/https://www.bbc.com/news/entertainment-arts-49445375 . September 24, 2019 . September 24, 2019 . BBC News.
  22. Bruner . Raisa . June 13, 2019 . Taylor Swift Just Announced the Summer Release Date for Her New Album Lover and Next Song . live . . https://web.archive.org/web/20190613235726/https://time.com/5606187/taylor-swift-album-release-date-2019/ . June 13, 2019 . June 13, 2019.
  23. News: Taylor Swift's New Song Lover Review: It's Personal, Schmaltzy and Country. Bruton. Louise. August 16, 2019. The Irish Times. June 13, 2022. August 16, 2019. https://web.archive.org/web/20190816172904/https://www.irishtimes.com/culture/music/taylor-swift-s-lover-review-it-s-personal-schmaltzy-and-country-1.3988441. live.
  24. Web site: Daly . Rhian . April 26, 2019 . At Long Last Taylor Swift Returns, but 'ME!' Message of Self-Acceptance Can't Reach Beyond the Superficial . live . https://web.archive.org/web/20190426140420/https://www.nme.com/blogs/nme-blogs/taylor-swift-brendon-urie-me-review-2481135 . April 26, 2019 . April 26, 2019 . NME.
  25. Taylor Swift Discusses 'The Man' & 'It's Nice To Have a Friend' In Cover Story Outtakes. Jason. Lipshutz. December 12, 2019. Billboard. June 9, 2022. June 9, 2022. https://web.archive.org/web/20220609135322/https://www.billboard.com/music/pop/taylor-swift-cover-story-outtakes-the-man-8546109/. live.
  26. Web site: Taylor Swift's Lover Is a More Mature (Mostly) Successor to Red. Slate. Carl. Wilson. Carl Wilson (writer). August 23, 2019. April 30, 2020. November 21, 2019. https://web.archive.org/web/20191121100740/https://slate.com/culture/2019/08/taylor-swift-lover-album-review.html. live.
  27. Taylor Swift Calls Rom-Com Inspiration Behind Lover Song the 'Most Meta Thing That's Ever Happened to Me'. DiMeglio. Mary J.. August 23, 2019. Billboard. June 13, 2022. June 13, 2022. https://web.archive.org/web/20220613100911/https://www.billboard.com/music/music-news/taylor-swift-death-by-a-thousand-cuts-netflix-movie-someone-great-8528260/. live.
  28. Web site: Kazemi. Alex. Lover Is Taylor Swift's Love Letter to Love. August 25, 2019. V. June 12, 2022. April 13, 2021. https://web.archive.org/web/20210413033700/https://vmagazine.com/article/lover-is-taylor-swifts-love-letter-to-love/. live.
  29. Web site: Taylor Swift's Tiny Desk Concert Included Real Talk About Her Breakup Songs and Maybe Even a Trump Joke. Hannah. Yasharoff. October 16, 2019. USA Today. June 13, 2022. June 13, 2022. https://web.archive.org/web/20220613100920/https://www.usatoday.com/story/entertainment/music/2019/10/16/taylor-swift-npr-tiny-desk-concert-joke-trump-impeachment/3995996002/. live.
  30. Taylor Swift on Sexism, Scrutiny, and Standing Up for Herself. Abby. Aguirre. Vogue. August 8, 2019. August 16, 2019. https://web.archive.org/web/20190810081937/https://www.vogue.com/article/taylor-swift-cover-september-2019?verso=true. August 10, 2019. live.
  31. News: Taylor Swift Releases Lover the Old-Fashioned Way. Joe. Coscarelli. The New York Times. August 23, 2019. September 1, 2019. limited. https://web.archive.org/web/20190828234348/https://www.nytimes.com/2019/08/23/arts/music/taylor-swift-lover.html. August 28, 2019. live.
  32. Lover . liner notes . . 2019 . Republic Records.
  33. Taylor Swift On Side-Stepping into Acting, Owning What You Make & Loving The 'Weirdness' Of Cats. British Vogue. December 2, 2019. December 2, 2019. April 10, 2020. https://web.archive.org/web/20200410170749/https://www.vogue.co.uk/news/article/taylor-swift-andrew-lloyd-webber-on-cats-musical. live.
  34. Web site: Taylor Swift – Lover Review. Levine. Nick. NME. live. August 23, 2019. January 10, 2020. https://web.archive.org/web/20190823151842/https://www.nme.com/reviews/album/taylor-swift-lover-review. August 23, 2019.
  35. Catucci . Nick. Taylor Swift Reaches For New Heights of Personal and Musical Liberation on Lover. Rolling Stone. limited. August 23, 2019. https://web.archive.org/web/20190823045112/https://www.rollingstone.com/music/music-album-reviews/taylor-swift-lover-875442/. August 23, 2019. August 23, 2019. live.
  36. Web site: Lover by Taylor Swift. Apple Music. June 14, 2022. August 20, 2019. https://web.archive.org/web/20190820213747/https://music.apple.com/us/album/lover/1468058165. live. Most of the album is baked in the atmospheric synths and '80s drums favored by collaborator Jack Antonoff.
  37. News: Jack Antonoff Is Only Making Music With Friends. Rosen. Jody. Jody Rosen. The New York Times. limited. March 11, 2020. March 14, 2020. March 13, 2020. https://web.archive.org/web/20200313215349/https://www.nytimes.com/interactive/2020/03/11/magazine/jack-antonoff-profile.html. live.
  38. News: On Lover, Taylor Swift Shuns Drama for Satisfying Pop. Princiotti. Nora. The Boston Globe. August 23, 2019. August 29, 2019. https://web.archive.org/web/20190829173138/https://www.bostonglobe.com/arts/2019/08/23/lover-taylor-swift-shuns-drama-for-satisfying-pop/WLYpcg7UNeNXgiVBulMEmM/story.html. August 29, 2019. live. subscription.
  39. Web site: Taylor Swift Is a Lover and a Fighter. Lindsay. Zoladz. The Ringer. August 26, 2019. June 9, 2022. November 8, 2020. https://web.archive.org/web/20201108001448/https://www.theringer.com/music/2019/8/26/20833037/taylor-swift-lover-album-review. live.
  40. Web site: Willman. Chris. Album Review: Taylor Swift's Lover. Variety. August 23, 2019. https://web.archive.org/web/20190823045240/https://variety.com/2019/music/news/taylor-swift-lover-album-review-1203311445/. August 23, 2019. live. August 23, 2019.
  41. Web site: Taylor Swift: Her 100 Album Tracks – Ranked. The Independent. Roisin. O'Connor. August 23, 2019. September 14, 2019. December 3, 2019. https://web.archive.org/web/20191203140818/https://www.independent.co.uk/arts-entertainment/music/features/taylor-swift-lover-best-songs-1989-reputation-red-lyrics-music-videos-a9076476.html. live. limited.
  42. Web site: Taylor Swift: Lover—Cupid's Arrow Hits the Bullseye. Ludovic. Hunter-Tilney. Financial Times. subscription. August 23, 2019. August 17, 2021. August 24, 2019. https://web.archive.org/web/20190824083403/https://www.ft.com/content/edecf8f0-c35f-11e9-a8e9-296ca66511c9. live.
  43. Web site: Sargent. Jordan. August 26, 2019. Taylor Swift's Lover Shines in Its Quietest Moments. June 8, 2020. Spin. August 27, 2019. https://web.archive.org/web/20190827090152/https://www.spin.com/2019/08/taylor-swift-lover-review/. live.
  44. Web site: Albums of the Year: On Lover, Taylor Swift Reckons With Her Own Genius. Moore. Terron. MTV News. December 16, 2019. December 16, 2019. November 16, 2020. https://web.archive.org/web/20201116060616/http://www.mtv.com/news/3147966/taylor-swift-lover-albums-of-the-year/. dead.
  45. Producer Joel Little Talks Connecting with Taylor Swift for 'Me!': 'We Just Clicked Creatively Right Away'. Gil. Kaufman. May 13, 2019. Billboard. June 9, 2022. June 9, 2022. https://web.archive.org/web/20220609084210/https://www.billboard.com/music/pop/joel-little-interview-taylor-swift-me-8511108/. live.
  46. Web site: https://web.archive.org/web/20220605101414/https://www.independent.co.uk/arts-entertainment/music/reviews/url-taylor-swift-me-review-new-song-brendon-urie-panic-disco-ts7-album-a8887141.html. Taylor Swift, 'Me!' Review: Pop Song with Brendon Urie Signals a Bright New Era. O'Connor. Roisin. April 26, 2019. The Independent. limited. June 5, 2022. June 5, 2022. live.
  47. Let's Analyze the Lyrics to Every Song on Taylor Swift's Lover. Bruner. Raisa. August 24, 2019. Time. April 16, 2020. June 9, 2020. https://web.archive.org/web/20200609233017/https://time.com/5651207/taylor-swift-lover-songs-explained/. live.
  48. Every Song Ranked on Taylor Swift's Lover: Critic's Picks. Lipshutz. Jason. Billboard. August 23, 2019. August 29, 2019. https://web.archive.org/web/20190829173137/https://www.billboard.com/articles/columns/pop/8528254/taylor-swift-lover-tracks-ranked. August 29, 2019. live.
  49. Web site: Taylor Swift's Lover Could Hold the Key to Pop Music's Survival. Erin. Vanderhoff. Vanity Fair. August 23, 2019. June 8, 2022. August 24, 2019. https://web.archive.org/web/20190824051507/https://www.vanityfair.com/style/2019/08/taylor-swift-lover-review. live.
  50. Web site: https://web.archive.org/web/20190823045815/https://www.vulture.com/2019/08/taylor-swift-i-forgot-that-you-exisited-song-review.html. 'I Forgot That You Existed' Is Taylor Swift in All Her Passive-Aggressive Glory. Craig. Jenkins. Vulture. limited. August 23, 2019. August 23, 2019. August 23, 2019. live.
  51. A Track-by-Track Breakdown of Taylor Swift's New Album Lover. August 23, 2019. Marcus. Jones. Entertainment Weekly. June 14, 2022. June 4, 2020. https://web.archive.org/web/20200604073112/https://ew.com/music/2019/08/23/taylor-swift-lover-track-by-track-breakdown/. live.
  52. Web site: Taylor Swift's Lover: All 18 Songs, Ranked. Wood. Mikael. Los Angeles Times. limited. August 25, 2019. June 14, 2022. September 14, 2019. https://web.archive.org/web/20190914082330/https://www.latimes.com/entertainment-arts/music/story/2019-08-25/taylor-swift-lover-songs-ranked. live.
  53. News: Toronto Music School's New Funding Model Finds Swift Support. Wheeler. Brad. The Globe and Mail. August 27, 2019. August 29, 2019. https://web.archive.org/web/20190829174958/https://www.theglobeandmail.com/arts/music/article-toronto-music-schools-new-funding-model-finds-swift-support/. August 29, 2019. live.
  54. The Most Fascinating Song on Taylor Swift's Lover Is Its Strangest and Shortest. Unterberger. Andrew. Billboard. August 23, 2019. August 29, 2019. https://web.archive.org/web/20190829173138/https://www.billboard.com/articles/columns/pop/8528213/taylor-swift-its-nice-to-have-a-friend-lover-best-song. August 29, 2019. live.
  55. How Cautious Clay Ended Up on Taylor Swift's Lover. Bernstein. Jonathan. Rolling Stone. limited. September 10, 2019. September 11, 2019. https://web.archive.org/web/20190911085718/https://www.rollingstone.com/music/music-features/how-cautious-clay-ended-up-on-taylor-swifts-lover-881709/. September 11, 2019. live.
  56. Taylor Swift's Lover Art: Meet the 24-Year-Old Photographer. LeDonne. Rob. September 24, 2019. Billboard. March 22, 2020. March 22, 2020. https://web.archive.org/web/20200322183947/https://www.billboard.com/articles/columns/pop/8530890/valheria-rocha-interview-lover-album-art. live.
  57. Web site: Taylor Swift Debuts a Colorful Hair Statement on Her New Album Cover. Jenna. Rennert. June 14, 2019. Vogue. July 15, 2022. July 16, 2022. https://web.archive.org/web/20220716113547/https://www.vogue.com/article/taylor-swift-album-cover-lover-hair-color. live.
  58. News: Taylor Swift's Lover: A Track-by-Track Breakdown, from Coded Lyrics to Leonardo DiCaprio and Drake References. Emily. Yahr. limited. The Washington Post. August 23, 2019. July 16, 2022. August 29, 2019. https://web.archive.org/web/20190829083929/https://www.washingtonpost.com/arts-entertainment/2019/08/23/taylor-swifts-lover-track-by-track-breakdown-coded-lyrics-leonardo-dicaprio-drake-references/. live.
  59. Web site: Taylor Swift Announces New Album, Lover, Shares Cover Artwork. Michael. Roffman. Consequence. June 14, 2019. July 15, 2022. July 16, 2022. https://web.archive.org/web/20220716113550/https://consequence.net/2019/06/taylor-swift-lover-cover-art/. live.
  60. Web site: Roundtable: A Review of Taylor Swift's Lover. Atwood Magazine. August 26, 2019. June 15, 2022. June 13, 2021. https://web.archive.org/web/20210613045014/https://atwoodmagazine.com/lover-taylor-swift-album-review/. live.
  61. We've Entered a New Age of Kitschy Album Artwork. Madden. Emma. Entertainment Weekly. February 24, 2020. March 22, 2020. March 22, 2020. https://web.archive.org/web/20200322184812/https://ew.com/music/2020/02/24/ugly-kitsch-album-covers-taylor-swift-selena-gomez/. live.
  62. Taylor Swift's Album Lover Is Officially Here – Listen Now. Lauren. Huff. August 23, 2019. Entertainment Weekly. June 9, 2022. June 9, 2022. https://web.archive.org/web/20220609132944/https://ew.com/music/2019/08/23/listen-taylor-swifts-album-lover/. live.
  63. It's a Taylor Swift World and We're All Forcibly Living in It: A Timeline. Amy X.. Wang. Rolling Stone. limited. August 23, 2019. June 9, 2022. June 9, 2022. https://web.archive.org/web/20220609132702/https://www.rollingstone.com/pro/news/taylor-swift-lover-album-cycle-timeline-875614/. live.
  64. How Taylor Swift's Lover Rollout Blurred the Personal and Promotional. Maura. Johnston. Maura Johnston. Entertainment Weekly. August 20, 2019. June 9, 2022. June 9, 2022. https://web.archive.org/web/20220609133733/https://ew.com/music/2019/08/20/taylor-swift-lover-rollout/. live.
  65. Web site: Taylor Swift Opens Up, Really. Dan. Adler. Vanity Fair. September 18, 2019. June 12, 2022. June 12, 2021. https://web.archive.org/web/20210612174543/https://www.vanityfair.com/style/2019/09/taylor-swift-rolling-stone-cover. live.
  66. Web site: Mastrogiannis . Nicole . August 24, 2019 . Taylor Swift Shares Intimate Details of Lover Songs During Secret Session . live . https://web.archive.org/web/20190825122533/https://www.iheart.com/content/2019-08-23-taylor-swift-shares-intimate-details-of-lover-songs-during-secret-session/ . August 25, 2019 . August 25, 2019 . iHeartMedia.
  67. Taylor Swift Throws Secret Lover Listening Party in Nashville. Kirsten. Spruch. August 6, 2019. Billboard. June 15, 2022. June 15, 2022. https://web.archive.org/web/20220615040039/https://www.billboard.com/music/pop/taylor-swift-lover-listening-party-nashville-8526407/. live.
  68. Web site: McKenna . Lyndsey . August 23, 2019 . Stream Taylor Swift's New Album, Lover . live . https://web.archive.org/web/20200219231533/https://www.npr.org/2019/08/23/753189805/stream-taylor-swifts-new-album-lover . February 19, 2020 . June 15, 2022 . NPR.
  69. Web site: Taylor Swift Makes Talk Show Return, Talks Avengers: Endgame Speculation. Schaffstall. Katherine. April 15, 2019. The Hollywood Reporter. April 2, 2020. June 18, 2019. https://web.archive.org/web/20190618115934/https://www.hollywoodreporter.com/news/taylor-swift-makes-talk-show-return-ellen-degeneres-show-1210880. live.
  70. Taylor Swift Talks Mojitos, Upcoming SNL Performance on Fallon: Watch. October 4, 2019. Billboard. April 2, 2020. Brandle. Lars. March 8, 2020. https://web.archive.org/web/20200308132930/https://www.billboard.com/articles/news/8532149/taylor-swift-mojitos-snl-lover-fallon-watch. live.
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  72. Watch Taylor Swift Perform 'Me!' at the 2019 BBMAs. Will. Gottsegen. Spin. May 1, 2019. August 18, 2019. https://web.archive.org/web/20190504000549/https://www.spin.com/2019/05/taylor-swift-performs-me-billboard-music-awards-2019/. May 4, 2019.
  73. See Taylor Swift, Brendon Urie Perform 'ME!' With Giant Butterfly on 'The Voice'. Claire. Shaffer. Rolling Stone. May 22, 2019. August 18, 2019. https://web.archive.org/web/20190818152600/https://www.rollingstone.com/music/music-news/taylor-swift-brendon-urie-me-the-voice-838604/. August 18, 2019.
  74. News: "Germany's Next Topmodel": Taylor Swift tritt bei Finale auf. Taylor Swift performs at Finale. de. May 23, 2019. Spiegel Online. August 18, 2019. https://web.archive.org/web/20190526191003/https://www.spiegel.de/kultur/tv/germany-s-next-topmodel-taylor-swift-tritt-bei-finale-auf-a-1268999.html. May 26, 2019.
  75. Taylor Swift Performs 'ME!' Without Brendon Urie on The Graham Norton Show: Watch. Ashley. Iasimone. Billboard. May 24, 2019. August 18, 2019. https://web.archive.org/web/20190612170241/https://www.billboard.com/articles/columns/pop/8513092/taylor-swift-me-without-brendon-urie-graham-norton-show. June 12, 2019.
  76. News: Taylor Swift Performs 'Shake It Off' & 'ME!' on The Voice in France: Watch. Ashley. Iasimone. Billboard. May 25, 2019. August 18, 2019. https://web.archive.org/web/20190612170302/https://www.billboard.com/articles/columns/pop/8513123/taylor-swift-shake-it-off-the-voice-france. June 12, 2019.
  77. Here Are All the Winners From the 2019 MTV VMAs. Warner. Denise. August 26, 2019. Billboard. August 30, 2019. https://web.archive.org/web/20190827021515/https://www.billboard.com/articles/news/awards/8528388/2019-mtv-vmas-winners-list. August 27, 2019.
  78. Web site: Taylor Swift Covers Phil Collins' 'Can't Stop Loving You': Listen. Hussey. Allison. Monroe. Jazz. September 2, 2019. Pitchfork. September 2, 2019. https://web.archive.org/web/20190902183347/https://pitchfork.com/news/taylor-swift-covers-phil-collins-cant-stop-loving-you-listen/ . September 2, 2019.
  79. Taylor Swift Sings Stripped-Down Version of 'Lover' & 'False God' on SNL: Watch. Hughes. Hilary. Billboard. October 6, 2019. October 6, 2019. October 6, 2019. https://web.archive.org/web/20191006092553/https://www.billboard.com/articles/news/8532265/taylor-swift-snl-lover-false-god. live.
  80. Are You '…Ready For It?' Taylor Swift's Tiny Desk Concert Is About to Drop. Mamo. Heran. Billboard. October 11, 2019. October 12, 2019. October 12, 2019. https://web.archive.org/web/20191012102227/https://www.billboard.com/articles/columns/pop/8532799/taylor-swift-tiny-desk-concert-coming-soon. live.
  81. Taylor Swift Performs 'Christmas Tree Farm' Live for the First Time at Capital FM's Jingle Bell Ball: Watch. Iasimone. Ashley. Billboard. December 8, 2019. December 13, 2019. December 8, 2019. https://web.archive.org/web/20191208234825/https://www.billboard.com/articles/columns/pop/8545722/taylor-swift-christmas-tree-farm-live-video-capital-fm-jingle-bell-ball. live.
  82. Web site: Taylor Swift Brings Holiday Cheer to Jingle Ball with 'Christmas Tree Farm'. Mastrogiannis. Nicole. iHeartMedia. December 14, 2019. December 14, 2019. December 14, 2019. https://web.archive.org/web/20191214064048/https://www.iheart.com/content/2019-12-13-taylor-swift-brings-holiday-cheer-to-jingle-ball-with-christmas-tree-farm/. live.
  83. Web site: http://www.billboard-japan.com/d_news/detail/81883/2. ja:テイラー・スウィフト、「ヒサシブリ！」約7年ぶりの来日ファン・イベントでニューALや愛猫を語る. Taylor Swift Talks About New Album and Cats at a Fan Event in Japan After 7 Years. Billboard Japan. November 6, 2019. December 13, 2019. ja. November 13, 2019. https://web.archive.org/web/20191113141602/http://www.billboard-japan.com/d_news/detail/81883/2. live.
  84. Taylor Swift Performs 'Lover,' 'You Need to Calm Down' & 'ME!' in Shanghai: Watch. Iasimone. Ashley. Billboard. November 10, 2019. December 13, 2019. November 11, 2019. https://web.archive.org/web/20191111050954/https://www.billboard.com/articles/columns/pop/8543200/taylor-swift-performance-shanghai-china-2019-alibaba-singles-day. live.
  85. Taylor Swift Performs Major Medley Of Hits, Brings Out Surprise Guests For 'Shake It Off' at 2019 AMAs. Gracie. Bianca. Billboard. November 24, 2019. December 13, 2019. November 26, 2019. https://web.archive.org/web/20191126041342/https://www.billboard.com/articles/news/awards/8544635/2019-amas-taylor-swift-performs-medley. live.
  86. Web site: Taylor Swift Announces City of Lover Paris Concert Special for ABC. Willman. Chris. Variety. May 8, 2020. June 17, 2022. June 19, 2022. https://web.archive.org/web/20220619040850/https://variety.com/2020/music/news/taylor-swift-city-lover-concert-paris-abc-special-1234601657/. live.
  87. Kaufman. Gil. Taylor Swift Announces 'Lover Fest' at NFL Stadiums, European Tour Dates. Billboard. September 17, 2019. September 17, 2019. subscription. May 19, 2022. https://web.archive.org/web/20220519163936/https://www.billboard.com/pro/taylor-swift-tour-dates-2020/. live.
  88. Katie. Atkinson. February 26, 2021. Taylor Swift Officially Cancels Lover Fest Concerts. February 27, 2021. Billboard. February 27, 2021. https://web.archive.org/web/20210227002316/https://www.billboard.com/articles/columns/pop/9532393/taylor-swift-lover-fest-tour-canceled/. live.
  89. Leight . Elias . July 23, 2020 . Taylor Swift Finally Abandoned the Traditional Album Rollout . live . . https://web.archive.org/web/20220531135542/https://www.rollingstone.com/music/music-features/taylor-swift-folklore-surprise-album-1033102/ . May 31, 2022 . June 9, 2022 . limited.
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  91. Trust . Gary . August 26, 2019 . Shawn Mendes & Camila Cabello's 'Señorita' Hits No. 1 on Billboard Hot 100 . live . . https://web.archive.org/web/20190826235440/https://www.billboard.com/articles/business/chart-beat/8528339/shawn-mendes-camila-cabello-senorita-number-one-hot-100 . August 26, 2019 . September 3, 2019.
  92. Trust . Gary . May 6, 2019 . Lil Nas X's 'Old Town Road' Tops Billboard Hot 100 For Fifth Week, Taylor Swift's 'Me!' Vaults to No. 2 . live . . https://web.archive.org/web/20190506190900/https://www.billboard.com/articles/columns/chart-beat/8510137/lil-nas-x-old-town-road-tops-hot-100-fifth-week . May 6, 2019 . May 7, 2019.
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  94. Trust . Gary . June 15, 2023 . Taylor Swift's 'Cruel Summer' Is Her New Radio Single, Four Years After Its Release . live . https://web.archive.org/web/20230615165532/https://www.billboard.com/music/pop/taylor-swift-cruel-summer-new-radio-single-1235355186 . June 15, 2023 . June 15, 2023 . Billboard.
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  96. How Lover Will Benefit From Being the First Taylor Swift Album Not Burdened by Expectations. Andrew. Unterberger. August 22, 2019. Billboard. June 9, 2022. June 9, 2022. https://web.archive.org/web/20220609133733/https://www.billboard.com/music/pop/taylor-swift-lover-album-expectations-8528090/. live.
  97. Web site: Moniuszko. Sara M.. August 23, 2019. Taylor Swift Lover Reviews: Critics Are Enamored by the 'Earnest,' 'Romantic' New Album. November 5, 2020. USA Today. August 23, 2019. https://web.archive.org/web/20190823185149/https://www.usatoday.com/story/entertainment/music/2019/08/23/taylor-swift-album-lover-has-critics-captivated-review-roundup/2094712001/. live.
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  104. News: Review: Taylor Swift's Lover Courts – Gasp! – Adults with Grown-Up Emotional Complexity. Wood. Mikael. Los Angeles Times. limited. August 23, 2019. August 25, 2019. https://web.archive.org/web/20190824181310/https://www.latimes.com/entertainment-arts/music/story/2019-08-23/taylor-swift-lover-review. August 24, 2019. live.
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  122. All 18 Songs From Taylor Swift's New Album Lover Chart On the Billboard Hot 100. Gary. Trust. Billboard. September 3, 2019. June 17, 2022. subscription. May 19, 2022. https://web.archive.org/web/20220519173543/https://www.billboard.com/pro/every-song-taylor-swift-lover-charts-hot-100/. live.
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  124. McIntyre . Hugh . June 13, 2024 . Taylor Swift's Lover Hits A Very Special Milestone . live . https://web.archive.org/web/20240627041043/https://www.forbes.com/sites/hughmcintyre/2024/06/13/taylor-swifts-lover-hits-a-very-special-milestone/ . June 27, 2024 . July 3, 2024 . Forbes.
  125. Web site: Taylor Swift's Lover Is Certified Platinum. Anna. Tingley. September 27, 2019. Variety. June 11, 2022. June 11, 2022. https://web.archive.org/web/20220611110448/https://variety.com/2019/biz/news/taylor-swift-lover-platinum-republic-records-1203352349/. live.
  126. Caulfield. Keith. January 9, 2020. Hollywood's Bleeding Is Nielsen Music/MRC Data's Top Album of 2019, 'Old Town Road' Most-Streamed Song. June 29, 2020. Billboard. subscription. December 14, 2021. https://web.archive.org/web/20211214025617/https://www.billboard.com/pro/post-malone-hollywoods-bleeding-nielsen-music-mrc-data-top-album-2019/. live.
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  128. Caulfield . Keith . 2023-04-23 . Morgan Wallen's One Thing at a Time Nabs Seventh Week at No. 1 on Billboard 200 . . 2023-04-23.
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