| Love and Its Opposite | |
| Type: | studio |
| Artist: | Tracey Thorn |
| Cover: | Thorn opposite.jpg |
| Genre: | Pop |
| Producer: | Tracey Thorn, Ewan Pearson |
| Prev Title: | Out of the Woods |
| Prev Year: | 2007 |
| Next Title: | Tinsel and Lights |
| Next Year: | 2012 |
Love and Its Opposite is the third solo studio album by former Everything but the Girl singer Tracey Thorn, released on 18 May 2010.[1] The album was released on Thorn's husband Ben Watt's label Strange Feeling in the UK, and on Merge Records in North America. It was produced by Ewan Pearson, who also produced tracks on Thorn's previous album Out of the Woods. The album peaked at number 51 in the UK Albums Chart.[2]
An EP of remixes, Opposites, was released digitally on 24 August 2010.[3]
Love and Its Opposite was recorded in Berlin and London, and features guest contributions from Hot Chip's Al Doyle, The Invisible's Leo Taylor, Swedish singer-songwriter Jens Lekman, Nashville musician Cortney Tidwell and Los Valentinos' guitarist Jono.[4] It contains eight original songs and two cover versions: Lee Hazlewood's "Come on Home to Me" (a duet with Jens Lekman) and "You Are a Lover" by The Unbending Trees (with whom Thorn collaborated in 2008).
The album's opening track, "Oh, the Divorces!", was made available as a free digital download on 17 February 2010, along with the confirmation of the album's track list. "Why Does the Wind?" and "You Are a Lover" were released as singles later in 2010 and 2011, respectively, accompanied by several remixes. The remix EP Opposites included versions of the album tracks "Late in the Afternoon," "Swimming," and "Kentish Town," and in 2011 Thorn released the Night Time EP with a cover version of The xx's "Night Time" and new mixes of "Swimming."
Thorn has described the theme of the album as "a record about the person I am now and the people around me ... about real life after forty."
The cover art was designed by John Gilsenan.[5]
At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 77, based on 17 reviews, indicating "generally favorable reviews".