| Love Is a Many-Splendored Thing | |
| Director: | Henry King |
| Producer: | Buddy Adler |
| Screenplay: | John Patrick |
| Starring: | Jennifer Jones William Holden |
| Music: | Alfred Newman Sammy Fain title song |
| Cinematography: | Leon Shamroy |
| Editing: | William H. Reynolds |
| Distributor: | Twentieth Century-Fox Film Corporation |
| Runtime: | 102 minutes |
| Country: | United States |
| Language: | English |
| Budget: | $1.78 million[1] |
| Gross: | $4 million (US and Canada rentals)[2] |
Love Is a Many-Splendored Thing is a 1955 Deluxe color American drama-romance film in CinemaScope. Set in 1949–50 in Hong Kong, it tells the story of a married, but separated, American reporter Mark Elliot (played by William Holden), who falls in love with a Eurasian doctor originally from China, Han Suyin (played by Jennifer Jones), only to encounter prejudice from her family and from Hong Kong society.
The film was adapted by John Patrick from the 1952 autobiographical novel A Many-Splendoured Thing by Han Suyin. The film was directed by Henry King.
The film later inspired a television soap opera in 1967, though without the hyphen in the show's title.
A widowed Eurasian doctor Han Suyin (Jones) falls in love with a married-but-separated American correspondent Mark Elliott (Holden) in Hong Kong, during the period of China's Civil War in the late 1940s. Although they find brief happiness together, she is ostracized by the greater Chinese community. After losing her position at the hospital, Suyin and her adopted daughter go to live with a friend while Mark is on an assignment during the Korean War. They write to each other constantly. She receives word that Mark was killed and she goes to visit their favorite hilltop meeting place. In his last letter, which she receives that same day, he reminds her to be grateful, no matter what happens to him, because they got to experience “that many-splendored thing” which many people never do.
The rights to the novel were bought by David Brown of 20th Century Fox for the producer Sol C. Siegel.[3] However, when he left the company the project was given to Buddy Adler. The screenplay struggled to get Motion Picture Production Code approval because of its themes of adultery and miscegenation.
Parts of the film were shot on location in Hong Kong by second-unit director Otto Lang, which was unusual for its time. Two weeks of location filming in Hong Kong had been completed before the final screenplay had been finished by screenwriter John Patrick. He then had to adapt the screenplay to include as many of the shots as possible.
Despite the film's romantic subject and their chemistry on the screen, Holden and Jones could barely stand each other on set. Holden was turned off by Jones's obsessive involvement with her character and complaints about her makeup (which she said made her "look old"), about her costumes and about her dialogue. Soon, they were barely speaking to one another. According to Holden's biography, Jones was also generally rude and abrasive to everyone involved in the production.[4] Their relationship was also not helped by Jones's worries about Holden's reputation as a womanizer. Holden claimed that she chewed garlic before her love scenes, which she may have done to discourage him.[5] Once, Holden tried to make peace, offering Jones a bouquet of white roses, which she tossed back in his face.
The film was completed on time, within the planned three-months schedule. Indonesian director, J. Cabin Joe, made an uncredited role in the film where he appeared along with Holden.
Variety characterized it as "beautiful, absorbing."
The film earned rentals of $4 million in the United States of America and Canada.[2]
In Ireland and the Canadian province of Quebec, local censors did not like the suggestions of divorce and cut the film to make it appear that Holden was single.[9]
| Award | Category | Nominee(s) | Result | Ref. | |
|---|---|---|---|---|---|
| Academy Awards | Best Motion Picture | Buddy Adler | [10] [11] | ||
| Best Actress | Jennifer Jones | ||||
| Best Art Direction – Color | Art Direction: Lyle R. Wheeler and George Davis; Set Decoration: Walter M. Scott and Jack Stubbs | ||||
| Best Cinematography – Color | Leon Shamroy | ||||
| Best Costume Design – Color | Charles LeMaire | ||||
| Best Scoring of a Dramatic or Comedy Picture | Alfred Newman | ||||
| Best Song | "Love Is a Many-Splendored Thing" Music by Sammy Fain; Lyrics by Paul Francis Webster | ||||
| Best Sound Recording | Carlton W. Faulkner | ||||
| Golden Globe Awards | Best Film Promoting International Understanding | Henry King | [12] | ||
| New York Film Critics Circle Awards | Best Actress | Jennifer Jones | [13] | ||
| Photoplay Awards | Gold Medal | ||||
The music was commissioned from Sammy Fain and Paul Francis Webster as background music. It was extensively developed and woven into the film's orchestral score by Alfred Newman and his choral director Ken Darby. To make it eligible for the Best Original Song category of the Academy Awards lyrics were subsequently added. The original lyrics were rejected by the studio so new ones were written.[15] The resulting sentimental and upbeat song, "Love is a Many-Splendored Thing" was one of the first songs written for a movie to reach No. 1 in the charts in the same year.
The song was subsequently recorded by The Four Aces and also by Jerry Vale, Nat King Cole, Danny Williams, and Frank Sinatra, among others. Italian-language versions were recorded by Nancy Cuomo, Neil Sedaka, and Connie Francis. Francis also recorded the song with its original English lyrics, and a German-language version, Sag, weißt du denn, was Liebe ist.
The song's lyrics relate:
During the film, charged romantic moments occur on a high grassy, windswept hill in Hong Kong. In the bittersweet final scene on the hilltop, the song (heard on the sound track) recalls the earlier encounters:
The theme song won the Academy Award for Best Song, and the recording by The Four Aces went to
, shortly before rock and roll became a dominant force on the charts. Newman's orchestral score, which made heavy use of Fain's tune, also received an Oscar.
Varèse Sarabande made the complete original soundtrack available on compact disc in 2002, limiting the pressing to 2,000 copies.