London Bulletin Explained

Editor:E. L. T. Mesens
Editor Title:Editor-in-chief
Category:Arts magazine
Frequency:Monthly
Founder:London Gallery
Founded:1938
Firstdate:April 1938
Finaldate:June 1940
Finalnumber:18–20
Country:United Kingdom
Based:London
Language:English
Oclc:7419596

London Bulletin was a monthly avant-garde art magazine which was affiliated with the London Gallery between April 1938 and June 1940. It was one of the most significant surrealist publications.

History and profile

The plans to launch the magazine began following the international surrealist exhibition in London in 1936.[1] The magazine was first published in April 1938 with the title London Gallery Bulletin.[1] It was renamed as London Bulletin from the second issue.[2] It came out monthly, and its publisher was the Arno Press based in London.[3] Later the Bradley Press became its publisher. The magazine was financed by Roland Penrose.

London Bulletin regularly published the pamphlets of the exhibitions presented at the London Gallery.[4] [5] It frequently featured reproductions of surrealist paintings and poems of the surrealists.[6] The manifesto of an Egyptian anarchist post-surrealist group, Art et Liberté (Art and Freedom), was published in the magazine in English in 1938.[7] The group members were Anwar Kamel, Ramses Younan and Kamel el-Telmissany who would launch a magazine, Al Tatawwur, in Cairo in 1940.[8] In the document entitled Long Live Degenerate Art! they objected to the Nazis' views on ‘degenerate art’ and theMarxists' notion 'that modern society looks with aversion on any innovative creation in art and literature which threatens the cultural system on which that society is based, whether it be from the point of view of thought or of meaning.'[7] London Bulletin folded before World War II,[9] and its last issue, numbered 18–20, appeared in June 1940.[1] [10] The same year the London Gallery was also closed.[10]

London Gallery News, a small newspaper, was the successor of London Bulletin.[4]

Editors and contributors

E. L. T. Mesens was the editor-in-chief.[10] Humphrey Jennings contributed to the first two issues of the magazine and then began to work as an assistant editor to E. L. T. Mesens.[1] Jennings and Gordon Onslow Ford were assistant editors from issue 3.[4] Roland Penrose served as the assistant editor from issue 8/9 published in January 1939 and was replaced by George Reavey as an assistant editor from issue 11 dated March 1939.[4]

Major contributors of London Bulletin included Paul Éluard, Herbert Read, André Breton, Samuel Beckett, Francis Picabia, Eileen Agar, John Banting and Conroy Maddox. Belgian surrealist writer Marcel Mariën published articles in the magazine.[11] Pictures by photographer Lee Miller appeared in several issues.[12]

See also

Notes and References

  1. David Hopkins. William Blake and British Surrealism: Humphrey Jennings, the Impact of Machines and the Case for Dada. Visual Culture in Britain. 2018. 19. 3. 312. 10.1080/14714787.2018.1522968. 192737893.
  2. Book: Steven Connor. Gary Day. Brian Docherty. British Poetry, 1900–50. 1995. Palgrave Macmillan. London. 978-1-349-24000-5. 169. https://doi.org/10.1007/978-1-349-24000-5_11. British Surrealist Poetry in the 1930s. 10.1007/978-1-349-24000-5_11. Steven Connor. Gary Day (academic).
  3. Book: London Bulletin. Arno Press. 1938.
  4. 2020. Jutta Vinzent. The Making of Modern Art through Commercial Art Galleries in 1930s London: The London Gallery (1936 to 1950). 2. Visual Culture in Britain. 21. 147,162,164. 10.1080/14714787.2020.1738265. 219411278.
  5. Book: 2009. Rod Mengham. Peter Brooker. Andrew Thacker. The Oxford Critical and Cultural History of Modernist Magazines. Oxford University Press. Oxford. https://doi.org/10.1093/acprof:osobl/9780199654291.003.0038. 10.1093/acprof:osobl/9780199654291.003.0038. ‘National Papers Please Reprint’: Surrealist Magazines in Britain: Contemporary Poetry and Prose (1936–7), London Bulletin (1938–40), and Arson: An Ardent Review (1942). 9780191803635. 691.
  6. P. B. R.. Foreign Periodicals. The Kenyon Review. Autumn 1939. 1. 4. 473. 4332119.
  7. James Gifford. Late modernism's migrations: San Francisco Renaissance, Egyptian anarchists, and English post-Surrealism. Textual Practice. 162388367. 10.1080/0950236X.2015.1024725. 2015. 29. 6. 1057.
  8. Sam Bardaouil. "Dirty Dark Loud and Hysteric": The London and Paris Surrealist Exhibitions of the 1930s and the Exhibition Practices of the Art and Liberty Group in Cairo. Dada/Surrealism. 2013. 19. 1. 1–24. 10.17077/0084-9537.1273. free.
  9. Arthur M. Minters. A Talk on Modern Art Periodicals. Books at Iowa. 1967. 7. 1. 3–8. 10.17077/0006-7474.1297. free.
  10. 1. 81,87. Denis-J. Jean. Was There an English Surrealist Group in the Forties? Two Unpublished Letters. Twentieth Century Literature. February 1975. 21. 10.2307/440531. 440531.
  11. Marcel Mariën. Beth Roudebush. another kind of CINEMA. Film Comment. 1962. 1. 3. 14. 43752656.
  12. Web site: 2018 . Lee Miller and Surrealism in Britain . Fundació Joan Miró.