Livre d'orgue ("Organ book") is a work for organ by the French composer Olivier Messiaen, composed in 1951–52. A major work of Messiaen, its place in Messiaen's output can be compared to that of Bach's The Art of Fugue.
According to Messiaen, different parts of the work were composed in different places, influencing their form: "Reprise par interversion", "Pièce en trio I", and "Les yeux dans les roues" were composed in Paris; "Les mains dans l'abîme", "Pièce en trio II", and "Soixante-quatre durées" were composed in the Alps; and "Chant d'oiseaux" was composed in the forest of Saint-Germain.
A more detailed chronology is given by Vincent : movements 1, 2, and 6 were composed in Paris in 1951–52; movement 3 was composed in the Dauphiné mountains and the vallée de la Romanche in 1951; movement 4 was begun at the Perrin de Fuligny meadow in the forest of Saint-Germain-en-Laye in 1951 and completed the following year at the branderaie de Gardépée, Charente; movement 5 was composed in front of the glacier of Le Râteau and the Tabuchet glacier on Meije in 1951; movement 7 was also composed in 1951, at the champs de Petichet.
The work comprises seven movements:
The piece was premiered by Messiaen himself in 1952 for the inauguration of the organ in the Villa Berg in Stuttgart, though another source gives the date as 23 April 1953 . He later gave the French premiere on 21 March 1955 at the Sainte-Trinité in Paris, as part of the second season of Pierre Boulez's Concerts du Domaine musical—the only time the Domaine musical put on a concert in a church . This performance, for which Boulez only prepared for around 50 people, was notable due to a considerably larger crowd arrived, blocking Messiaen's entrance to the church.