Literature of Kashmir has a long history, the oldest texts having been composed in the Sanskrit language. Early names include Patanjali, the author of the Mahābhāṣya commentary on Pāṇini's grammar, suggested by some to have been the same to write the Hindu treatise known as the Yogasutra, and Dridhbala, who revised the Charaka Samhita of Ayurveda.
In medieval times, philosophers of Kashmir Shaivism include Vasugupta (c. 800), Utpala (c. 925), Abhinavagupta, Kshemaraja, and Anandavardhana. If we talk about contemporary poetry of Kashmir there are many poets, which include Asif Tariq Bhat[1] [2] Tashi Shah,[3] Akeel Mohiuddin Bhat,[4] and Zeeshan Jaipuri.[5]
The below listed table marks Kashmiri language poets in chronological order as per the book— A History of Kashmiri literature by Trilokinath Raina.[6]
Name | Years | Birthplace | Period | Remarks | |
---|---|---|---|---|---|
Lal Ded | 1320–1392 | Pandrethan, or Padmanpore (modern Sempore, Pampore) | Kashmir Shaivism and Islamic Sufism | She was the Kashmiri mystic poet credited with pioneering Vaakh/Vatsun or Shrukh genre of Kashmiri literature. | |
Nund Reshi | 1377–1438 | Qaimoh, Kulgam | Sufism | Nund Reshi was among the founders of the Rishi order, a Sufi tradition of the region. His well known disciples from this order include- Dehat Ded, Behat Ded, Shanga Bibi, Sham Ded and Ganga Bibi. | |
Hazrat Shaikh Yaqub Sarfi | 1521–1595 | Srinagar | Sufism | Popularly known as "Ishan Sa'eb", Sarfi was a Kashmiri Alim, Mutasawif, Faqih, Shayar, Mufassir, Muhaddith, philosopher and Sufi Shaikh of the Kubrawi Hamadani order. He became a Hafiz Quran at the age of 7. He has many Vaakhs to his credit. | |
Habba Khatoon | 1554–1609 | Chandhur, Pampore | Lyricism | She is known to lyricize her vailing cries for lost time. The queen poetess was popularly known as the "Nightingale of Kashmir". | |
Khawaja Habibullah Ganai Nowshehri | 1555–1617 | Nowshera, Srinagar | Sufism | He was the main Khulafa (successor) to Hazrat Shaikh Yaqub Sarfi and was Hafiz Quran, and very much fond of singing. He had written some notable Vaakhs too. | |
Rupa Bhawani | 1621–1721 | Khanqah-i-Shokta, Nawakadal (Srinagar at present) | Kashmir Shaivism and Islamic Sufism | Her Vaakhs reveal the influence of both Kashmir Shaivism and Islamic Sufism. | |
Sahab Kaul | b. 1629 | Habba Kadal, Srinagar | Kashmir Shaivism | His Krishna Avtaar Charit is the first Kashmiri poem of Leela (Divine play) genre. | |
Nunda Dar | d. 1774 | Village Kaathyul | Sufism | He and Mir Syed Ullah Shahabadi are the only two poets who attempted the Ghazal writing successfully before Mahmud Gami. | |
Arnimal | 1738–1778 | Lyricism | She is the second poet after Habba Khatoon in the field of love lyrics. | ||
Mir Abdulla Behaqi | d. 1798 | N/A | Sufism | He is the first Kashmiri poet to adopt Mathnavi (rhyming couplets) as his medium in poetry. | |
Shah Gafoor | N/A | Village Choon, Budgam | Lyricism | His well-known works include ' | |
Momin Sa'eb | d. 1800 | Bebagom, Pulwama | Sufism | To him belongs the honour of writing the first well-received Mathnavi in Kashmiri, entitled ' | |
Swocha Kral | 1774–1854 | Village Koil, Pulwama (buried at Yendregam, Pulwama) | Sufism | He was known to be the mureed (disciple) of Momin sa'eb. His poetry is an exposition of the philosophy of Wahdat-al-Wajood. | |
Khwaja Hussain Mir | d. 1826 | Habak, Magam, buried at Gund Khawja Qasim | Devotional | Hussain Mir is regarded as the founder of the Classical Age in Kashmiri Marsiya's, known as Muqam Band. | |
Parmananda | 1791–1864 | Village Seer, Martand (Mattan at present) | Mysticism | His most notable works include Radha Swayamvara. | |
Pandit Mirza Kak | N/A | Hangulgund, Kokernag, Anantnag | Mysticism | He had authored Shiv Puraan in Kashmiri language. | |
Shah Qalandar | d. 1850 | Lyricism | Known for his popular mathnavi ' | ||
Mahmud Gami | 1765–1855 | Village Aravaer (modern Mahmudabad), Dooru Shahabad, Anantnag | Lyricism | Popularly known as Jami of Kashmir, he had also translated Nizami's Layla Majnun into Kashmiri titled Lael Majnun. | |
Rahim Sa'eb | 1775–1850 | Teliyan mohallà, Sopore | Sufism | He belonged to the Qadri order of Sufism and was significantly influenced by Lal Ded and Nund Reshi. He is specifically known for using Sanskrit Shastra words in his poetry. | |
Munshi Mohammad Yusuf Baba | 1798-1885 | Babapora, Habba Kadal, Srinagar | Devotional | He is best known for his portal of human loss and grief in Kashmiri Marsiya. Munshi Yusuf remains one of the most popular Kashmiri Marsiya writers. | |
Hakim Mulla Muhammad Azim | 1803-1852 | Babapora, Habba Kadal, Srinagar | Devotional | He is known for introducing visual imagery in Kashmiri Marsiya and repositioning it in the urban, Persianate high culture associated with Srinagar city. | |
Mirza Aboul Qasim | d. 1853 | Gund Khawja Qasim, buried Karbala, Iraq | Devotional | The most prolific and popular Marsiya writer of Kashmiri Marsiyas, his works reflects deep understanding of traditional Muslim knowledge both literary as well as religious. | |
Munshi Safdar Khan | d. 1850's | Awadh, Uttar Pradesh | Devotional | He worked in the court of Nawab Wajid Ali Shah and is said to have been poisoned in his late 20's. He is the first poet who introduced the genre of writing bey-nuqta (verses withouts any diacritical marks) in Kashmiri, in a marsiya of bearing the same name. | |
Wali Ullah Motoo | d. 1858 | Wuhan, Beerwah dist. Budgam | Sufism | He has written a Mathnavi based on the legend of Hemal and Nagrai. | |
Nyam sa'eb | 1805–1865 | Agh hamaam Habba Kadal, Srinagar | Lyricism | He is best known for his lyrical ghazals that have been sung by generation of Kashmiris. His Taelib named Rasul Shah Haaqsa was the murshid to Shamas Faqir. | |
Abdul Ahad Nazim | 1807-1865 | N/A | Sufism and Lyricism | He was also known as 'Waiz Shah Nur-ud-din', considered the finest Na'at writer of Kashmir. He had penned the famous Sufi song- Yim Zaar Vanahas Bardar. | |
Lakshman Joo Raina Bulbul | 1812–1898 | Malapora, Ganderbal Srinagar | Lyricism | Wrote the well-known razmia mathnavi Saamnaama, translation of Firdausi's Classic Shahnaama. | |
Karam Buland | d. 1899 | Haanz Gund, Wahthora Budgam | Lyricism | He had great love of music, theatre and organizing musical sessions. The NGO- Karam Buland Folk Theatre Group in Budgam is also named after him. | |
Maqbool Shah Kralwari | 1820–1877 | Kralwara, Nagam Budgam | Sufism | He is best known for his mathnavi Gulrez | |
Ahmad Batwaer | 1838-1918 | Batawara, Soura Srinagar | Sufism | His well known works include ' | |
Rasul Mir | 1840–1870 | Dooru Shahabad, Anantnag | Romanticism | He is popularly known as the John Keats of Kashmir. Rasul Mir formally inaugurated Ghazal into Kashmiri poetry. Gazals with rivers, valleys, birds, fruits and imagery of Kashmir are his forte. | |
Abdul Ahad Nadim | 1842–1911 | Bandipora | Lyricism | Had written the social satire Shaharashob. | |
Wahab Khar | 1842–1912 | Khrew, Pampore, Pulwama | Sufism | He came from a lineage of poets: his father and grandfather, both blacksmiths by profession, were also venerated Sufi poets. | |
Wahab Parray | 1845-1914 | Khos mohallà, Hajin, Bandipora | Sufism | He had translated Firdausi's Shahnaama | |
Pandit Govind Kaul | 1846-1899 | Srinagar | Mysticism | As a profound Kashmiri scholar he had helped Aurel Stein in translating Kalhana's Rajatarangini. | |
Rahman Dar | d. 1897 | Safa Kadal, Srinagar | Sufism | He is best known for his Mathnavi Sheeshrang. | |
Shamas Faqir | 1849–1904 | Zaindar, Srinagar | Sufism | He belonged to the Qadriya silsila of Sufism and had also written the mathnavi Mehrajnaama, recounting prophet Muhammad (ﷺ) Mehraj (spiritual journey) to God. | |
Aga Sayyid Muhammad Safvi | d. 1932 | Mirgund, Budgam | Religious Prose | A religious scholar by training he wrote ' | |
Pir Ghulam Mohammad Hanfi | 1849–1937 | N/A | Sufism | He is said to have translated Quran into Kashmiri. Some scholars believe that the Kashmiri translation of Quran which was published under the name of Maulvi Yusuf Shah was actually done by Hanfi. | |
Krishan Joo Razdan | 1850–1925 | Wanpoh, Anantnag | Kashmir Shaivism | He is known for his Shiv Puraan and Shiv Lagan. | |
Hakim Mulla Habib ul Lah | 1852-1904 | Devotional Mysticism | In addition to his Persian poetry is known for his Kashmiri Marsiya's, especially Yusuf. His Sahlab Nama is devoted to the tragic floods of 1903 which devastated Kashmir. | ||
Aziz Ullah Haqqani | 1854–1919 | Narparistan, Srinagar | Sufism and Romanticism | He is remembered as a prominent Na'at writer. His best known mathnavi is Mumtaaz Benazir', which had attained the same popularity as Maqbool Shah Kralwari's Gulrez. | |
Saif-ud-din Ariz | N/A | Pulwama | Lyricism | His mathnavi entitled Nav Bahaar, had been translated into Persian. Though, the manuscript remains undiscovered so far. | |
Asad Parray | 1862-1930 | Hajin, Bandipora | Mysticism | He was highly influenced by Hindu mythology and had written works in praise of Lord Rama and Lord Shiva. | |
Hakim Hassan Ali | 1870-1915 | Devotional | A respected Marsiya writer, his Bey-Nuqta (Dotless) is considered a literary feat because in 25 verses it avoids the use of letters with any diacritical markings (nuqta). | ||
Haji Mohammad Alyaas | 1881–1941 | Tsrar Sharief, Budgam | Romanticism | He had been inspired by Aziz Ullah Haqqani, and wrote his rendering of the mathnavi Mumtaaz Benazir. | |
Mohammad Ismail Nami | 1884–1940 | Kavador, Srinagar | Lyricism | He was an extensive traveller of Tibet and had written Tibet Safarnama and Nizami's Sheeren Farhad in Kashmiri. | |
Prakash Ram Bhat | d. 1885 | Devsar dist. Kulgam | Mysticism | He is the author of the first Razmia (war) mathnavi in Kashmiri literature, 'Ramavtaar Charit', based on Ramayana. | |
Akbar Bhat | d. 1910 | Anantnag | Sufism | He roamed as a fakir all over the valley for two years and after this peregrination wrote the poem Saalgah. | |
Kaefi Shah | d. 1910 | Kothar dist. Udhampur | Romanticism | Wrote a romantic mathnavi, Qissa Behraam Shah | |
Abdul Rahim Aima | d. 1911 | Nagam, Banihal | Sufism | His mathnavi Gulbadan | |
Pir Mohi-u-din Miskeen | d. 1915 | Sufism | Had written 6 masnavis, including Yusuf Zuleikha, Zeba Nigaar and Laal Majnoon. He had also translated the popular tragic romance of Punjab, Pakistan- Sohni Mahiwal into Kashmiri. | ||
Prakash Kurgami | N/A | Kurigam, Qazigund | Mysticism | He had translated Ramayana to Kashmiri language. | |
Vishna Kaul | d. 1917 | Kulgam | Mysticism | He had translated Valmiki's Ramayana into Kashmiri | |
Haji Mohi-ud-din Miskin | d. 1921 | Srinagar | Sufism | His mathnavi 'Zeba Nigaar' has been credited to Rasul Mir by Abdul Ahad Azad in Kashmiri zuban aur shairi vol.II | |
Asad Mir | d. 1930 | Hakura Badasgam, Anantnag | Lyricism | He had written the popular ghazal Yeli Janaan Ralem. He has numerous ghazals to his credit that have been sung by generations of Kashmir. | |
Abdul Qaadir Faarig | N/A | N/A | Sufism | He was the father of ex-chief minister, Ghulam Mohammad Sadiq. | |
Ahad Zargar | 1882–1984 | Narvara, Srinagar | Sufism | His well known masnavis including- Kaefir Sapdith Korum Iqraar', expressing the philosophy Wahadat-al-Wajood. | |
Zinda Kaul | 1884–1965 | Madanyar, Srinagar | Lyricism | He was the first Kashmiri writer who had won the Sahitya Akademi award, 1956 for his volume Sumaran (The Rosary). | |
Mahjoor | 1887–1952 | Mitrigam, Pulwama | Lyricism | Being a revolutionary poet, he is famously known as Shair-e-Kashmir. | |
Samad Mir | 1892–1959 | Haar Nambal, Narwara Srinagar | Sufism | His ' | |
Lassa Khan Fida | 1898-1965 | Qazi mohallà, Anantnag | Sufism | At the age of 21, he wrote his first book Gulbakwal | |
Abdul Qadoos Rasa Javidani | b. 1901 | Bhaderwah | Lyricism | He had published his Kashmiri poems under the title Nairang-e-Gazal | |
Abdul Ahad Zargar | b. 1908 | Srinagar | Sufism | Being a disciple of Samad Mir, his expression was also multi-lingual that assimilated Arabic, Sanskrit and Persian languages and brewed them with Kashmiri language. | |
Dina Nath Wali Almast | 1908–2006 | Badyar Bala, Srinagar | Progressive movement | His collection of poetry include Bala Yapair (This side of Mountains, 1955) and Sahaavukh Posh (Desert Flowers, 1981). | |
Abdul Ahad Azad | 1909–1948 | Rangar, Chadoora, Budgam | Lyricism | He had written the essay Kashmiri zuban aur shairi. | |
Mir Ghulam Rasool Nazki | 1910–1998 | Mader, Bandipora | Sufism | His well known works include Namrodnama, a collection of 200 quatrains published in 1964. | |
Ali Mohammad Gilkar | d. 1976 | Nowhatta, Srinagar | Sufism | He was a great spiritual leader and a great Sufi saint, and popular among masses as Woast bab or Dassil bab. He is best known for his book Kaleed Ludni. | |
Mirza Ghulam Hassan Beg Arif | 1910–2005 | Anantnag | Progressive movement | Known for his satirical piece Aawaaz-i-dost. He had also translated 100 quatrains of Omar Khayyam,and Rabindranath Tagore's 'Cycle of Spring' into Kashmiri. | |
Dina Nath Nadim | 1916–1988 | Habba Kadal, Srinagar | Progressive movement | He had penned the famous folksong ' | |
Fazil Kashmiri | 1916–2004 | Srinagar | Progressive movement | As a versatile poet he had proven his command or mastery in all genres of poetry – Ghazal, Nazm, Rubai, Qata, Marsiya, Munajat, Na'at, Manqabat, Leela etc. | |
Mohiuddin Hajni | 1917–1993 | Hajin, Bandipora | Progressive movement | His play ' | |
Noor Mohammad Roshan | b. 1919 | Khanyar, Srinagar | Progressive movement | He had translated Munshi Premchand's Godaan in Kashmiri. | |
Lal Aragami | 1923–1988 | Chattibanday Aragam, Bandipora | Sufism | His well known works include Sareth Rahbar Lobum Moula. | |
Abdul Khaliq Tak Zainageri | 1924–1989 | Hardishiva, Zaingeer Sopore | Sufism | It was in 1972 that he laid the foundation of the J& K Yateem Trust. He has also written poems for children, depicting his love for the orphans and the weak. | |
Sarwananda Koul Premi | 1924–1990 | Soaf Shalli, Kokernag Anantnag | Progressive movement | Mahjoor gave him the name "Premi" (meaning Lover) because his poetry was full of love for Kashmir. | |
Amin Kamil | 1924–2014 | Progressive movement | His notable works include the collections Beyi Sui Paan and Padis Pod Tshaayi. | ||
Arjan Dev Majboor | 1924–2015 | Zainpora, Pulwama | Progressive movement | He had translated Kalidas's Meghadootam into Kashmiri. | |
Janbaz Kishtwari | 1925-1990 | Kishtwar | Progressive movement | He is known for his collection of poetry Phalwin Sangar | |
Rehman Rahi | 1925–2023 | Wazpora, Downtown Srinagar | Progressive movement | His Navroz-e-Saba had won the Sahitya Akademi award, 1961. | |
Pran Kishore Kaul | 1925-present | Srinagar | Modern-age | He had written the screenplay for the popular Doordarshan Television series Gul Gulshan Gulfaam. | |
Vasudev Reh | b. 1926 | Sopore | Progressive movement | He is known for his collection of poetry Shab Gardun | |
Vishwanath Vishwas | b. 1926 | Sopore | Progressive movement | His well known poems include ' | |
Pushkar Bhan | 1926–2008 | N/A | Progressive movement | As a playwright he had collaborated 3 times with Som Nath Sadhu. | |
Ali Mohammed Lone | 1927–1987 | Drogjan, Dal Gate Srinagar | Progressive movement | He was a prominent dramatist of Kashmiri language and had written the plays Te Vyeth Rooz Pakaan and Suyya. | |
Ghulam Nabi Nazir | 1927-2015 | Yaripora, Kulgam | Progressive movement | His well known works include Kashir Lukh Baath | |
Ghulam Nabi Firaq | 1927–2016 | Naushera, Srinagar | Progressive movement | Adapted play Doctor Faustus by Christopher Marlowe into Kashmiri language. | |
Akhtar Mohiuddin | 1928–2001 | Srinagar | Resistance literature | He had written the first novel in Kashmiri language, entitled Dod Dag (1957), and was a prominent short story writer in Kashmiri. | |
Ghulam Rasool Santosh | 1929–1997 | Chinkral, Habba Kadal Srinagar | Kashmir Shaivism | As a poet he had been the recipient of Sahitya Akademi award for his poem Be Soakh Rooh (1978). | |
Rashid Nazki | 1931-2016 | Bandipora | Sufism | He was the founding president of Adbee Markaz Kamraz. He had won the Sahitya Akademi award for Vahraat | |
Hamidi Kashmiri | 1932-2018 | Srinagar | Progressive movement | He had won the Sahitya Akademi award for Yath Miani Joye | |
Moti Lal Kemmu | 1933–2018 | Srinagar | Progressive movement | Being a multi-faceted artist, he had worked as a choreographer for Dina Nath Nadim's Bombur Yembarzal, and Himal Nagrai. | |
Naji Munawar | 1933–2021 | Modern-age | Best known for his collection Mwokhta lar, a book of stories for children. | ||
Autar Krishen Rahbar | 1934–2020 | Fatehkadal, Downtown Srinagar | Modern-age | He was a dramatist, and had written the famous play Badshah. | |
Zeba Zeenat | 1934–present | Nadihal, Bandipora | Sufism | She is a mystic poet whose work is based on self-exploration. | |
Hari Kishan Kaul | 1934–2009 | Srinagar | Modern-age | He is a well-known playwright and short story writer in Kashmiri. He is best known for his play Yeli Watan Khur Chu Yevan. | |
Ghulam Nabi Gauhar | 1934–present | Charar-e-Sharief, Budgam | Modern-age | He had written the second novel in Kashmiri language, entitled Mujrim (1971). | |
Muzaffar Aazim | 1934–2022 | Gotlipora, Tangmarg | Modern-age | His notable works include three poetry books in Kashmiri and one in Urdu in addition to plays Havas ta Haasil and Nai Mout. He created the first Kashmiri Narqalam font and Gulmarg Nastaliq font. | |
Som Nath Sadhu | 1935–1982 | N/A | Modern-age | Apart from being a significant playwright, he had also won the Padma Shri (fourth highest Indian civilian award) in 1974. | |
Taj Begum Renzu | 1935–2015 | Srinagar | Modern-age | She is the first Kashmiri female fiction writer and journalist. | |
Ghulam Nabi Tak Naazir | 1935-2015 | Yaripora, Kulgam | Modern-age | He had won the Sahitya Akademi award for Achhre Tsange | |
Bashir Bhaderwahi | 1935-present | Bhaderwah | Modern-age | He had won the Sahitya Akademi award for his literary criticism Jamis Ta Kasheeri Manz Kashir Natia Adbuk Tawareekh | |
Mohammad Yousuf Taing | 1935–present | Shopian | Modern-age | His work, Mahjoor Shinasi (A criticism on Mahjoor) won him the Sahitya Akademi Award in 1998. | |
Makhan Lal Kanwal | 1936-2016 | Sangrampora, Sopore | Modern-age | He had won the Sahitya Akademi award fo Yath Aangnas Manz | |
Mushtaq Kashmiri | 1936-2022 | Kav mohallà, Khanyar, Srinagar | Resistance literature | His book Tohfa-e-Shaheed | |
Moti Lal Saqi | 1936–1999 | Bijbehara, Anantnag | Modern-age | He received the Sahitya Akademi award in 1981 for Mansar. | |
Sajood Sailani | 1936–2020 | Nowgam, Srinagar | Modern-age | He served as a member of Sahitya Akademi's advisory board from 1973 to 1977 and in 1990. | |
Chaman Lal Chaman | 1937–1999 | N/A | Romanticism | He had represented Kashmir at the National Conference of poets in 1960. | |
Ayoub Sabir | 1937–present | Bugam, Kulgam | Modern-age | He is a well known Satirist. For his famed book Gulalan Shaadmani, Sabir was awarded children's best literature award by Sahitya Academy New Delhi in 2013. | |
Mishal Sultanpuri | 1937–2020 | Sultanpur, Baramulla | Modern-age | In 2009 he got the Sahitya Akademi award for his book Vont on literary criticism. | |
Marghoob Banihali | 1937–2021 | Modern-age | He had returned his Sahitya Akademi award in 2015, for his Partavistan (1979), a collection of poetry. | ||
Hriday Kaul Bharti | 1937–2020 | Sopore | Modern-age | He is best known for his contemporary short stories including- Doan athan hinz dastaan. | |
Rattan Lal Shant | 1938-present | Srinagar | Modern-age | He had won the Sahitya Akademi award for his short story Tshen | |
Bashar Bashir | N/A | N/A | Moden-age | He had won the Sahitya Akademi award for ' | |
Ghulam Nabi Khayal | 1938–present | Shal mohallà, Srinagar | Resistance literature | He became the first Kashmiri writer to return the Sahitya Akademi award in 2015, for his Gashik Minaar (Luminaries), 1975. | |
Ali Mohammad Shahbaz | 1939–1996 | Shathgund, Handwara | Resistance literature | His literary work pictured and voiced the agony of Kashmir conflict. | |
Rasool Pampur | 1940–2015 | Hassenpora, Bijbehara | Sufism | He was very much inspired by the Sufi compositions of Lal Ded and Sheikh-Ul-Alam. | |
Farooq Nazki | 1940–present | Bandipora | Modern-age | He is the son of Ghulam Rasool Nazki. | |
Pyarelal Handoo | 1941-2014 | Chandapora, Habba Kadal, Srinagar | Modern-age | As a prominent theatre actor he is regarded as the 'Father of Monologues' in Kashmiri theatre. He has directed and produced around 3000 programmes which include a number of short films and documentaries. | |
Shafi Shaida | 1941–2015 | Akilmir Khanyar, Srinagar | Modern-age | As a prominent dramatist, he scripted 26 episodes of Habba Khatoon- the first Urdu drama from Kashmir which was broadcast on DD Kaeshur. | |
Omkar Nath Koul | 1941–2018 | Modern-age | He was a prominent linguist of Kashmiri language. | ||
Zareef Ahmad Zareef | 1943–present | Aali kadal, Downtown Srinagar | Modern-age | He is best known for his satirical poetry and efforts to highlight various social and political problems. He had won the Sahitya Akademi award for his work ' | |
Somnath Zutshi | 1944—2014 | Srinagar | Modern-age | He had won the Sahitya Akademi award for his short story ' | |
Anis Hamadani | N/A | N/A | Modern-age | He is particularly known for his short stories- ' | |
Gulshan Majeed | 1947-present | Ganderbal | Modern-age | He had written the literary criticism on Wahab Parray, Lassa Khan Fida and Lakhimanjoo Bulbul titled Na'gdi Shqar. He had also translated Albert Camus' 'The Fall' to Kashmiri. | |
Shahnaz Rasheed | 1947–present | Nowpora Kalan, Sopore | Modern-age | He released his first book Doad Khatith Guldanan Manz (Pain concealed in flower vases) in 2006, and was highly acclaimed by critics. | |
Abdul Ahad Hajini | 1948-present | Hajin, Bandipora | Modern-age | He had won the Sahitya Akademi award for his collection of short stories Akh Yaad Akh Qayamat | |
Rafiq Raaz | 1950–present | Srinagar | Modern-age | He is the author of Arooz Kashir Zaban (Prosody of Kashmiri language). | |
Shafi Shauq | 1950–present | N/A | Modern-age | He is the author of Kaesher Lugaat (Dictionary of Kashmiri language). He translated Leo Tolstoy's short novel 'The Death of Ivan Ilych' to Kashmiri. | |
Mohi-ud-Din Reshi | 1951-present | Srinagar | Modern-age | He won the Sahitya Akademi award for his collection of short stories Aina Aatash | |
Naseem Shafaie | 1952–present | Srinagar | Modern-age | She is the first Kashmiri women to win the Sahitya Akademi award for her work ' | |
Basheer Asrar | 1953–2021 | Malaknag, Anantnag | Modern-age | He is the founder of The District Cultural Association Anantnag’ | |
Bashir Dada | 1953-present | Anantnag | Modern-age | He is a prominent theatre actor, screenwriter and poet. His notable literary works in Kashmiri language include ' | |
Wali Mohd Aseer Kashtawari | 1954-present | Berwar, Kishtwar | Modern-age | He had won the Sahitya Akademi award for his literary criticism ' | |
Ghulam Ahmad Najar | 1954–present | Najar Mohalla, Tekipora, Lolab Valley, Kupwara | Sufism | He has many Sufism books to his credit, but notably his book “Jaam-i-Arifayan” is the most comprehensive collection. | |
Piarey Hatash | N/A | Anantnag | Modern-age | He is particularly known for his Nazm Aes Bayo Naeb Nishanay Rov | |
Shad Ramzan | 1956–present | Kulgam | Modern-age | He had won the Sahitya Akademi award for Kore Kaakud Gome Pushrith | |
Aadil Mohi-ud-din | N/A | Sumbal, Bandipora | Modern-age | He had received the Sahitya Akademi award for his literary criticism entitled- Zol Dith Sadras (2016). | |
Aziz Hajini | 1957–2021 | Hajin, Bandipora | Modern-age | He was the former Secretary of Jammu Kashmir Academy of Art Culture and languages (JAACL). | |
Majrooh Rashid | 1958-present | Modern-age | Being a poet, he also a critic and translator. He has authored the books- ' | ||
Mushtaq Ahmad Mushtaq | 1961-present | Budgam | Modern-age | He had won the Sahitya Akademi Award for his collection of short stories Aakh | |
Farooq Fayaz | N/A | N/A | Modern-age | He had won the Sahitya Akademi award for his literary criticism Zael Dab | |
Sajad Inquilabi | 1964-present | Khudwani, Kulgam | Modern-age | His debut collection of poetry was Poushgound | |
Madhosh Balhami | 1965–present | Balhama, Pampore Pulwama | Resistance literature | He is particularly known for his recitation of elegies composed for the funerals of militants in Kashmir. On 15th of March 2018, he lost his house and thirty years of written poetry to a fire in the middle of a gun battle between Indian Army and Militants. | |
Gulab Saify | 1966-present | Kishtwar | Triyout literature | Being a poet, he is also a critic. He is particularly known as the takhleeqkaar (pioneer) of Triyout genre of literature from Jammu and Kashmir, and the only writer who writes in this genre from the state. His well known works from this genre include ' | |
Zareefa Jan | 1966–present | Poshwari, Sonawari Bandipora | Sufism | Her poetic world is as fascinating as her mystifying appearance. Her poetry treasure includes a few of her notebooks filled with circles. Those circles or codes can be read by her only. | |
Riyaz Anzoo | N/A | Bijbehara, Anantnag | Modern-age | His notable ghazals include- ' | |
Sunita Raina Pandit | 1967-present | Anantnag | Modern-age | Her well known works include "T'chhopi Hindi Aalaw" (The Call of Silence). Her other published Kashmiri books are ' | |
Haleema Qadri | 1972–present | Churmujur, Budgam | Sufism | In 2015, she had self-published her collection of poetry, entitled Ishq-e-Nabi. | |
Arshad Mushtaq | 1974-present | Srinagar | Modern-age | He is considered as a prominent director in Kashmiri language theatre. His well known adaptations of foreign plays or literary works include- Su Yee; based on Samuel Beckett's Waiting for Godot, and Aalav; based on John Millington Synge's Riders to the Sea. He wrote his first original play- Be'chus Shahid (I am witness) in remembrance of Agha Shahid Ali. | |
Nisar Azam | 1977–present | Dangiwotsh, Rafiabad Baramulla | Modern-age | He released his first book Patti Leji Zoon Daras (Then the Moon's eyes froze), for which he bagged his first Sahitya Akademi Award in 2011. He has also translated many books and his works have been highly acclaimed by critics. | |
Nighat Sahiba | 1983–present | Anantnag | Modern-age | She had won the Sahitya Akademi Yuva Puraskar for her Zard Paniek Daer (2017). | |
Shabir Magami | 1984-present | Magam, Budgam | Modern-age | Being a poet, he is also a translator and critic. Some of his well known Ghazals that have been sung by Grammy award nominee Qaiser Nizami include- ' | |
Sofi Ghulam Mohd | 1986-present | Charari Sharief | Modern-age | A critic, short-story writer, translator. He is also the author of ' | |
Rumuz-e-Bekhudi | N/A | Srinagar | Modern-age | As soon as she devoted herself to poetry writing, her verses reflected self-reliance, empowerment, and struggle amidst the valley's strife backdrop. | |
Asif Tariq Bhat | 2000–present | Duderhama, Ganderbal | Modern-age | He is the author of Kashmiri novel Khawaban Khayalan Manz |
The use of the Kashmiri language began with the work Mahānaya-Prakāsha[7] by Rājānaka Shiti Kantha (c.1250),[8] and was followed by the poet Lalleshvari or Lal Ded (14th century), who wrote mystical verses in the vaakh or four-line couplet style.[9] Another mystic of her time equally revered in Kashmir and popularly known as Nund Reshi wrote powerful poetry. Later came Habba Khatun (16th century) with her own style. Other major names are Rupa Bhavani (1621–1721), Paramananda (1791–1864), Arnimal (d. 1800), Mahmud Gami (1765–1855), Rasul Mir (d. 1870), Maqbool Shah Kralawari (1820–1877). Also, the Sufi poets like Shamas Faqir, Wahab Khar, Soch Kral, Samad Mir, and Ahad Zargar. Among modern poets are Ghulam Ahmad Mahjoor (1885–1952), Abdul Ahad Azad (1903–1948), and Zinda Kaul (1884–1965).
During the 1950s, a number of well educated youth turned to Kashmiri writing, both poetry and prose, and enriched modern Kashmiri writing by leaps and bounds. Among these writers are Dinanath Nadim (1916–1988), Amin Kamil (1923–2014),[10] Sarwanand Kaol Premi (1924–1990), Rehman Rahi (born 1925), Ghulam Nabi Firaq (1927–2016), Ali Mohammed Lone[11] (1928–1987), Akhtar Mohiuddin (1928–2001), Ali Mohammad Shahbaz, Avtar Krishen Rahbar (born 1933), Sajood Sailani, Som Nath Zutshi, Muzaffar Aazim.[12] Some later day writers are Hari Kishan Kaul, Majrooh Rashid, Rattanlal Shant, Hirdhey Kaul Bharti, Omkar N Koul, Roop Krishen Bhat, Rafiq Raaz, Tariq Shehraz, Shafi Shauq, Showkat Shehri, M.H Zaffar, G.M Azad, Anis Hamdani, Barkat Nida, Shafi Sumbli, Bashar Bashir, Shenaz Rashid, Shabir Ahmad Shabir, Shabir Magami, Tariq Ahmad Tariq,[13] and Moti Lal Kemmu.
Contemporary Kashmiri literature appears in such magazines as "Sheeraza" published by the Jammu & Kashmir Academy of Art, Culture and Languages, "Anhar" published by the Kashmiri Department of the Kashmir University, and an independent magazines/portals like "The Kashmir Tales".[14] "Mountain Ink", Inverse Journal Neab International Kashmiri Magazine[15] published from Boston, Vaakh (published by All India Kashmiri Samaj, Delhi) and Koshur Samachar (published by Kashmiri Sahayak Sammiti, Delhi).
See also: Persian language in the Indian subcontinent. After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of Persian culture by the Mughals, Persian became the literary language also of the region. Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperor Muhammad Shah (1131-61/1719-48), alone lists 303 poets".[40] Late scholar from Pakistan, Pir Hassam-ud-Din Rashidi, edited, translated, and enlarged this work later, and had it published by the Iqbal Academy.
The most famous of them was Muhammad Tahir Ghani (d. 1669), better known as Ghani Kashmiri, whose poetry was recently translated into English, for the first time, by Mufti Mudasir Farooqi and Nusrat Bazaz as 'The Captured Gazelle' in the world-renowned Penguin Classics list. Ghani influenced many generations of Persian-and Urdu writing poets in South Asia including Mir Taqi Mir, Ghalib and most importantly, Iqbal. Ghani's "forte" lies in creating delightful poetic images, usually by stating an abstract idea in the first hemistich and following it up with a concrete exemplification in the other. He also stands out for his multi-layered poems, which exploit the double meaning of words.
Another name in the field of Persian-language writers from Kashmir is Sheikh Yaqub Sarfi Ganai (1521-1595), a 16th-century Sufi poet-philosopher who was internationally acknowledged and who had for students, amongst others, well-known religious scholar Ahmad Sirhindi (more particularly, he taught him hadith)[41] [42] and Persian-language poet Mohsin Fani Kashmiri (d. 1671 or 1672) (himself the teacher of Ghani Kashmiri and author of the pivotal work of comparative religion, the Dabestan-e Mazaheb).
Other of the well-known and influential Persian-language poets of Kashmir would include Habibullah Nowshehri (1556-1617), Mirza Dirab Big Juya (d. 1707), Gani Kashmiri (1630–1669), Mirza Beg Akmal Kamil (1645-1719), Muhammad Aslam Salim (d. 1718), Mulla Muhammad Taufiq (1765), Muhammed Azam Didamari (d. 1765), Mulla Muhammad Hamid (1848) or Birbal Kachru Varasta (d. 1865), amongst a myriad. Of course, Kashmiri Pandits too played a role in that school, and one exceptional case was Pandit Taba Ram Turki (1776–1847), who was a celebrity as far as Central Asia.
Despite being a numerically small community, the Kashmiri Pandits are over-represented in their contribution to Urdu literature. One important early example is Daya Shankar Kaul Nasim (1811–1845), a renowned Urdu poet of the 19th century, and hundreds of others followed his path.[43]
Some eminent Urdu literary personalities of Kashmiri origins (from both the Valley and the diaspora) include (in chronological order):