The following is an incomplete list of paintings and drawings by the Early Netherlandish painter Hugo van der Goes. Attribution of his work has been difficult for art historians, and a great many works though, in the early to mid-20th century, to be by his hand are now accepted to be copies by members of his workshop or by followers. Often, when trying to establish attribution, if there was no documentary evidence, comparisons were made to his great 1470 Portinari Altarpiece, mentioned by Vasari.[1]
Hugo appears to have left many drawings, and either from these or the paintings themselves followers made many copies of compositions that have not survived from his own hand.
Work ! Title | Date ! Technique | Dimensions ! Museum | - | Monforte Altarpiece | ca. 1470 | oil on panel | 147x242 cm + 9x76,3 cm | - | The Death of the Virgin | ca. 1470 | oil on panel | 147,8 x 122,5 cm | Groeningemuseum Bruges | - | Portinari Altarpiece | ca. 1470 | oil on panel | 253 x 586 cm | - | Vienna Diptych | ca. 1475 | oil on panel | 32,3x21,9 cm (links) en 34,4x22,8 cm (rechts) | Kunsthistorisches Museum, Vienna | - | St Hippolyte Triptych (central panel attributed to Dieric Bouts) | ca. 1475 | oil on panel | 92 x 41 cm (linkerluik) | - | Portrait of a donor with John the Baptist | ca. 1475 | olieverf op paneel | 32 x 22.5 cm | - | Portrait of a man | ca. 1475 | oil on panel | oval 31,8 x 26 cm | - | A Benedictine Monk | ca. 1478 | oil on panel | 25.1 x 18.7 cm | - | Trinity Altarpiece | ca. 1478 – 1479 | oil on panel | 4 maal 202x100.5 cm | - | Left panel of the Deposition Diptych | ca. 1480 | tempera on canvas | - | Right panel of the Deposition Diptych | ca. 1480 | tempera on canvas | - | Nativity with Shepherds | ca. 1480 | oil on panel | - | Madonna and child (middle panel of a triptych) | ca. 1480/1490 | oil on panel | 30 x 23 cm |
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Work ! Title | Date ! Technique | Dimensions ! Museum | - | Jacob and Rachel | ca. 1470 – 1475 | Pen and wash heightened with white on gray paper | 338x572 mm | - | Joseph and Asenath | ca. 1475 | Pen and yellowish-brown and dark brown ink, softly outlined in pen, remains of black stylus preliminary drawing (chalk?) on paper | max. diameter 214 mm | - | Christ on the cross | ca. 1475 – 1480 | Brush and brown pigment, heightened with white, on grey-brown-violet grounded paper | 258x204 mm |
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Work ! Title | Date ! Technique | Dimensions ! Museum | - | Virgin and Child | ca. 1485 | 32x21 mm | National Gallery, London |
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