This is an incomplete list of the paintings of John Constable (11 June 1776 – 31 March 1837), an artist of the Romanticism, famous for his rural scenes.[1]
This list includes paintings attributed to Constable.
In substitute of specific knowledge on the date of a painting's creation (in cases where this is not known), the year of exhibition has been put, is it would likely correlate. The circa date may also be put.
| Image | Title | Year | Location | |
|---|---|---|---|---|
| Salisbury Cathedral from the Meadows | 1831 | Tate | ||
| Salisbury Cathedral from the Bishop's Grounds | 1823 | Victoria and Albert Museum | ||
| Osmington Bay | 1816 | Clark Art Institute | ||
| The Wheat Field | 1816 | Clark Art Institute | ||
| Waterloo Bridge Seen from Whitehall Stairs | 1829 | Clark Art Institute | ||
| Sketch for The Opening of Waterloo Bridge Seen from Whitehall Stairs, June 18th 1817 | 1819 | Clark Art Institute | ||
| Dedham Lock and Mill | 1820 | Victoria and Albert Museum | ||
| Sandbanks and a Cart and Horses on Hampstead Heath | 1820-1825 | Clark Art Institute | ||
| 1816 | National Gallery | |||
| The Cornfield | 1826 | National Gallery | ||
| The Hay Wain | 1821 | National Gallery | ||
| Cottage at East Bergholt | 1833 | Lady Lever Art Gallery | ||
| Boat-building near Flatford Mill | 1815 | Victoria and Albert Museum | ||
| Cenotaph to the Memory of Sir Joshua Reynolds | 1836 | National Gallery | ||
| Chain Pier, Brighton | 1827 | Tate | ||
| Flatford Mill | 18161811 | Tate | ||
| Stratford Saint Mary from the Coombs | c. 1800 | Clark Art Institute | ||
| Dedham Vale | 1802 | Victoria and Albert Museum | ||
| Woodland Scene Overlooking Dedham Vale | c. 1802-1803 | Clark Art Institute | ||
| Bow Fell, Cumberland | 1807 | Clark Art Institute | ||
| Dedham Church from Flatford | 1810 | Clark Art Institute | ||
| Flatford Mill from the Lock | 1810 | Clark Art Institute | ||
| Dedham Vale from the Road to East Bergholt, Sunset | 1810 | Clark Art Institute | ||
| Study of a Burdock | 1810-14 or 1828 | Clark Art Institute | ||
| Willy Lott's House (recto); Landscape Sketches with Trees and Church Tower (verso) | c.1812–13 (recto); c.1811–13 | Clark Art Institute | ||
| Flailing Turnip-heads, East Bergholt | 1812-15 | Clark Art Institute | ||
| East Bergholt Common, View Toward the Rectory | 1813 | Clark Art Institute | ||
| Hadleigh Castle | 1829 | Tate | ||
| Die Valley Farm | 1835 | Tate | ||
| The Lock | 1824 | private collection | ||
| Wivenhoe Park | 1816 | National Gallery of Art | ||
| The Watermill | Nationalmuseum | |||
| The Vale of Dedham | 1828 | National Galleries of Scotland | ||
| The Grove, or the Admiral's House in Hampstead | 1821 | Berlin State Museums | ||
| The Old Mill | 1820 | Walters Art Museum | ||
| Landscape | 18th century | MuMa Museum of modern art André Malraux | ||
| Helmingham Dell. Vallon dans le parc de Helmingham | 1800s | Department of Paintings of the Louvre | ||
| Vue de Salisbury | 1800s | Department of Paintings of the Louvre | ||
| The White Horse | 1819 | The Frick Collection | ||
| Salisbury Cathedral from the Bishop's Garden | 1800s | Metropolitan Museum of Art | ||
| Salisbury Cathedral from the Bishop's Garden | 1826 | The Frick Collection | ||
| Salisbury Cathedral from the Bishop's Garden | 1821 | São Paulo Museum of Art | ||
| Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856) | 1818 | Metropolitan Museum of Art | ||
| Stoke-by-Nayland | 1810 | Metropolitan Museum of Art | ||
| Hampstead Heath with Bathers | 18th century | Metropolitan Museum of Art | ||
| Netley Abbey | 1800s | Herbert F. Johnson Museum of Art | ||
| Stonehenge at Sunset | 1836 | Yale Center for British Art | ||
| The White Horse | 1800s | National Gallery of Art | ||
| Salisbury Cathedral from Lower Marsh Close | 1820 | National Gallery of ArtAndrew W. Mellon collection | ||
| Cloud Study: Stormy Sunset | 1800s | National Gallery of Art | ||
| A View on Hampstead Heath with Harrow in the Distance | 1822 | Fine Arts Museums of San Francisco | ||
| Arundel Mill | Fine Arts Museums of San Francisco | |||
| Hampstead, Stormy Sky | 1814 | Art Institute of Chicago | ||
| Stoke-by-Nayland | 1836 | Art Institute of Chicago | ||
| Landscape with Cottages | 18th century | Art Institute of Chicago | ||
| Study of a Windmill | 18th millennium | Statens Museum for Kunst | ||
| The Quarters behind Alresford Hall | 1816 | National Gallery of Victoria | ||
| West End Fields, Hampstead, noon | National Gallery of Victoria | |||
| Clouds | 1822 | National Gallery of Victoria | ||
| Study of A boat passing a lock | 1800s | National Gallery of Victoria | ||
| Keswick Lake | National Gallery of Victoria | |||
| The Mill Stream | 18th millennium | Statens Museum for Kunst | ||
| Landscape with goatherd and goats (after Claude) | 1823 | Art Gallery of New South Wales | ||
| A Heath | Museum of Fine Arts | |||
| A Hilltop (His Native Village) | 1809 | Museum of Fine Arts | ||
| Weymouth Bay from the Downs above Osmington Mills | 1816 | Museum of Fine Arts | ||
| Portrait of a Woman | Museum of Fine Arts | |||
| Stour Valley and Dedham Church | 1814 | Museum of Fine Arts | ||
| Branch Hill Pond, Hampstead Heath | Philadelphia Museum of Art | |||
| Branch Hill Pond, Hampstead Heath | Philadelphia Museum of Art | |||
| Coast Scene, Brighton | Philadelphia Museum of Art | |||
| Dell at Helmingham Park | Philadelphia Museum of Art | |||
| Dell at Helmingham Park | Philadelphia Museum of Art | |||
| Gandish Cottage, Suffolk | Philadelphia Museum of Art | |||
| Hampstead Heath | 1821 | Philadelphia Museum of Art | ||
| Hilly Landscape | Philadelphia Museum of Art | |||
| Landscape (possibly the Stour valley) | Philadelphia Museum of Art | |||
| Landscape with a Lock | Philadelphia Museum of Art | |||
| Landscape with a River | Philadelphia Museum of Art | |||
| Landscape with Brushwood | Philadelphia Museum of Art | |||
| Marine | Philadelphia Museum of Art | |||
| Mill | Philadelphia Museum of Art | |||
| Near Bergholt Common | Philadelphia Museum of Art | |||
| Osmington Bay | Philadelphia Museum of Art | |||
| Portrait of a Girl | Philadelphia Museum of Art | |||
| Portrait of Master Crosby | 1808 | Philadelphia Museum of Art | ||
| Rising Moon | Philadelphia Museum of Art | |||
| Road to the Spaniards, Hampstead | 1822 | Philadelphia Museum of Art | ||
| Sketch for A Boat Passing a Lock | 1800s | Philadelphia Museum of Art | ||
| Sketch for The Marine Parade and Chain Pier, Brighton | Philadelphia Museum of Art | |||
| Sketch for The Marine Parade and Chain Pier, Brighton | Philadelphia Museum of Art | |||
| The Stour | 1810 | Philadelphia Museum of Art | ||
| The Stour | Philadelphia Museum of Art | |||
| Two Donkeys | 1816 | Philadelphia Museum of Art | ||
| View toward the Rectory, East Bergholt | 1810 | Philadelphia Museum of Art | ||
| Golding Constable's Flower Garden | 1815 | Ipswich Museum | ||
| Golding Constable's Vegetable Garden | 1815 | Ipswich Museum | ||
| Windmills in landscape. | 18th century | National Museum in Warsaw | ||
| Rushes by a pool | 1821 | Yale Center for British Art | ||
| A View from Hampstead Heath (?) | 1825 | Yale Center for British Art | ||
| Horse and Cart | Yale Center for British Art | |||
| A Cloud Study, Sunset | 1821 | Yale Center for British Art | ||
| Cloud Study | 1821 | Yale Center for British Art | ||
| Cloud Study | Yale Center for British Art | |||
| Cloud Study with Tree | 1821 | Yale Center for British Art | ||
| Cloud Study | 1821 | Yale Center for British Art | ||
| Cloud Study | 1821 | Yale Center for British Art | ||
| Extensive Landscape with Grey Cloud | 1821 | Yale Center for British Art | ||
| Fen Lane, East Bergholt | 1811 | Yale Center for British Art | ||
| Captain Richard Gubbin | 1800s | Yale Center for British Art | ||
| Hampstead Heath, with a Bonfire | 1822 | Yale Center for British Art | ||
| Sir Richard Steele's Cottage, Hampstead | 1832 | Yale Center for British Art | ||
| Somerset House Terrace from Waterloo Bridge | 1819 | Yale Center for British Art | ||
| East Bergholt Church | 1809 | Yale Center for British Art | ||
| Barge below Flatford Lock | 1810 | Yale Center for British Art | ||
| Flatford Lock | 1800s | Yale Center for British Art | ||
| Osmington Village | 1800s | Yale Center for British Art | ||
| Golding Constable's House, East Bergholt: the Artist's birthplace | 1809 | Yale Center for British Art | ||
| West Lodge, East Bergholt | 1800s | Yale Center for British Art | ||
| Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”) | 18th century | Yale Center for British Art | ||
| Flatford Mill | 1800s | Yale Center for British Art | ||
| Hadleigh Castle | 1800s | Yale Center for British Art | ||
| Hampstead Heath Looking Towards Harrow | 1821 | Yale Center for British Art | ||
| Dedham Lock | 18th century | Yale Center for British Art | ||
| Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night | 1829 | Yale Center for British Art | ||
| Ploughing Scene in Suffolk | 1800s | Yale Center for British Art | ||
| Dedham Lock | 18th century | Yale Center for British Art | ||
| Cloud Study | 1821 | Yale Center for British Art | ||
| Malvern Hall, Warwickshire | 1800s | Yale Center for British Art | ||
| Dedham Vale | 1802 | Yale Center for British Art | ||
| Mary Freer | 1809 | Yale Center for British Art | ||
| Coastal Scene with Cliff | 1814 | Yale Center for British Art | ||
| Lane near Dedham | 1802 | Yale Center for British Art | ||
| Parham Mill, Gillingham | 1826 | Yale Center for British Art | ||
| Bardon Hill, Coleorton Hall | 1823 | Yale Center for British Art | ||
| Hove Beach | 1800s | Yale Center for British Art | ||
| Study of a Cloudy Sky | 1825 | Yale Center for British Art | ||
| A Shepherd in a Landscape looking across Dedham Vale towards Langham | 1811 | Yale Center for British Art | ||
| Study of an Ash Tree | 1800s | Yale Center for British Art | ||
| Undergrowth | 1821 | Yale Center for British Art | ||
| Harnham Gate, Salisbury | 1800s | Yale Center for British Art | ||
| Sketch for "The Haywain" | 1820 | Yale Center for British Art | ||
| A View at Hampstead with Stormy Weather | 1830 | Yale Center for British Art | ||
| Harwich: The Low Lighthouse and Beacon Hill | 1820 | Yale Center for British Art | ||
| East Bergholt | 1813 | Yale Center for British Art | ||
| Stormy Sea, Brighton | 1828 | Yale Center for British Art | ||
| Cloud Study | 1821 | Yale Center for British Art | ||
| Cloud Study | 1822 | Yale Center for British Art | ||
| Cloud Study, Early Morning, Looking East from Hampstead | 1821 | Yale Center for British Art | ||
| An Autumnal Landscape at East Bergholt | 1800s | Yale Center for British Art | ||
| Cloud Study | 1821 | Yale Center for British Art | ||
| Hampstead Heath | 18th century | Yale Center for British Art | ||
| Hampstead Heath looking towards Harrow | 1800s | Yale Center for British Art | ||
| View Towards the Rectory, East Bergholt | 1813 | Yale Center for British Art | ||
| Cloud Study | 1822 | Yale Center for British Art | ||
| Stratford Mill | 18th century | Yale Center for British Art | ||
| Landscape with Windmills near Haarlem, after Jacob van Ruisdael | 1830 | Dulwich Picture Gallery | ||
| On the River Stour | 1800s | The Phillips Collection | ||
| English Landscape | The Phillips Collection | |||
| Salisbury Cathedral and Leadenhall from the River Avon | 1820 | National Gallery | ||
| Stratford Mill | 1820 | National Gallery | ||
| Weymouth Bay with Approaching Storm | 1818 | Department of Paintings of the Louvre | ||
| Landscape, Mill and Water | Auckland Art Gallery | |||
| East Bergholt - Lock on Stour | Indianapolis Museum of Art | |||
| The Cornfield | Indianapolis Museum of Art | |||
| Harnham Bridge, Salisbury | Indianapolis Museum of Art | |||
| Barge on the Canal | Indianapolis Museum of Art | |||
| Laura Moubray, née Hobson (born 1788) | 1808 | National Galleries of Scotland | ||
| On the Stour (Reverse: Study of Cows) | 1830 | National Galleries of Scotland | ||
| The Artist's Daughter | Museum of Fine Arts, Houston | |||
| The Glebe Farm | 1830 | TateNational Gallery | ||
| Branch Hill Pond, Hampstead Heath, with a Boy Sitting on a Bank | 1825 | TateNational Gallery | ||
| Stoke-by-Nayland | 1800s | TateNational Gallery | ||
| Salisbury Cathedral from the Meadows | 1829 | TateNational Gallery | ||
| View at Epsom | 1809 | TateNational Gallery | ||
| The Mill Stream. Verso: Night Scene with Bridge | 1810 | TateNational Gallery | ||
| Harwich Lighthouse | 1820 | TateNational Gallery | ||
| Hampstead Heath, with the House Called ‘The Salt Box’ | 18th century | TateNational Gallery | ||
| Gillingham Bridge, Dorset | 1823 | TateNational Gallery | ||
| East Bergholt House | 1809 | TateNational Gallery | ||
| The Glebe Farm | 1830 | TateNational Gallery | ||
| Flatford Mill (‘Scene on a Navigable River’) | 1800s | TateNational Gallery | ||
| Hampstead Heath with a Rainbow | 1836 | TateNational Gallery | ||
| The Grove, Hampstead | 1800s | TateNational Gallery | ||
| The Church Porch, East Bergholt | 1810 | TateNational Gallery | ||
| Mrs James Andrew | 1818 | TateNational Gallery | ||
| Chain Pier, Brighton | 1800s | TateNational Gallery | ||
| The Revd Dr James Andrew | 1818 | TateNational Gallery | ||
| Malvern Hall, Warwickshire | 1809 | TateNational Gallery | ||
| Maria Bicknell, Mrs John Constable | 1816 | TateNational Gallery | ||
| Trunk and Lower Branches of a Tree | TateNational Gallery | |||
| A Bank on Hampstead Heath | 1800s | TateNational Gallery | ||
| Dedham from Langham | 1813 | TateNational Gallery | ||
| A Windmill near Brighton | 1824 | TateNational Gallery | ||
| Trees at Hampstead | 1829 | TateNational Gallery | ||
| Dedham Lock and Mill | 1817 | TateNational Gallery | ||
| Yarmouth Jetty | 1824 | TateNational Gallery | ||
| The Valley Farm | 1835 | TateNational Gallery | ||
| The Bridges Family | 1804 | TateNational Gallery | ||
| Sketch for ‘Hadleigh Castle’ | 1800s | TateNational Gallery | ||
| Branch Hill Pond, Hampstead Heath, with a Cart and Carters | 1825 | TateNational Gallery | ||
| Susannah Lloyd | 1806 | Tate | ||
| The Opening of Waterloo Bridge | 1832 | Tate | ||
| Study of a Girl in a Cloak and Bonnet | 1810 | Tate | ||
| Brightwell Church and Village | 1815 | Tate | ||
| Fen Lane, East Bergholt | 1817 | Tate | ||
| A Cornfield | 1817 | Tate | ||
| View in the Stour Valley looking towards Langham Church from Dedham | 1805 | Tate | ||
| The Glebe Farm | 1830 | Tate | ||
| Maria Constable with Two of her Children. Verso: Copy after Teniers | 1820 | Tate | ||
| Golding Constable | 1815 | Tate | ||
| Ann Constable | 18th century | Tate | ||
| The Celebration in East Bergholt of the Peace of 1814 Concluded in Paris between France and the Allied Powers | 1814 | Museum of Fine Arts, Budapest | ||
| The Dell at Helmingham Park | 1830 | The Nelson-Atkins Museum of Art | ||
| Écluse sur la rivière Stour | 1812 | Department of Paintings of the Louvre | ||
| Vue de Hampstead Heath ; Effet d'orage | 1823 | Department of Paintings of the Louvre | ||
| View of Dedham Vale from East Bergholt | 1815 | Bavarian State Painting Collections | ||
| Kalkbrennerei (Umkreis) | 18th century | Bavarian State Painting Collections | ||
| Waldlandschaft (Umkreis) | 1820 | Bavarian State Painting Collections | ||
| Landschaft mit Fernblick und Gewitterhimmel (Hampstead Heath mit Branch Hill Pond) (Umkreis) | Bavarian State Painting Collections | |||
| Willy Lott's Cottage | 1820 | private collection | ||
| The Washing Line | Carnegie Museum of Art | |||
| Yarmouth Jetty | 1822 | National Gallery of Art | ||
| Waterloo Bridge | 1820 | Cincinnati Art Museum | ||
| A Road across Hampstead Heath | 1822 | Yale University Art Gallery | ||
| Das Haus des Admirals in Hampstead, genannt "The Grove" | Berlin State Museums | |||
| Higham Village am Flusse Stour | Berlin State Museums | |||
| Mrs Mary Fisher | 1816 | Fitzwilliam Museum | ||
| Archdeacon John Fisher | Fitzwilliam Museum | |||
| Salisbury | 1829 | Fitzwilliam Museum | ||
| Sky study, sunset | Fitzwilliam Museum | |||
| East Bergholt | 1808 | Fitzwilliam Museum | ||
| Sky study with mauve clouds | Fitzwilliam Museum | |||
| Hove beach | Fitzwilliam Museum | |||
| Parham's Mill, Gillingham, Dorset | 1824 | Fitzwilliam Museum | ||
| Hampstead Heath | 1820 | Fitzwilliam Museum | ||
| At Hampstead, looking towards Harrow | Fitzwilliam Museum | |||
| Sky study with a shaft of sunlight | 1822 | Fitzwilliam Museum | ||
| Shoreham Bay, near Brighton (1824) | 1824 | Fitzwilliam Museum | ||
| Embarkation of George IV from Whitehall: the Opening of Waterloo Bridge, 1817 | 1817 | National Trust | ||
| Academic Study of a Male Nude in the same Pose as a Figure in Michelangelo’s ‘Last Judgement’ in the Sistine Chapel, Rome | 1800s | National Trust | ||
| Lamarsh House, Lamarsh, Essex | 18th century | National Trust | ||
| Cumulus Clouds over a Landscape | 1822 | National Trust | ||
| Lady Louisa Tollemache, Countess of Dysart (1745-1840) (after John Hoppner) | 1800s | National Trust | ||
| Anna Maria Lewis, Countess of Dysart (1745-1804) as Miranda (after Reynolds) | 1823 | National Trust | ||
| Field Flowers and Berries in a Brown Pot | 1814 | National Trust | ||
| Harnham Ridge, near Salisbury | 18th Century | National Trust | ||
| Dedham Lock and Mill | 1820 | Currier Museum of Art | ||
| Trees on Hampstead Heath | 1821 | National Museum of Art, Architecture and Design | ||
| A View on the Banks of the River Stour | Museum of Fine Arts, Houston | |||
| ] | Branch Hill Pond, Hampstead Heath | 1824–1825 | Virginia Museum of Fine Arts | |
| Hampstead Heath | 18th century | National Gallery of Canada | ||
| Salisbury Cathedral from the Bishop's Grounds | 1820 | National Gallery of Canada | ||
| Branch Hill Pond, Hampstead | 1828 | Cleveland Museum of Art | ||
| Hampstead Heath, Looking Toward Harrow | 1821 | Cleveland Museum of Art | ||
| Dedham from Langham | 1820 | private collection | ||
| The River Stour, Suffolk | ||||
| View of Edinburgh, Scotland | ||||
| Beach near Cromer | ||||
| Portrait of Mrs. Edwards | 1818 | Rhode Island School of Design Museum | ||
| Coast Scene Near Brighton | 1824 | Detroit Institute of Arts | ||
| The Glebe Farm | 1827 | Detroit Institute of Arts | ||
| Weymouth Bay | 1824 | |||
| Paysage, esquisse | 1818 | Collection of paintings of the Palais des Beaux-Arts de Lille | ||
| Harnham Ridge from Archdeacon Fisher's House, Salisbury | 1829 | National Gallery of Ireland | ||
| Portrait of a Child with a Dog | National Gallery of Ireland | |||
| Arundel Mill and Castle | 1837 | Toledo Museum of Art | ||
| Study for “The Leaping Horse” (View on the...) | Saint Louis Art Museum | |||
| Sophia Lloyd and Child | 18th Century | Worcester Art Museum | ||
| Portrait Of James Lloyd | 1806 | Birmingham Museums Trust | ||
| Harwich Lighthouse | 1800s | Birmingham Museums Trust | ||
| Study of Clouds - Evening, August 31st, 1822. | 1822 | Birmingham Museums Trust |