This is a list of works by painter Henry Ossawa Tanner.
He used a variety of techniques and his works included paintings with elements of genre, American realist, French academic, oriental, impressionist and symbolist styles.[1] See Tanner's symbolist elements
Tanner's teachers included Thomas Eakins (American realism, photography), Thomas Hovenden (American realism), Benjamin Constant (orientalist paintings and portraits, French academic) and Jean-Paul Laurens (history painting, French academic).[2] [3]
His friends and colleagues included Hermon MacNeil (sculptor), Hermann Dudley Murphy (landscapes), Paul Gauguin (synthetism), Myron G. Barlow (genre painting), Charles Hovey Pepper (Japanese style woodblocks). Charles Filiger (symbolist), Armand Séguin (Post-Impressionism), Jan Verkade (Post-Impressionism, Christian symbolist), Paul Sérusier (abstract art), and Gustave Loiseau (Post-Impressionism).[2] [4] [5]
He was inspirational to young artists studying in France, including Hale Woodruff and Romare Bearden.[2]
| DateTanner's approximate age | Events of Tanner's life | Description | Artwork name | Details | Picture | |
|---|---|---|---|---|---|---|
| 187011 years old | Drawing was part of Tanner's childhood in elementary school. However, he did not consider himself gifted.[6] | Barnyard Fowl | Attributed to Tanner online.[7] In doubt, considering Tanner decided to paint in 1872. | |||
| 1875-187616–17 years old | In 1872 he saw a painter painting a landscape in a park and was inspired to paint.[8] Tanner saw paintings at Earle's Galleries in Philadelphia. He spent summers in Atlantic City. | In 1872 (age 13) he decides to become a marine painter. "Tanner's first known painting" was Harbor Scene.[9] This painting completed with no art education. | Harbor Scene | Private collection. Oil on canvas board glued to Masonite. 14 x 20" (35.56 x 50.8 cm) | ||
| undated | Tanner sketches a shipwreck, impresses artist Henry Price, who takes him in to teach him for about a year.[10] | This impressionist painting is not that sketch but came later. | The Wreck | Smithsonian American Art Museum, 1983.95.205. Oil on panel, 9 1/4 x 12 1/8 in. (23.5 x 30.8 cm.) | ||
| circa 1876-1879[11] about 17–20 years old | Attending Philadelphia Academy, beginning 1879, and through 1885 (not continuously but periodically) | Seascape | Impressionism, family collection of Rae Alexander-Mintner | |||
| 1876-187917–20 years old | Seascape Jetty | Private collection. Oil on canvas. 12 x 17" (30.48 x 43.18 cm) | ||||
| 187920 years old | Tanner exposed to paintings at Earle's Galleries in Philadelphia. Spends summers in Atlantic City. | An early painting, done while learning, "probably derived from another artist's work". | Ship in a Storm | Private collection. Oil on academy board 10'/16 x 6"(25.56 x 15.24 cm) | ||
| 187920 years old | Painting likely made before he entered the Pennsylvania Academy of Fine Arts.[12] | Fauna | Hampton University Museum. Oil on canvas. 38 3/8″ x 29 3/4″ | |||
| [13] 21 years old | After the Storm | Formerly in the Evans-Tibbs Collection. | ||||
| 1880[14] 21 years old | untitled | Telfair Museums, 1998.29. Oil on canvas, 15 1/8 × 25 3/16 inches (38.4 × 64 cm) | ||||
| [15] 21 years old | Student work made while Tanner was attending the Philadelphia Academy. The second photo is of the same lion, done at a later date. | Pomp at the zoo | Private collection. Oil on canvas, 20 x 16 in. | |||
| 21–22 years old | In a biographical article, Tanner wrote of his experience of owning and painting a sheep while at the Pennsylvania Academy of Fine Arts.[16] | Study of a sheep's head. Tanner switched his interest from marine painting to painting animals.[17] | Head of a Sheep | Private collection. Oil on canvas, on board, 10 1/2x10 in. (267x254 mm) | ||
| 1881[18] 22 years old | In the 1880-1881 period, Tanner lived in Philadelphia with his parents, as he tried to start life as a painter. | Boy and Sheep Under a Tree | Private collection. Oil on canvas, 17 3/8 x 27 in. | |||
| undated | Feeding Sheep | |||||
| 1881-1882[19] 22–23 years old | Portrait of a girl; "My Sister Sara" is written on lower right. Tanner had a sister Sarah Elizabeth Tanner who was 9 years old in 1882.[20] | Sister Sara Done while Tanner was at the Philadelphia Academy. | Private collection. Oil on canvas, 16 x 13 in. | |||
| 23 years old | Tanner can be identified by his signature in these works. | Historical painting for magazine, not used. Three other paintings illustrated the article, called The Witch Hunt, by Louise Stockton, in Our Continent magazine, August 30, 1882, pages 233–235.[21] | The Witch Hunt | |||
| 1882[22] 23 years old | Tanner can be identified by his signature in these works. | Historical painting for magazine, illustrating the article, called The Witch Hunt, by Louise Stockton, in Our Continent magazine, August 30, 1882, pages 233–235.[23] | Waiting for the Lord | Historical Society of Pennsylvania. Gouache on board, 13'/2 X 12”. | ||
| 23 years old | Tanner can be identified by his signature in these works. | Historical painting for magazine, illustrating the article, called The Witch Hunt, by Louise Stockton, in Our Continent magazine, August 30, 1882, pages 233–235. | Gathering Faggots and At the Well | |||
| 1884[24] | Painting of elk attacked by wolves; has been pointed out as symbolizing racist attacks on him while studying at the Philadelphia Academy of Art. | Battle of Life | Lost | |||
| [25] 26 years old | Shepherdess herding sheep | untitled | Private collection. Oil on panel, 13 x 9 1/2 in. | |||
| [26] [27] 26 years old | Landscape done near the end of his time studying at the Philadelphia Academy. Installed at the Green Room, White House.[28] | Sand Dunes at Sunset, Atlantic City or Back from the Beach | White House Historical Association, 995.1759.1. Oil on canvas, 30 3/16 x 59 7/16 in. | |||
| 1885-1886[29] 26–27 years old | Tanner spent time studying the nude form at the Pennsylvania Academy of Fine Art. | Painting was a study for a planned painting of a mythological scene of Androcles with a lion. | Study for Androcles | Private collection. Oil on canvas, 31' x 18" | ||
| 1886[30] 27 years old | Tanner had been painting lions since at least 1880. He abandoned his project for Androcles and the lion as beyond his current abilities, but continued painting lions in works such as this. | Lion Licking Its Paw or After Dinner | Allentown Art Museum, 1962.5. Oil on canvas, 30 x 36" (76.2 x 91.44 cm)[31] | |||
| 1888[32] 29 years old | Tanner grew up in Pennsylvania near the house of Nicolas Wynkoop, who built it in 1739. That house would later be owned by "abolitionist" Judge Henry Wynkoop, who freed his slaves.[33] Some of Judge Henry Wynkoop's slaves chose to remain with his family after receiving freedom on his death; a tree became their cemetery marker.[34] [35] | Picture of a different Wynkoop house in Harlem, Manhattan, New York City dated with signature 1888. Tanner may have painted this as a symbol with civil rights in mind. | Wynkoop House, Old Haarlem | New Britain Museum of American Art, 1984.86. Oil on canvas, 18 1/2 x 13 1/4 in. American realism | ||
| [36] 29 years old | untitled landscape (Female figure with basket and trail leading to houses) | Hearne Fine Art. Oil on canvas, framed size: 21" x 17" | ||||
| 1887-1888[37] 28–29 years old | Tanner made illustrations for Harper's Young People. | He illustrated for Kate Upson Clark, her story "Old Win-ne-wan's Star" in Harper's Young People, printed as wood engraving January 10, 1888. | It Must Be My Very Star, Come Down to Brooklyn, After All | |||
| 1882-1888[38] | While still living in Philadelphia, Tanner did a religious artwork. This was years before The Thankful Poor and Daniel in the Lion's Den (1896). His teacher may have been sending students' work in to magazines. | Joachim, father of Mary, maternal grandfather of Jesus | Joachim Leaving the Temple | The Baltimore Museum of Art, 2008.111. Opaque watercolor and graphite, inscribed with a stylus, on paper, 558 × 392 mm. (21 15/16 × 15 7/16 in.) | ||
| [39] 30 years old | Tanner visits Highlands, North Carolina, with the idea that he could make money with his camera and pay for the trip.[40] | Painting likely of the Cumberland Mountains.[41] | Mountain Landscape, Highlands North Carolina | Doris Ulman Galleries, Berea College Art Department, Kentucky, 140.O.95. Oil on canvas. 23" x 36"[42] | ||
| [43] 30 years old | visits Highlands, NC | Mountain Landscape, Highlands, North Carolina | Smithsonian American Art Museum. Watercolor, pencil, and colored pencil on paper mounted on paperboard, 10 7/8 x 15 in. (27.5 x 38.1 cm) | |||
| [44] 30 years old | visits Highlands, N.C. | Highlands, N.C. | Smithsonian American Art Museum, 1983.95.26. Watercolor and pencil on paper, 10 7/8 x 15 in. | |||
| 1889 [45] 30 years old | visits Highlands, NC | Waterfall, North Carolina | The Charleston Renaissance Gallery. Oil on canvas 21 5/8 x 14 inches | |||
| 1889[46] [47] 30 years old | Similarity: Tanner painted a work titled "Scrub Pine Land", exhibited in 1894 and unknown today, painted in Florida.[48] | untitled landscape | Robert W. Woodruff Library, Atlanta University Center, Oil on canvas, 33 1/2 x 27 1/4 in. | |||
| undated, [49] 30–31 years old | Georgia Landscape | Morris Museum of Art, Augusta, Georgia. Oil on canvas, 17 3/4 x 32 1/4 in. | ||||
| undated[50] | Painting signature has "Henry" spelled out, which is unusual.African American figures? | untitled | Private collection. Oil on canvas, 9 x 13 in. |
Tanner set out for Rome by way of Liverpool and Paris on the ship City of Chester on 4 January 1891.[51] He found Paris to his liking and discovered the Académie Julian, where he began his studies in France.[52] After two years in France, he discovered the existence of the Paris Salon and set a goal to get his artwork accepted.[52] It may have been the summer after he came to France and not two years; he tried to enter a painting in the 1893 Salon.
| DateTanner's approximate age | Events of Tanner's life | Description | Artwork name | Details | Picture | |
|---|---|---|---|---|---|---|
| 1891[53] 32 years old | Beginning January 1891, attending school at the Academie Julian in Paris | Painted in France while attending school. The figure between the two dogs in the background is a pentimento of a gypsy boy, a street performer. Tanner painted the petit savoyard (young Gypsy street performer) into the picture, but later removed it, creating the shadowy image. | A Horse and Two Dogs in a Landscape | Woodrow Wilson Middle School Collection, Philadelphia.[54] American realism or French academic | ||
| 1891[55] 32 years old | Beginning January 1891, attending school at the Academie Julian in Paris | Painted in France while attending school. Appears to be imitating the painting Anguish by August Friedrich Schenck. Tanner's painting is retitled, and painted in a more impressionist style. | Behold! The Lamb of God | Private collection. Oil on canvas, 13.12 x 18.12 in. (33.3 x 46 cm.) | ||
| undated[56] | Attended Philadelphia Academy of Fine Art about 1879–1885. Struggled to make living as artist. Beginning January 1891, attended school at the Academie Julian in Paris | Place and time painted unknown. Clearly imitating Briton Riviere's Daniel's Answer to the King | untitled. Online labeled Daniel in the Lion's Den | Private collection. Oil on canvas, 29 1/2 x 43 in.[57] | ||
| 189132 years old | First year in France. Summering on west coast of Brittany. | Portrait of a woman apparently from the French West Indies. Her dress marks her as not being of the peasant class. This image is a rare Tanner portrait, one of about 7 known images he painted of a colored person. Impressionist techniques being used in this image. | Woman from the West Indies, 1891, Brittany, France.[58] | Impressionism | ||
| Tanner arrived in France in January 1891. | Night scene of a couple standing in the rain in Paris. | Steet Scene, Paris[59] | Colby College Museum of Art, 1972.052. Waterville, Maine.[60] Pastel on paper, 13 × 9 3/4 in. (33 × 24.8 cm.) | |||
| 1891[61] 32 years old | Tanner arrived in France in January 1891. Summered in Brittany at Pont-Aven and Concarneau. Bois d'Amour is near Pont-Aven. Concarneau is about 15 km from Pont-Aven. | Woman and child walking on a path in the woods. | Bois d'Amour | |||
| undated[62] | Tanner had the opportunity to paint this at any time after 1890. | Painting came up for auction in 2023 in Bordeaux, France. | Brittany, mother and her child on the roadBretagne, mère et son enfant sur la route | Private collection. 35 x 55.5 cm | ||
| 189132 years old | Summers in Brittany, spends time at Concarneau | Concarneau | ||||
| [63] 32–34 years old | Tanner studied at the Académie Julian from 1891 to 1893. | Study at the Académie Julian, where instruction centered around making images of nude models. | Half-Length Study of a Negro Man | Detroit Institute of Arts. Charcoal and pastel on cream laid paper, 19 1/2 x 9 3/8 in. (24.6 x 23.9 cm).[64] | ||
| Assuming this is part of his artist's studies in the Académie Julian, it would date from his arrival in 1891 until he left in 1893 | Portrait of a Young Girl[65] | Smithsonian American Art Museum, 1983.95.46. Conte crayon, pencil and pastel on paper, 8 7⁄8 x 6 1⁄4 in. (22.5 x 16.0 cm) | ||||
| undated[66] possibly | Assuming this is part of his artist's studies in the Académie Julian, it would date from his arrival in 1891 until he left in 1893. | Painting in French art gallery Proantic | Etude d'Un Homme Barbuor Study Of A Bearded Man | Private collection. Charcoal on paper, 25.5 x 20 cm. | ||
| 189233 years old | Summer 1892 in Brittany. Spring 1893, Paris. Possibly, early summer 1893, Brittany. Spring/Summer 1893 returned to United States.[67] Attended World's Columbian Exposition | Study begun in Brittany in 1892 for painting The Bagpipe Lesson, finished by May 1893. | Study for the Bagpipe Lesson[68] | Smithsonian American Art Museum, 1983.95.42. Oil on paperboard, 5 x 5 15/16 in. | ||
| 189334 years old | Summer 1892 in Brittany. Spring 1893, Paris. Possibly, early summer 1893, Brittany. Spring/Summer 1893 returned to United States. | First attempt to get a painting into the Paris Salon, in 1893; it was rejected but later accepted in 1895.[69] Painted with an American painter's eye, not with symbolism or impressionism. Displayed at World's Columbian Exposition, in the exposition catalog. | The Bagpipe Lesson | Hampton University Museum. Oil on canvas, 45 x 68 3/4" (114.3 x 174.63 cm) American Realism or French Academic | ||
| [70] 34 years old | Summer 1892 in Brittany. Spring 1893, Paris. Possibly, early summer 1893, Brittany. Spring/Summer 1893 returned to United States. | Tanner moving toward impressionism in this work. | The Edge of the Forest Bois d’Amour | Rosenfeld Fine Arts. Oil on wood panel, 7"/4 X 101/2" (18.42 x 26.67 cm) | ||
| [71] | Tanner painted African Americans (women and children) in what was probably Philadelphia in the late 19th century. | Feeding Chickens | Private collection. Oil on canvas, 14 x 24". Sold at New Orleans Auction Galleries.[72] | |||
| 1894[73] 35 years old | Several trips to Florida. One trip in 1878.[74] Jacksonville & Enterprise, Florida in 1889.[75] Tallahassee, Florida in 1894.[76] | Tanner exhibited at Earle's in 1894, including "Scrub-Pine Land," "Orange Grove" and "Young Orange Trees".[77] | Florida | Private collection. Oil on canvas, 18 x 22 in. | ||
| 1894[78] 35 years old | In 1894 Tanner exhibited paintings titled Lake Monroe and Evening on the St. Johns at Earle's Galleries. The location of either painting is unknown. | The date is in the lower right corner. | untitled landscape | DuSable Museum of African American History | ||
| 1893-189434–35 years old | Summer 1892 in Brittany. Spring 1893, Paris. Possibly, early summer 1893, Brittany. Spring/Summer 1893 returned to United States. Return to Paris in fall of 1894.[79] Submitted to Paris Salon in spring 1894 as The Music Lesson[80] | Date on painting 1893. Early name in newspapers was The First Lesson.[81] Painted to show multiple light sources. Brushwork style links to The Thankful Poor and Spinning by Firelight. | The Banjo Lesson or La Lecon de Musique (The Music Lesson) | Hampton University Museum. Oil on canvas, 49 x 35/2" (124.46 x 90.17 cm). American Realism blended with Impressionism[82] [83] | ||
| 189435 years old | The final painting was exhibited in the spring of 1894. | The Thankful Poor | Art Bridges. Oil on canvas, height: 90.1 cm (35.5 in); width: 112.4 cm (44.2 in). American Realism blended with Impressionism | |||
| 1894[84] 35 years old | Spinning by Firelight or The Boyhood of George Washington Gray | Yale University Art Gallery, 1996.58.1. Oil on canvas, 44 1/4 x 66 1/4. American Realism blended with Impressionism | ||||
| 1894[85] 35 years old | Tanner returned to France from the United States in September 1894. | Crossing the Atlantic or Return Home | Smithsonian American Art Museum, 1983.95.28. Watercolor and pencil on paper mounted on paperboard, 9 7/8 x 13 1/2 in. (25.2 x 34.2 cm) | |||
| 1894[86] 35 years old | Tanner returned to France from the United States in September 1894. | This image in France would have been painted after his return. | Pont-Aven | DuSable Museum. Oil on canvas, 23.5 x 19.75 inches | ||
| 189536 years old | Tanner made at least three studies for The Young Sabot Maker before his final painting. | Study for the Young Sabot Maker | Smithsonian American Art Museum, 1983.95.208. Oil on canvas, 16 1/4 x 13 in. (41.3 x 33.0 cm.) | |||
| 1895[87] 36 years old | Entry in Paris Salon, 1895. | The Young Sabot Maker | The Nelson-Atkins Museum of Art. Oil on canvas, height: 120.3 cm (47.3 in); width: 89.8 cm (35.3 in). American Realism, French Academic | |||
| 1895[88] 36 years old | Boy holding a binioù (Breton bagpipe). Dates to visit to Pont-Aven, Brittany in 1894. | The Bagpipe Player | Private collection. Oil on canvas, 21 1/2 x 18 1/2 in.[89] | |||
| [90] 36 years old | Early exploration of biblical subject | The Annunciation to the Shepherds | The Nelson-Atkins Museum of Art. Oil on canvas, height: 120.3 cm (47.3 in); width: 89.8 cm (35.3 in). American Realism, French Academic | |||
| 1895[91] 36 years old | Living in Paris | Early entry into Tanner's chosen field of Christian artwork | Adoration of the Golden Calf[92] | Hampton University Museum. Oil on canvas, 33 x 41 cm. (13 x 16.1 in.) | ||
| 1895[93] 36 years old | Living in Paris | In the 1895 Paris Salon, he exhibited "pastel of New Jersey coast by moonlight".[94] [95] Under matting, this painting had "Paris 1895." Possibly depicts a buoy particular to "Quai d'Issy on the Seine River." | Marshes in New Jersey | Smithsonian American Art Museum, 1894.149.3. pastel and pencil on paper mounted on paperboard, sheet: 9 1⁄2 x 12 1⁄2 in. | ||
| undated | After Daniel in the Lion's Den, Rodman Wanamaker sponsored trips to Palestine/Egypt (January- April 1897, October 1898 - March 1899) to give Tanner the places' look. | Two paintings that are intended to be oriental, but don't have the same look as those found in the 1897, 1898–99, 1908 and 1912 trips. Question to be answered: could these predate Tanner's trips to the Middle East? | ||||
| 1896[96] 37 years old | Living in Paris | View of the Seine, Looking Toward Notre Dame | Private collection. Formerly held by Michael Rosenfeld Gallery. Oil on canvas, 14 7/8 x 20 1/8. | |||
| 189637 years old | Living in Paris | Entered Daniel in the Lion's Den in the 1896 Paris Salon, his third year in the event. This is a photo of that version, which is now lost. Tanner repainted the picture later, in a horizontal layout. | Daniel in the Lion's Den | Location unknown. | ||
| 189637 years old | Living in Paris | Les Invalides, a complex that includes Napoleon's tomb and the Hôtel des Invalides (a home for disabled military veterans)[97] | Les Invalides | Terra Foundation for American Art, Daniel J. Terra Collection. Oil on canvas, height: 33.3 cm (13.1 in); width: 41 cm (16.1 in) | ||
| 1896[98] 37 years old | Signed reverse of painting: To Mrs. Crane / Souvenir of the Sands of NJ / H.O. Tanner / 1896 (verso) | Sands of New Jersey or Souvenir of the Sands of NJ | Private collection. Oil on panel 4 3/4 by inches (12 by 15.9 cm) | |||
| 1896[99] [100] 37 years old | Living in Paris | Won a gold medal at Paris Salon 1897, bought by French Government, brought honor to Tanner that he no longer had to submit paintings to a committee before entering them in the Salon.[101] | Raising of Lazarus or Resurrection of Lazarus | Musée d'Orsay, RF 1980 173. Oil on canvas, 37 x 48 in. (94.7 x 120.5 cm.) |
| DateTanner's approximate age | Events of Tanner's life | Description | Artwork name | Details | Picture | |
|---|---|---|---|---|---|---|
| [102] 38 years old | January- April 1897, trip to Palestine and Egypt | A Mosque in Cairo | Private collection. Oil on canvas, 9 1/2 x 13 in. | |||
| 1897[103] [104] 38 years old | January- April 1897, trip to Palestine and Egypt | Mosque of Qaitbey | Interior of a Mosque, Cairo | Museum of Fine Arts, Boston, 2005.92. Oil on canvas, height: 52.1 cm (20.5 in) Edit this at Wikidata; width: 66 cm (25.9 in) | ||
| 189738 years old | January- April 1897, trip to Palestine and Egypt | Cairo boatman[105] | Private collection. Oil on panel, 32 x 51 cm-12.5 x 20 in. | |||
| 1897[106] 38 years old | January- April 1897, trip to Palestine and Egypt | Cairo boatman | Private collection. Oil on panel, 8 1/2 x 13 in. | |||
| 1897-189938–40 years old | January- April 1897, trip to Palestine and Egypt, second trip October 1898 - March 1899 | Seated Arab[107] | Private collection. Oil on wood, 331x235 mm; 13x9 1/4 inches. | |||
| [108] 38 years old | January- April 1897, trip to Palestine and Egypt, second trip October 1898 - March 1899 | Study of an Arab | Private collection. Oil on board 33 x 24 cm (13 x 9 1/2 in.) | |||
| February 1897[109] 38 years old | January- April 1897, trip to Palestine and Egypt | Reverse of image had "Cairo Feb 1897". Front has Paris, Oct 1898 | untitled (A Water Carrier) | Private collection. oil on panel, 10 by 8 inches (25.4 by 20.3 cm) | ||
| undatedpossibly | January- April 1897, trip to Palestine and Egypt; January–April 1897, trip to Palestine and Egypt | Painting not dated; based on subject and realisim-style, the painting might be placed on his 1st or 2nd trip to the Near East. | untitled (Arab Musician)[110] | Private collection. oil on canvas board, artist's name on verso, 9" x 11", frame 13 3/4" x 15 3/4" | ||
| [111] 38 years old | In January–April 1897, Tanner went on a trip to Palestine and Egypt. He was sponsored to increase his knowledge of biblical scenery. | The final painting is lost, but this study survives. | Study for the Jew's Wailing Place or The Wailing Wall | Museum of Art, Rhode Island School of Design. Oil on canvas 25 1/2 x 19 1/4" (64.77 x 48.9 cm) | ||
| [112] 38 years old | In January–April 1897, Tanner went on a trip to Palestine and Egypt. He was sponsored to increase his knowledge of biblical scenery. | He had painted lions before in a zoo setting; these he placed in a desert. | Lion Drinking | Private collection. Oil on cardboard, height: 23.5 cm (9.2 in); width: 37.5 cm (14.7 in) | ||
| [113] 38–39 years old | In January–April 1897, Tanner went on a trip to Palestine and Egypt. He was sponsored to increase his knowledge of biblical scenery. | He had painted lions before in a zoo setting; these he placed in a desert. | Lions in the Desert or Still Hunt[114] | Smithsonian American Art Museum, 1983.95.184. Oil on canvas mounted on plywood 15 1/2 x 29 3/8" (39.37 x 74.61 cm) | ||
| Undated; probably [115] 38–39 years old | Likely painted during his first (January- April 1897) or second (Oct 98-March 99) trip to the Middle East. | The Canyon | Smithsonian American Art Museum, 1983.95.183. Oil on canvas, 16 x 13 in. (40.6 x33.0 cm.) | |||
| [116] 38 years old | Tanner stopped in Venice in the spring of 1897, after visit to Palestine and Egypt. | Venice | Oil on canvas on plywood, 274x228 mm; 10 7/8x9 inches. | |||
| undated | Portrait of Isaac[117] | Charcoal on paper, 22" x 18". |
| DateTanner's approximate age | Events of Tanner's life | Description | Artwork name | Details | Picture | |
|---|---|---|---|---|---|---|
| August–September 1897[118] [119] [120] 38 years old | In Kansas City, Kansas, seeing his family | Tanner painted this about August–September 1897 after visiting the Near East. The subject is his father, Benjamin Tucker Tanner. | Bishop Benjamin Tucker Tanner | Private collection. Oil on canvas, 13 X 9 3/4" (33.02 x 23.49 cm) | ||
| August–September 189738 years old | In Kansas City, Kansas, seeing his family | Tanner painted an image of his father that is dated. The image of his mother Sarah Elizabeth Tanner without date has the same red background and is the same size. | Portrait of the Artist's Mother | National Museum of American Art, Smithsonian Institution. Oil on plywood, 13 X 9 3/4". | ||
| August–September 1897[121] [122] 38 years old | In Kansas City, Kansas, seeing his family in summer/fall, 1897 | Portrait of Sarah Elizabeth Tanner | Portrait of the artist's mother | Philadelphia Museum of Art, EW1993-61-1. Oil on canvas, 29 1/4 x 39 1/2" (74.29 x 100.33 cm) | ||
| [123] 38 years old | After his trip to the Middle East in the spring of 1897, Tanner visited his parents in Kansas City, Kansas in August/September. Return to Paris in September. | Kansas City, Kansas | Smithsonian American Art Museum, 1983.95.30. Watercolor and pencil on paper mounted on paperboard, sheet: 9 7⁄8 x 13 7⁄8 in. | |||
| 1898[124] [125] 39 years old | Visits U.S. in August 1897 after return to Paris from Holy Land. Returns to Paris September 1897 from US. Announces, that after he returns to Paris, he will paint an Eastern type Virgin Mary dressed in clothes from the Holy Land.[126] Tanner probably did not use Jessie McCauley Olssen (his future wife) for the girl.[127] Entry in 1898 Paris Salon.[128] | The Virgin Mary is visited by the archangel Gabriel, who delivers the Annunciation of the Lord, the announcement that she would bear Jesus. | The Annunciation | Philadelphia Museum of Art, W1899-1-1. 57 x 71 1/4 in (1,448.82 mm x 1,811.27 mm) | ||
| [129] 39 years old | Henry Ossawa Tanner meets Jessie Macauley Olssen in the summer of 1898. | Portrait of Jessie Jessie Macauley Olssen, Tanner's wife[130] | Portrait of the Artist's Wife | Smithsonian American Art Museum, 1983.95.211. Oil on fiberboard, 22 3/8 x 18 7/8 in. (56.8 x 47.9 cm.) | ||
| 1898[131] [132] 39 years old | Entry in the 1900 Paris Salon and later at Pennsylvania Academy of the Fine Arts's 70th Annual Exhibition (1901), the Minneapolis Society of Fine Arts exhibition (1902) and the Lewis and Clark Centennial Exposition in Portland, Oregon (1905).[133] [134] | Mary with infant Jesus (under the blanket and halo.) | Mary or La Sainte-Marie | La Salle University Art Museum, 84-P-298. Oil on canvas, 34 1/8 x 42 5/8 in. (86.7 x 108.3 cm). | ||
| [135] 40 years old | Head of a Girl in Jerusalem (The Artist's Wife) | Formerly in Evans-Tibbs collection. Oil on artists board. | ||||
| 1899[136] Reworked 1918–1920.[137] 40 years old | Tanner took a second trip to the Holy Land, in 1898–99. Began recurring theme of Joseph and Mary fleeing for Egypt. | Thought to be the study used for Nicodemus in Nicodemus Visiting Jesus. This image was reworked in 1918-1920 and may have changed the look of the subject. | Head of a Jew in Palestine. | Smithsonian American Art Museum, 1983.95.189. Oil on canvas, 24 x 21 1⁄4 in. (61 x 53.9 cm). | ||
| 38–40 years old | Tanner took a second trip to the Holy Land, in 1898–99. | No date; this should date to one of his first two Mideast Trips. | Head of a Woman in Jerusalem[138] | Smithsonian American Art Museum, 1983.95.194. Oil on canvas mounted on cardboard, 17 7⁄8 x 13 5⁄8 in. (45.4 x 34.6 cm.) | ||
| [139] 38–40 years old | Tanner took a second trip to the Holy Land, in 1898–99. | No date; this should date to one of his first two Mideast Trips. | A View of Palestine | Frances Lehman Loeb Art Center, Vassar College, 1946.3.3. Oil on canvas, 22 1/2 x 37 in. | ||
| [140] 39 years old | Exhibited in May 1899 at the Pennsylvania Museum and School of Art and January 1901 at the Pennsylvania Academy of the Fine Arts. | And He Vanished Out of Their Sightor And He Disappeared Out of Their Sight | Location unknown (possibly lost). Oil on canvas, 25 3/4 x 32 in. Photo in collections of Pennsylvania Academy of the Fine Arts and the Smithsonian Archives of American Art.[141] | |||
| 1899[142] 40 years old | Tanner took a second trip to the Holy Land, in 1898–99. | The painting illustrate the biblical story of Nicodemus a Pharisee who visited Jesus to talk to him. 1899 Paris Salon entry. | Nicodemus Visiting Jesus. or Nicodemus or Nicodemus Coming to Christ[143] | Pennsylvania Academy of the Fine Arts, 1900.1. Oil on canvas, 33.11/16 × 39.5 in (85.5 × 100.3 cm). | ||
| 1899[144] 40 years old | Tanner took a second trip to the Holy Land, in 1898–99. Began recurring theme of Joseph and Mary fleeing for Egypt. | A very similar version (At the Gates) was painted in 1927-1927. | Flight Into Egypt. | Amistad Research Center, ARC.HTANN.1900.01. Oil on panel, circa 1926–27. 610x483 mm; 24x19 in. Impressionism | ||
| 1899[145] 40 years old | Tanner took a second trip to the Holy Land, in 1898–99. Began recurring theme of Joseph and Mary fleeing for Egypt. | Exhibited 1899 at the Carnegie Institute, along with Judas.[146] | Flight Into Egypt. | Detroit Institute of Arts, 69.452. Oil on canvas. Unframed: 19 3/4 × 25 1/2 inches (50.2 × 64.8 cm). Impressionism | ||
| 40 years old | Published in the June 1900 issue of the Brush and Pencil journal or magazine.[147] | Scene at Czernay la Ville | The Laundress | Impressionism | ||
| [148] | Still Life With Apples[149] | Georgia Museum of Art, University of Georgia, GMOA 2011.604. Oil on canvas.[150] | ||||
| 40 years old | Tanner displayed a work at the Carnegie Institute, now lost.[151] | Judas. | Painted over to make the 1924 painting Two Disciples at the Tomb | Only one known photo of the painting, may still be in copyright. | ||
| [152] 41 years old | Displayed at the annual exhibition of the Pennsylvania Academy of Fine Arts, 1900, along with Nicodemus and Hills Near Jerusalem. Painting of the death of Judas. Also exhibited 1908 at his solo exhibition. | And He Went Out and Hanged Himselfor Death of Judas[153] | Location unknown, possibly lost. | |||
| Date based on that of final painting40 years old | Study painting, used in Christ Among the Doctors | Scribes[154] or Study for Christ Among the Doctors | Private collection. Oil on [base not identified], 21 ¾" by 18" | |||
| 40–41 years old | Christ Among the Doctors or Christ in the Temple[155] | Location unknown. | ||||
| [156] 40 years old | The lost painting Christ in the Temple may be glimpsed in this photo from 1900. | Picture of Tanner in his studio painting Christ in the Temple also called Christ Among the Doctors | Photo from the journal Brush and Pencil, volume 6, issue 3, June 1900, article titled: "Henry O. Tanner, Painter", pages 97–107. | |||
| [157] 41–46 years old | "Jesus meditating as he waits for his crown of thorns and purple robe, in which he would be mocked as the 'King of the Jews.'" | The Savior. | Smithsonian American Art Museum, 1983.95.191. Oil on canvas mounted to plywood. 29 1⁄8 x 21 3⁄4 in. (73.9 x 55.3 cm)[158] | |||
| [159] 41 years old | The Seine, Evening. | Norton Museum of Art[160] Oil on canvas, 10 1/8 x 8 in. (25.7 x 20.3 cm) | ||||
| [161] 41 years old | untitledor Parisian Street Scene | Private collection. Oil on panel, 5 3/4 x 7 in. | ||||
| [162] 41 years old | untitled. (View of the Seine) | Private collection. Oil on plywood, 11,5 x 16,5 cm. (4.5 x 6.5 in.) | ||||
| [163] 41 years old | This painting has been called a work of symbolism. Similar to symbolist painting by Franz von Stuck, Sin. Tanner has decapitated Salome with shadow. The blue, sometimes a spiritual color is unpleasant here, speaking of sin, judgement. | Painting of Salome with the head of John the Baptist at her feet. Donated to Smithsonian by Jesse Tanner (Henry O. Tanner's son). Painted on the opposite side of the canvas as Moses and the Burning Bush (abandoned).[164] | Salome | Smithsonian American Art Museum, 1893.95.207A. Oil on canvas, 45 7/8 x 35 1/4 in. | ||
| 41 years old | Tanner painted a portrait of his wife Jessie Macauley Olssen.[165] [166] | Jessie Macauley Olssen | Private collection. Oil on canvas, 13 x 9.5 in. (33 x 24.1 cm.) | |||
| 41 years old | John Olssen, father of Tanner's wife Jessie.[167] | John Olssen | Oil on canvas, left 73 x 54 cm - 28.7 x 21.2 in. | |||
| [168] 41 years old | Tanner did nude portraits as studies at both the Academy of Fine Arts in Philadelphia and the Academie Julian in Paris. This was published in 1900; its creation date is unknown. | Study around the idea, "And Mary pondered all these things in her heart." | Study | Location unknown. Charcoal on paper. | ||
| undated, possibly [169] [170] | untitled (nocturnal landscape) | Johnson Museum of Art, Cornell University, 79.029.002. Oil on canvas, 26 1/4 x 19 3/4 inches (66.7 x 50.2 cm). | ||||
| undated[171] | American artists in Paris hold separate year-end exposition, December 1901.[172] | In a 1901 exposition, Tanner entered a work, "woman's head In the firelight". May have no connection to Smithsonian's "Profile of a Woman's head." | Profile of a Woman's Head. | Smithsonian American Art Museum, 1983.95.201. Oil on wood, 14 1⁄8 x 11 3⁄4 in. (35.8 x 30.0 cm.) | ||
| [173] [174] 43 years old | Displayed at 1902 Salon,[175] but did not get a good reception in French press. Tanner painted The Pilgrims of Emmaus over it. | He painted himself into the picture, with his wife's sister, Elna Olssen Charles, playing piano.[176] | La Musique or The Cello Lesson or The Duo or Chamber Music | Lost painting. Tanner painted over it, with the painting Pilgrims of Emmaus.[177] | ||
| [178] 43 years old | Bishop Joseph Crane Hartzell and his wife (Jennie Culver[179]) were instrumental in Tanner's success. They bought his collection of paintings in 1891, to finance his trip to Europe. | Portrait of Bishop Joseph Crane Hartzell | Hampton University Museum. Oil on canvas, 47 xX 36" (119.38 x 91.44 cm). | |||
| [180] 43 years old | Paris, view from the right bank of the Seine looking west toward the twin towers of the Palais du Trocadéro. | The Seine | National Gallery of Art, 1971.57.1. Oil on canvas, 22.8 x 33 cm (9 x 13 in.) | |||
| [181] 42–44 years old | London landscape | Low Tide, Cannon Street Bridge | Philadelphia Museum of Art, 2005–86–1. Oil on canvas board, 14 × 20 inches (35.6 × 50.8 cm) | |||
| Printed September 1902 in the Ladies Home Journal, part of a series of four mothers, "Mothers of the Bible", Sarah, Hagar, Rachel, and Mary.[182] | Tanner wrote the text to accompany the painting. | Sarah from Mothers of the Bible series.[183] | Painting lost. | |||
| [184] 43 years old | Printed October 1902 in the Ladies Home Journal, part of a series of four mothers, "Mothers of the Bible", Sarah, Hagar, Rachel, and Mary. | "And Abraham rose up early in the morning, and took bread, and a bottle of water, and gave it unto Hagar. . . .and sent her away; and she departed and wandered in the wilderness of Beer-sheba--GENESIS XXI, 14." | Hagar from Mothers of the Bible series. | Painting lost. | ||
| 43–44 years old | Printed November 1902 in the Ladies Home Journal, part of a series of four mothers, "Mothers of the Bible", Sarah, Hagar, Rachel, and Mary. | Tanner wrote the text to accompany the painting. Jacob asks Rachel to marry, her father watching. | Rachel from Mothers of the Bible series. | Painting lost. | ||
| 43–44 years old | Printed January 1903 in the Ladies Home Journal,[185] part of a series of four mothers, "Mothers of the Bible", Sarah, Hagar, Rachel, and Mary. | Tanner used his wife Jessie as the model for "many of his studies" for the series, including Mary.[186] | Mary from Mothers of the Bible series. | Painting lost. | ||
| [187] 43–44 years old | The museum RMN-Grand Palais (Orsay Museum) dates this 1903–1904.[188] | Christ and His Disciples on the Road to Bethany | RMN-Grand Palais, Musée d'Orsay, RF 1980 174. Oil on canvas, 373/83 X 47 '3/16" (95 x 121.5 cm) or H. 66.0; L. 96.0 cm. | |||
| 43–44 years old | A work of religion centering on Gospel of John (10:14—16). Also a work of racial equality in that Tanner "saw the theme of the good shepherd in terms of racial and social equality, as did his father." Important to him, Tanner would paint the Good Shepherd theme at least 15 times. | The Good Shephard.[189] | Zimmerli Art Museum at Rutgers University, 1988.0063. Oil on canvas, height: 770 mm (30.31 in); width: 920 mm (36.22 in) | |||
| 43–49 years old | Tanner went to the Holy Land in 1898-1899 and to Granada in Dec 1902.[190] | Both places affect this image: the mount of Temptation was painted before this work. In Granada, Tanner encountered El Greco's work and it affected the way he painted people. This painting study is on the back of Salome. | Study for Moses and the Burning Bush. | Smithsonian American Art Museum, 1983.95.207B. Oil on canvas. 29 1⁄8 x 21 3⁄4 in. (73.9 x 55.3 cm)[191] "Moses and the Burning Bush" at exhibitions in 1908. | ||
| 190344 years old | Tanner took his wife Jessie to Granada, where they lived from January–March 1903 | Interior Scene or The Stairwell, Granada[192] | Private collection. Oil on canvas, 22 3/4" (58 cm) x 21 3/4" (55 cm) | |||
| undated[193] | Place of image not known. While the place might be Palestine or North Africa, it might also be Granada. | Village Scene | Private collection. Oil on canvas, 12 x 15.75 in. | |||
| 1904[194] [195] 45 years old | Entered into the 1906 Paris Salon.[196] Tanner encounters the paintings of El Greco in Granada and begins to paint people in an "elongated figure style". | "drawn from the Gospel of John (19:25—27)..." Mary, (Jesus' mother in front) and the disciple "whom he loved". The blonde woman is prob. Mary Magdalene; the woman behind the disciple prob Mary the wife of Cleophas. | Return of the Holy Women or Le Retour de la Sainte Femme or Return of the Holy Woman | Cedar Rapids Museum of Art, 23.1. Oil on canvas, 46 1/2 x 35 in. (116.84 x 88.9 cm). | ||
| 1904[197] 45 years old | Painting was covered up, placed underneath the canvas of Daniel in the Lion's Den (1907-1918 version) and rediscovered in 1976. Tanner had been receiving strong criticism during this period in the press. | Draws on scripture: Job 2:7—13 "So went Satan forth from the presence of the Lord, and smote Job with sore boils from the sole of his foot unto his crown... Now when Job's three friends heard of all this evil that was come upon him, they came every one from his own place...So they sat down with him upon the ground seven days and seven nights..." King James Version | Job and his Three Friends | Private collection. Oil on canvas, 41 x 493/4" (104.14 x 126.37 cm) | ||
| 1905[198] 46 years old | The Virgin Mary in Meditation | Private collection, Paris. Oil on board, 12 x inches. | ||||
| 46 years old | Luke Chapter 10. While Christ is at the home of Mary and Martha, Mary focuses on him. Martha focuses on less important things (elsewhere).[199] Mary sitting with Christ, in a possible study for Christ in the Home of Mary and Martha. | Christ at the Home of Mary. | Norton Museum of Art. Pastel and watercolor on paper, 11 1/2 x 9 1/2" (29.2 x 24.1 cm) | |||
| [200] 46 years old | Displayed January 1907, Société Internationale de Peinture et Sculpture. Paris. | Christ sits at the table with Mary, while Martha serves dinner. Shadowy figure in background (pentimento) speculated to be Judas (who had criticized Mary for wasting money on perfume, spread on Christ's feet.)[201] Possibly deliberate mixing of biblical stories. | Christ in the home of Mary and Martha | Carnegie Museum of Art, 07.3. Oil on canvas, 51 ½ × 41 ½ in130.81 × 105.41 cm.[202] | ||
| 1905-1906[203] 46–47 years old | Tanner enters into the 19th Annual exhibition of American paintings at the Art Institute of Chicago. | Gospel of John (20:2-6). Peter and John peering into Jesus' tomb, their faces lit by unearthly light. Highlight of Tanner's career, winning Harris Prize, top prize among top competitors. | The Two Disciples at the Tomb | Art Institute of Chicago, 1906.300. Oil on canvas, 51 x 41 5/8” (129.54 x 105.73 cm) | ||
| 1905[204] or 1906[205] 46 or 47 years old | Tanner's next major picture after The Two Disciples at the Tomb One of two entries for 1906 in the Paris Salon.[206] | Wins silver (second place medal) at Paris Salon bought by French government[207] Tanner "designated hors concours" (top honor, his paintings are beyond competition). This work is painted over the top of another Tanner painting, The Cello Lesson. | The Disciples at Emmaus, or The Pilgrims of Emmaus[208] | Musée d‘Orsay, Paris. Oil on canvas, 73 1/2 x 83 1/2". | ||
| 1905[209] 46 years old | Exhibited 1905 at Chicago Art Institute. and his solo exhibition in 1908. | Tanner's rendition of Abraham's Oak which traditionally marks the place where Abraham entertained three angels or where he pitched his tent. | Abraham's Oak or Abraham's Oak Near Hebron | Smithsonian American Art Museum, 1983.95.185. Oil on canvas, 21 3/4 x 28 3/4" (54.4 x 72.8 cm). | ||
| [210] 46 years old | Entry into the 1905 Paris Salon, one of two entries[211] Displayed at the annual exhibition at the Chicago Art Institute, along with Abraham's Oak Near Hebron. | The Good Samaritan | Location unknown (possibly lost). | |||
| 190546 years old | earlier version of this was 1901 Paris Salon entry. | Multiple versions. Original dates back to 1900 titled "Night," owned by Atherton Curtis. This version owned by Robert C. Ogden was made in 1905. A third version, Fishermen's Return dates to about 1919.[212] A fourth version Fisherman's return was made about 1926. A fifth version, Fishermen returning at night was painted about 1930.[213] [214] | Return of the Fisherman | Herbert F. Johnson Museum of Art, Cornell University. | ||
| 190546 years old | Entered in 1905 Paris Salon, (1 of two entries) won a medal.[215] | Christ Washing the Feet of the Disciples. | Location unknown (possibly lost) | |||
| 190546 years old | The Carnegie Institute announced it would purchase this work.[216] | Judas Covenanting with the High Priests. | Location unknown (possibly lost). | |||
| 190748 years old | Tanner was unable to enter work in the Paris Salon, due to eye-strain injury.[217] | |||||
| 18 June 1907[218] [219] 48 years old | Portrait of Jesse Tanner, Henry and Jessie Tanner's son. | Portrait of Jesse When He Was Four Years Old | Oil on panel, 12.9 x 9.4 in. (33 x 24 cm.) | |||
| 1907-1912[220] 48–53 years old | Tanner took a second trip to the Holy Land, in 1898–99. Second of two entries in 1910 Paris Salon (along with the Three Marys. | Continued recurring (started 1899) theme of Joseph and Mary fleeing for Egypt. | Flight Into Egypt or La fuite en Egypte | Cincinnati Art Museum, 2002.47. Oil on canvas. Measurements:canvas 19 1/2 x 25 3/8 in. (49.6 x 64.4 cm). | ||
| [221] 48 years old | Tanner had a history of painting boats. He combined this with his religious art to illustrate a scene from the bible, the miracle of Jesus walking on water. Jesus is represented here as an indistinct presence on the water. The light is the dim of night, the moon reflecting on the water. | The Disciples See Christ Walking on the Water | Des Moines Art Center, 1921.1. Oil on canvas, 51 1/2 x 42 in. | |||
| [222] 48 years old | Moonlight Hebron | Milwaukee Art Museum, M1920.1. Oil on canvas, 25 11/16 × 31 7/8 in. (65.25 × 80.96 cm). | ||||
| Painting with man and woman walking hand-in- hand. | Study for Flight to Egypt | Smithsonian American Art Museum, 1983.95.44. Pencil and pastel on paper, 8 1⁄4 x 11 1⁄8 in. (21.0 x 28.2 cm) | ||||
| date unknown, before 1908 | Peter After the Denial[223] | Lost painting. |
| DateTanner's approximate age | Events of Tanner's life | Description | Artwork name | Details | Picture | |
|---|---|---|---|---|---|---|
| [224] [225] 49 years old | Painted over three years (1906–1908). Entered in Paris Salon, May 1908.[226] [227] | "Then shall the kingdom of heaven be likened unto ten virgins, which took their lamps, and went forth to meet the bridegroom. And five of them were wise, and five were foolish."Not all the wise virgins are walking...one is on the far left, her lamp on the ground, and she trying to light another's lamp.[228] | The Wise and Foolish Virgins or Behold, The Bridegroom Cometh or Les vierges sages et les vierges folles | Location unknown, possibly lost. 10 ft x 15 ft. Exhibited 1908, 1909, 1921. | ||
| [229] or [230] 49 years old | Mary sits sewing, her son Jesus sleeping under a halo (far left). If made 1908–09, this would have been part of Tanner's first American exposition of his religious artworks.[231] | Mary | Weatherspoon Art Museum, 2002.18. Oil on canvas, 31 1/2 x 25" | |||
| undatedPossibly 1908 version | Tanner had paintings on this theme from 1908 to 1911, 1922–1924, and a version for sale in 1935.[232] | The painting's name is on the back of the photo at the Smithsonian. | The Hiding of Moses[233] | Location unknown. Photo of painting in Smithsonian Archives of American Art. | ||
| [234] 49 years old | Hills of Jerusalem | Private collection. Was in the Michael Rosenfeld Gallery of New York. | ||||
| 49 years old | Ruth and Naomi | Lost painting. | ||||
| 49 years old | Tanner displayed a work called Nicodemus in 1908 and 1909 at exhibitions. Photo of the artwork from a 1909 catalog for the Alaska-Yukon-Pacific Exposition of 1909, held in Seattle.[235] | Nicodemus | Location unknown. | |||
| [236] 51 years old | Tanner traveled to Morocco, in March–June 1912, to Algiers in 1908, to "the Near East" Oct 98-March 99, and to Palestine and Egypt with stops on the way home in Naples, Rome, Pisa, Florence, and Venice January–April 1897. | Gate in Tangiers | Harvey B. Gantt Center for African-American Arts+Culture. Formerly owned by Vivian and John Hewitt Jr. | |||
| undated[237] | Tanner traveled to Morocco, in March–June 1912, to Algiers in 1908, to "the Near East" Oct 98-March 99, and to Palestine and Egypt with stops on the way home in Naples, Rome, Pisa, Florence, and Venice January–April 1897. | Gate of Tangier | Howard University, 65.1.P. Oil on board, 23 1/4 × 19 in. (59.1 × 48.3 cm) | |||
| 49 years old | Tanner went to the Near East for the third time in 1908.[238] The trip took him to Constantine, Algeria. A different version of In Constantine. | Tanner used watercolors on this trip. | Middle Eastern City Scape | Private collection. Watercolor on paper, H 15 1/2", W 11".[239] | ||
| 49 years old | Tanner went to the Near East for the third time in 1908. The trip took him to Constantine, Algeria. | Tanner used watercolors on this trip. This version hung in Fernanda and Rodman Wanamaker's apartment in Philadelphia. The picture includes a woman in western clothing (such as one might wear in Paris or New York). | In Constantine | Private collection. Watercolor and gouache on paper, 17 3/4 X 13" (45.09 x 33.02 cm). | ||
| [240] 49 years old | Tanner went to the Near East for the third time in 1908. | Entrance to the customs house in Tangier | Michael Rosenfeld Gallery. Oil on panel, 22 1/2 x 24 inches. | |||
| or [241] | Visits Algeria in February — March 1908; visits Morocco in March — June 1912 | Impressionist landscape. 1908. Another version of Flight into Egypt of which Tanner painted more than 15 versions. Joseph, Mary and Jesus flee to Egypt. | Flight into Egypt: Palace of Justice, Tangier[242] or Palace of Justice, Tangier. | Smithsonian American Art Museum, 1970.67. Oil on canvas. 25 5/8 X 31 7/8 (65.09 x 80.96 cm) | ||
| [243] [244] | Christ and the Disciples before the Last Supper or Christ with the Canonite woman and her daughter[245] | Spelman College Museum of Fine Art Oil on canvas, 26 x 33 in. | ||||
| 49 years old | Tanner went to the Near East for the third time in 1908. The trip took him to Constantine, Algeria. Tanner holds an exhibition of his religious paintings in 1908 at the American Art Gallery in New York.[246] It was his first solo exhibition after he grew famous.[247] | A Jerusalem Type[248] [249] | Private collection. Oil on canvas, 18 1/8 x 15 1/8 in. (46 x 38.4 cm.) | |||
| 49–53 years old | Visits Algeria in February — March 1908; visits Morocco in March — June 1912 | Painting of woman in style of postcards from Tunisia, Morocco and Algeria. This dress-style represents European fantasy, as women were kept covered in public in North Africa as in other Muslim areas.[250] [251] | unnamed image of a woman. | Private collection. Watercolor and Pencil on Paper. Measure 14"in H x 7 1/2"in W and 20 1/2"in[252] | ||
| 49–53 years old | Visits Algeria in February — March 1908; visits Morocco in March — June 1912 | Impressionist landscape. Undated. "suggestions of trees, hills, and a faintly discernible human figure."[253] | Scene of Algiers | Smithsonian American Art Museum. Oil on paperboard, 8 1⁄4 x 10 5⁄8 in. (21.0 x 27.0 cm.) | ||
| [254] 53 years old | Visits Algeria in February — March 1908; visits Morocco in March — June 1912 | Impressionist landscape. Undated. Has elements of Flight Into Egypt: a man, woman and donkey. | Algiers or Old Buildings Near Ka-hak[255] | Private collection. Oil on canvas, 31 3/4 x 25 1/2 in. | ||
| undated[256] | unsigned. Attributed to Tanner at auction. | Mary and Mary Magdalene with Jesus, the crosses in the background, a crown of thorns by their side. | Jesus Taken Down From the Cross[257] or Sorrow at the Crucifixion | Private collection. Oil on Canvas. Size: 23 x 31 in. | ||
| [258] 50 years old | "The Return of the Holy Woman," with Calvary in the distance, is even more sensitive than the rest. It is so intensely silent. | Return of the Holy Woman or Return of the Holy Women or Return from the Cross[259] | Location unknown. | |||
| [260] 51 years old | Mary with her baby Jesus (sleeping under a halo by her feet.) | Mary | Formerly in Michael Rosenfeld Gallery. Oil on canvas, 28 3/4 x 23 5/8 in. | |||
| [261] 51 years old | Self-Portrait | Smithsonian American Art Museum, 1983.95.34. Pencil and conte crayon on paper, 8 1⁄2 x 8 3⁄8 | ||||
| 1910[262] 51 years old | Tanner takes photos of his wife Jessie and son Jesse in costume. | makes painting from photo study. Religious work showing Jesus studying scripture with Mary. | Christ and His Mother Studying the Scriptures | Dallas Museum of Art, 5000380. Oil and canvas; height: 123.8 cm (48.7 in); width: 101.6 cm (40 in) | ||
| [263] 50–51 years old | The Visitation or Mary Visiting Elizabeth | Kalamazoo Institute of Arts, 2005.11. Oil on canvas, 37 1/2 x 42 1/2 in. | ||||
| [264] 50–51 years old | Divine light illuminates Mary and infant Jesus, Joseph looks from shadows. Jesus has halo, Marys veil glows. Light also comes through the doorway, from outside.[265] | The Holy Family | Muskegon Museum of Art, 1911.1. Oil on canvas, height: 88.9 cm (35 in); width: 108.5 cm (42 3/4 in) | |||
| 51 years old | Still life with fruit | Michael Rosenfeld Gallery. | ||||
| [266] 51 years old | untitled landscape (Snowcapped Mountains Above Habitat) | Hearne Fine Art. Oil on Board, framed Size: 20" x 23" x 2 1/4" | ||||
| [267] 51 years old | Tanner was elected president of the artists' colony Artistique de Picardie at Le Touquet in 1913. The colony centers on his summer home there. | Evening scene at Le Touquet, Paris-Plage, Pas-de-Calais. | Le Touquet | Des Moines Art Center. Oil on canvas, 51 X 42”. or 28 3/4 x 36 1/4 in. (73 x 92.1 cm.)[268] Accession Number 1941.5 | ||
| [269] [270] 51 years old | Religious work showing cloudlike angels appearing before the shepherds in the dim light of night. Angels in the image possibly include spokesman angel, angels in a choir, trumpeting angels and calvalry angels.[271] | Angels Appearing before the Shepherds | Smithsonian American Art Museum, 1983.95.195. Oil and canvas; 25 3/4 x 31 7/8 in. | |||
| 51 years old | Religious work showing Jesus and His Disciples on the Sea of Galilee. | The Disciples on the Sea of Galilee | Private collection. Oil on artist's board, 10 x 14" (25.4 x 35.56 cm) | |||
| [272] 51 years old | Religious work showing Jesus' Disciples on the Sea of Galilee. | Christ and His Disciples on the Sea of Galilee.jpg | Toledo Museum of Art, 1913.127. Oil on canvas, 21 7/8 X 26 1/2" | |||
| [273] 51 years old | One of two entries in Paris Salon, 1910.[274] The second entry is Flight to Egypt. | Religious work illustrating Gospel of Mark (16:1—4), showing Mary Magdalene, Mary, mother of James, and Mary Salomé (or Mary of Clopas) as they discover that the stone has been rolled away from the entrance of Christ's tomb. | Three Marys or Les trois Marie approachant du tombeau | Carl Van Vechten Gallery of Fine Arts, Fisk University, Nashville. Oil on canvas, 42 x 50" (106.68 x 127 cm) | ||
| Undated. [275] 51 years old | Mary Washing the Feet of Christ or Mary Magdalene Washing the Feet of Christ[276] | Private collection. Oil on panel, 20 x 25 cm. (7.9 x 9.8 in).[277] | ||||
| [278] 51 years old | Head of Christ | Private collection. Etching on cream laid paper, 76x44 mm; 3x1 3/4 inches | ||||
| undatedprobably 1911[279] 52 years old | Tanner has a family with a young child, living in France. Possibly from that era, early 1900s-1910s. | Impressionist landscape of life in Paris. | The Man Who Rented Boats | Smithsonian American Art Museum, 1983.95.203. Oil on canvas mounted on plywood, 9 1⁄4 x 12 3⁄8 in. (23.5 x 31.4 cm.) | ||
| [280] 53 years old | Return at night from the market | Clark Atlanta University Art Collection, GA, X.041. Oil on canvas, 25 3/4 x 20 5/8 | ||||
| [281] 53 years old | Work that was in private collection, sold in October 2000 at auction for $560,000. At the time, it was a record for Tanner's paintings.[282] | Unidentified painting attributed at auction to Henry Ossawa Tanner.[283] Jesus sits at an "altar table", surrounded by "shrouded women", a chalice in his hand, a crown of thorns on his head. | untitled | Private collection. Oil on canvas, 54 x 79 in. | ||
| [284] 53 years old | Tanner painted himself into the painting (far right beside the sitting woman.)[285] Both of the women in the painting were also portraits of people Tanner knew.[286] | Newspaper photo of painting, Boston Evening Transcript, Jun 24, 1914[287] The painting was exhibited in 1913 in Chicago and New York, was a Paris Salon entry for 1914, and in 1915 won a gold medal at the Panama-Pacific Exposition in San Francisco.[288] Later displayed at the Carnegie Institute (1921), a solo exhibition at the Des Moines, Association of Fine Arts (1921), a solo exhibition at Grand Central Art Galleries, New York (1924), and at the Chicago Art Institute in 1928. | Christ in the Home of Lazarus | Location unknown (possibly lost).[289] | ||
| undated | Tanner painted Atherton Curtis and his wife into this version.[290] | Photo of painting from page 190 of Henry Ossawa Tanner, edited by Dewey F. Mosby. | Christ in the Home of Lazarus | Location unknown (possibly lost). The painting Portrait of Mr. Atherton Curtis and his Wife was rumored to be the remains of this painting, cut down to just the portrait.[291] | ||
| undated[292] | Tanner meets Atherton and Louise Curtis in 1897; Tanner and Jessie go to live in the Curtis' artist colony in 1902. Lifelong friendship.[293] | |||||
| [294] 53 years old | Coastal Landscape, France | Michael Rosenfeld Gallery. Oil on gessoed panel, 9.25" x 13" | ||||
| 1912[295] | A View of Fez | High Museum of Art, 2003.91. Oil on panel, 9 in (22.8 cm); width: 12.5 in (31.7 cm) | ||||
| [296] 53 years old | Visits Morocco in March–June 1912 | Moonrise by Casbah or Morocco[297] | Private collection. Oil on linen canvas, 1912. 540x724 mm; 21 1/2x28 1/2 inches. | |||
| [298] 53 years old | Visits Morocco in March–June 1912 | Moonrise, Tangier | Ruth and Elmer Wellin Museum of Art, Hamilton College. Oil on plywood, 19½ x 23½ in. (49.5 x 59.7 cm) | |||
| [299] 50 years old | Visits Morocco in March–June 1912 | Street Scene, Tangier (Crenelated Architecture) | Smithsonian American Art Museum, 1983.95.196B. Oil on paperboard, 10 5⁄8 x 13 3⁄4 in. (27.0 x 34.9 cm.) | |||
| [300] 53 years old | Visits Morocco in March–June 1912 | Near East Scene or Mosque in Tangier | Des Moines Art Center. Oil and casein on canvas, 28 3/4 X 23 '/2" (73.03 x 59.69 cm). | |||
| [301] 53 years old | Visits Morocco in March–June 1912 | Moroccan Man [302] | Private collection. Oil on panel, 13 x 9 1/4 in. | |||
| Undated. | Tanner traveled to Morocco, in March–June 1912, to Algiers in 1908. | Image with horseshoe arch or keyhole arch. Light from low sun; light bounces from building-top to make line of light on ground; building-reflected light casts man's shadow. | untitled[303] | Private collection. Oil on wood panel, 6 x 9 in. | ||
| 53–55 years old | Visits Morocco in March–June 1912 | Sunlight, Tangier | Milwaukee Art Museum. Oil on cardboard panel, 10 3/4 X 13 3/4" (27.31 x 34.93 cm). | |||
| 53 years old | Visits Morocco in March — June 1912 | Paints the entrance to the Casbah or the historic city area and fortress many times.[304] | Gateway, Tangier | St. Louis Museum of Art, 33:2005. Oil on canvas, 18 7/16 × 15 5/16 in. (46.8 × 38.9 cm). | ||
| [305] 53 years old | Visits Morocco in March — June 1912 | "[Tanner] made numerous small oil sketches that he brought back to his studio in France, where he developed them into larger paintings on canvas..." | Doorway in Tangier | Philadelphia Museum of Art, 2004–117–1. Oil on canvas 14 × 10 3/4 inches (35.6 × 27.3 cm) | ||
| [306] or 51 or 53 years old | Visits Morocco in March — June 1912 | Entrance to the Casbah[307] | Gateway, Tangier | Smithsonian American Art Museum, 1983.95.190. oil on plywood, 22 1⁄2 x 19 in. (57.2 x 48.3 cm.) | ||
| 53 years old | Visits Morocco in March — June 1912 | Street Scene, Tangier or Man Leading a Donkey in Front of the Palaise de Justice, Tangier or Man Leading a Calf[308] | Smithsonian American Art Museum, 1983.95.196A. Oil on paperboard, 10 5⁄8 x 13 3⁄4 in. (27.0 x 34.9 cm.)[309] | |||
| [310] 51 years old | Visits Morocco | Street in Tangier | Smithsonian American Art Museum, 1983.95.209. Oil on fiberboard, 13 5⁄8 x 10 1⁄2 in. (34.5 x 26.7 cm) | |||
| [311] [312] 53 years old | Spends time in Morocco, in the city of Tangiers in March–June. | Street Scene, Tangiers | Museum of Fine Arts, Boston, 2011.1840. Oil on panel, 19 1/4 x 23 1/2 in. (48.9 x 59.7 cm). | |||
| 1912[313] 53 years old | Spends time in Morocco, in the city of Tangiers in March–June. | Entrance to the Casbah | Art Museum of Greater Lafayette. Oil on paper mounted on canvas,32 x 26 in. (81.2 cm x 67.3 cm.) | |||
| [314] 53 years old | Spends time in Morocco, in the city of Tangiers in March–June 1912. | Midday, Tangiers | Cummer Museum. Oil on canvas, 24 ⅛ x 20 in. | |||
| 53 years old | Spends time in Morocco, in the city of Tangiers in March–June 1912. | Woman in traditional clothing, carrying water pitcher, in front of entrance to Casbah, Tangiers. | Untitled.[315] | Private collection. Gouache on paper, H 13 1/2" W 10 1/2" | ||
| [316] 54 years old | Spends time in Morocco, in the city of Tangiers in March–June 1912. | Moonlight: Walls of Tangiers | Los Angeles County Museum of Art (LACMA), 48.32.46. Oil on canvas 25 7/8 x 21 1/4 in. (65.72 x 54.1 cm) | |||
| undatedPossibly 54 years old | Attributed to Tanner online.[317] | untitled, Muslim man with horse. Possibly the work exhibited in 1913 under the title The Sultan's Stables.[318] | Private collection. |
1914 was the year that Tanner returned to the Paris Salon after "several years of absence," bringing his 1912 painting Christ in the House of Lazarus and Mary.[287] He had remarked in 1910 "that he would not exhibit in the salon again as they had stuck his picture into a corner which everyone knows is almost an insult."[319] French artists were upset over a U.S. tariff on their paintings, and said to be taking revenge in the Salon.[319]
He did not exhibit at the Salon in 1907, due to eye strain, but in 1908 entered The Wise and Foolish Virgins which he worked on in 1906, 1907 and finished in 1908. Newspapers don't record a Salon entry for 1909; but he focused his 1908 energy on a one-man exhibition of his artwork in New York, and the 1909 papers continued to talk about that event. Tanner may have avoided displaying at the Salon 1910, 1911, 1912, and 1913.[287] [319]
He began to display there again in 1914; however, that year marked the beginning of World War I, which further disrupted both his painting and his display at the Salon. Also in 1914, his mother died.
| DateTanner's approximate age | Events of Tanner's life | Description | Artwork name | Details | Picture | |
|---|---|---|---|---|---|---|
| [320] [321] 54–55 years old | Tanner painted the Miraculous catch of fish, in which Jesus tells the disciples to try one more cast of the net, at which they are rewarded with a great catch. | The Miraculous Haul of Fishes | National Academy of Design. Oil on canvas, 38 × 47 1/2 in. | |||
| [322] [323] 54 years old | Fishermen at Sea | Given by Jesse O. Tanner (Henry's son) to Smithsonian American Art Museum, 1983.95.215. Oil on canvas, 46 x 35 1/4 in. (116.9 cm x 89.5 cm.) | ||||
| 54 years old | Landscape in Moonlight | Hampton University Museum.[324] | ||||
| [325] 55 years old | 1914 was the year his mother died, World War I broke out, and it wasn't safe for his family in France. They left for England. | Mary was one of two Salon entries for 1914, along with Christ in the Home of Lazarus.[326] | Mary | Smithsonian American Art Museum, 1991.102. Oil on canvas, 45 1⁄2 x 34 3⁄4 in. (115.5 x 88.2 cm.) | ||
| [327] 55 years old | Tanner began using a "new pallet of colors and a freer technique." In Impressionist tradition, a study of light on a still scene. | Landscape | Sheldon Ross Gallery, Birmingham, Michigan. Oil on artist's board, 10 x 13" (25.4 x 33.2 cm.) | |||
| 1914[328] 55 years old | Moonlight Path | Private collection. Oil on board, 6 1/4 by 6 3/4 in (16 by 17.2 cm.) | ||||
| 1910-191451–54 years old | About 1910 Tanner takes photo study of wife Jessie and son Jesse | by about 1914 has made paintings from photo study | Christ Learning to Read | Des Moines Art Center. Oil on canvas, 52 x 41” (132.08 x 104.14 cm) | ||
| 1914[329] 55 years old | World War I breaks out. Henry takes his wife Jessie and son Jesse to England to escape the violence. They enroll Jesse in school there. | Portrait of Jesse Tanner, son of Henry Ossawa Tanner and Jessie M. Tanner. Dated March 1914, bottom left corner. | Portrait of Jesse Tanner | Private collection. Oil on canvas, 46 x 38 cm. | ||
| [330] 55 years old | World War I broke out. Tanner's mother died in August 1914. He had difficulty painting. | "Tanner painted very few works between late 1914 and the latter part of 1918" This is one of very few paintings made in the "early years of the war." | War Scene, Etaples, France, a study | Clark Atlanta University Collection of Afro-American Art. Oil on cardboard, 143/4 x 18"(37.47 x 45.72 cm) | ||
| [331] 57–63 years old | After Tanner took a second trip to the Holy Land in 1898-99 he began using a recurring theme of Joseph and Mary fleeing for Egypt. Tanner might have thought of Christian metaphor for the painting: even in darkness, the path [to God] is visible.[332] | Flight Into Egypt | Smithsonian American Art Museum, 1983.95.202. Oil on wood, 16 7/8 x 16 7/8 in. (43.0 x 43.0 cm) | |||
| [333] [334] [335] 58 years old | One of several paintings titled The Good Shepherd, "based generally on the Gospel of John (10:14—16)" and the 23rd Psalm. "I am the good shepherd, and know my sheep, and am known of mine. As the Father knoweth me, even so know I the Father: and I lay down my life for the sheep. And other sheep I have, which are not of this fold: them also I must bring, and they shall hear my voice; and there shall be one fold, and one shepherd." — Gospel of John (10:14—16) "The Lord is my Shepherd; I shall not want." — 23rd Psalm | The Good Shepherd | New Orleans Museum of Art, 30.3. Oil on canvas, 29/4 X 33 1/4" (74.3 x 84.46 cm) | |||
| date unknown, before 1931 | One of the four paintings photographed by the Harmon Foundation, exhibited by them in 1931.[336] | The Good Shepherd | ||||
| 1916[337] or [338] 57 years old | Fisherman's Devotions, Étaples | Private collection. Oil on panel, height: 33 cm (12.9 in); width: 22.9 cm (9 in). | ||||
| [339] 57 years old | One of the four paintings photographed by the Harmon Foundation, exhibited by them in 1931.[340] | Flight Into Egypt | Smithsonian National Museum of African American History and Culture, 2015.2.3. Oil on wood panel, H x W: 16 5/8 × 22 in. (42.2 × 55.9 cm). | |||
| 1917[341] 58 years old | The Good Shepherd | Crystal Bridges Museum of American Art, 2019.5. Oil on canvas, height: 64.8 cm (25.5 in) Edit this at Wikidata; width: 81.3 cm (32 in) | ||||
| 191758 years old | The Study for Shepherd With Herd was estimated as made in 1917.[342] The final painting is undated.[343] | Study for Shepherd With Herd or The Good Shepherd | Private collection. Oil on wood panel, circa 1917. 210x273 mm; 8 1/4x10 3/4 inches. | |||
| undated[344] | Landscape | North Carolina Museum of Art, G.77.4.1. Oil on cardboard, 13 5/16 x 10 1/8 in. (33.8 x 25.7 cm) | ||||
| 1917[345] 58 years old | probably from photo and personal memory, painted after death | Portrait commissioned by the Iowa Federation of Colored Women's Clubs, through J. S. Carpenter. | Portrait of Booker T. Washington | State Historical Society of Iowa. Oil on canvas, 313/4 X 25 5/8” (80.65 x 65.09 cm). | ||
| [346] 57–58 years old | Study of an American Soldier | Telfair Museums, 1979.20.4. Hard charcoal and lead pencil on paper, 16 7/8 × 13 5/8 inches (42.9 × 34.6 cm) | ||||
| 1918[347] 59 years old | Tanner served with the Red Cross during part of World War I. | Domremy, birthplace of Joan of Arc. Soldiers visible, identifiable by their helmets. | House of Joan of Arc or Domrémy | Private collection. Oil on wood panel, height: 20 x 24 in. (50.8 x 60.9 cm.) | ||
| 191859 years old | Tanner served with the Red Cross during part of World War I. | "American Red Cross Canteen, Toul, France, World War I" | American Red Cross, Washington D.C. Oil on canvas, 143/16 X 16 5/16" (36.04 x 41.43 cm). | |||
| 191859 years old | Tanner served with the Red Cross during part of World War I. | "American Red Cross Canteen at the Front" | American Red Cross, Washington D.C. Oil on canvas, 48 X 61”. | |||
| 191859 years old | Tanner served with the Red Cross during part of World War I. | "Intersection of Roads at Neufchateau, World War I" | American Red Cross, Washington D.C. Oil on canvas, 25 5/8 X 31 7/8" (65.09 x 80.96 cm). | |||
| 191858 years old | Tanner painted this at about the time he did the Red Cross paintings. | Neufchateau or Old House, Neufchateau, Vosges | Private collection. Displayed by Museum of Fine Arts, Houston, EX.2008.HC.010. Oil on canvas, 28 x 32 in.[348] | |||
| [349] [350] 59 years old | Étaples and the Canche River at Duskor untitled (Dusk Scene of a Flooded River and Nearby Town) | Hood Museum of Art, Dartmouth. Oil on paperboard, 10 3/4 × 13 7/8 in. (27.3 × 35.2 cm)formerly Michael Rosenfeld Gallery | ||||
| [351] 59 years old | The good shepherd | National Gallery of Art, 2014.136.159. Oil on canvas on particle board, 60.33 × 48.26 cm (23 3/4 × 19 in.) Formerly in the Evans-Tibbs collection. | ||||
| 1919[352] 60 years old | Tanner's son Jesse was about 16 years old in 1919. | Portrait of Jesse Ossawa Tanner | Private collection. Charcoal on paper, 48 x 30 cm - 18.8 x 11.8 in. | |||
| undated[353] possibly | Tanner's son Jesse was about 16 years old in 1919. | Portrait of Jesse Tanner in profile, the artist's son | Private collection. Oil on paper, 9 3/8 x 11 in. | |||
| 1919[354] [355] 60 years old | World War I ended November 11, 1918. | The painting has a date which looks like July 13, 1914. However, it is for the "Celebration of the Dead, held on July 13, 1919, in Paris to honor those who died defending France during World War I." With the war over, Tanner could return to his chosen work. | The Arch or The Arch of Triumph | Brooklyn Museum, 32.10. Oil on canvas, 39 1/4 x 38 3/16 in. (99.7 x 97 cm) |
| DateTanner's approximate age | Events of Tanner's life | Description | Artwork name | Details | Picture | |
|---|---|---|---|---|---|---|
| undated per museum1919 per note60 years old | Tanner wrote a note in painting's crossbar, executing work in 1917, retouching and completing it in July 1919. | Multiple versions. Original dates back to 1900 titled "Night," (lost) owned by Atherton Curtis. A second version owned by Robert C. Ogden Return of the Fisherman was made in 1905. This third version dates to about 1919. A fourth version Fisherman's return was made about 1926. A fifth version, Fishermen returning at night was painted about 1930. | The Fisherman's Return[356] | Smithsonian American Art Museum, 1983.95.212. Oil on canvas, 25 1⁄2 x 19 1⁄4 in. (64.8 x 49.0 cm.) | ||
| [357] | Landscape of the countryside near Nice, France | Countryside Around Nice, France | Private collection. Oil on plywood, 165x189 mm; 6 1/2x7 3/4 inches | |||
| Undated[358] | Stamped in the lower right corner with the contact information of Henry's son Jesse. Likely French countryside as Tanner had painted other French countryside scenes in this manner. | untitled | Smithsonian American Art Museum, 1983.95.188B. Oil on wood panel, 9 1/2 x 13 in. (24.0 x 33.0 cm.) | |||
| [359] 61–65 years old | Fleeing Sodom and Gomorrha; the woman who looks back (Lot's wife) turns into a pillar of salt. | Sodom and Gomorrha | Formerly in the Michael Rosenfeld Gallery, New York City. Oil on canvas, 41 1/2 x 36 1/2 in. (104.4 x 92 cm.) | |||
| Undated. | One of the four paintings photographed by the Harmon Foundation, exhibited by them in 1931.[360] | Sodom and Gomorrah[361] | Private collection. | |||
| 1920s[362] | Tanner painted Jesus' appearance his dispicles on the Road to Emmaus. The disciples met Christ on the road and invited him to eat with them. Tanner painted a moment before the disciples recognized him.[363] | Invitation to Christ to Enter by his Disciples at Emmaus | Private collection. Oil on canvas, 19 ½ x 23 1/8 in. (49.5 x 58.7 cm.) | |||
| 1920-1925[364] 61–66 years old | Recurring theme of Joseph and Mary fleeing for Egypt (started theme about 1899). | Flight Into Egypt | Private collection. Was held by Michael Rose Fine Art; oil on linen canvas, circa 1920-25 23 1/4 x 37 inches, 590 x 952 mm. | |||
| 192162 years old | After Tanner took a second trip to the Holy Land in 1898-99 he began using a recurring theme of Joseph and Mary fleeing for Egypt | Flight Into Egypt | Museum of Fine Arts Houston, 50.10. Oil on panel, 20 × 24 in. (50.8 × 61.0 cm) | |||
| 1921[365] 62 years old | At least 2 versions were made around the theme of Moses' mother hiding him in the bullrushes. The first made galleries from 1908 to 1911, the latter from 1922 to 1924.[366] | Moses in the Bullrushes or The Hiding of Moses | Smithsonian American Art Museum, 1983.95.197. Oil on wood panel, 22 3⁄8 x 15 1⁄8 in. (56.8 x 38.5 cm) | |||
| 1922[367] 63 years old | The version at the Newark museum shows a shepard caring for his lost sheep, "a theme based on Matthew's account (18:12—14).""How think ye? if a man have an hundred sheep, and one of them be gone astray, doth he not leave the ninety and nine, and goeth into the mountains, and seeketh that which is gone astray? And if so be that he find it, verily I say unto you, he rejoiceth more of that sheep, than of the ninety and nine which went not astray. Even so it is not the will of your Father which is in heaven, that one of these little ones should perish. —Matthew (18:12—14) | The Good Shepherd or The Lost Sheep | The Newark Museum. Oil on canvas, 32 x 24” (81.28 x 60.96 cm) | |||
| [368] 63 years old | Virgin and Child | Wadsworth Atheneum Museum of Art, Hartford. Oil on canvas 32 x 25" (81.28 x 63.5 cm) | ||||
| undated[369] | Tanner took a second trip to the Holy Land, in 1898–99. Began recurring theme of Joseph and Mary fleeing for Egypt. | Recurring theme of Joseph and Mary fleeing for Egypt. Study dated 1916–1922. | Flight into Egypt | Oil on artist board, 17 1/2 x 20 1/2 | ||
| 192364 years old | Recurring theme of Joseph and Mary fleeing for Egypt. Here, Mary (carrying Jesus) and Joseph quietly follow the guard (carrying the light).[370] | Flight Into Egypt or The Futile Guard | Metropolitan Museum of Art, 2001.402a.[371] Oil on canvas, 29 x 26 in. (73.7 x 66 cm) | |||
| 1923[372] 64 years old | The Sleeping Disciplesor Christ in the Garden of Gethsemane | Private collection. Oil on canvas, 28 x 23" (71.12 x 58.42) | ||||
| 1923[373] [374] 64 years old | Tanner receives the Walter Leighton Clark prize for this painting in 1930.[375] | Painting has 1923 date in lower right corner. Formerly owned by J. J. Haverty. | Etaples Fisher Folk | High Museum of Art, 36.16. Tempera and oil on canvas, 47 5/16 x 38 5/16 inches. | ||
| 1923[376] 64 years old | Tanner began reinterpreting the story of Jesus and Nicodemus, which he painted in 1899. This is a study for Nicodemus Visiting Jesus (1927) | Christ and Nicodemus (early study) | Private collection. Oil on thick cardstock, circa 1923. 267x345 mm; 10 1/2x13 5/8 inches. | |||
| 1927[377] 68 years old | Commissioned 1924, finished 1927.[378] | Tanner began reinterpreting the story of Jesus and Nicodemus, which he painted in 1899. The latter is Nicodemus Visiting Jesus (1927) | Nicodemus Visiting Jesus or Nicodemus Coming to Christ or Nicodemus Before Christ | Private collection. Oil on canvas laid down on board, 61 1/4 x 71 in. (155.6 x 180.3 mm) | ||
| 1924[379] 65 years old | (John 20:4—6): John kneels at Jesus' tomb, Peter in the background. Tanner painted this over the circa 1899 painting Judas. Displayed October 1925 at 24th Carnegie Institute International Exhibition.[380] This work was painted over the top of the 1899 painting Judas. | Two disciples at the tomb | Michael Rosenfeld Gallery. Oil on board 51 1/2 X 43 1/4" (130.81 x 109.86 cm) | |||
| 1925[381] 66 years old | Three wise men on their camels, traveling to see Jesus at Christmas.[382] | The Three Wise Men | Private collection. Oil on canvas, 25 x 35 in. (63.5 X 88.9 cm) | |||
| 1926-1927[383] 67–68 years old | Tanner took a second trip to the Holy Land, in 1898–99. Began recurring theme of Joseph and Mary fleeing for Egypt. | Bought originally by James Joseph Haverty, along with The Road to Emmaus | At the Gates or Flight Into Egypt. See: 1899 version. | Oil on panel, circa 1926–27. 610x483 mm; 24x19 inches | ||
| undated[384] | Recurring theme of Joseph and Mary fleeing for Egypt (began about 1899). | Departure Into Egypt or At the Inn | Smithsonian American Art Museum. Oil on wood, 21 3⁄8 x 18 1⁄4 in. (54.4 x 46.4 cm) | |||
| 1926[385] 67 years old | Multiple versions. Original dates back to 1900 titled "Night," (lost) owned by Atherton Curtis. A second version owned by Robert C. Ogden Return of the Fisherman was made in 1905. A third version The Fishermen's Return was painted about 1919. This fourth version was made about 1926. A fifth version, Fishermen returning at night was painted about 1930. | Fishermen's Return | Harmon and Harriet Kelley Foundation for the Arts. Oil on canvas, 25 3/16 x 19 5/8 in. | |||
| [386] 68 years old | Exhibited Art Institute of Chicago, 1927. | The Poor Ye Have With You Always | Private collection. Oil on canvas. | |||
| [387] | untitled (Moonlight Landscape) | DuSable Museum of African American History, Chicago. | ||||
| 1929-1930[388] [389] 70–71 years old | The two cities of Sodom and Gomorrah are engulfed in God's wrath. "The painting's abstraction and simplicity of form evoke a sense of interaction between the physical and spiritual worlds." In this version, Lot and his daughters are nearly invisible, at the lower right. | Formerly owned by J. J. Haverty. | Destruction of Sodom and Gomorrah | High Museum of Art, 49.32. Tempera and varnish on cardboard, 20 3/8 x 36 in. | ||
| [390] 71 years old | Hand of Henry O. Tanner | Smithsonian American Art Museum, 1983.95.35. Conte crayon on paper, 10 5⁄8 x 14 in. (27.0 x 35.5 cm) | ||||
| 71 years old | The Lost Sheep or The Good Shepherd | Menil Collection, Houston. Oil and tempera on paperboard. 10 5/8 x 8 1/8" (26.99 x 20.64 cm) | ||||
| 193071 years old | Tanner painted the theme of The Good Shepherd more than 15 times.[391] | The Good Shephard[392] | Private collection. Tempera and oil glazes on canvas, 91,4 x 76,2 cm (36 x 30 in)[393] | |||
| undated[394] | Countryside Landscape or Paysage de Campagne | Private collection. | ||||
| undated[395] | Landscape of a Middle-Eastern/North African city, with domes and minarets. Could date from 1897 to 1912 if from the period he visited Middle East, or later if painting from memory. | Distant View of a City | Private collection. Oil on canvas laid on masonite, 21 x 16 1/2 in (53.3 x 41.9 cm) | |||
| [396] [397] or [398] 71 or 77 years old | Tanner painted the theme of The Good Shepherd more than 15 times. He painted this at Etaples, Paris, 43 Rue de Fleurus, 6. | The Good Shephard (Atlas Mountains, Morocco) | Smithsonian American Art Museum, 1983.95.198. Oil on canvas (or fiberboard), 29 7⁄8 x 36 in. (75.8 x 91.3 cm) | |||
| [399] 71 years old | He Healed the Sick | Smithsonian American Art Museum, 1983.95.199. Oil on panel, 16 1/4 x 21 1/2 in. (41.3 x 54.5 cm). | ||||
| [400] 71 years old | He Healed the Sick | Private collection. Oil on board 9 1/4 by 13 inches (23.5 by 33 cm) | ||||
| [401] 71 years old | Landscape of French countryside | Haystacks | Smithsonian American Art Museum, 1983.95.214. Oil on canvas, 26 1/4 x 21 in. (66.7 x 53.3 cm.) | |||
| undated[402] | Landscape of trees bending in the wind. French name at gallery, probably painted in France. | Arbres Sous Le Vent | Bill Hodges Gallery. Oil on Panel 10 ⅜ x 13 ¾ in. (26.35 x 34.9 cm) | |||
| by 1935[403] | Tanner painted the theme of Flight into Egypt more than 15 times. | Flight into Egypt | Private collection. Oil on panel, 24 x 28 in. (60.96 x 71.12 cm.) | |||
| (?)[404] | Study for Mary, Return from the Crucifixion | Private collection. | ||||
| [405] 75–76 years old | Mary and Joseph, after Jesus is crucified. | Return from the Cross | Colby College Museum of Art.[406] Oil and tempura on board, 39 7/8 x 29 7/8 in. (101.3 x 75.9 cm) | |||
| 1936[407] 77 years old | Mary and Joseph, fleeing with Jesus for Egypt | Flight into Egypt | Howard University, 50.5.P. Oil on board, 19 × 23 1/2 in. (48.3 × 59.7 cm) | |||
| 1936[408] 77 years old | Tanner's final completed and signed painting. He passes away on 25 May 1936. | Mary and Joseph in foreground, after Jesus is crucified. | Return from the Crucifixion | Howard University Gallery of Art. Oil and tempura on plywood, 20 x 23 1/2 in. |
Here the influence of Impressionism is evident in both the softening and loosening of the brushstrokes used to render certain items including the wall and tablecloth as well as the importance of light which streams through the window casting a glow on the figures and their meal
.