List of paintings by Hans Holbein the Younger explained

Hans Holbein the Younger (c. 1497–1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[1] He also made a significant contribution to the history of book design, and produced religious art, satire, and Reformation propaganda.

Born in Augsburg, Holbein worked mainly in Basel as a young artist, painting murals and religious works and drawing designs for stained glass and printed books. He produced the occasional portrait, and made his international mark with portraits of the famous humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein produced works for reformist clients while continuing to serve traditional religious patrons. His late-Gothic style was influenced by artistic trends in Italy, France and the Netherlands, as well as by Renaissance humanism, resulting in a combined aesthetic that was uniquely his own.

Holbein travelled to England in 1526 in search of work, armed with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he soon built a high reputation. After returning to Basel for four years, in 1532 he resumed his career in England, where he worked for Anne Boleyn and Thomas Cromwell, and was appointed King's Painter to Henry VIII. In this role, he produced designs for jewellery, plates, and other precious objects, as well as for festive decorations. His portraits of the king and his family and courtiers provide a vivid record of a brilliant court, during a momentous period when Henry was assuming power as the Supreme Head of the English church.

Paintings

WorkDescriptionDateMediumSizeLocation
Head of a Female Saint, attributed to Holbein[2] c. 1515–16Oil and tempera on spruce wood23.5 × 21.5 cmKunstmuseum Basel
Head of a Male Saint, attributed to Holbeinc. 1515–16Oil and tempera on spruce wood23.5 × 21.5 cmKunstmuseum Basel
Portrait of Jakob Meyer zum Hasen[3] 1516Oil and tempera on limewood38.5 × 31 cmKunstmuseum Basel
Portrait of Dorothea Meyer, wife of Jakob Meyer zum Hasen[4] 1516Oil and tempera on limewood38.5 × 31 cmKunstmuseum Basel
Signboard for the Schoolmaster Oswald Myconius (with Ambrosius Holbein)[5] 1516Oil and tempera on pine panel55.5 × 65.5 cmKunstmuseum Basel
Adam and Eve[6] 1517Oil and tempera on paper mounted on pine30.2 × 35.7 cmKunstmuseum Basel
Portrait of Benedikt von Hertenstein[7] 1517Oil and tempera on paper mounted on wood52.4 × 38.1 cmMetropolitan Museum of Art, New York
Portrait of Bonifacius Amerbach[8] 1519Oil and tempera on pine28.5 × 27.4 cmKunstmuseum Basel
Oberried Altarpiece, The Adoration of the Magi, left panel[9] c 1520Oil and tempera on pine230 × 109 cmUniversity Chapel of the Cathedral, Freiburg im Breisgau
Oberried Altarpiece, The Birth of Christ, right panelc 1520Oil and tempera on pine230 × 109 cmUniversity Chapel of the Cathedral, Freiburg im Breisgau
The Body of the Dead Christ in the Tomb[10] 1521–22Oil and tempera on limewood30.6 × 200 cmKunstmuseum Basel
The Solothurn Madonna[11] 1522Oil and tempera on limewood140.5 × 102 cmKunstmuseum Solothurn
Portrait of Johannes Frobenc 1522–23Oil on panel48.8 × 32.4 cmRoyal Collection
Portrait of Erasmus of Rotterdam writing[12] 1523Oil and tempera on paper mounted on pine36.8 × 30.5 cmKunstmuseum Basel
Portrait of Erasmus of Rotterdam writing[13] 1523Oil and tempera on wood43 × 33 cmLouvre, Paris
Portrait of Erasmus of Rotterdam[14] 1523Oil and tempera on wood76 × 51 cmNational Gallery, London, on loan from Longford Castle
Printer's Device of Johannes Froben[15] c 1523Tempera on canvas, heightened with gold44 × 31 cmKunstmuseum Basel
Allegory of the Old and New Law[16] Unknown date between 1524 and 1535Oil and tempera on oak49 × 60 cmNational Gallery of Scotland, Edinburgh
The Passion altarpiece, the two left panels[17] c. 1524–25Oil and tempera on limewood136 × 31 cm and 149.5 × 31 cmKunstmuseum Basel
The Passion altarpiece, the two right panels[18] 1524–25 Oil and tempera on limewood149.5 × 31 cm and 136 × 31 cm Kunstmuseum Basel
The Last Supper[19] c 1524–25 Oil and tempera on limewood115.5 × 97.3 cmKunstmuseum Basel
Lais of Corinth[20] 1526 Oil and tempera on limewood34.6 × 26.8 cmKunstmuseum Basel
Portrait of a Man with a Lute[21] c. 1526–27Oil and tempera on oak43.5 × 43.5 cmBerlin State Museums
The Darmstadt Madonna (the Madonna of Jakob Meyer zum Hasen)[22] 1526 and 1528–30Oil and tempera on limewood146.5 × 102 cmJohanniterkirche, Schwäbisch Hall
Noli me Tangere[23] Unknown date, perhaps 1526 to 1528Oil and tempera on oak76.8 × 94.9 cmRoyal Collection
Portrait of Sir Thomas More[24] 1527Oil and tempera on oak74.2 × 59 cmFrick Collection, New York
Portrait of William Warham, Archbishop of Canterbury[25] 1527Oil and tempera on oak82 × 67 cmLouvre, Paris
Portrait of Sir Henry Guildford[26] 1527Oil and tempera on oak82.6 × 66.4 cmRoyal Collection, Windsor Castle
Portrait of Mary, Lady Guildford[27] 1527Oil and tempera on oak87 × 70.5 cmSaint Louis Art Museum, Saint Louis, Missouri
Portrait of a Lady with a Squirrel and a Starling[28] c. 1527–28Oil and tempera on oak54 × 38.7 cmNational Gallery, London
Portrait of Thomas Godsalve and his son John[29] 1528Oil and tempera on oak35 × 36 cmGemäldegalerie Alte Meister, Dresden
Portrait of Nikolaus Kratzer[30] 1528Oil and tempera on oak83 × 67 cmLouvre, Paris
Portrait of the Artist's Family[31] c. 1528–29Oil and tempera on paper, cut out and mounted on wood79.4 × 64.7 cmKunstmuseum Basel
Rehoboam, fragment of wall painting[32] 1530Painting on plaster28 × 41.5 cmKunstmuseum Basel
Miniature Portrait of Erasmus of Rotterdam[33] c. 1532Oil and tempera on limewood10 cm diameterKunstmuseum Basel
Portrait of Hermann von Wedigh[34] 1532Oil and tempera on wood42.2 × 32.4 cmMetropolitan Museum of Art, New York
Portrait of the Merchant Georg Gisze[35] 1532Oil and tempera on oak90.3 × 85.7 cmBerlin State Museums
Portrait of Thomas Cromwell[36] c. 1532–33Oil and tempera on oak76 × 61 cmFrick Collection, New York
A Merchant of the German Steelyard: 'Hans of Antwerp'[37] c. 1532–33Oil and tempera on oakRoyal Collection
Portrait of a Woman in a White Coif[38] c. 1532–34Oil and tempera on oak23.4 × 18.8 cmDetroit Institute of Arts
Portrait of William Reskimer[39] c. 1532–34Oil and tempera on oak46.4 × 33.7 cmRoyal Collection, Windsor Castle
Miniature Portrait of Philipp Melanchthon[40] c. 1530–1535Oil and tempera on oak9 cm diameterLower Saxony State Museum, Hanover
Miniature Portrait of a Man in a Red Cap[41] c. 1532–35Oil and tempera on wood9.5 cm diameterMetropolitan Museum of Art, New York
Miniature Portrait of George Nevill, 5th Baron Bergavenny[42] c. 1532–35Duke of Buccleuch collection
Portrait of Derich Born[43] 1533Oil and tempera on oak60.3 × 45 cmRoyal Collection, Windsor Castle
Derich Born[44] c. 1533Oil and tempera on red beech13.1 cm diameterAlte Pinakothek, Munich
Portrait of Robert Cheseman[45] 1533Oil and tempera on oak59 × 62.5 cmMauritshuis, The Hague
Portrait of Hermann Hillebrandt de Wedigh[46] 1533Oil and tempera on oak42.1 × 32.6 cmGemäldegalerie, Berlin
Portrait of Dirk Tybis[47] 1533Oil and tempera on oak48 × 35 cmKunsthistorisches Museum, Vienna
Portrait of Cyriacus Kale[48] 1533Oil and tempera on oak60 × 44 cmHerzog Anton Ulrich Museum, Braunschweig
Double Portrait of Jean de Dinteville and Georges de Selve ("The Ambassadors")[49] 1533Oil and tempera on oak207 × 209 cmNational Gallery, London
Portrait Miniature of a Young Man with a Pink[50] [51] 1533Oil on oak12.4 × 12.1 cmUpton House, Bearsted Collection
Portrait of Sir Brian Tuke[52] c. 1533–35Oil and tempera on oak49.1 × 38.5 cmNational Gallery of Art, Washington, D. C.
E Cosi Desio me Mena, Allegory of Love[53] c. 1533–36Oil on oak in lozenge format45 × 45 cmJ. Paul Getty Museum, Los Angeles
Miniature Portrait of a Court Official[54] 1534Oil and tempera on limewood12 cm diameterKunsthistorisches Museum, Vienna
Miniature Portrait of a Court Official's Wife1534Oil and tempera on limewood12 cm diameterKunsthistorisches Museum, Vienna
Portrait of Charles de Solier, Sieur de Morette[55] 1534–35Oil and tempera on oak92.5 × 75.4 cmGemäldegalerie Alte Meister, Dresden
Solomon and the Queen of Sheba[56] c. 1534–35Pen and brush in bistre and grey wash, heightened in white, gold, and oxidised silver with red and green watercolour over black chalk on vellum22.9 × 18.2 cmRoyal Library, Windsor
Portrait of Simon George[57] c. 1534–37Oil and tempera on oakDiameter 31 cmStädelsches Kunstinstitut, Frankfurt
Portrait of an Unknown English Lady[58] 1535Tempera on Oak32 × 25  cmOskar Reinhart Collection 'Am Römerholz', Winterthur
Portrait of Derich Berck[59] 1536Oil and tempera transferred to canvas53.3 × 42.6 cmMetropolitan Museum of Art, New York
Portrait Miniature of William Roper[60] c. 1536Bodycolour on vellum mounted on card4.5 cm diameterMetropolitan Museum of Art, New York
Portrait Miniature of Margaret Roperc. 1536Bodycolour on vellum mounted on card4.5 cm diameterMetropolitan Museum of Art, New York
Portrait of Sir Richard Southwell[61] 1536-->Oil and tempera on oak47.5 × 38 cmUffizi, Florence
Portrait of Sir Thomas Lestrange[62] 1536Oil and tempera on wood39.4 × 26.7 cmKimbell Art Museum, Fort Worth, Texas
Portrait of Sir Henry Wyatt[63] c. 1537Oil and tempera on oak39 × 31 cmLouvre, Paris
Portrait of Henry VIII[64] c. 1536–37Oil and tempera on oak28 × 20 cmThyssen-Bornemisza Museum, Madrid
Portrait of Jane Seymour[65] 1537Oil and tempera on oak65 × 40 cmKunsthistorisches Museum, Vienna
Mural of Henry VIII, Jane Seymour, Henry VII, and Elizabeth of York1536–1537Destroyed in Whitehall Palace fire, 1698
Portrait Miniature of Hans Schwarzwaldt[66] c. 1535–1540Watercolour on vellum mounted on playing card3.8 cm diameterRoyal Collections, The Hague
Portrait of Christina of Denmark[67] 1538Oil and tempera on oak179 × 82.5 cmNational Gallery, London
Hanseatic Merchant[68] 1538Oil on oak panel49.6 x 39 cmYale University Art Gallery, New Haven CT
Portrait Miniature of Elizabeth, Lady Audley[69] c. 1538Watercolour on vellum mounted on playing card5.6 cm diameterRoyal Collection, Windsor castle
Portrait of Thomas Howard, 3rd Duke of Norfolk[70] c. 1539Oil and tempera on oak80.3 × 61.6 cmRoyal Collection, Windsor Castle
Portrait of Edward, Prince of Wales[71] c. 1539Oil and tempera on oak57 × 44 cmNational gallery of Art, Washington, D. C.
Portrait of Anne of Cleves[72] c. 1539Oil and tempera on parchment mounted on canvas65 × 48 cmLouvre, Paris
Portrait Miniature of Anne of Cleves[73] c. 1539Watercolour and gum on vellum in ivory case4.6 cm diameterVictoria and Albert Museum, London
Portrait of a Lady, perhaps Katherine Howard[74] c. 1540Bodycolour on vellum mounted on playing card6.4 cm diameterRoyal Collection, Windsor Castle
Portrait Miniature of Katherine Howard[75] c. 1540Watercolour on vellum5.3 cm diameterBuccleuch collection, Strawberry Hill House
Portrait of a Lady, probably a Member of the Cromwell Family[76] c. 1535–1540Oil and tempera on oak74 × 48 cm
Portrait Miniature of Jane Small, also called "Jane Pemberton"[77] c. 1540Bodycolour on vellum5.3 cm diameterVictoria and Albert Museum, London
Portrait of an Unknown Man, Holding his Gloves and a Letter[78] Oil and tempera on oak Private collection
Portrait of an Unknown Man[79] c. 1540–43Oil and tempera on oakEnglish Heritage, Audley End House
Portrait Miniature of Henry Brandon[80] 1541Bodycolour on vellum mounted on playing card5.7 cm diameterRoyal Collection, Windsor Castle
Portrait Miniature of Charles Brandon[81] 1541Bodycolour on vellum mounted on playing card5.7 cm diameterRoyal Collection, Windsor Castle
Roelof de Vos van Steenwijk (circa 1504 - circa 1564)[82] 1541On oak47.5 × 37.3 cmBerlin State Museums
Portrait of a Young Merchant[83] 1541Oil and tempera on oak46.5 × 34.8 cmKunsthistorisches Museum, Vienna
Portrait Miniature of a Young Woman with a White Coif[84] 1541Oil and tempera on panel11.11 cm diameterLos Angeles County Museum of Art
Portrait of a Man with a Falcon[85] 1542Oil and tempera on oak25 × 19 cmMauritshuis, The Hague
Portrait of Henry Howard, Earl of Surrey[86] c. 1542Oil and tempera on oak55.5 × 44 cmSão Paulo Museum of Art, Brazil
Portrait of an English Lady[87] c. 1541–43Oil and tempera on oak19.2 × 15.3 cmKunsthistorisches Museum, Vienna
Self-portrait c. 1542–1543Coloured chalks and pen32× 26 cmUffizi, Florence
Portrait of Dr John Chambers[88] c. 1543Oil and tempera on oak51 × 44 cmKunsthistorisches Museum, Vienna
Portrait of Sir William Butts[89] c. 1543Oil and tempera, formerly on oak panel, transferred to canvas in 194147 × 36.8 cmIsabella Stewart Gardner Museum, Boston
Portrait of Lady Margaret Buttsc. 1543Oil and tempera on oak46 × 37 cmIsabella Stewart Gardner Museum, Boston
Portrait of Johann von Schwarzwaldt[90] 1543Tempera on parchment5.4 cm diameterPushkin State Museum of Fine Arts, Moscow
Portrait of Antony the Good, Duke of Lorraine[91] c. 1543Oil and tempera on oak51 × 37 cmBerlin State Museums
Henry VIII and the Barber Surgeons, reworked and overpainted by other hands[92] c. 1543Oil on oak108.3 × 312.4 cmWorshipful Company of Barbers, London

Copies and derivative works

WorkDescriptionDateMediumSizeLocation
Portrait of a Woman from Southern Germany, former attribution[93] c. 1520–1525Oil on panelMauritshuis, The Hague
Portrait of Nikolaus Kratzer, after Holbein[94] c. 1528Oil on panelNational Portrait Gallery (London)
Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop[95] c. 1530Oil and tempera on limewood18.2 × 14.5 cmKunstmuseum Basel
Portrait of Sir Nicholas Carew, workshop or follower of Holbein[96] Probably 1530sOil and tempera on wood95.3 × 112 cmDuke of Buccleuch, Drumlanrig Castle, Dumfries
Portrait of an Unidentified Gentleman, workshop or follower of Holbein[97] 1535Oil on oak Metropolitan Museum of Art, New York
Portrait of Sir Nicholas Poyntz, after Holbein[98] c.1535Oil on panelNational Portrait Gallery, London
Portrait Miniature of an Unidentified Man, possibly Hans of Antwerp, workshop of Holbein[99] c. 1535–40Oil and tempera on oak13 cm diameterVictoria and Albert Museum, London.
Portrait of Jane Seymour, after Holbein[100] c. 1537Oil and tempera on oak26.3 × 18.7 cmMauritshuis, The Hague
Portrait Miniature of Thomas Cromwell, after Holbein[101] Watercolour and bodycolour on vellum National Portrait Gallery, London
Portrait Miniature of Thomas Cromwell, after Holbein[102] Watercolour and bodycolour on vellum National Portrait Gallery, London
Portrait of Prince Edward, after Holbein[103] 16th century, Oil on panel Berger Collection, Denver Art Museum
Portrait of a Young Woman, Holbein's Workshop[104] c. 1540 - 1545Oil and gold on oakMetropolitan Museum of Art, New York
Lady Lee (Margaret Wyatt), Holbein's workshop[105] c. 1540Oil on panelMetropolitan Museum of Art, New York
Portrait of Henry VIII, Holbein's workshop[106] c. 1540Oil on oak88.2 × 75 cmGalleria Nazionale d'Arte Antica, Rome
Portrait of Elizabeth, Lady Rich, after Holbein[107] c. 1540Oil and tempera on wood (probably oak)Metropolitan Museum of Art, New York
Portrait of Henry VIII in a Great Coat Holding a Staff, after Holbein[108] 1542Oil and tempera on oak92.7 × 66.7 cmCastle Howard, Yorkshire
Portrait Miniature of Hans Holbein the Younger, copy of Holbein's self-portrait, probably by Lucas Horenbout[109] 1543Watercolour on vellum mounted on playing card3.7 cm diameterWallace Collection, London
Portrait of Henry VIII, after Holbein[110] After 1537, possibly c 1567Oil on canvas233.7 × 134.6 cmWalker Art Gallery, Liverpool
Portrait of Sir William Butts, after Holbein[111] c 1543Oil on panel47 × 37.5 cmNational Portrait Gallery, London
Portrait of George Brooke, 9th Baron Cobham[112] Oil on panelPrivate collection
Edward VI (1537–1553), When Duke of Cornwall. Holbein's Workshop [113] c. 1545; reworked 1547 or laterOil and gold on oak32.4 cm diameterMetropolitan Museum of Art, New York
Portrait Miniature of Thomas Wriothesley, 1st Earl of Southampton, after Holbein[114] Probably second half of 16th centuryWatercolour on vellum laid on cardOval of Metropolitan Museum of Art, New York
The Family of Thomas More, by Rowland Lockey, after Holbein's lost painting[115] 1592Oil on canvasNostell Priory, West Yorkshire
Dresden Madonna, copy by Bartholomäus Sarburgh of Holbein's Darmstadt Madonna[116] c. 1635–37Oil on oak159 × 103 cmGemäldegalerie Alte Meister, Dresden
Portrait of Johann Froben, after Holbein[117] 16th or beginning of 17th century, after an original of 1520–26Oil and tempera on oak39.5 × 33.5 cmKunstmuseum Basel
Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop, with later additions[118] c. 1523–40, background c. 1629Oil on woodRoyal Collection, Windsor Castle
Henry VII, Elizabeth of York, Henry VIII, and Jane Seymour, copy by Remigius van Leemput of Holbein's Whitehall Mural, destroyed by fire in 1698[119] 1667Oil on canvas88.9 × 99.2 cmRoyal Collection, Windsor Castle

See also

References

External links

Notes and References

  1. Zwingenberger, 9.
  2. Müller, Kemperdick, Ainsworth, et al, 136; Rowlands, 125; Strong, 12.
  3. Buck, 13–14; Strong, 18.
  4. Buck, 13, 15; Strong, 18.
  5. Buck, 12; Strong, 20.
  6. Buck, 18; Strong, 20.
  7. Buck, 20; Strong, 20.
  8. Buck, 24–25; Strong, 26.
  9. Strong, 28.
  10. Buck, 32–33; Strong, 28.
  11. Buck, 34; Strong, 30.
  12. Buck, 46; Strong, 34.
  13. Buck, 46–47; Strong, 34.
  14. Buck, 48–49; Strong, 34.
  15. Müller, Kemperdick, Ainsworth, et al, 295; Rowlands, 128;
  16. Foister, 134; Strong, 34.
  17. Buck, 36; Strong, 38.
  18. Buck, 36; Strong, 38.
  19. Buck, 38–39; Strong, 38.
  20. Buck, 42–43; Strong, 40.
  21. Rowlands 1985, 141; Strong, 68.
  22. Buck, 78–79; Strong, 40.
  23. Foister, 127; Strong, 52.
  24. Buck, 54–55; Strong, 42.
  25. Buck, 56–57; Strong, 44.
  26. Buck, 59–60; Strong, 44.
  27. Buck, 59, 61; Strong, 46.
  28. Buck, 62–63; Strong, 40.
  29. Buck, 64–65; Strong, 46.
  30. Buck, 68–69; Strong, 46.
  31. Buck, 74–75; Strong, 48.
  32. Müller, Kemperdick, Ainsworth, et al, 412.
  33. Sander, in Müller, Kemperdick, Ainsworth, et al, 148–49. Scholars have found it difficult to establish which of the many versions of this pattern are by Holbein and which are copies; in the view of Jochen Sander, however, "There can be no doubt that this extraordinary portrait was painted by Holbein himself".
  34. Foister, 64; Strong, 50.
  35. Buck, 88–89; Strong, 50.
  36. Buck, 112; Rowlands 1985, 137–38. Some scholars view this painting as a workshop copy, but Rowlands considers that pentimenti (alterations) indicate a Holbein original.
  37. Strong, 50; Rowlands, 136–37.
  38. Rowlands, 142; Strong, 58.
  39. Foister, 42; Rowlands, 137; Strong, 56.
  40. Buck, 71; Strong, 48.
  41. Foister, 50; Rowlands, 141; Strong, 68.
  42. Button, 169
  43. Buck, 94–95; Strong, 62.
  44. Rowlands, 139; Strong, 58.
  45. Buck, 105; Strong, 62.
  46. Buck, 92–93; Foister, 66; Strong, 58.
  47. Buck, 92–93; Strong, 58.
  48. Foister, 66; Strong, 62.
  49. Buck, 99; Strong,
  50. Foister, p. 49
  51. Web site: A Young Man with a Pink. National Trust. 3 February 2015.
  52. Bätschmann & Griener, 177; Foister, 131.
  53. Foister, 61; Rowlands, 238. Art historian John Rowlands rejected this painting as a Holbein: "Although its attribution is by no means a straightforward question, the stylistic grounds supporting Holbein's authorship of this panel are very slender indeed". Curator Susan Foister, however, attributed it to Holbein in the Holbein in England exhibition at the Tate in 2006, citing trademarks such as the gold arabesque design and a figure of eight mark on the reverse.
  54. Foister, 47; Rowlands, 141; Strong, 64.
  55. Buck, 102–103; Strong, 68.
  56. Buck, 120–23; Foister, 136.
  57. Foister, 44; Strong, 70.
  58. Web site: Hans Holbein the Younger, Portrait of an Unknown English Lady c. 1535. Oskar Reinhart Collection.
  59. Strong, 72.
  60. Foister, 46; Rowlands, 151.
  61. Buck, 125; Strong, 72.
  62. Edmund Pillsbury. William Jordan. Recent Painting Acquisitions – II: The Kimbell Art Museum: Supplement. The Burlington Magazine. 1985. 127. 987. 409–418. 882120.
  63. Foister, 131; Rowlands, 134; Strong, 46.
  64. Buck, 118–19; Strong, 74.
  65. Buck, 117; Strong, 74.
  66. Royal Collections, The Hague, MI-492; Rowlands, 152, pl. 136; Fitzgerald & MacCulloch, 594.
  67. Buck, 126–27; Strong, 78.
  68. Web site: Collection:European Art. Yale University Art Gallery. 2013-07-22. https://web.archive.org/web/20111229100830/http://artgallery.yale.edu/pages/collection/popups/pc_european/details29.html. 2011-12-29. dead.
  69. Foister, 106; Rowlands, 151; Strong, 94.
  70. Foister, 150; Strong, 80.
  71. Buck, 120–21; Strong, 78.
  72. Buck, 109–110; Strong, 80.
  73. Foister, 102; Rowlands, 151.
  74. Foister, 102; Rowlands 1985, 151; Strong, 94.
  75. Web site: Portrait Miniature of Katherine Howard. Strawberry Hill House. 2 February 2015.
  76. Toledo Museum of Art, ref.1926.57; Rowlands, 146; Strong, 82. The sitter was formerly called Catherine Howard; she is probably a member of Thomas Cromwell's family, perhaps his daughter-in-law Elizabeth Seymour, sister of Jane Seymour.
  77. Buck, 124; Foister, 49.
  78. Rowlands, 147; Strong, 80.
  79. Foister, 147; Rowlands, 147; Strong, 82.
  80. Strong, 94.
  81. Strong, 94.
  82. Rowlands, 147.
  83. Rowlands, 147; Strong, 82.
  84. Web site: Portrait of a Young Woman with a White Coif. Los Angeles County Museum of Art. 3 February 2015.
  85. Rowlands, 147; Strong, 86.
  86. Rowlands 1985, 147–48; Strong, 134.
  87. Reynolds, 148; Strong, 131.
  88. Buck, 130–31; Strong, 86.
  89. Rowlands, 149; Strong, 88.
  90. Portrait of Johann von Schwarzwaldt, The Division for Looted Art, Ministry of Culture and National Heritage, 29081
  91. Buck, 31; Strong, 90.
  92. Buck, 127–29; Rowlands 1985, 148–49.
  93. [Mauritshuis]
  94. Rowlands, pp. 134–35.
  95. Müller, Kemperdick, Ainsworth, et al, 418–19. 38 or more copies of this pattern are known, this being perhaps the finest.
  96. Foister, 122; Rowlands, 233–34.
  97. Foister, 114; Rowlands, 232.
  98. Parker, 45; Rowlands, 232–33.
  99. Foister, 116; Rowlands, 137.
  100. Buck, 109; Rowlands 1985, 232; Strong, 74. Strong attributes this version to Holbein, and Buck to Holbein's workshop. Rowlands doubts it is a product of Holbein's workshop.
  101. Rowlands, 240.
  102. [National Portrait Gallery, London|National Portrait Gallery]
  103. Buck, 120; Rowlands, 116.
  104. [Metropolitan Museum of Art]
  105. [Metropolitan Museum of Art]
  106. Buck, 106; Hearn, 42–43.
  107. Parker, 50–51; Rowlands, 234; Strong, 82.
  108. Rowlands 1985, 236; Strong, 86.
  109. Rowlands, 239–40.
  110. Strong, 1969, 159, suggests that this painting could be by Hans Eworth, who signed a comparable full-length version of the same pattern.
  111. Rowlands, 149.
  112. Hearn, 44.
  113. [Metropolitan Museum of Art]
  114. Rowlands, 239.
  115. Hearn, 128.
  116. Buck, 78; Roskill & Hand, 211–221. This version was assumed to be Holbein's original until it was revealed as a copy (and probably a forgery) during the "Holbein Dispute" of 1863–71.
  117. Müller, Kemperdick, Ainsworth, et al, 296–98; Rowlands, 129
  118. Rowlands, 128
  119. Buck, 115; Hearn, 40–41.

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