List of paintings by Frans Post explained

This article lists paintings by Frans Post (1612–1680), a Dutch Golden Age artist who was the first European to paint landscapes of the Americas. Frans Post disembarked in Brazil in 1637, following the retinue of John Maurice, Prince of Nassau-Siegen, who had recently been appointed as the governor of the Dutch possessions in Northeast Brazil by the Dutch West India Company. Along with Albert Eckhout and Zacharias Wagener, Post was in charge of documenting the new Dutch colonies in South America, but while his companions were devoted to depicting the Brazilian flora, fauna, and people, he focused exclusively on the landscapes of the so-called "New Holland".[1] [2] [3]

Frans Post returned to Europe in 1644, after producing a limited number of in loco artworks, of which only seven have survived. Nevertheless, the exoticism of his landscapes, rich in tropical details yet unknown to the European public, soon attracted the attention of new clients. As a result, Post would devote the rest of his artistic career to the production of paintings with Brazilian themes, based on the sketches and drawings of what he had observed onsite. Post's known output numbers about 160 paintings, practically all of them of Brazilian landscapes. With one known exception[4] he did not date his paintings, making it difficult to establish a precise timeline of his production. A large part of his oeuvre is currently housed in Brazilian museums and collections (Ricardo Brennand Institute in Recife, National Museum of Fine Arts in Rio de Janeiro, São Paulo Museum of Art, etc.), but several examples of his works may be found around the world, mainly in Europe (Louvre, Rijksmuseum) and the United States. In the following list, artworks are presented in loose chronological order.[1]

Paintings

ImageTitleDateMedium and sizeOther informationCollection / Location
View of the Island of Itamaracá, Brazil [5] 1637

Oil on canvas,
63.5 × 89.5 cm

Rijksmuseum, Amsterdam

(on loan to the Mauritshuis, The Hague)

The Old Portuguese Forte dos Reis Magos, or Fort Ceulen, at the Mouth of the Rio Grande [6] 1638

Oil on canvas,
62 × 95 cm

Louvre,

Paris

The Ox Cart — Brazilian Landscape [7] 1638

Oil on canvas,
61 × 88 cm

Louvre,

Paris

View of Frederiksstad in Paraíba, Brazil [8] 1638

Oil on canvas,
61 × 91.4 cm

Fundación Cisneros,

Caracas

The Rio São Francisco and Fort Maurits, with a Capybara in the Foreground [9] 1639

Oil on canvas,
62 × 95 cm

Louvre,

Paris

Landscape near Porto Calvo, with a Fig Tree in the Foreground [10] 1639

Oil on panel,
63 × 89 cm

Louvre,

Paris

Fort Fredrik Hendrik1640

Oil on canvas,
66 x 88 cm

Signed and dated ("F. Post 1640").[11]

Instituto Ricardo Brennand,

Recife

Landscape of Pernambucoc. 1644–1659

Oil on panel,
34.3 × 47.3 cm

Unsigned.[12]

Museu Nacional de Belas Artes,

Rio de Janeiro

Church of Saints Cosmas and Damian in Igarassuc. 1644–1659

Oil on panel,
33.4 × 41.4 cm

Signed ("F. Post").

Museu Nacional de Belas Artes,

Rio de Janeiro

A village in Brazil [13] c. 1645–1680

Oil on panel,
51.1 x 59.1 cm

Royal Collection,

London

Brazilian landscape with Manoah's sacrifice [14] 1648

Oil on canvas,
167 x 193 cm

Museum Boijmans Van Beuningen,

Rotterdam

Brazilian landscape with anteater [15] 1649

Oil on canvas,
53 × 69.4 cm

Alte Pinakothek,

Munich

Brazilian landscape with an armadillo 1649

Oil on canvas,
53 x 69 cm

Alte Pinakothek,

Munich

Paulo Afonso Falls1649

Oil on panel,
58.5 × 46 cm

Signed and dated ("F. Post 1649").[16]

Museu de Arte de São Paulo,

São Paulo

Brazilian landscape1650

Oil,
unknown dimensions

Nederlands Scheepvaartmuseum,

Amsterdam

A Brazilian landscape [17] 1650

Oil on panel,
61 x 91.4 cm

Metropolitan Museum of Art,

New York

View of Olindac. 1650

Oil on canvas,
90 × 122 cm

Fundação Cultural Ema Gordon Klabin,

São Paulo

Ruins of the Mother Church of Olindamid-17th century

Oil on canvas,
67.5 x 86.5 cm

Private collection,

Rio de Janeiro

Landscape with chapel [18] mid-17th century

Oil on panel,
43.5 x 58.7 cm

.

Fundación Cisneros,

Caracas

Lowlandsmid-17th century

Oil on panel,
38 × 57.2 cm

Unsigned.

Museu Nacional de Belas Artes,

Rio de Janeiro

Sugar millmid-17th century

Oil on canvas,
90.8 × 115.5 cm

Unsigned. Contested authorship.

Museu Nacional de Belas Artes,

Rio de Janeiro

Village on a wooded plain [19] mid-17th century

Oil on panel,
46 × 75 cm

Itaú Unibanco collection,

São Paulo

Landscape of Paraíba – Sugar mill with a river [20] mid-17th century

Oil on panel,
93 x 79cm

Palácio Laranjeiras,

Rio de Janeiro

Landscape [21] mid-17th century

Oil on panel,
22.5 × 32.5 cm

Museu do Estado de Pernambuco,

Recife

Landscape mid-17th century

Oil on panel,
22.5 × 32.5 cm

Museu do Estado de Pernambuco,

Recife

Franciscan monastery in Igaraçu mid-17th century

Oil on panel,
48 x 70 cm

Historisches Museum,

Frankfurt

Sugar mill in Pernambuco 17th century

Oil on panel,
50 × 74.5 cm

Palácio Itamaraty,

Brasília

Village and a coconut tree17th century

Oil on canvas,
50.5 x 68 cm

Signed ("F.Post").

Beatriz and Mário Pimenta Camargo collection,

São Paulo

Brazilian landscape with a procession of blacks17th century

Oil on panel,
48 x 65 cm

Beatriz and Mário Pimenta Camargo collection,

São Paulo

Village17th century

Oil on canvas,
43.5 x 67 cm

Beatriz and Mário Pimenta Camargo collection,

São Paulo

Church of Saints Cosmas and Damian in Igarassu17th century

Oil on panel,
39 × 48.5 cm

Fundação Cultural Ema Gordon Klabin,

São Paulo

Sugar mill17th century

Oil on canvas,
67 × 89 cm

Museu da Chácara do Céu,

Rio de Janeiro

Brazilian Landscape with the Monastery of Igaraçú17th century

Oil on panel,
55 x 69 cm

Gemäldegalerie,

Berlin

View of Olindac. 1650–1655

Oil on panel,
79 x 111.5 cm

Signed ("F. Post").

Museu Nacional de Belas Artes,

Rio de Janeiro

Ruins of the Mother Church of Olinda [22] c. 1650–1655

Oil on panel,
45 x 70 cm

Fundação Maria Luisa e Oscar Americano,

São Paulo

A Monastery of the Capuchin Fathers — The House of a Portuguese Nobleman [23] c. 1650–1655

Oil on canvas,
101 x 136 cm

Louvre,

Paris

A Sugar Mill Driven by a Small River [24] c. 1650–1655

Oil on canvas,
117 x 167 cm

Louvre,

Paris

The Home of a "Labrador" (Sugar Cane Planter) in Brazil (or The Village of Serinhaem) [25] c. 1650–1655

Oil on canvas,
112 x 146 cm

Louvre,

Paris

Three Different Houses, or "Homes of the Labradores who Plant Sugar" [26] c. 1650–1655

Oil on canvas,
104x 130 cm

Louvre,

Paris

Landscape in Brazil [27] 1652

Oil on canvas,
282.5 × 210.5 cm

Rijksmuseum,

Amsterdam

Brazilian landscape ("Hacienda")c. 1652

Oil on panel,
45 × 65 cm

Landesmuseum Mainz,

Mainz

View of Mauritsstad and Recife [28] c. 1653

Oil on panel,
48.2 x 83.6 cm

Private collection,

São Paulo

Settlement in Brazil [29] 1654

Oil on panel,
51 x 70 cm

Nederlands Scheepvaartmuseum,

Amsterdam

Wall with horses and slavesc. 1655

Oil on panel,
19.5 x 19.5 cm

Unsigned. Probably a fragment of a larger painting.[30]

Instituto Ricardo Brennand,

Recife

Brazilian landscape with a worker's house [31] c. 1655

Oil on panel,
47 × 62.9 cm

Los Angeles County Museum of Art,

Los Angeles

Brazilian landscape with a house under construction [32] c. 1655–1660

Oil on panel,
46 x 70 cm

Mauritshuis,

The Hague

Brazilian landscape [33] 1656

Oil on panel,
41 x 59 cm

Frans Hals Museum,

Haarlem

Plantation settlement in Brazil [34] 1656

Oil on panel,
36.9 x 54 cm

Carmen Thyssen-Bornemisza collection, on deposit at the Museo Thyssen-Bornemisza,

Madrid

Brazilian landscape [35] 1656

Oil on panel,
59 × 94 cm

Wadsworth Atheneum,

Hartford, Connecticut

Waterfall in the forest 1657

Oil on panel,
47 x 44 cm

Signed and dated ("F. Post 1657).[36]

Instituto Ricardo Brennand,

Recife

River crossing the lowlands 1658

Oil on canvas,
62 x 87,5 cm

Signed and dated ("F. Post 1658).

Beatriz and Mário Pimenta Camargo collection,

São Paulo

Brazilian landscape with the village of Igaraçú. To the left the church of Sts Cosmas and Damian [37] 1659

Oil on panel,
40 × 61 cm

Rijksmuseum,

Amsterdam

Lowlands 1659

Oil on panel,
39 x 60 cm

Signed and dated ("F. Post 1659).[38]

Instituto Ricardo Brennand,

Recife

Huts1659

Oil on panel,
34 × 51 cm

Signed and dated ("F. Post 1659").

Museu Nacional de Belas Artes,

Rio de Janeiro

Village in the interior of Pernambuco 1660

Oil on panel,
55 x 84 cm

Fundação Maria Luisa e Oscar Americano,

São Paulo

Landscape in Brazil with Sugar Plantation 1660

Oil on canvas,
87 x 113 cm

Statens Museum for Kunst,

Copenhagen

View of a sugar millc. 1660

Oil on panel,
25.7 × 41.4 cm

Signed ("F. Post").

Museu Nacional de Belas Artes,

Rio de Janeiro

Landscape with a boac. 1660

Oil on canvas,
119 × 172 cm

Signed ("F. Post").[39]

Museu de Arte de São Paulo,

São Paulo

Landscapec. 1660

Oil on panel,
20 × 30 cm

Unsigned.

Instituto Ricardo Brennand,

Recife

Village of Olinda, Brazil [40] c. 1660

Oil on canvas,
82.5 × 130.81 cm

Chazen Museum of Art,

Madison, Wisconsin

The Sugar Factory and Plantation of Engenho Real c. 1660

Oil on panel,
71.5 x 91.5 cm

Museum Boijmans Van Beuningen,

Rotterdam

Landscape with an antbearafter 1660

Oil on panel,
56 x 79 cm

Signed ("F. Post").[41]

Museu de Arte de São Paulo,

São Paulo

Rural landscape c. 1660–1667

Oil on panel,
30 x 37 cm

Possibly a pendant of Ruins of Olinda, housed in the same collection.

Fundação Maria Luisa e Oscar Americano,

São Paulo

Ruins of Olinda c. 1660–1667

Oil on panel,
30 x 37 cm

Possibly a pendant of Rural landscape, housed in the same collection.

Fundação Maria Luisa e Oscar Americano,

São Paulo

Landscape with river and forest c. 1660–1667

Oil on panel,
63 × 93 cm

Fundação Maria Luisa e Oscar Americano,

São Paulo

Landscape with a front porch house c. 1660–1667

Oil on panel,
21 × 26.5 cm

Fundação Maria Luisa e Oscar Americano,

São Paulo

Waterfall with indians c. 1660–1667

Oil on panel,
30 x 35 cm

Fundação Maria Luisa e Oscar Americano,

São Paulo

River and village landscapec. 1660–1669

Oil on panel,
35 x 89 cm

Signed ("F. Post").[42]

Instituto Ricardo Brennand,

Recife

Sugar millc. 1660–1669

Oil on panel,
50 x 69 cm

Signed ("F. Post"). Pendant of Village and chapel with portico, housed in the same collection.[43]

Instituto Ricardo Brennand,

Recife

Village and chapel with porticoc. 1660–1669

Oil on panel,
50 x 69 cm

Signed ("F. Post"). Pendant of Sugar mill, housed in the same collection.[44]

Instituto Ricardo Brennand,

Recife

Village and chapel with porticoc. 1660–1669

Oil on canvas,
54.5 x 70 cm

Signed ("F. Post").[45]

Instituto Ricardo Brennand,

Recife

View of the area around Olinda [46] c. 1660–1670

Oil on panel,
43.7 x 59 cm

Staatsgalerie Stuttgart,

Stuttgart

Brazilian landscapec. 1660–1670

Oil on panel,
48.3 x 62.2 cm

Signed ("F. Post").[47]

National Gallery of Ireland,

Dublin

The Church of St. Cosmas and St. Damian and The Franciscan Monastery at Igaraçu, Brazil [48] c. 1660–1680

Oil on panel,
2.8 x 58.8 cm

Carmen Thyssen-Bornemisza collection, on deposit at the Museo Thyssen-Bornemisza,

Madrid

Sugar plantation1661

Oil on panel,
43 x 48cm

Beatriz and Mário Pimenta Camargo collection,

São Paulo

View of Olinda, Brazil [49] 1662

Oil on canvas,
107.5 × 172.5 cm

Rijksmuseum,

Amsterdam

Brazilian landscape or Rural landscape in Brazil [50] 1664

Oil on panel,
34.3 x 41.3 cm

John and Mable Ringling Museum of Art,

Sarasota, Florida,

Landscape with ruins of Olinda1664

Oil on panel,
34.3 x 47.7 cm

Signed and dated ("F. Post 1664").[51]

Instituto Ricardo Brennand,

Recife

Ruins of the Mother Church of Olinda [52] c. 1665

Oil on canvas,
86 x 114 cm

Instituto Histórico e Geográfico Brasileiro,

Rio de Janeiro

Brazilian landscape [53] 1665

Oil on canvas,
56.2 x 83.5 cm

Detroit Institute of Arts,

Detroit

Brazilian landscape [54] 1665

Oil on canvas,
46.8 × 62.1 cm

Herbert F. Johnson Museum of Art,

Ithaca, New York

Landscape of Pernambuco with manor house1665

Oil on panel,
59 x 94 cm

Signed and dated ("F. Post 1665").

Museu de Arte de São Paulo,

São Paulo

Landscape with large tree to the right1665

Oil on panel,
34 x 47 cm

Signed and dated ("F. Post 1665").[55]

Instituto Ricardo Brennand,

Recife

Landscape of Paraíba1665

Oil on panel,
45 x 53 cm

Signed ("F. Post").

Museu Nacional de Belas Artes,

Rio de Janeiro

View of the Ruins of Olinda, Brazil [56] 1665

Oil on canvas,
79.8 x 111.4 cm

Museo Thyssen-Bornemisza,

Madrid

Landscape in Brazil [57] c. 1665–1669

Oil on canvas,
66 x 88 cm

National Gallery,

London

Landscape in Brazil [58] c. 1665–1669

Oil on canvas,
66 x 88 cm

Rijksmuseum,

Amsterdam

Sugar mill with a chapel 1667

Oil on panel,
41 × 53 cm

Fundação Maria Luisa e Oscar Americano

São Paulo

Landscape of Pernambuco – Indians hunting and fighting 1667

Oil on panel,
57.8 x 72.5 cm

Palácio Laranjeiras

Rio de Janeiro

Ipojuca Village [59] 1667

Oil on canvas,
45 × 59.7 cm

Coleção de Arte da Cidade de São Paulo (on loan to the Pinacoteca do Estado de São Paulo),

São Paulo

Manor house on the lowlands 1667

Oil on canvas,
60 x 90 cm

Signed and dated ("F.Post 1667").

Beatriz and Mário Pimenta Camargo collection,

São Paulo

Brazilian landscape [60] 1667

Oil on panel,
50 x 69 cm

Mauritshuis,

The Hague

River landscape in Pernambuco1668

Oil on panel,
47 x 55 cm

Signed and dated ("1668 – F. Post").

Museu de Arte de São Paulo,

São Paulo

Sugar millc. 1670

Oil on canvas,
52.5 x 66 cm

Unsigned.[61]

Instituto Ricardo Brennand,

Recife

Landscape on the Rio Senhor de Engenho, Brazil [62] c. 1670–1680

Oil on panel,
22.5 × 28 cm

Rijksmuseum,

Amsterdam

Brazilian landscape [63] c. 1670–1680

Oil on panel,
22.5 × 28 cm

Rijksmuseum,

Amsterdam

Village with churchc. 1670–1680

Oil on panel,
30 x 39.5 cm

Signed ("F. Post").[64]

Instituto Ricardo Brennand,

Recife

Villagec. 1670–1680

Oil on panel,
54.9 x 62.9 cm

Signed ("F. Post").[65]

Instituto Ricardo Brennand,

Recife

Northeastern Landscapec. 1670–1680

Oil on panel,
7.9 x 11.4 cm

Signed ("F. Post").[66]

Instituto Ricardo Brennand,

Recife

Church Building in Brazil [67] c. 1675–1680

Oil on panel,
16.5 × 25 cm

Rijksmuseum,

Amsterdam

Brazilian Village [68] c. 1675–1680

Oil on panel,
20.5 × 26.5 cm

Rijksmuseum,

Amsterdam

See also

Further reading

External links

Notes and References

  1. Book: Lago, Bia Corrêa. Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. 2003. IRB. Recife. 13–22.
  2. Web site: Frans Post. Enciclopédia Itaú Cultural. 2017-01-18. pt. 2017-01-31. https://web.archive.org/web/20170131185838/http://enciclopedia.itaucultural.org.br/en/pessoa9982/frans-post. live.
  3. Web site: Frans Post (1612–1680): le Brésil à la cour de Louis XIV. Codart. 2017-01-18. en. 2017-01-31. https://web.archive.org/web/20170131190951/https://www.codart.nl/guide/exhibitions/frans-post-1612-1680-le-br-sil-la-cour-de-louis-xiv/. live.
  4. Currently in the Bristol museum (2023)
  5. Web site: View of the Island of Itamaracá, Brazil, Frans Jansz Post, 1637 . Rijksmuseum . 2017-02-03 . en . 2017-02-04 . https://web.archive.org/web/20170204165929/https://www.rijksmuseum.nl/en/collection/SK-A-4271 . live .
  6. Web site: The Old Portuguese Forte dos Reis Magos, or Fort Ceulen, at the Mouth of the Rio Grande. Louvre. 2017-01-18. en. 2017-02-02. https://web.archive.org/web/20170202035159/http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13760&langue=en. live.
  7. Web site: The Ox Cart. Brazilian Landscape . Louvre . 2017-01-18 . en . 2017-02-02 . https://web.archive.org/web/20170202035102/http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13763&langue=en . live .
  8. Web site: O Brasil seiscentista nas pinturas de Albert Eckhout e Frans Janszoon Post . Instituto Camões . 2017-01-18 . en . 2017-02-02 . https://web.archive.org/web/20170202000327/http://cvc.instituto-camoes.pt/eaar/coloquio/comunicacoes/carla_mary_oliveira.pdf . live .
  9. Web site: The Rio São Francisco and Fort Maurits, with a Capybara in the Foreground . Louvre . 2017-01-18 . en . 2017-02-02 . https://web.archive.org/web/20170202035058/http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13762&langue=en . live .
  10. Web site: Landscape near Porto Calvo, with a Fig Tree in the Foreground . Louvre . 2017-01-18 . en . 2017-02-02 . https://web.archive.org/web/20170202035248/http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13764&langue=en . live .
  11. Book: Lago, Bia Corrêa. Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. 2003. IRB. Recife. 24–25.
  12. Web site: A presença holandesa no Brasil. Museu Nacional de Belas Artes. 2003. 2017-01-18. pt. 2017-11-12. https://web.archive.org/web/20171112000940/http://objdigital.bn.br/acervo_digital/div_iconografia/icon1085648/icon1085648.pdf. live.
  13. Web site: A Village in Brazil c.1645–80. Royal Collection Trust. 2017-01-30. pt. 2016-01-17. https://web.archive.org/web/20160117132415/https://www.royalcollection.org.uk/collection/search#/1/collection/403542/a-village-in-brazil. live.
  14. Web site: Brasilian landscape with Manoah's sacrifice. Museum Boijmans Van Beuningen. 2017-02-03. pt. 2018-01-11. https://web.archive.org/web/20180111155815/http://collectie.boijmans.nl/en/object/2667/Brasilian-landscape-with-Manoah%27s-sacrifice/Frans-Jansz.-Post. live.
  15. Web site: Brasilianische Landschaft mit Ameisenbär. Alte Pinakothek. 2017-02-03. pt. 2017-02-04. https://web.archive.org/web/20170204085534/https://www.pinakothek.de/kunst/frans-post/brasilianische-landschaft-mit-ameisenbaer. live.
  16. Book: Marques, Luiz. Catálogo do Museu de Arte de São Paulo Assis Chateaubriand: Arte da Península Ibérica, do Centro e do Norte da Europa. 1998. Prêmio. São Paulo. 119.
  17. Web site: A Brazilian Landscape . Metropolitan Museum of Art . 2017-01-23 . en . 2023-08-21 . https://web.archive.org/web/20230821012618/https://www.metmuseum.org/art/collection/search/437323?sortBy=Relevance&ft=Frans+Post&offset=0&rpp=20&pos=1 . live .
  18. Web site: Traveler Artists to Latin America. Colección Cisneros. 2017-01-20. pt. 2017-01-07. https://web.archive.org/web/20170107054004/http://www.coleccioncisneros.org/collections/traveler-artists-latin-america. dead.
  19. Web site: Espaço Olavo Setúbal. Itaú Cultural. 2017-01-20. pt. 2017-02-02. https://web.archive.org/web/20170202110203/http://www.itaucultural.org.br/explore/espaco-olavo-setubal/espaco/sala-02/. live.
  20. Web site: Edital de concorrência. Governo do Estado do Rio de Janeiro. 2017-01-20. pt. 2017-02-02. https://web.archive.org/web/20170202012402/http://download.rj.gov.br/documentos/10112/2192351/DLFE-71290.pdf/CONCORRENCIACASACIVILRJn.0032014.pdf. live.
  21. Book: Graça, Galindo. Museu do Estado de Pernambuco. 2003. Safra. São Paulo. 162–163.
  22. Web site: A Visão do Paraíso e Frans Post: uma reavaliação em vista da prática pictórica contemporânea. ANPAP. 2017-01-18. pt. 2014-12-22. https://web.archive.org/web/20141222072144/http://www.anpap.org.br/anais/2011/pdf/cpa/geraldo_souza_dias.pdf. live.
  23. Web site: A Monastery of the Capuchin Fathers — The House of a Portuguese Nobleman. 1661. Louvre. 2017-01-27. pt. 2017-02-02. https://web.archive.org/web/20170202035153/http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13768&langue=en. live.
  24. Web site: A Sugar Mill Driven by a Small River. 1661. Louvre. 2017-01-27. pt. 2017-02-02. https://web.archive.org/web/20170202035056/http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13769&langue=en. live.
  25. Web site: The Home of a "Labrador" (Sugar Cane Planter) in Brazil, formerly incorrectly known as The Village of Serinhaem. April 1661. Louvre. 2017-01-27. pt. 2017-02-02. https://web.archive.org/web/20170202035342/http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13766&langue=en. live.
  26. Web site: Three Different Houses, or "Homes of the Labradores who Plant Sugar". 1661. Louvre. 2017-01-27. pt. 2017-02-02. https://web.archive.org/web/20170202035155/http://cartelen.louvre.fr/cartelen/visite?srv=car_not_frame&idNotice=13770&langue=en. live.
  27. Web site: Landscape in Brazil, Frans Jansz Post, 1652. Rijksmuseum. 2017-01-27. pt. 2017-02-04. https://web.archive.org/web/20170204165838/https://www.rijksmuseum.nl/en/collection/SK-A-3224. live.
  28. Web site: As paisagens imaginárias de Frans Post. Dossiê História e Imagens. 2017-01-18. 2018-05-14. https://web.archive.org/web/20180514124032/https://periodicos.ufrn.br/mneme/article/view/1733/1537. live.
  29. Web site: Een nederzetting in Brazilië. Memory of the Netherlands. 2017-02-01 .
  30. Book: Lago, Bia Corrêa. Frans Post e o Brasil holandês na coleção do Instituto Ricardo Brennand. 2003. IRB. Recife. 28–29.
  31. Web site: Brazilian Landscape with a Worker's House. Los Angeles County Museum of Art. 2017-01-18. 2017-02-03. https://web.archive.org/web/20170203020834/https://collections.lacma.org/node/209115. live.
  32. Web site: Brazilian Landscape with a House under Construction, c. 1655 – 1660. Mauritshuis. 2017-02-03. 2017-02-04. https://web.archive.org/web/20170204170053/https://www.mauritshuis.nl/en/explore/the-collection/artworks/brazilian-landscape-with-a-house-under-construction-1127/detailgegevens/. live.
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