The Italian composer Gaetano Donizetti (1797–1848) is best known for his operas, of which he wrote about 75 from 1816 to 1845.
+ Operas by Gaetano Donizetti[1] | ||||||
Title | Genre | Acts | Libretto | Premiere[2] | ||
---|---|---|---|---|---|---|
Date | Venue | |||||
Il Pigmalione | scena drammatica | 1 act | 13 October 1960, completed 1816 | Bergamo, Teatro Donizetti | ||
Olimpiade | Metastasio's L'Olimpiade | incomplete, composed 1817[3] | ||||
L'ira di Achille | 1 act | incomplete, composed 1817[4] | ||||
Enrico di Borgogna | melodramma | 2 acts | Bartolomeo Merelli | 14 November 1818 | Venice, Teatro San Luca | |
Una follia | farsa | 1 act | Bartolomeo Merelli | 17 December 1818, lost | ||
I piccioli virtuosi ambulanti | opera buffa | 1 act | 1819[5] | |||
Il falegname di Livonia, o Pietro il grande, czar delle Russie | opera buffa | 2 acts | Gherardo Bevilacqua-Aldobrandini | 26 December 1819 | Venice, Teatro San Samuele | |
Le nozze in villa | opera buffa | 2 acts | Bartolomeo Merelli | carnival 1820–1821, completed 1819 | Mantua, Teatro Vecchio | |
Zoraida di Granata | melodramma eroico | 2 acts | Bartolomeo Merelli
| 28 January 1822 | Rome, Teatro Argentina, rev. 7 January 1824 at the same theatre | |
La zingara | dramma | 2 acts | Andrea Leone Tottola | 12 May 1822 | Naples, Teatro Nuovo | |
La lettera anonima | farsa | 1 act | 29 June 1822 | Naples, Teatro del Fondo | ||
Chiara e Serafina, o Il pirata | melodramma semiserio | 2 acts | Felice Romani, after Pixérécourt's La cisterne | 26 October 1822 | Milan, La Scala | |
Alfredo il grande | dramma per musica | 2 acts | Andrea Leone Tottola | 2 July 1823 | Naples, Teatro di San Carlo | |
Il fortunato inganno | dramma giocoso | 2 acts | Andrea Leone Tottola | 3 September 1823 | Naples, Teatro Nuovo | |
L'ajo nell'imbarazzo [see also ''Don Gregorio''] | melodramma giocoso | 2 acts | Jacopo Ferretti, after Giovanni Giraud's comedy | 4 February 1824 | Rome, Teatro Valle | |
Emilia di Liverpool [see also ''L'eremitaggio di Liverpool''] | dramma semiserio | 2 acts | anonymous, after S. Scatizzi's Emilia de Laverpaut | 28 July 1824 | Naples, Teatro Nuovo | |
Alahor in Granata | dramma | 2 acts | M. A. | 7 January 1826 | Palermo, Teatro Carolino | |
Don Gregorio [rev of ''L'ajo nell'imbarazzo''] | melodramma giocoso | 2 acts | Jacopo Ferretti | 11 June 1826 | Naples, Teatro Nuovo | |
Elvida | dramma | 1 act | Giovanni F. Schmidt[7] | 6 July 1826 | Naples, Teatro di San Carlo | |
Gabriella di Vergy | tragedia lirica | 3 acts | Andrea Leone Tottola, after Pierre de Belloy | 29 November 1869, completed 1826 | Naples, Teatro di San Carlo | |
Olivo e Pasquale | melodramma giocoso | 2 acts | Jacopo Ferretti, after Simeone Antonio Sografi | 7 January 1827 | Rome, Teatro Valle | |
Otto mesi in due ore, ossia Gli esiliati in Siberia | opera romantica | 3 acts | Domenico Gilardoni, after Pixérécourt's La fille de l'exilé | 13 May 1827 | Naples, Teatro Nuovo | |
Il borgomastro di Saardam | melodramma giocoso | 2 acts | Domenico Gilardoni, after Mélesville, Jean-Toussaint Merle and Eugène Cantiran de Boirie | 19 August 1827 | Naples, Teatro del Fondo | |
[see also ''Le convenienze ed inconvenienze teatrali''] | farsa | 1 act | Gaetano Donizetti, after Simeone Antonio Sografi | 21 November 1827 | Naples, Teatro Nuovo | |
L'esule di Roma, ossia Il proscritto | melodramma eroico | 2 acts | Domenico Gilardoni, after Luigi Marchionni's Il proscritto romano | 1 January 1828 | Naples, Teatro di San Carlo | |
L'eremitaggio di Liverpool [rev of ''Emilia di Liverpool''][8] | melodramma semiserio | 2 acts | Giuseppe Checcherini, after Scatizzi | 8 March 1828 | Naples, Teatro Nuovo | |
Alina, regina di Golconda | melodramma | 2 acts | Felice Romani, after Sedaine's libretto for Monsigny's opera-ballet Aline, reine de Golconde[9] | 12 May 1828 | Genoa, Teatro Carlo Felice | |
Gianni di Calais | melodramma semiserio | 3 acts | Domenico Gilardoni, after a novel by Arlincourt[10] | 2 August 1828 | Naples, Teatro del Fondo | |
Il paria | melodramma | 2 acts | Domenico Gilardoni, after Delavigne | 12 January 1829 | Naples, Teatro di San Carlo | |
Il giovedì grasso, o Il nuovo Pourceaugnac | farsa[11] | 1 act | Domenico Gilardoni | 26 February 1829 | Naples, Teatro del Fondo | |
Elisabetta al castello di Kenilworth | melodramma | 3 acts | Andrea Leone Tottola, after Scribe's Leicester and Hugo's Amy Robsart | 6 July 1829 | Naples, Teatro di San Carlo | |
Alina, regina di Golconda [rev] | melodramma | 2 acts | Felice Romani, after Sedaine | 10 October 1829 | Rome, Teatro Valle | |
I pazzi per progetto | farsa[12] | 1 act | Domenico Gilardoni | 6 February 1830 | Naples, Teatro di San Carlo | |
Il diluvio universale | azione tragica-sacra | 3 acts | Domenico Gilardoni, after Byron's Heaven and Earth and Francesco Ringhieri's tragedy Il diluvio | 6 March 1830[13] | Naples, Teatro di San Carlo | |
Imelda de' Lambertazzi | melodramma tragico | 2 acts | Andrea Leone Tottola | 5 September 1830 | Naples, Teatro di San Carlo | |
Anna Bolena | tragedia lirica | 2 acts | Felice Romani, after Pindemonte's tragedy Enrico VIII, ossia Anna Bolena and Alessandro Pepoli's Anna Bolena[14] | 26 December 1830 | Milan, Teatro Carcano | |
Gianni di Parigi | melodramma comico | 2 acts | Felice Romani, after Saint-Just's libretto for Boieldieu's opéra-comique Jean de Paris | 10 September 1839, composed [15] | Milan, La Scala | |
Le convenienze ed inconvenienze teatrali [rev of ''Le convenienze teatrali''] | dramma giocoso | 2 acts | Donizetti, after Sografi | 20 April 1831 | Milan, Teatro alla Canobbiana | |
Francesca di Foix | melodramma | 1 act | Domenico Gilardoni, after a libretto by Jean-Nicolas Bouilly and Emmanuel Mercier-Dupaty for Henri Montan Berton's 3-act opéra-comique Françoise de Foix.[16] | 30 May 1831 | Naples, Teatro di San Carlo | |
La romanziera e l'uomo nero (or La romanzesca e l'uomo nero) | farsa | 1 act | Domenico Gilardoni | 18 June 1831 | Naples, Teatro del Fondo (arias and ensembles survive but spoken dialogue is lost) | |
Fausta | melodramma | 2 acts | Domenico Gilardoni and Donizetti | 12 January 1832 | Naples, Teatro di San Carlo | |
Ugo, conte di Parigi | tragedia lirica | 2 acts | Felice Romani, after Hippolyte-Louis-Florent Bis: Blanche d'Aquitaine | 13 March 1832 | Milan, La Scala | |
L'elisir d'amore | melodramma giocoso | 2 acts | Felice Romani, after Scribe's libretto for Auber's Le philtre | 12 May 1832 | Milan, Teatro alla Canobbiana | |
Sancia di Castiglia | tragedia lirica | 2 acts | Pietro Salatino | 4 November 1832 | Naples, Teatro di San Carlo | |
Il furioso all'isola di San Domingo | melodramma | 2 acts | Jacopo Ferretti, after an anonymous play on Cervantes' Don Quixote | 2 January 1833 | Rome, Teatro Valle | |
Otto mesi in due ore [rev] | opera romantica | 3 acts | Antonio Alcozer after Domenico Gilardoni | 1833 | Livorno | |
Parisina | melodramma | 3 acts | Felice Romani, after Byron | 17 March 1833 | Florence, Teatro della Pergola | |
Torquato Tasso | melodramma | 3 acts | Jacopo Ferretti | 9 September 1833 | Rome, Teatro Valle | |
Lucrezia Borgia | melodramma | prologue & 2 acts | Felice Romani, after Victor Hugo | 26 December 1833 | Milan, La Scala | |
Il diluvio universale [rev] | azione tragico-sacra | 3 acts | anonymous, after Domenico Gilardoni | 17 January 1834 | Genoa, Teatro Carlo Felice | |
Rosmonda d'Inghilterra | melodramma serio | 2 acts | Felice Romani | 27 February 1834 | Florence, Teatro della Pergola | |
Maria Stuarda | tragedia lirica | 2 acts (or 3) | Giuseppe Bardari, after Andrea Maffei's translation of Schiller[17] | 30 December 1835 (in 3 acts), completed August 1834 | Milan, La Scala | |
Buondelmonte [rev of ''Maria Stuarda''] | tragedia lirica | 2 acts | Pietro Salatino | 18 October 1834 | Naples, Teatro di San Carlo | |
Gemma di Vergy | tragedia lirica | 2 acts | Giovanni Emanuele Bidera, after the play Charles VII by Dumas[18] | 26 December 1834 | Milan, La Scala | |
Marino Faliero | tragedia lirica | 3 acts | Giovanni Emanuele Bidera with revisions by Agostino Ruffini, after Casimir Delavigne's adaptation of Byron's play Marino Faliero, Doge of Venice | 12 March 1835 | Paris, Théâtre-Italien | |
Lucia di Lammermoor [see also ''[[#Lucie de Lammermoor|Lucie de Lammermoor]]] | dramma tragico | 3 acts | Salvadore Cammarano, after Walter Scott's The Bride of Lammermoor | 26 September 1835 | Naples, Teatro di San Carlo | |
Belisario | tragedia lirica | 3 acts | Salvadore Cammarano, after Eduard von Schenk as translated by Luigi Marchionni | 4 February 1836 | Venice, La Fenice | |
Il campanello di notte | melodramma giocoso | 1 act | Donizetti, after the vaudeville La sonnette de nuit by Léon Levy Brunswick (Léon Lhérie), Mathieu-Barthélmy Troin, and Victor Lhérie | 1 June 1836 | Naples, Teatro Nuovo | |
Betly, o La capanna svizzera | dramma giocoso | 1 act | Donizetti, after Scribe's and Mélesville's libretto for Adam's Le chalet | 21 August 1836 | Naples, Teatro Nuovo | |
L'assedio di Calais | dramma lirico | 3 acts | Salvadore Cammarano, after Pierre de Belloy | 19 November 1836 | Naples, Teatro di San Carlo | |
Pia de' Tolomei | tragedia lirica | 2 acts | Salvadore Cammarano, after Bartolomeo Sestini, and Dante's La commedia | 18 February 1837 | Venice, Teatro Apollo | |
Pia de' Tolomei [rev] | tragedia lirica | 2 acts | Salvadore Cammarano, after Bartolomeo Sestini, and Dante's La commedia | 31 July 1837 | Sinigaglia | |
Betly [rev] | dramma giocoso | 2 acts | Donizetti | 29 September 1837 | Naples, Teatro del Fondo | |
Roberto Devereux | tragedia lirica | 3 acts | Salvadore Cammarano, after François Ancelot's tragedy Elisabeth d'Angleterre | 28 October 1837 | Naples, Teatro di San Carlo | |
Maria de Rudenz | dramma tragico | 3 acts | Salvadore Cammarano, after the play La nonne sanglante by Auguste Anicet-Bourgeois, Cuvelier and Maillan | 30 January 1838 | Venice, La Fenice | |
Gabriella di Vergy [rev] | tragedia lirica | 3 acts | Andrea Leone Tottola, after Pierre de Belloy | August 1978 recording, composed 1838 | London | |
Poliuto [see also ''[[#Les Martyrs|Les Martyrs]]] | tragedia lirica | 3 acts | Salvadore Cammarano, after Pierre Corneille | 30 November 1848, completed July 1838 | Naples, Teatro di San Carlo | |
Pia de' Tolomei [rev 2] | tragedia lirica | 2 acts | anonymous revision of Cammarano's libretto | May 1838[19] | Rome, Teatro Argentina | |
Lucie de Lammermoor [rev of ''Lucia di Lammermoor'', in French] | grand opéra[20] | 3 acts (or 4) | Alphonse Royer and Gustave Vaëz, after the Italian libretto | 6 August 1839 | Paris, Théâtre de la Renaissance | |
Le duc d'Albe [see also ''Il duca d'Alba''] | grand opéra | 4 acts | Charles Duveyrier and Eugène Scribe | incomplete, composed 1839[21] | ||
L'Ange de Nisida [see also ''[[#La favorite|La favorite]]] | opera semiseria | 4 parts | Alphonse Royer and Gustave Vaëz | 18 July 2018 Completed 27 December 1839[22] | Covent Garden | |
Lucrezia Borgia [rev] | dramma per musica | prologue & 2 acts | Felice Romani, after Victor Hugo | 11 January 1840 | Milan, La Scala | |
Les Martyrs [rev of ''Poliuto'', in French] | grand opéra | 4 acts | Eugène Scribe's revision and expansion of Cammarano's original libretto | 10 April 1840 | Paris Opera, Salle Le Peletier | |
La fille du régiment | opéra comique | 2 acts | Jean-François-Alfred Bayard and Jules-Henri Vernoy de Saint Georges | 11 February 1840 | Paris, Opéra-Comique | |
Lucrezia Borgia [rev 2] | dramma per musica | prologue & 2 acts | Felice Romani, after Victor Hugo | 31 October 1840 | Paris, Théâtre-Italien | |
La favorite [rev of ''L'ange de Nisida''] | grand opéra | 4 acts | Alphonse Royer, Gustave Vaëz and Eugène Scribe | 2 December 1840 | Paris Opera, Salle Le Peletier | |
Adelia | melodramma serio | 3 acts | Felice Romani (Acts 1 & 2) and Girolamo Marini (Act 3), after an anonymous French play[23] | 11 February 1841 | Rome, Teatro Apollo | |
Rita (Deux hommes et une femme) | opéra comique | 1 act | Gustave Vaëz | 7 May 1860, completed 1841 | Paris, Opéra-Comique | |
Maria Padilla | melodramma | 3 acts | Gaetano Rossi and Donizetti, after François Ancelot | 26 December 1841 | Milan, La Scala | |
Linda di Chamounix | melodramma semiserio | 3 acts | Gaetano Rossi | 19 May 1842 | Vienna, Kärntnertortheater | |
Linda di Chamounix [rev] | melodramma semiserio | 3 acts | Gaetano Rossi | 17 November 1842 | Paris, Théâtre-Italien | |
Caterina Cornaro | tragedia lirica | prologue & 2 acts | Giacomo Sacchèro, after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's La reine de Chypre | 18 January 1844 | Naples, Teatro di San Carlo | |
Don Pasquale | dramma buffo | 3 acts | Giovanni Ruffini and Donizetti, after Angelo Anelli's Ser Marcantonio; published with credit to "M.A."[24] | 3 January 1843 | Paris, Théâtre-Italien | |
Maria di Rohan | melodramma tragico | 3 acts | Salvadore Cammarano, after Lockroy (J. P. Simon) and Badon's Un duel sous le Cardinal de Richelieu | 5 June 1843 | Vienna, Kärntnertortheater | |
Dom Sébastien, roi de Portugal | grand opéra | 5 acts | Eugène Scribe, after the play by Paul Foucher | 13 November 1843 | Paris Opera, Salle Le Peletier | |
Dom Sebastian von Portugal [rev of ''Dom Sébastien''] | große Oper[25] | 5 acts | Leo Herz's translation of Scribe's libretto | 6 February 1845 | Vienna, Kärntnertortheater | |
Il duca d'Alba [completion by [[Matteo Salvi]] of original Le duc d'Albe] | opera | 4 acts[26] | Angelo Zanardini's revision of the original libretto by Duveyrier and Scribe | 22 March 1882 | Rome, Teatro Apollo |