The UK Singles Chart is the official record chart in the United Kingdom. In the 1970s, it was compiled weekly by the British Market Research Bureau (BMRB) on behalf of the British record industry with a one-week break each Christmas. Prior to 1969 many music papers compiled their own sales charts but, on 15 February 1969, the BMRB was commissioned in a joint venture by the BBC and Record Retailer to compile the chart. BMRB compiled the first chart from postal returns of sales logs from 250 record shops.[1] The sampling cost approximately £52,000 and shops were randomly chosen and submitted figures for sales taken up to the close of trade on Saturday. The data was compiled on Monday and given to the BBC on Tuesday to be announced on Johnnie Walker's afternoon show and later published in Record Retailer (rebranded Music Week in 1972).[2] However, the BMRB often struggled to have the full sample of sales figures returned by post. The 1971 postal strike meant that data had to be collected by telephone but this was deemed inadequate for a national chart, and by 1973 the BMRB was using motorcycle couriers to collect sales figures.[2]
In terms of number-one singles, ABBA were the most successful group of the decade having seven singles reach the top spot. The longest duration of a single at number-one was nine weeks and this was achieved on three occasions: "Bohemian Rhapsody" by Queen in 1975; "Mull of Kintyre" / "Girls' School" by Wings in 1977 and "You're the One That I Want" by John Travolta and Olivia Newton-John in 1978. Thirteen records were released that sold over one-million copies within the decade and "Mull of Kintyre" also became the first ever single to sell over two-million copies. In doing so it became the best-ever selling single beating the benchmark set by The Beatles' song "She Loves You" in 1963.[3] "Mull of Kintyre" was also the biggest selling song of the decade and was not surpassed in physical sales until 1984 when Band Aid released "Do They Know It's Christmas?".[4]
In 1973, the British Phonographic Industry (BPI) was formed and they began certifying the sales of records at certain thresholds: "silver" (250,000 units), "gold" (500,000 units), and "platinum" (1,000,000 units). In 1977, the BPI held an awards ceremony at Wembley Conference Centre to mark the Silver Jubilee of Elizabeth II. The event cost £25,000, honoured music from the last 25 years and is considered to be the first Brit Awards ceremony.[5] [6]
Best-selling single of the year[7] | |||
scope=row style="background-color:lightblue" | ‡ | Best-selling single of the decade |
---|
scope=col | scope=col | Artist | scope=col | Single | scope=col | Record label | scope=col | Week ending date | scope=col | Weeks at number one | |
---|---|---|---|---|---|---|---|---|---|---|---|
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 280 | "Two Little Boys" | Columbia | 6 | |||||||
scope=row style="text-align:center;" | 281 | "Love Grows (Where My Rosemary Goes)" | Bell | 5 | |||||||
scope=row style="text-align:center;" | 282 | "Wand'rin' Star" | Paramount | 3 | |||||||
scope=row style="text-align:center;" | 283 | Simon & Garfunkel | "Bridge over Troubled Water" | CBS | 3 | ||||||
scope=row style="text-align:center;" | 284 | Dana | "All Kinds of Everything" | Rex | 2 | ||||||
scope=row style="text-align:center;" | 285 | "Spirit in the Sky" | Reprise | 2 | |||||||
scope=row style="text-align:center;" | 286 | England World Cup Squad | "Back Home" | Pye | 3 | ||||||
scope=row style="text-align:center;" | 287 | Christie | "Yellow River" | CBS | 1 | ||||||
scope=row style="text-align:center;" | 288 | "In the Summertime" | Dawn | 7 | |||||||
scope=row style="text-align:center;" | 289 | "" | RCA | 6 | |||||||
scope=row style="text-align:center;" | 290 | Smokey Robinson and the Miracles | "" | Tamla Motown | 1 | ||||||
scope=row style="text-align:center;" | 291 | "Band of Gold" | Invictus | 6 | |||||||
scope=row style="text-align:center;" | 292 | Matthews Southern Comfort | "Woodstock" | Uni | 3 | ||||||
scope=row style="text-align:center;" | 293 | The Jimi Hendrix Experience | "Voodoo Child (Slight Return)" | Track | 1 | ||||||
scope=row style="text-align:center;" | 294 | "I Hear You Knocking" | MAM | 6 | |||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 295 | "Grandad" | Columbia | 3 | |||||||
scope=row style="text-align:center;" | 296 | "My Sweet Lord" † | Apple | 5 | |||||||
scope=row style="text-align:center;" | 297 | "Baby Jump" | Dawn | 2 | |||||||
scope=row style="text-align:center;" | 298 | T. Rex | "Hot Love" | Fly | 6 | ||||||
scope=row style="text-align:center;" | 299 | Dave and Ansell Collins | "Double Barrel" | Techniques | 2 | ||||||
scope=row style="text-align:center;" | 300 | Dawn | "Knock Three Times" | Bell | 5 | ||||||
scope=row style="text-align:center;" | 301 | Middle of the Road | "Chirpy Chirpy Cheep Cheep" | RCA | 5 | ||||||
scope=row style="text-align:center;" | 302 | T. Rex | "Get It On" | Fly | 4 | ||||||
scope=row style="text-align:center;" | 303 | "I'm Still Waiting" | Tamla Motown | 4 | |||||||
scope=row style="text-align:center;" | 304 | "Hey Girl Don't Bother Me" | 3 | ||||||||
scope=row style="text-align:center;" | 305 | "Reason to Believe" / "Maggie May" | Mercury | 5 | |||||||
scope=row style="text-align:center;" | 306 | Slade | "Coz I Luv You" | Polydor | 4 | ||||||
scope=row style="text-align:center;" | 307 | "Ernie (The Fastest Milkman in the West)" | Columbia | 4 | |||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 308 | "I'd Like to Teach the World to Sing (In Perfect Harmony)" | Polydor | 4 | |||||||
scope=row style="text-align:center;" | 309 | T. Rex | "Telegram Sam" | T. Rex | 2 | ||||||
scope=row style="text-align:center;" | 310 | Chicory Tip | "Son of My Father" | CBS | 3 | ||||||
scope=row style="text-align:center;" | 311 | Nilsson | "Without You" | RCA | 5 | ||||||
scope=row style="text-align:center;" | 312 | Royal Scots Dragoon Guards | "Amazing Grace" † | RCA | 5 | ||||||
scope=row style="text-align:center;" | 313 | T. Rex | "Metal Guru" | EMI | 4 | ||||||
scope=row style="text-align:center;" | 314 | "Vincent" | United Artists | 2 | |||||||
scope=row style="text-align:center;" | 315 | Slade | "Take Me Bak 'Ome" | Polydor | 1 | ||||||
scope=row style="text-align:center;" | 316 | "Puppy Love" | MGM | 5 | |||||||
scope=row style="text-align:center;" | 317 | "School's Out" | Warner Bros. | 3 | |||||||
scope=row style="text-align:center;" | 318 | "You Wear It Well" | Mercury | 1 | |||||||
scope=row style="text-align:center;" | 319 | Slade | "Mama Weer All Crazee Now" | Polydor | 3 | ||||||
scope=row style="text-align:center;" | 320 | "How Can I Be Sure" | Bell | 2 | |||||||
scope=row style="text-align:center;" | 321 | Lieutenant Pigeon | "Mouldy Old Dough" | Decca | 4 | ||||||
scope=row style="text-align:center;" | 322 | "Clair" | MAM | 2 | |||||||
scope=row style="text-align:center;" | 323 | "My Ding-a-Ling" | Chess | 4 | |||||||
scope=row style="text-align:center;" | 324 | "Long Haired Lover from Liverpool" | MGM | 5 | |||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 325 | The Sweet | "Blockbuster!" | RCA | 5 | ||||||
scope=row style="text-align:center;" | 326 | Slade | "Cum On Feel the Noize" | Polydor | 4 | ||||||
scope=row style="text-align:center;" | 327 | "" | MGM | 1 | |||||||
scope=row style="text-align:center;" | 328 | "Get Down" | MAM | 2 | |||||||
scope=row style="text-align:center;" | 329 | Tony Orlando and Dawn | "Tie a Yellow Ribbon Round the Ole Oak Tree" † | Bell | 4 | ||||||
scope=row style="text-align:center;" | 330 | Wizzard | "See My Baby Jive" | Harvest | 4 | ||||||
scope=row style="text-align:center;" | 331 | "Can the Can" | RAK | 1 | |||||||
scope=row style="text-align:center;" | 332 | 10cc | "Rubber Bullets" | UK | 1 | ||||||
scope=row style="text-align:center;" | 333 | Slade | "Skweeze Me, Pleeze Me" | Polydor | 3 | ||||||
scope=row style="text-align:center;" | 334 | Peters and Lee | "Welcome Home" | Philips | 1 | ||||||
scope=row style="text-align:center;" | 335 | "I'm the Leader of the Gang (I Am)" | Bell | 4 | |||||||
scope=row style="text-align:center;" | 336 | "Young Love" | MGM | 4 | |||||||
scope=row style="text-align:center;" | 337 | Wizzard | "Angel Fingers" | Harvest | 1 | ||||||
scope=row style="text-align:center;" | 338 | Simon Park Orchestra | "Eye Level" | Columbia | 4 | ||||||
scope=row style="text-align:center;" | 339 | "Daydreamer" / "The Puppy Song" | Bell | 3 | |||||||
scope=row style="text-align:center;" | 340 | "I Love You Love Me Love" | Bell | 4 | |||||||
scope=row style="text-align:center;" | 341 | Slade | "Merry Xmas Everybody" | Polydor | 5 | ||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 342 | The New Seekers | "You Won't Find Another Fool Like Me" | Polydor | 1 | ||||||
scope=row style="text-align:center;" | 343 | Mud | "Tiger Feet" † | RAK | 4 | ||||||
scope=row style="text-align:center;" | 344 | "Devil Gate Drive" | RAK | 2 | |||||||
scope=row style="text-align:center;" | 345 | "Jealous Mind" | Magnet | 1 | |||||||
scope=row style="text-align:center;" | 346 | Paper Lace | "Billy Don't Be a Hero" | Bus Stop | 3 | ||||||
scope=row style="text-align:center;" | 347 | "Seasons in the Sun" | Bell | 4 | |||||||
scope=row style="text-align:center;" | 348 | ABBA | "Waterloo" | Epic | 2 | ||||||
scope=row style="text-align:center;" | 349 | "Sugar Baby Love" | Polydor | 4 | |||||||
scope=row style="text-align:center;" | 350 | "The Streak" | Janus | 1 | |||||||
scope=row style="text-align:center;" | 351 | "Always Yours" | Bell | 1 | |||||||
scope=row style="text-align:center;" | 352 | "She" | Barclay | 4 | |||||||
scope=row style="text-align:center;" | 353 | "Rock Your Baby" | Jay Boy | 3 | |||||||
scope=row style="text-align:center;" | 354 | "When Will I See You Again" | Philadelphia International | 2 | |||||||
scope=row style="text-align:center;" | 355 | "Love Me for a Reason" | MGM | 3 | |||||||
scope=row style="text-align:center;" | 356 | "Kung Fu Fighting" | Pye | 3 | |||||||
scope=row style="text-align:center;" | 357 | "Annie's Song" | RCA | 1 | |||||||
scope=row style="text-align:center;" | 358 | Sweet Sensation | "Sad Sweet Dreamer" | Pye | 1 | ||||||
scope=row style="text-align:center;" | 359 | "Everything I Own" | Trojan | 3 | |||||||
scope=row style="text-align:center;" | 360 | "Gonna Make You a Star" | CBS | 3 | |||||||
scope=row style="text-align:center;" | 361 | "You're the First, the Last, My Everything" | 20th Century | 2 | |||||||
scope=row style="text-align:center;" | 362 | Mud | "Lonely This Christmas" | RAK | 4 | ||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 363 | Status Quo | "Down Down" | Vertigo | 1 | ||||||
scope=row style="text-align:center;" | 364 | "Ms Grace" | RCA | 1 | |||||||
scope=row style="text-align:center;" | 365 | Pilot | "January" | EMI | 3 | ||||||
scope=row style="text-align:center;" | 366 | "Make Me Smile (Come Up and See Me)" | EMI | 2 | |||||||
scope=row style="text-align:center;" | 367 | "If" | MCA | 2 | |||||||
scope=row style="text-align:center;" | 368 | Bay City Rollers | "Bye Bye Baby" † | Bell | 6 | ||||||
scope=row style="text-align:center;" | 369 | Mud | "Oh Boy" | RAK | 2 | ||||||
scope=row style="text-align:center;" | 370 | "Stand by Your Man" | Epic | 3 | |||||||
scope=row style="text-align:center;" | 371 | and Don Estelle | "Whispering Grass" | EMI | 3 | ||||||
scope=row style="text-align:center;" | 372 | 10cc | "I'm Not in Love" | Mercury | 2 | ||||||
scope=row style="text-align:center;" | 373 | "Tears on My Pillow" | CBS | 1 | |||||||
scope=row style="text-align:center;" | 374 | Bay City Rollers | "Give a Little Love" | Bell | 3 | ||||||
scope=row style="text-align:center;" | 375 | Typically Tropical | "Barbados" | Gull | 1 | ||||||
scope=row style="text-align:center;" | 376 | "Can't Give You Anything (But My Love)" | Avco | 3 | |||||||
scope=row style="text-align:center;" | 377 | "Sailing" | Warner Bros. | 4 | |||||||
scope=row style="text-align:center;" | 378 | "Hold Me Close" | CBS | 3 | |||||||
scope=row style="text-align:center;" | 379 | "I Only Have Eyes for You" | CBS | 2 | |||||||
scope=row style="text-align:center;" | 380 | "Space Oddity" | RCA | 2 | |||||||
scope=row style="text-align:center;" | 381 | "D.I.V.O.R.C.E." | Polydor | 1 | |||||||
scope=row style="text-align:center;" | 382 | Queen | "Bohemian Rhapsody" | EMI | 9 | ||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 383 | ABBA | "Mamma Mia" | Epic | 2 | ||||||
scope=row style="text-align:center;" | 384 | Slik | "Forever and Ever" | Bell | 1 | ||||||
scope=row style="text-align:center;" | 385 | "December, 1963 (Oh, What a Night)" | Warner Bros. | 2 | |||||||
scope=row style="text-align:center;" | 386 | "I Love to Love (But My Baby Loves to Dance)" | CBS | 3 | |||||||
scope=row style="text-align:center;" | 387 | Brotherhood of Man | "Save Your Kisses for Me" † | Pye | 6 | ||||||
scope=row style="text-align:center;" | 388 | ABBA | "Fernando" | Epic | 4 | ||||||
scope=row style="text-align:center;" | 389 | "No Charge" | Power Exchange | 1 | |||||||
scope=row style="text-align:center;" | 390 | "Combine Harvester" | EMI | 2 | |||||||
scope=row style="text-align:center;" | 391 | "You to Me Are Everything" | Pye | 3 | |||||||
scope=row style="text-align:center;" | 392 | The Roussos Phenomenon (EP) | Philips | 1 | |||||||
scope=row style="text-align:center;" | 393 | and Kiki Dee | "Don't Go Breaking My Heart" | Rocket | 6 | ||||||
scope=row style="text-align:center;" | 394 | ABBA | "Dancing Queen" | Epic | 6 | ||||||
scope=row style="text-align:center;" | 395 | Pussycat | "Mississippi" | Sonet | 4 | ||||||
scope=row style="text-align:center;" | 396 | Chicago | "If You Leave Me Now" | CBS | 3 | ||||||
scope=row style="text-align:center;" | 397 | Showaddywaddy | "Under the Moon of Love" | Bell | 3 | ||||||
scope=row style="text-align:center;" | 398 | "When a Child Is Born (Soleado)" | CBS | 3 | |||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 399 | "Don't Give Up on Us" | Private Stock | 4 | |||||||
scope=row style="text-align:center;" | 400 | "Don't Cry for Me Argentina" | MCA | 1 | |||||||
scope=row style="text-align:center;" | 401 | "When I Need You" | Chrysalis | 3 | |||||||
scope=row style="text-align:center;" | 402 | "Chanson D'Amour" | Atlantic | 3 | |||||||
scope=row style="text-align:center;" | 403 | ABBA | "Knowing Me, Knowing You" | Epic | 5 | ||||||
scope=row style="text-align:center;" | 404 | "Free" | CBS | 2 | |||||||
scope=row style="text-align:center;" | 405 | "I Don't Want to Talk About It" / "The First Cut Is the Deepest" | Riva | 4 | |||||||
scope=row style="text-align:center;" | 406 | "Lucille" | United Artists | 1 | |||||||
scope=row style="text-align:center;" | 407 | "Show You the Way to Go" | Epic | 1 | |||||||
scope=row style="text-align:center;" | 408 | Hot Chocolate | "So You Win Again" | RAK | 3 | ||||||
scope=row style="text-align:center;" | 409 | "I Feel Love" | Casablanca | 4 | |||||||
scope=row style="text-align:center;" | 410 | Brotherhood of Man | "Angelo" | Pye | 1 | ||||||
scope=row style="text-align:center;" | 411 | "Float On" | ABC | 1 | |||||||
scope=row style="text-align:center;" | 412 | "Way Down" | RCA | 5 | |||||||
scope=row style="text-align:center;" | 413 | "Silver Lady" | Private Stock | 3 | |||||||
scope=row style="text-align:center;" | 414 | Baccara | "Yes Sir, I Can Boogie" | RCA | 1 | ||||||
scope=row style="text-align:center;" | 415 | ABBA | "" | Epic | 5 November 1977 | 4 | |||||
scope=row style="text-align:center;" | 416 | Wings | "Mull of Kintyre" / "Girls' School" ‡ | Parlophone | 9 | ||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 417 | Althea & Donna | "Uptown Top Ranking" | Lightning | 1 | ||||||
scope=row style="text-align:center;" | 418 | Brotherhood of Man | "Figaro" | Pye | 1 | ||||||
scope=row style="text-align:center;" | 419 | ABBA | "Take a Chance on Me" | Epic | 3 | ||||||
scope=row style="text-align:center;" | 420 | "Wuthering Heights" | EMI | 4 | |||||||
scope=row style="text-align:center;" | 421 | Brian and Michael | "Matchstalk Men & Matchstalk Cats & Dogs" | Pye | 3 | ||||||
scope=row style="text-align:center;" | 422 | Bee Gees | "Night Fever" | RSO | 2 | ||||||
scope=row style="text-align:center;" | 423 | Boney M. | "Rivers of Babylon" / "Brown Girl in the Ring" † | Atlantic/Hansa | 5 | ||||||
scope=row style="text-align:center;" | 424 | and Olivia Newton-John | "You're the One That I Want" | RSO | 9 | ||||||
scope=row style="text-align:center;" | 425 | Commodores | "Three Times a Lady" | 5 | |||||||
scope=row style="text-align:center;" | 426 | 10cc | "Dreadlock Holiday" | Mercury | 1 | ||||||
scope=row style="text-align:center;" | 427 | and Olivia Newton-John | "Summer Nights" | RSO | 7 | ||||||
scope=row style="text-align:center;" | 428 | "Rat Trap" | Ensign | 2 | |||||||
scope=row style="text-align:center;" | 429 | "Da Ya Think I'm Sexy?" | Riva | 1 | |||||||
scope=row style="text-align:center;" | 430 | Boney M. | "Mary's Boy Child – Oh My Lord" | Atlantic/Hansa | 4 | ||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 431 | Village People | "Y.M.C.A." | Mercury | 3 | ||||||
scope=row style="text-align:center;" | 432 | Ian Dury and the Blockheads | "Hit Me with Your Rhythm Stick" | Stiff | 1 | ||||||
scope=row style="text-align:center;" | 433 | Blondie | "Heart of Glass" | Chrysalis | 4 | ||||||
scope=row style="text-align:center;" | 434 | Bee Gees | "Tragedy" | RSO | 2 | ||||||
scope=row style="text-align:center;" | 435 | "I Will Survive" | Polydor | 4 | |||||||
scope=row style="text-align:center;" | 436 | "Bright Eyes" † | CBS | 6 | |||||||
scope=row style="text-align:center;" | 437 | Blondie | "Sunday Girl" | Chrysalis | 3 | ||||||
scope=row style="text-align:center;" | 438 | "Ring My Bell" | TK | 2 | |||||||
scope=row style="text-align:center;" | 439 | Tubeway Army | "Are 'Friends' Electric?" | Beggars Banquet | 4 | ||||||
scope=row style="text-align:center;" | 440 | "I Don't Like Mondays" | Ensign | 4 | |||||||
scope=row style="text-align:center;" | 441 | "We Don't Talk Anymore" | EMI | 4 | |||||||
scope=row style="text-align:center;" | 442 | "Cars" | Beggars Banquet | 1 | |||||||
scope=row style="text-align:center;" | 443 | "Message in a Bottle" | A&M | 3 | |||||||
scope=row style="text-align:center;" | 444 | "Video Killed the Radio Star" | Island | 1 | |||||||
scope=row style="text-align:center;" | 445 | "One Day at a Time" | Pye | 3 | |||||||
scope=row style="text-align:center;" | 446 | Dr. Hook | "When You're in Love with a Beautiful Woman" | Capitol | 3 | ||||||
scope=row style="text-align:center;" | 447 | "Walking on the Moon" | A&M | 1 | |||||||
scope=row style="text-align:center;" | 448 | Pink Floyd | "Another Brick in the Wall (Part II)" | Harvest | 5 | ||||||
The following artists achieved three or more number-one hits during the 1970s. Swedish group, ABBA, were the most successful artist of the decade in terms of number-one singles. They had seven number-ones: "Waterloo" (1974); "Mamma Mia", "Fernando" and "Dancing Queen" (all 1976); "Knowing Me, Knowing You", "The Name of the Game" (both 1977); and "Take a Chance on Me" (1978).
scope=col | Artist | scope=col | Number ones | scope=col | Weeks at number one |
---|---|---|---|---|---|
scope=row | ABBA | 7 | 26 | ||
scope=row | Slade | 6 | 20 | ||
scope=row | 5 | 15 | |||
scope=row | T. Rex | 4 | 16 | ||
scope=row | 3 | 10 | |||
scope=row | Mud | 3 | 10 | ||
scope=row | 3 | 9 | |||
scope=row | Brotherhood of Man | 3 | 8 | ||
scope=row | 10cc | 3 | 4 | ||
The following record labels had five or more number ones on the UK Singles Chart during the 1970s.
scope=col | Record label | scope=col | Number ones |
---|---|---|---|
Bell | 13 | ||
CBS | 12 | ||
Polydor | 11 | ||
RCA | 10 | ||
Pye | 9 | ||
Epic | 9 | ||
EMI | 8 | ||
RAK | 6 | ||
MGM | 5 | ||
In April 1973, the British Phonographic Industry began classifying singles and albums by the number of units sold. The highest threshold is "platinum record" and was then awarded to singles that sold over 1,000,000 units.[8] Thirteen records were classified platinum in the 1970s and two number-one songs from the 1970s were classified as platinum in the subsequent decade.[9] Slade's "Merry Xmas Everybody" subsequently sold over one-million copies but in 1985, after sales from its re-release were included.[10] [11]
Two other songs originally released in the 1970s became platinum and become million selling records but both were number-ones in a subsequent decade after being re-released: "Imagine" by John Lennon charted at number six in 1975 but reached number one in 1981 following Lennon's death at the end of the previous year and Tony Christie's "(Is This The Way To) Amarillo" reached number eighteen in 1971 but later took top spot after being re-released as a charity single in 2005. Five number-ones – ABBA's "Dancing Queen", Ian Dury and The Blockheads' "Hit Me with Your Rhythm Stick", The New Seekers' "I'd Like to Teach the World to Sing (In Perfect Harmony)", Julie Covington's "Don't Cry for Me Argentina" and Pink Floyd's "Another Brick in the Wall (Part II)" – passed the million-sales mark following the introduction of music downloads in 2004.[12] [13] [14] [15] [16] [17]
Artist | Song | Date released | Date certified platinum | Year of millionth sale |
---|---|---|---|---|
"I Love You Love Me Love" | 1973 | |||
Brotherhood of Man | "Save Your Kisses for Me" | 1976 | ||
"Bohemian Rhapsody" | 1975 | |||
"Mull of Kintyre" | 1977 | |||
"Don't Give Up on Us" | 1977 | |||
"Rivers of Babylon" / "Brown Girl in the Ring" | 1978 | |||
"Mary's Boy Child – Oh My Lord" | 1978 | |||
"Eye Level" | 1977 | |||
"You're the One That I Want" | 1978 | |||
"Summer Nights" | 1978 | |||
"Y.M.C.A." | 1979 | |||
Blondie | "Heart of Glass | 1979 | ||
"Bright Eyes" | 1979 | |||
Pink Floyd | "Another Brick in the Wall (Part II)" | 2004–10 | ||
Slade | "Merry Xmas Everybody" | 1985 | ||
"I'd Like to Teach the World to Sing (In Perfect Harmony)" | [18] | — | 2004–10 | |
"Dancing Queen" | — | 2004–10 | ||
"Don't Cry for Me Argentina" | — | 2004–10 | ||
"Hit Me with Your Rhythm Stick" | — | 2004–10 | ||
The following songs spent at least six weeks at number one during the 1970s.
scope=col | Artist | scope=col | Song | scope=col | Weeks at number one |
---|---|---|---|---|---|
Queen | "Bohemian Rhapsody" | 9 | |||
Wings | "Mull of Kintyre" / "Girls' School' | ||||
Olivia Newton-John and John Travolta | "You're the One That I Want" | ||||
Mungo Jerry | "In the Summertime" | 7 | |||
Olivia Newton-John and John Travolta | "Summer Nights" | ||||
Elvis Presley | "The Wonder of You" | 6 | |||
Freda Payne | "Band of Gold" | ||||
Dave Edmunds | "I Hear You Knocking | ||||
T. Rex | "Hot Love" | ||||
Bay City Rollers | "Bye Bye Baby" | ||||
Brotherhood of Man | "Save Your Kisses for Me" | ||||
Elton John and Kiki Dee | "Don't Go Breaking My Heart" | ||||
ABBA | "Dancing Queen" | ||||
Art Garfunkel | "Bright Eyes" |