List of large sensor interchangeable-lens video cameras explained

List of digital video cameras with an image sensor larger than 2/3 inch and producing video in a horizontal resolution equal or higher than 1920 pixels.

Digital video cameras

BrandCameraSensor sizeCrop factor[1] Lens Mount[2] Recording media[3] CodecMaximum video resolutionISO rangeDynamic range (at native/peak ISO)Shutter typeAnamorphic shootingInternal filtersFrame rate(s−1)
ArriAlexa[4]
Alexa Plus
23.76 x 13.37 mm1.52Arri PLSxS card, T-link recorder (optional XR module upgrade)[5] 12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)[6]
160 - 3200 (800 native)14.5 stops (Log C, -6.7, +7.8)[7] RollingNone by default, 2x and 1.33x desqueeze with license[8] Optical low pass, IR, UV0,75 - 60 (default), 0.75 - 120 (with high speed license)[9]
ArriAlexa Plus 4:3[10]
Alexa M
23.76 x 17.82 mm1.52Arri PLSxS card, T-link recorder (optional XR module upgrade)12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 2160 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)
160 - 3200 (800 native)13.8 stops[11] Rolling2x and 1.33x desqueezeOptical low pass, IR, UV0.75 - 120
ArriAlexa Studio23.76 x 17.82 mm1.52Arri PLSxS card, T-link recorder (optional XR module upgrade)12-bit 4444 ProRes, 10-bit 4:4:4 DNxHD (SxS card)
12-bit ARRIRAW (T-link recorder or XR drive)
2048 x 1152 (ProRes/DNxHD codecs to SxS card)
2880 x 1620 (ARRIRAW to external recorders or XR drive)
3164 x 1778 (ProRes with XR module upgrade)
160 - 3200 (800 native)13.8 stopsMechanical2x and 1.33x desqueezeOptical low pass, IR, UV, ND 0.6-1.3[12] 0.75 - 120
ArriAlexa HD
Alexa HD Plus[13]
23.76 x 13.37 mm1.52Arri PLSxS card12-bit 4444 ProRes, 10-bit DNxHD (with license)1920 x 1080160 - 3200 (800 native)14.5 stops (Log C, -6.7, +7.8)RollingNone by default, 2x and 1.33x desqueeze with licenseOptical low pass, IR, UV0,75 - 60 (default), 0.75 - 120 (with high speed license)
ArriAlexa Mini28.25 x 18.17 mm1.28Arri PL, EF, B4 (interchangeable)CFast 2.0 card, SDI-6G recorders12-bit 4444 ProRes XQ, ARRIRAW3424 x 2202 (ARRIRAW)
3164 x 1778 (ProRes)
3840 x 2160 (In-camera upscaled ProRes)[14]
160 - 3200 (800 native)14.5 stops (Log C, -6.7, +7.8)Rolling2x and 1.33x desqueezeOptical low pass, IR, UV, ND 0.6, 1.2, 2.10,75 - 200 (ProRes), 0.75 - 30 (ARRIRAW to CFast 2.0 card), 0,75 - 200 (ARRIRAW to external recorders)
ArriAlexa LF36.7 x 25.54 mm0.98LPL, ships with Arri PL adapterSXR drive12-bit ARRIRAW, ProRes 4444 XQ4448x3096 (ARRIRAW)
160 - 3200 (800 native)13.5 stopsRolling2x and 1.33x desqueezeOptical low pass, IR, UV23.98-150
ArriAlexa Mini LF36.7 x 25.54 mm0.98LPL, ships with Arri PL adapterCodex Compact Drive12-bit ARRIRAW, ProRes 4444 XQ4448x3096 (ARRIRAW)
160 - 3200 (800 native)13.5 stopsRolling2x and 1.33x desqueezeOptical low pass, IR, UV, ND 0.6, 1.2, 1.823.98-90
ArriAlexa SXT[15]
Alexa SXT Plus
28.17 x 18.13 mm[16] 1.28Arri PLSXR drive12-bit 4444 ProRes XQ, 12-bit ARRIRAW3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes)160 - 3200 (800 native)14.5 stops (Log C, -6.7, +7.8)Rolling2x and 1.33x desqueeze[17] Optical low pass, IR, UV, internal ND filter module with filters sold separately[18] 0,75 - 120
ArriAlexa SXT Studio28.17 x 18.13 mm1.28Arri PLSXR drive12-bit 4444 ProRes XQ, 12-bit ARRIRAW3414 x 2198 (ARRIRAW), 4096 x 2637 (In-camera upscaled ProRes)160 - 3200 (800 native)14.5 stops (Log C, -6.7, +7.8)Mechanical2x and 1.33x desqueezeOptical low pass, IR, UV, internal ND filter module with filters sold separately0,75 - 120
ArriAlexa XT
Alexa XT Plus
Alexa XT M
28.17 x 18.13 mm1.28Arri PLXR drive (optional SXR module upgrade, excluding Alexa XT M)[19] 12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (800 native)14.5 stops (Log C, -6.7, +7.8)Rolling2x and 1.33x desqueezeOptical low pass, IR, UV, internal ND filter module with filters sold separately0,75 - 120
ArriAlexa XT Studio
28.17 x 18.13 mm1.28Arri PLXR drive (optional SXR module upgrade)12-bit 4444 ProRes XQ, 10-bit 4:4:4 DNxHD (XR drive only), 12-bit ARRIRAW2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (800 native)14.5 stops (Log C, -6.7, +7.8)Mechanical2x and 1.33x desqueezeOptical low pass, IR, UV, ND 0.6-1.30,75 - 120
ArriAlexa XT B+W Monochrome[20] 28.17 x 18.13 mm1.28Arri PLXR drive (optional SXR module upgrade)ProRes XQ, DNxHD (XR drive only), ARRIRAW2048 x 1152 (DNxHD)
3164 × 1778 (ProRes)
3414 x 2198 (ARRIRAW)
4096 x 2637 (In-camera upscaled ProRes with SXR module upgrade)
160 - 3200 (2000 native)15 stopsRolling2x and 1.33x desqueezeOmits bayer filters, internal ND filter module with filters sold separately0,75 - 120
ArriAlexa 65[21] 54.12 x 25.58 mm0.67Arri XPLXR driveARRIRAW6560 x 3102160 - 3200 (800 native)14 stopsRolling0,75 - 27 (60 fps upcoming)
ArriAlexa 35[22] 27.99 x 19.22 mmArri PL, LPL, Canon EF (interchangeable)Codex Compact DriveARRIRAW, Apple ProRes 4444 XQ4608 × 3164160 - 640016.3 stops (Log C,-8, +9)[23] [24] Rolling1x-2x desqueezeOptical low pass, IR, UV, ND 0.6, 1.2, 1.80.75 - 120
ArriAmira[25]
23.76 x 13.37 mm1.52Arri PL, B4, EF (interchangeable)CFast 2.0 cardProRes (10-bit 4:2:2 by default, 4:2:2 HQ and 12-bit 4444 with license)[26] ARRIRAW (with license)1920 x 1080 (default)
2048 x 1152 (with 2K license)2880 x 1620 (ARRIRAW)
3840 x 2160 (in-camera upscaling with license)[27]
160 - 3200 (800 native)14.5 stops (Log C)[28]
13.1 stops (usable)[29]
RollingNoneOptical low pass, IR, UV, ND 0.6, 1.2, 2.10,75 - 100 (default), 200 and 4K 60 with license
ArriD-20
D-21
24.9 x 18.15 mm1.45Arri PLHD-SDI recorder, T-link recorderUncompressed 12-bit 4:4:4 signal (HD-SDI recorders), ARRIRAW (T-link recorders)1920 x 1080 (HD-SDI recorders)
2880 x 2160 (ARRIRAW recorders)
50 - 320 (D-20)
100 - 800 (D-21, 200 native)[30]
11 stops (Log C data mode, +6, -5)[31] Mechanical2x desqueezeOptical low pass, IR1 - 60
BlackmagicCinema Camera15.81 x 8.88 mm CMOS2.28Canon EF, MFT, Arri PL2.5" SSD10-bit 4:2:2 ProRes, 10-bit DNxHD, 12-bit CinemaDNG RAW1920 x 1080 (ProRes/DNxHD)
2432 x 1366 (CinemaDNG RAW)
200 - 1600 (800 native)13 stops (BMD Film, +6, -7)[32] [33] RollingNoneNone23.98, 24, 25, 29.97, 30
BlackmagicMicro Cinema Camera12.48 x 7.02 mm CMOS2.88MFTSD card10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW1920 x 1080200 - 1600 (800 native)13 stopsRollingNoneNone23.98 - 60[34]
BlackmagicPocket Cinema Camera[35]
12.48 x 7.02 mm CMOS2.88MFTSD card10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW1920 x 1080200 - 1600 (800 native)13 stops (BMD Film, +6, -7)RollingNoneNone23.98, 24, 25, 29.97, 30
BlackmagicPocket Cinema Camera 4K18.96 x 10 mm CMOS1.9Active MFTCFast card, SD card, USB-C drives10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW[36] 4096 x 2160 (BRAW)
3840 x 2160 (ProRes)
100-25,600(400 & 3200 dual native ISO)[37] 13.1 stops (BMD Film ISO 400, +5.5, -7.6)
12.2 stops (BMD Film ISO 3200, +5.1, -7.2)
RollingNoneNone23.98 - 60
BlackmagicPocket Cinema Camera 6K23.1 x 12.99 mm CMOSCanon EFCFast card, SD card, USB-C drives10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW6144 x 3456 (BRAW)
4096 x 2160 (ProRes)
100-25,600(400 & 3200 dual native ISO)13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.2 stops (BMD Film ISO 3200, +5.6, -6.5)
RollingNoneNone23.98 - 60
BlackmagicPocket Cinema Camera 6K (L-Mount)36 x 24 mm CMOS1Leica L-MountCFexpress card, USB-C drives12-bit Blackmagic RAW, 8-bit 4:2:0 H.2646048 x 4032(BRAW)

1920 x 1080 (H.264)

100-25,600(400 & 3200 dual native ISO)13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)
Rolling4.8K 6:5 sensor windowingOptical low pass23.98 - 120
BlackmagicPocket Cinema Camera 6K Pro23.1 x 12.99 mm CMOSCanon EFCFast card, SD card, USB-C drives10-bit 4:2:2 ProRes, 12-bit Blackmagic RAW6144 x 3456 (BRAW)
4096 x 2160 (ProRes)
100-25,600(400 & 3200 dual native ISO)13.5 stops (BMD Film ISO 400, +5.9, -7.8)
12.1 stops (BMD Film ISO 3200, +5.6, -6.5)
Rolling3.7K 6:5 sensor windowingND 0.3, 0.6, 0.923.98 - 120
BlackmagicProduction Camera 4K21.12 x 11.88 mm CMOS1.7Canon EF, MFT, Arri PL2.5" SSD10-bit 4:2:2 ProRes, 12-bit CinemaDNG RAW3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 800 (400 native)[38] 12 stops (BMD Film, per manufacturer)
8.2 stops (usable)
GlobalNoneNone23.98, 24, 25, 29.97, 30
BlackmagicUrsa 4K[39]
21.12 x 11.88 mm CMOS1.7Canon EF, Arri PL, B4 (interchangeable)CFast 2.0 card10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 1600 (400 native)[40] 12 stops (BMD Film)Global[41] NoneNone23.98, 24, 25, 29.97, 30, 50, 60
BlackmagicUrsa 4.6K25.34 x 14.25 mm& CMOS1.42Canon EF, Arri PL, B4 (interchangeable)CFast 2.0 card12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native)15 stopsRolling3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueezeNone23.98 - 120
BlackmagicUrsa Mini 4K21.12 x 11.88 mm1.7Canon EF, Arri PLCFast 2.0 card10-bit 4:4:4 ProRes, 12-bit CinemaDNG RAW3840 x 2160 (ProRes)
4000 x 2160 (CinemaDNG Raw)
200 - 1600 (400 native)12 stops (BMD Film)8.5 stops (usable)[42] GlobalNoneNone23.98 - 60
BlackmagicUrsa Mini 4.6K25.34 x 14.25 mm1.42Canon EF, Arri PLCFast 2.0 card12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native)15 stops~12 stops (usable)Rolling3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueezeNone23.98 - 60
BlackmagicUrsa Mini Pro25.34 x 14.25 mm1.42Canon EF, Arri PL (interchangeable)CFast 2.0 card, SD card12-bit 4444 ProRes XQ, 12-bit CinemaDNG RAW4608 x 2592 (CinemaDNG RAW)
3840 x 2160 (ProRes)
200 - 1600 (800 native)15 stopsRolling3K 1.2:1 sensor windowing and 2x desqueeze, 1.3x desqueezeIR ND 0.6, 1.2, 1.823.98 - 60
BlackmagicUrsa Mini Pro G2[43] 25.34 x 14.25 mm1.42Canon EF, Arri PL, B4, F-Mount (interchangeable)CFast 2.0 card, SD card12-bit 4444 ProRes XQ, 12-bit Blackmagic RAW4608 x 2592 (BRAW)3840x2160 (Prores)200 - 3200 (800 native)[44] 15 stopsRolling3K 1.2:1 sensor windowing and 2x, 1.3x desqueezeIR ND 0.6, 1.2, 1.823.98 - 120
BlackmagicUrsa Mini Pro 12K[45] 27.03 x 14.25 mm1.42Canon EF, Arri PL, F-Mount (interchangeable)CFast 2.0 card, SD card, 2.5-inch SSD via URSA Mini Recorder12-bit Blackmagic RAW12,288 x 6480200 - 3200 (800 native)14 stopsRolling1.2:1 sensor windowing and 2x, 1.3x desqueezeIR ND 0.6, 1.2, 1.8, optical low pass (OLPF model)[46] 23.98 - 160
CanonC70[47] 26.2 x 13.8 mm1.46Canon RF (RF to EF adapter included)SD card10 bit 4:2:2 XF-AVC, HEVC, 12-bit Cinema RAW Light4096 x 2160100 - 102,400 (800 native)12.8 stops[48] RollingNoneOptical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded)23.98-120
CanonC100
24.6 x 13.8 mm1.46Canon EFSD card, HDMI recorder8-bit 4:2:0 AVCHD (internal recording), uncompressed 4:2:2 signal (HDMI recorders)1920 x 1080320 to 80,000 (850 native)12 stops (Canon Log, -6.7, +5.3)[49] RollingNoneOptical low pass, IR, ND 0.6, 1.2, 1.81-30 (1-60)
CanonC100 Mark II
24.6 x 13.8 mm1.46Canon EFSD card, HDMI recorder8-bit 4:2:0 AVCHD, MP4 (internal recording), uncompressed 4:2:2 signal (HDMI recorders)1920 x 1080320 to 102,400 (850 native)12 stops (Canon Log, -6.7, +5.3)RollingNoneOptical low pass, IR, ND 0.6, 1.2, 1.81-60
CanonC20024.6 x 13.8 mm1.46Canon EF, Arri PL (interchangeable with mount kit)CFast 2.0 card, SD card12-bit Cinema RAW Light (to CFast card), 8-bit 4:2:0 MPEG4 (to SD card, uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders)4096 x 2160 (Cinema RAW Light)
3840 x 2160 (MPEG4)
100 to 102,400 (800 native)13 stopsRollingNoneOptical low pass, IR, ND 0.6, 1.2, 1.8 (ND 0.6, 1.2, 1.8, 2.4, 3.0 expanded)23.98-60 (4K) 23.98-120 (1080p)
CanonC300[50]
24.6 x 13.8 mm1.46Canon EF, Arri PLCF card, HDMI/HD-SDI recorder8-bit 4:2:2 MPEG2 (internal recording), uncompressed signal (HDMI/HD-SDI recorders)1920 x 1080320 to 80,000 (850 native)12 stops (Canon Log, -6.7, +5.3)[51] RollingNoneOptical low pass, IR, ND 0.6, 1.2, 1.81-30 (1-60)
CanonC300 Mark II
24.6 x 13.8 mm1.46Canon EF, Arri PL (interchangeable by Canon)CFast 2.0 card, HDMI/HD-SDI recorder10-bit 4:2:2 MPEG2 (4K internal recording), 12-bit 4:4:4 MPEG2 (2K internal recording), uncompressed 4K 12-bit signal (HDMI recorders) or 2K signal (HD-SDI recorders)4096 x 2160320 to 102,400 (800 native)12.3 stops (Canon Log 2)[52] RollingNoneOptical low pass, IR, ND 0.6 - 31-30 (4K)
1-120 (2K)
CanonC300 Mark III[53] 26.2 x 13.8 mm1.37Canon EF, Arri PL (interchangeable with mount kit)CFexpress card, SD card, HDMI/HD-SDI recorder12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HDMI/HD-SDI recorders)4096 x 2160100 to 102,400 (800 native)[54] 12.8 stops (Canon Log)[55] Rolling2x and 1.33x desqueezeOptical low pass, IR, ND 0.6 - 31-120 (4K)
1-180 (2K)
CanonC500
26.2 x 13.8 mm1.37Canon EF, Arri PLCF card, HDMI/HD-SDI recorder8-bit 4:2:2 MPEG2 (internal recording), uncompressed 4K 10-bit 4:4:4 or 2K 12-bit 4:4:4 signal (HD-SDI recorders)1920 x 1080 (internal recording)
4096 x 2160 (HD-SDI recorders)
320 to 80,000 (850 native)12 stops (Canon Log, -6.7, +5.3)[56] RollingNoneOptical low pass, IR, ND 0.6, 1.2, 1.81-30 (1-60)
CanonC500 Mark II
38.1 x 20.1 mm0.94Canon EF, Arri PL (interchangeable)CFexpress card, SD card, HDMI/HD-SDI recorder12-bit Cinema RAW Light, 10-bit 4:2:2 MPEG2, uncompressed 4K 12-bit signal (HD-SDI recorders)5952 x 3140100 to 102,400 (800 native)13.1 stops (Canon Log)[57] Rolling2x and 1.33x desqueezeOptical low pass, IR, ND 0.6, 1.2, 1.81-30 (1-60)
CanonC700
C700 GS PL
26.2 x 13.8 mm1.37Canon EF, Arri PL (interchangeable by Canon)CFast 2.0 card, SD card, Codex recorder12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders)4096 x 2160 (internal recording)
4512 x 2376 (RAW to external recorder)
100 to 102,400 (850 native)15 stops (Canon Log 2, -8.7, +6.3)[58]
14 stops (GS PL global shutter)
Rolling
Global (GS PL version)
1.3x and 2x desqueezeOptical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.623.98-60 (6K), 23.98-120 (2K)
CanonC700 FF38.1 x 20.1 mm0.94Canon EF, Arri PL (interchangeable by Canon)CFast 2.0 card, SD card, Codex recorder12-bit 4444 ProRes, 12-bit 4:4:4 XF-AVC (to CFast 2.0 card), 8-bit XF-AVC (SD card), 12-bit RAW (to external recorders)4096 x 2160 (internal recording)
5952 x 3140 (RAW to external recorder)
100 to 102,400 (850 native)15 stops (Canon Log 2, -8.7, +6.3)
14 stops (GS PL global shutter)
Rolling
Global (GS PL version)
1.3x and 2x desqueezeOptical low pass, IR, ND 0.6, 1.2, 1.8, 2.4, 3.623.98-60 (ProRes/XF-AVC), 23.98-120 (4K RAW), 23.98-240 (2K RAW)
CanonME20F-SH [59] [60] Full frame 35 mmCanon EF1920 x 1080 800 to 4,560,000 12 stops IR, ND 1/8, 1/6423.98-59.94
DalsaOrigin II
34 x 17.2 mm1.06Arri PL1920 x 108030
Digital BolexD1612.85 x 9.64 mm CCD2.8C-mount, EF, MFT, PLCF card, internal flash storage (non-removable)12-bit 4:4:4 CinemaDNG RAW2048 x 1152100 - 800 (200 native)[61] 12 stops[62] GlobalNoneOptical low pass23.98-90
Digital BolexD16 Monochrome12.85 x 9.64 mm CCD2.8C-mount, EF, MFT, PLCF card, internal flash storage (non-removable)CinemaDNG RAW2048 x 115213 stops[63] GlobalNoneOmits bayer filters23.98-90
HitachiSK-UHD8000[64] Super 35Arri PL7680 X 4320 8K
IkegamiSHK-810[65] Super 35Arri PL7680 X 4320 8K
JVCGY-LS300Super 351.5Micro Four ThirdsSD card (dual slot: mirror, relay, proxy, sequential)H.264 8 bit 4:2:0 / 4:2:2 up to 150 Mbit/s 4096 x 2160 4K3840 x 2160 4K400 - 25600(400 native)11.8 stops(-6.3, + 5.5)[66] RollingNoneND 0.6, 1.2, 1.823.976-120
PanasonicAG-AF100AG-AF101AG-AF102AG-AF105[67] 17.8 x 10 mm2.02Micro Four ThirdsSD card(dual slot, only sequential)AVCHD 4:2:0 8 bit 24 Mbit/sRAW 4:2:2 8 bit (external)1920 x 1080200 - 3200(400 native)10.2 stops(-5.9, +4.3)at ISO 800[68] RollingNoneND 0.6, 1.2, 1.812-60
PanasonicAJ-HPX3700[69]
2/3" CCD x 34.092/3 inch bayonet mount[70] H.264, AVC-Intra 1001920 x 108024, 1-60
PanasonicAJ-HPX2000[71] 2/3" CCD x 34.092/3 inch bayonet mountDVCPRO HD 137 Mbit/s1920 x 108060 (interlaced)
PanasonicAJ-HPX3100GJ[72] 2/3" CCD x 34.092/3 inch bayonet mountAVC-Intra 100, DVCPRO HD 68 Mbit/s1920 x 108030 (60)
PanasonicAK-SHB800GJ [73] [74] Full frame 35mm CMOSEF lens mount8K
PanasonicAU-EVA1Full frame 35mm MOS1.5EF lens mountSDHC, SDXCMOV: 4:2:2 10 bit/4:2:0 8 bitAVCHD: 4:2:0 8 bit4096 x 2160NATIVE: 800, 2500800 Base: 200 to 2000

2500 Base: 1000 to 25600

14 stopsRollingND Filter: CLEAR, 0.6ND, 1.2ND, 1.8ND, Electrical drivenIR Cut Filter: USER assignable IR shooting (filter ON/OFF)23.98p - 240p
PanasonicVaricam 35[75] 26.688 mm × 14.184 mm1.3535 mm, PLexpressP2 card, P2 card, microP2 cardV-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 44444096 x 2160800 - 12,800 (800 & 5000 dual native ISO)14+ stopsRolling1.33:1 and 2.0:1 desqueezeUV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR23.98p - 120p
PanasonicVaricam LT26.688 mm × 14.184 mm1.35EF, PLexpressP2 card, P2 card, microP2 cardV-RAW 12 bit/10 bit, AVC-Intra4K444, ProRes 44444096 x 2160800 - 12,800 (800 & 5000 dual native ISO)14+ stopsRolling1.33:1 and 2.0:1 desqueezeUV/IR-cut filter, ND 0.6, 1.2, 1.8, CLEAR23.98p - 59.94
PanavisionMillennium DXL[76] 40.96 x 21.60mm0.88Panavision PV mountMini RedMag SSD16-bit Redcode RAW, ProRes, DNxHD8192 x 4320800 native14.8 stops2x and 1.33x desqueeze23.98 - 60 (8K)
PanavisionMillennium DXL 240.96 x 21.60mm0.88Panavision PV mountMini RedMag SSD16-bit Redcode RAW, ProRes, DNxHD8192 x 43201600 native14.9 stops[77] 2x and 1.33x desqueeze23.98 - 60 (8K)
PanavisionGenesis[78] 24.89 x 16.86mm1.45Panavision PV mountHD-SDI recorder, SSR-1 recorder, HDCAM recorder10-bit 4:4:4 signal (HD-SDI recorders)1920 x 1080400 - 1600 (400 native)8 stops[79] GlobalNone[80] 30 (1-60)
PanavisionHD900F[81] 2/3" CCD4.09Panavision PV mountHDCAM1920 x 108030 (24)
RedEpic Dragon
30.7 x 15.8 mm1.25PL, EF, F-mount (interchangeable)RedMag SSD (optional Mini RedMag SSD module upgrade)[82] 16-bit .r3d6144 x 316080 – 12800 (250 native)[83] 14.8 stops (RedLogFilm, -8.3, +6.5)[84] [85] [86] Rolling (optional Motion Mount upgrade adds mechanical shutter)[87] 1.22:1 sensor windowing and 2x/1.3x desqueeze[88] Combination optical low pass/IR (interchangeable with low-light optimized version),[89] optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RedEpic Dragon Monochrome[90] 30.7 x 15.8 mm1.25PL, EF, F-mount (interchangeable)RedMag SSD (optional Mini RedMag SSD module upgrade).r3d6144 x 3160Rolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeOmits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RedEpic Mysterium-X
27.7 x 14.6 mm1.38PL, EF, F-mount (interchangeable)RedMag SSD (optional Mini RedMag SSD module upgrade)16-bit .r3d5120 x 270080 – 12800 (800 native)12.5 stops (-7, +5.5)Rolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeOptical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-120 (5K)
1-180 (3K)
1-225 (2K)
RedEpic Mysterium-X Monochrome[91] 27.7 x 14.6 mm1.38PL, EF, F-mount (interchangeable)RedMag SSD (optional Mini RedMag SSD module upgrade).r3d5120 x 270080 – 12800 (2000 native)Rolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeOmits bayer filters, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-120 (5K)
1-180 (3K)
1-225 (2K)
RedEpic-W Gemini
30.72 x 18 mm1.25PL, EF, F-mount (interchangeable)Mini RedMag SSD16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX5120 x 3000 (r3d)
4096 x 2160 (ProRes, DNxHR)
800, 3200 dual native ISO rating with Standard OLPF)[92] 15.2 stops[93] Rolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeCombination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
RedEpic-W Helium
29.9 x 15.8 mm1.28PL, EF, F-mount (interchangeable)Mini RedMag SSD16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR)
1280-2500 (Balanced ISO rating with Standard OLPF)15.2 stopsRolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeCombination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-30 (8K)
1-75 (6K)
1-96 (5K)
1-120 (4K)
1-150 (3K)
1-240 (2K)
RedKomodo[94] 27.03 x 14.25 mm1.416Canon RFCFast 2.0 card12-bit .r3d6144 x 324012.5 stops (R3D HQ)12.2 stops (ProRes 422 HQ)[95] GlobalYesNo23.98-40 (6K)23.98-48 (5K)

23.98-60 (4K)

23.98-120 (2K)

RedOne[96]
24.4 x 13.7 mm1.48PL, EF, F-mount (interchangeable)CF card, Red Hard Drive (optional RedMag SSD module upgrade)[97] 12-bit .r3d4096 x 2304100 - 2000 (320 native)11.3 stops[98] Rolling1.22:1 sensor windowing and 2x desqueeze1-30 (120)
RedOne Mysterium-X
24.2 x 12.5 mm1.59PL, EF, F-mount (interchangeable)CF card, Red Hard Drive (optional RedMag SSD module upgrade)12-bit .r3d4480 x 2304100 - 6400 (800 native)11.9 stops (-7, +5)Rolling1.22:1 sensor windowing and 2x desqueeze1-30 (120)
RedRaven[99] 23.04 x 10.8 mm1.56Canon EFMini RedMag SSD16-bit .r3d, 10-bit 422 ProRes4608 × 2160 (r3d)
2048 × 1080 (ProRes)
250 native14.8 stops (RedLogFilm, -8.3, +6.5)RollingNoneCombination optical low pass/IR1-120 (4K)
1-160 (3K)
1-240 (2K)
RedScarlet Mysterium-X27.7 x 14.6 mm1.38PL, EF, F-mount (interchangeable)RedMag SSD (optional Mini RedMag SSD module upgrade)16-bit .r3d5120 x 2700 (Maximum 12 fps)
4096 x 2160
80 – 12800 (800 native)11.9 stops (-7, +5)Rolling (optional Motion Mount upgrade adds mechanical shutter)NoneOptical low pass, optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-12 (5K)
1-30 (4K)
1-48 (3K)
1-60 (1080p)
1-120 (1K)
RedScarlet Dragon30.7 x 15.8 mm1.17PL, EF, F-mount (interchangeable)RedMag SSD (optional Mini RedMag SSD module upgrade)16-bit .r3d6144 x 3160 (Maximum 12 fps)
5120 x 2700
80 – 12800 (250 native)14.8 stops (RedLogFilm, -8.3, +6.5)Rolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeCombination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-12 (6K)
1-48 (5K)
1-60 (4K)
1-80 (3K)
1-120 (2K)
RedScarlet-W Dragon25.6 x 13.5 mm1.41PL, EF, F-mount (interchangeable)Mini RedMag SSD16-bit .r3d, 10-bit 4:2:2 ProRes HQ5120 × 2700 (r3d)
2048 × 1080 (ProRes)
250 native14.8 stops (RedLogFilm, -8.3, +6.5)Rolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeCombination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-60 (5K)
1-120 (4.5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RedV-Raptor40.96 x 21.60 mm0.93Canon RF (EF with adapter)CFexpress16-bit .r3d, ProRes 4444 XQ8192 × 4320 (r3d)
4096 x 2160 (ProRes)
14.9 stops[100] Rolling2x-1.25x desqueezeCombination optical low pass/IR1-150 (8K)
1-200 (6K)
1-300 (4K)
1-600 (2K)
RedWeapon Dragon 6K30.7 x 15.8 mm1.25PL, EF, F-mount (interchangeable)Mini RedMag SSD16-bit .r3d, 12-bit 4444 ProRes XQ6144 x 3160 (r3d)
2048 x 1152 (ProRes)
250 native14.8 stops (RedLogFilm, -8.3, +6.5)Rolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeCombination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1-100 (6K)
1-120 (5K)
1-150 (4K)
1-200 (3K)
1-300 (2K)
RedWeapon Dragon 8K40.96mm x 21.6mm0.93PL, EF, F-mount (interchangeable)Mini RedMag SSD16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)
250 native14.8 stops (RedLogFilm, -8.3, +6.5)Rolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeCombination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1 - 75 (8K)
RedWeapon Helium29.9mm x 15.8mm1.28PL, EF, F-mount (interchangeable)Mini RedMag SSD16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX8192 x 4320 (r3d)
4096 x 2160 (ProRes, DNxHR)
1280-2500 (Balanced ISO rating with Standard OLPF)15.2 stopsRolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeCombination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)1 - 60 (8K)
RedWeapon Monstro 8K VV40.96 mm x 21.60 mm0.93PL, EF, F-mount (interchangeable)Mini RedMag SSD16-bit .r3d, 12-bit 4444 ProRes XQ, 12-bit DNxHR HQX8192 x 4320 (r3d)
4096 x 2160 (ProRes)
4096 x 2160
(DNxHR)
250-12,800, default 80014.9 stopsRolling (optional Motion Mount upgrade adds mechanical shutter)1.22:1 sensor windowing and 2x/1.3x desqueezeCombination optical low pass/IR (interchangeable with low-light optimized version), optional Motion Mount upgrade adds ND 0.48 - 2.4 (up to 1.2 with mechanical shutter)60 fps (8K)75 fps (8K 2.4:1)

100 fps (6K 2.4:1)

96 fps (5K)

120 fps (5K 2.4:1)

150 fps (4K 2.4:1)

200 fps (3K 2.4:1)

240 fps (2K)

300 fps (2K 2.4:1)

SonyF35[101]
21.6 x 13.3 mm1.67Arri PL1920 x 1080400 native[102] 11.3 stops (-5, +6.3)Global1-60
SonyF65[103]
24.7 x 13.1 mm1.46Arri PLSR Memory Recorder8182 x 2160800 native14 stops (-7, +7)[104] Mechanical2x and 1.3x desqueeze[105] Optical low pass, ND 0.9, 1.2, 1.5, 1.81-60
SonyF55
24 x 12.7 mm1.46Sony FZ, Arri PLSxS card, AXS-R5 Recorder4096 x 21601250 native14 stopsGlobal1.3x and 2x desqueeze[106] Optical low pass (interchangeable), ND 0.9, 1.81-60
Sony NEX-FS100[107]
21.6 x 13.3 mm 1.67E-mountMPEG4 AVCHD 28 Mbit/s1920 x 1080800 native11.5 stops (-6.5, +5)[108] RollingNone1, 2, 4, 8, 15, 30, 60
Sony NEX-FS700NEX-FS700ENEX-FS700UNEX-FS700R23.6 x 13.3 mm 1.53E-mountSD card, Memory Stick, HD-SDI recorder, AXS-R5 recorderMPEG4 AVCHD4096 x 2160 (updated FS700/E or FS700U/R native; available only when using an external recorder)1920x1080 (all)500 native[109] 12 stops (-7, +5)[110] RollingND 0.6, 1.2, 1.81-240
SonyNEX-EA5023.5 x 15.6 mm1.54E-mountSD card, Memory StickAVCHD 2.0 28 Mbit/s1920 x1080160-5000Rolling60, 50, 30, 25, 24
Sony NEX-VG10[111] 23.4 x 15.6 mm1.54E-mountSD card, Memory StickAVCHD 24 Mbit/s1920 x 1080Rolling60i, 30
Sony NEX-VG20[112] 23.4 x 15.6 mm1.54E-mountSD card, Memory StickAVCHD 2.0 24 Mbit/s1920 x 1080RollingNone60, 50, 30, 25, 24
Sony NEX-VG3023.4 x 15.6 mm1.54E-mountSD card, Memory StickAVCHD 2.0 24 Mbit/s1920 x 1080RollingNone60, 50, 30, 25, 24
Sony NEX-VG900[113] 35.8 x 23.9 mm1.01E-mountSD card, Memory StickAVCHD 2.0 28 Mbit/s1920 x 1080RollingNone60, 50, 30, 25, 24
Sony PMW-F3K, PMW-F3L[114]
21.6 x 13.3 mm 1.67FZ- mount, PL-mount SxS cardMPEG2 35 Mbit/s1440 x 1080800 native[115] 11.2 stops (-7, +4.3)RollingND 0.9, 1.81, 2, 4, 8, 15, 30, 60
Sony PMW-F524 x 12.7 mm 1.5E-mount, PL-mount MPEG2 35 Mbit/s1920 x 1080 (default)
4096 x 2160 (with 4K license[116] or altering internal preferences)[117]
2000 native14 stopsRolling1.3x and 2x desqueezeOptical low pass (interchangeable), ND 0.9, 1.81, 2, 4, 8, 15, 30, 60
Sony Sony PXW-FS524 x 12.7 mm 1.5E-mountSD cardXAVC Long, AVCHD3840 x 21603200 native14 stopsRollingND 0.6, 1.2, 1.8, 2.1
Sony Sony PXW-FS724 x 12.7 mm 1.5E-mountXQD card, HD-SDI and HDMI 2.0 recorderXAVC Intra, XAVC Long, MPEG 2 600 Mbit/s, ProRes (422 HQ, 422 1080p, upcoming[118])4096 x 21602000 native14 stops12.5 stops (usable)RollingND 0.6, 1.2, 1.823.98 - 60 (4K), 23.98 - 180 (1080p) -Sony VENICE[119] 36 x 24 mm with full frame license, 24.3 x 12.8 mm by default1E-mount, PL mount (add-on)SxS card, AXS-R7 recorder (add-on, optional, records onto AxS cards)10-bit XAVC, 422 Apple ProRes (SxS card), 16-bit RAW (AXS-R7 recorder)6048 x 4032 (with full frame license)
4096 x 2160 (default)
500 and 2500 dual native15 stops (-9, +6)Rolling4:3 sensor-windowing and 2x desqueeze with licenseND 0.3-2.423.98 - 120 (4K), 23.98 - 60 (6K)
Vision Research, IncPhantom 65[120] 52.1 x 30.5 mm0.69Arri PL (standard), Nikon F / Mamiya 645 (optional)Cine RAW 2341 Mbit/s4096 x 2440141, (1080p320)
Vision ResearchPhantom Flex[121] 52.1 x 30.5 mm0.69Arri PL (standard), Nikon F / Mamiya 645 (optional)Cine RAW 3181 Mbit/s2560 x 16009.9 stops (-5.4, +4.5)1455 (1080p2570)

Still cameras with video mode

BrandCameraSensor sizeLens MountRecording mediaMaximum video resolutionNative ISODynamic range (native/peak ISO)Shutter typeFrame rate(s−1)Codec
Canon1D Mark IV
27.9 x 18.6 mmCanon EFCF card, SD card1920 x 108011.2 stops (-7, +4.3)Rolling23.976, 25, 29.97 (50, 59.94)H.264
Canon1D X
36 x 24 mmCanon EFCF card1920 x 1080Rolling24, 25, 30 (50, 60)MPEG4
Canon1D C
36 x 24 mmCanon EFCF card4096 x 216011.7 stops[122] Rolling24, 25, 30 (50, 60)MPEG4
Canon5D Mark II
36 x 24 mmCanon EFCF card1920 x 1080160[123] 11.2 stops (-7, +4.2)Rolling24, 25, 30H.264
Canon5D Mark III[124] 36 x 24 mmCanon EFCF card, SD card, HDMI recorder1920 x 108016011.2 stops
11.6 stops (sensor Raw)[125]
Rolling24, 25, 30H.264 90 Mbit/s (internal recording), uncompressed signal (HDMI recording)
Canon6D[126]
35.8 x 23.9mmCanon EFSD card1920 x 1080160Rolling24, 25, 30 (50,60)H.264 90 Mbit/s
Canon7D
22.3 x 14.9 mmCanon EF/EF-SCF card1920 x 108016011 stops (-5.5, +5.4)Rolling24, 25, 30 (50,60)H.264
Canon7D Mark II
22.3 x 14.9 mmCanon EF/EF-SCF card, SD card1920 x 1080160Rolling24, 25, 30 (50,60)H.264
Canon60D
22.3 x 14.9 mmCanon EF/EF-SSD card1920 x 1080160Rolling24, 25, 30H.264
Canon550D
22.3 x 14.9 mmCanon EF/EF-SSD card1920 x 1080Rolling24, 25, 30H.264
Canon600D
22.3 x 14.9 mmCanon EF/EF-SSD card1920 x 1080Rolling24, 25, 30H.264
Canon650D
22.3 x 14.9 mmCanon EF/EF-SSD card1920 x 1080Rolling24, 25, 30H.264
Canon700D
22.3 x 14.9 mmCanon EF/EF-SSD card1920 x 1080Rolling24, 25, 30H.264
Canon750D
22.3 x 14.9 mmCanon EF/EF-SSD card1920 x 1080Rolling24, 25, 30H.264
NikonD3100[127] 23.1 x 15.4 mmNikon FSD card1920 x 1080Rolling24 (24, 25, 30)MPEG4
NikonD3200[128] 23.2 x 15.4 mmNikon FSD card1920 x 1080Rolling24, 25, 30MPEG4
NikonD4[129]
36.0 x 23.9 mmNikon FCF card, XQD card1920 x 1080Rolling24, 25, 30 (50, 60)H.264/MPEG4 24 Mbit/s
NikonD5100
23.6 x 15.7 mmNikon FSD card1920 x 1080Rolling24, 25, 30MPEG4
NikonD7000
23.6 x 15.7 mmNikon FSD card1920 x 108010.2 stops (-6.7, +3.6)Rolling24 (24, 25, 30)MPEG4
NikonD750[130]
35.9 x 24 mmNikon FSD card, 8-bit uncompressed 4:2:2 via HDMI1920 x 1080Rolling24, 25, 30, 50, 60H.264/MPEG4, ~38 Mbit/s
NikonD800[131]
35.9 x 24 mmNikon FCF card, SD card1920 x 1080Rolling24, 25, 30 (50, 60)H.264/MPEG4 24 Mbit/s
PanasonicDMC-G3
17.3 x 13 mmMicro Four ThirdsSD card1920 x 108060 (60, 30)AVCHD
PanasonicDMC-GF2
17.3 x 13 mmMicro Four ThirdsSD card1920 x 108060 (60, 30)AVCHD
PanasonicDMC-GF3
17.3 x 13 mmMicro Four ThirdsSD card1920 x 108060 (60, 30)AVCHD
PanasonicDMC-GH1
18.89 x 14.48 mmMicro Four ThirdsSD card1920 x 108030AVCHD
PanasonicDMC-GH2
18.89 x 14.48 mmMicro Four ThirdsSD card1920 x 108024, 60 (30)AVCHD 22 Mbit/s
PanasonicDMC-GH3
17.3 x 13 mmMicro Four ThirdsSD card1920 x 108024, 60 (30)H.264, AVCHD 2 (All-I, IPB) 22-72 Mbit/s
PanasonicDMC-GH4
17.3 x 13 mmMicro Four ThirdsSD card4096 x 216011 stops[132] 24, 60 (30)H.264, AVCHD 2 (All-I, IPB) 10-200 Mbit/s
PanasonicDC-GH519.2 x 13 mmMicro Four ThirdsSD card4096 x 225624, 25, 30, 50, 60 (up to 240 at 1920x1080)AVCHD / H.264 / H.265(10bit color and 4:2:2 chroma subsampling)
PanasonicDC-GH5s[133] 17.3 x 13 mmMicro Four ThirdsSD card4096 x 2160400 and 2500[134] (800, 5000 in V-Log)2-60 (4K) 2-180 (HD)AVCHD / H.264 / H.265(10bit color and 4:2:2 chroma subsampling) max. 400 Mbps
PanasonicDC-S1H35.6 x 23.8mmL-mountSD card5952 x 3968640 and 4000 12.7 stops (iso 640)12.3 stops (iso 4000)24, 25, 30, 48, 50, 60, 100, 120, 180AVCHD / H.264 / H.265
PentaxK-01[135]
23.4 x 15.6 mmPentax KSD-Card1920 x 108030p, 25pM-JPEG 95 Mbit/s
PentaxK-3 III[136]
23.3 x 15.5 mmPentax KSD-Card3840 x 2160100Rolling30p, 24p (60p, 30p, 24p)H264
PentaxK-30[137]
23.7 x 15.7 mmPentax KSD-Card1920 x 108030p (25p, 24p)H264
PentaxK-5[138]
23.4 x 15.6 mmPentax KSD-Card1920 x 108030p, 25pM-JPEG 95 Mbit/s
SamsungNX2023.5 x 15.7 mmSamsung NX1920 x 108030H.264
SonyDSLR-A560
23.5 x 15.6 mmSony A-mount1920 x 108060, 29.97 (30)MPEG4
SonyDSLR-A580
23.5 x 15.6 mmSony A-mount1920 x 108060, 29.97 (30)MPEG4
SonyNEX-5[139]
23.4 x 15.6 mmE-mount1920 x 1080Rolling60 (30)AVCHD
SonyNEX-5N
23.4 x 15.6 mmE-mount1920 x 1080Rolling60 (30)AVCHD
SonyNEX-7
23.4 x 15.6 mmE-mount1920 x 1080Rolling60, 29.97 (30) NTSC
50, 25 PAL
AVCHD/MPEG4
SonySLT-A33
23.5 x 15.6 mm Sony A-mount1920 x 108060, 29.97 (30)MPEG4
Sony SLT-A35
23.5 x 15.6 mmSony A-mount1920 x 108060, 29.97 (30)MPEG4
Sony SLT-A37
23.5 x 15.6 mmSony A-mount1920 x 108060, 29.97 (30)?
SonySLT-A55
23.5 x 15.6 mmSony A-mount1920 x 108060, 29.97 (30)MPEG4
SonySLT-A57
23.5 x 15.6 mmSony A-mount1920 x 108060, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)
AVCHD/MPEG4
SonySLT-A65
23.5 x 15.6 mmSony A-mount1920 x 108060, 29.97 (30)MPEG4
Sony SLT-A77
23.5 x 15.6 mmSony A-mount1920 x 108060, 29.97 (30) (NTSC countries)
50, 25 (PAL countries)
AVCHD
Sony SLT-A99
35.8 x 23.8 mmSony A-mount1920 x 108060, 29.97 (30)AVCHD
Sony a7S35.8 x 23.9 mmSony E-mountSD card, Sony Memory Stick, 4K HDMI recorder1920 x 1080 (internal recording)
3840 x 2160 (4K HDMI recorders)
3200[140] 14.1 stopsRolling60, 29.97 (30)AVCHD
Sony a7S II35.8 x 23.9 mmSony E-mountSD card, Sony Memory Stick3840 x 216050-409,600 (3200 native)[141] Rolling23.98 - 30 (4K), 23.98 - 120 (1080p)XAVC S, AVCHD, MP4

See also

Notes and References

  1. Compared to 36x24mm still camera sensor
  2. Cameras with various lens mounts are available in such configurations but the lens mount is not interchangeable unless stated as such.
  3. Most cameras are capable of HDMI and HD-SDI recording, but this is only noted as a recording option if they provide expanded capabilities not available with internal recording.
  4. Web site: Arri Makes a "Baby Alexa", Introducing the Alexa HD « Wide Open Camera. wideopencamera.com. en-US. 2017-05-05.
  5. Web site: ARRI Group: ALEXA XR MODULE FAQ . 2014-07-24 . 2014-05-13 . https://web.archive.org/web/20140513154849/http://www.arri.com/camera/alexa/learn/alexa_xr_module_faq/ . dead .
  6. Web site: Arri adds UHD recording to Amira. George. Bevir2015-02-18T11:32:00+00:00. Broadcast.
  7. Web site: ARRI Group: Camera Details . 2015-04-09 . 2015-04-15 . https://web.archive.org/web/20150415222755/http://www.arri.com/camera/alexa/cameras/camera_details/alexa/subsection/technical_data/ . dead .
  8. Web site: ALEXA's Anamorphic De-Squeeze Explained | AbelCine. www.abelcine.com.
  9. Web site: ARRI Media GMBH :: 404 Not Found.
  10. Web site: Go Anamorphic with the Arri ALEXA Plus 4:3 | AbelCine. www.abelcine.com.
  11. Web site: 2021-04-21. ARRI Alexa Classic & Mini LF Lab Test: Rolling Shutter, Dynamic Range and Latitude. 2022-02-07. CineD. en-US.
  12. Web site: ALEXA Mini. www.arri.com.
  13. Web site: ARRI ALEXA Model comparison . ARRI . 2011-11-03.
  14. Web site: New ARRI ALEXA Mini: Same Image Quality in a Much Smaller Package. February 23, 2015. No Film School.
  15. Web site: ARRI Group: Camera Details . 2015-03-19 . 2015-03-20 . https://web.archive.org/web/20150320162941/http://www.arri.com/camera/alexa/cameras/camera_details/alexa-sxt . dead .
  16. Web site: ALEXA SXT W. www.arri.com.
  17. Web site: ARRI Media GMBH :: 404 Not Found.
  18. Web site: ARRI Alexa Internal Filter Module | Film and Digital Times. www.fdtimes.com. 4 April 2013.
  19. Web site: Codex working hand in hand with ARRI to deliver better workflow for the ALEXA SXT. March 18, 2015.
  20. Web site: ARRI Rental | ALEXA 65.
  21. Web site: ARRI Rental | ALEXA 65. www.arrirentalgroup.com. 2019-06-22. 2019-06-19. https://web.archive.org/web/20190619113437/http://arrirentalgroup.com/alexa65/. dead.
  22. Web site: ALEXA 35 - 4.6K Super 35 digital camera ARRI . 2022-06-03 . www.arri.com . en-US.
  23. Web site: 2022-05-31 . ARRI ALEXA 35 Announced – In-depth Video Interview about the New Camera . 2022-06-03 . CineD . en-US.
  24. Web site: Machu . Gunther . 2022-08-17 . ARRI ALEXA 35 Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video! . 2024-02-12 . CineD . en-US.
  25. Web site: ARRI Amira Model comparison . ARRI . 2013-06-03.
  26. Web site: AMIRA. www.arri.com.
  27. http://www.arri.com/about_arri/press/english/english_single/tx_ttnews%5Btt_news%5D=1664&tx_ttnews%5BbackPid%5D=7581&cHash=b5e1e534809b25789e921c2e46655a47{{Dead link|date=June 2024 |bot=InternetArchiveBot |fix-attempted=yes }}
  28. Web site: You Might Be Surprised by the Dynamic Range of the New $550 Sony A5100. August 23, 2014. No Film School.
  29. News: Early Footage & Reviews of the 4K AJA CION Are In & They're... Interesting. No Film School. 2017-05-05. en.
  30. Web site: ARRI Group: Camera Details . 2015-04-20 . 2015-04-27 . https://web.archive.org/web/20150427143716/http://www.arri.com/camera/alexa/cameras/camera_details/5/subsection/overview/ . dead .
  31. http://www.arricsc.com/pdf/d21_manual.pdf
  32. Web site: Blackmagic URSA Mini Pro | Blackmagic Design. www.blackmagicdesign.com.
  33. Web site: Cinematography | Blackmagic Cinema Camera: The Perfect Training Ground for Cinematographers | Hurlbut Visuals . 2015-09-22 . 2015-09-23 . https://web.archive.org/web/20150923055927/https://www.hurlbutvisuals.com/blog/2014/08/cinematography-bmcc-training-ground-for-cinematographers/ . dead .
  34. Web site: Blackmagic Micro Cinema Camera – Tech Specs | Blackmagic Design. www.blackmagicdesign.com.
  35. Web site: Blackmagic Production Camera 4K . Blackmagic. 2013-04-13.
  36. Web site: Blackmagic URSA Mini Pro – Tech Specs Blackmagic Design. www.blackmagicdesign.com. 2019-04-19.
  37. Web site: Blackmagic Pocket Cinema Camera 4K - Dual ISO Explained and Lowlight Footage. 2018-09-11. cinema5D. en. 2019-04-19.
  38. Web site: 4K is here! Blackmagic Production Camera Review. March 5, 2014.
  39. Web site: Blackmagic Ursa . Blackmagic. 2013-04-13.
  40. Web site: Archived copy . 2014-10-25 . 2014-10-25 . https://web.archive.org/web/20141025083956/http://software.blackmagicdesign.com/CinemaCamera/docs/Blackmagic_URSA_Manual_2014-08-14.pdf . dead .
  41. Web site: Blackmagic Design: View Press Release . 2014-07-08 . 2014-07-12 . https://web.archive.org/web/20140712180617/http://www.blackmagicdesign.com/press/pressdetails?releaseID=60307 . dead .
  42. Web site: Wöber . Sebastian . 2016-10-19 . Blackmagic URSA Mini 4K vs 4.6K – How Good is the 4.6K? . 2024-03-19 . CineD . en-US.
  43. Web site: Blackmagic URSA Mini Pro Blackmagic Design. www.blackmagicdesign.com. 2019-04-19.
  44. Web site: URSA Mini Pro Gets 3200 ISO With Firmware 6.0 Update. Coalition. ProVideo. 2018-11-14. ProVideo Coalition. en-US. 2019-04-19. 2019-04-19. https://web.archive.org/web/20190419073203/https://www.provideocoalition.com/blackmagic-design-ursa-mini-pro-gets-3200-iso-with-firmware-6-0-update/. dead.
  45. Web site: Blackmagic URSA Mini Pro Blackmagic Design . 2022-06-16 . www.blackmagicdesign.com.
  46. Web site: Tomkies . Pete . 2023-04-19 . Blackmagic Design launches URSA Mini Pro 12K OLPF . 2023-05-18 . Videomaker . en-US.
  47. Web site: Canon EOS C70: Cinema Camera Canon U.S.A., Inc. . 2023-06-05 . www.usa.canon.com.
  48. Web site: Machu . Gunther . 2022-05-10 . Canon EOS C70 Lab Test with the RAW update: Rolling Shutter, Dynamic Range and Latitude . 2023-06-05 . CineD . en-US.
  49. Web site: Canon Expands Their EOS Line with the New EOS C100 Video Production Camera. B&H Explora.
  50. Web site: Canon digital learning center, Cinema EOS . canon.com. 2011-11-04.
  51. Web site: We're updating our site | Canon U.S.A., Inc.. www.usa.canon.com.
  52. Web site: Canon C300 Mark II Lab Test - Dynamic Range 2 Stops Less Than Expected. 2015-09-24. cinema5D. en. 2020-04-26.
  53. https://www.usa.canon.com/internet/portal/us/home/products/details/cameras/cinema-eos/eos-c300-mark-iii-digital-cinema-camera Canon C300 Mark III EF-Mount Specs
  54. Web site: Canon EOS C300 Mark III hands-on & footage. 2020-04-21. Newsshooter. en-US. 2020-04-25.
  55. Web site: Canon C300 Mark III Lab Test (Pre-Production): Dynamic Range, Rolling Shutter and Latitude. 2020-04-21. cinema5D. en. 2020-04-26.
  56. Web site: Canon Goes 4K Two Ways : EOS-1D C and EOS C500 Cameras Introduced at NAB. B&H Explora.
  57. Web site: Canon C500 Mark II Lab Test: Dynamic Range, Latitude and Rolling Shutter. 2020-04-15. cinema5D. en. 2020-04-26.
  58. Web site: Canon U.S.A., Inc. | EOS C700.
  59. Web site: CanonME20F-SH Multi-Purpose Camera. www.bhphotovideo.com.
  60. Web site: キヤノン:多目的カメラ ME20F-SH|概要. cweb.canon.jp.
  61. Web site: Digital Bolex D16 Review - Part 1. March 31, 2014.
  62. Web site: Bolex goes digital with the D16 Cinema Camera. newatlas.com. 25 December 2013.
  63. Web site: Website is under construction. DigitalBolex.com -.
  64. Web site: SK-UHD8000 Series 8K (SHV) Studio, Field Production Camera | Hitachi Kokusai Electric America, Ltd.. www.hitachikokusai.com. 2019-06-22. 2020-05-02. https://web.archive.org/web/20200502133107/https://www.hitachikokusai.com/BroadcastandProfessionalCameras/SK-UHD8060.html#P8_622. dead.
  65. Web site: SHK-810 8K Super Hi-Vision Camera System |.
  66. Web site: 2015-11-13 . 3D-LUTs file for J-Log1 of GY-LS300CH Reference Manual .
  67. Web site: Panasonic Pro AG-AF100 specifications . 2011-11-03 . panasonic . 2011-10-24 . https://web.archive.org/web/20111024033525/http://pro-av.panasonic.net/en/af100/spec.html . dead .
  68. Web site: The Great Camera Shootout 2011: Episode 1 ~ "The Tipping Point". May 27, 2011. Vimeo.
  69. http://www.panasonic.com/business/provideo/AJ-HPX3700.asp Panasonic AJ-HPX3700 High Definition VariCam Camcorder - Professional Video Camera
  70. http://www.panasonic.com/business/professional-video-accessories/canon-hj14-cac-lens.asp Panasonic Canon 2/3" HD CAC Lens with 2x extender
  71. http://www.panasonic.com/business/provideo/AJ-HPX2000.asp Panasonic AJ-HPX2000 P2 HD Solid-State Camcorder
  72. http://www.panasonic.com/business/provideo/AJ-HPX3100GJ.asp Panasonic AJ-HPX3100GJ High Definition Camcorder - Professional Video Equipment
  73. Web site: Panasonic develops 8K ROI camera capable of providing up to four videos from an 8K image. NewscastStudio. 10 April 2019 .
  74. Web site: Panasonic 8K ROI technology revealed at IBC 2018 - Professional Camera Solutions | Panasonic Business. business.panasonic.co.uk.
  75. Web site: The New VariCam Cameras from Panasonic. us.panasonic.com. 2016-12-28.
  76. Web site: dxl.panavision.com. dxl.panavision.com. 2019-06-22. 2020-08-14. https://web.archive.org/web/20200814232112/https://dxl.panavision.com/dxl2. dead.
  77. Web site: Machu . Gunther . 2022-11-03 . RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video! . 2024-02-12 . CineD . en-US.
  78. http://www.panavision.com/content/genesis?l=1&c=1&p=109 GENESIS
  79. Web site: 4:4:4 Genesis Workflow Made ... Easy?. April 26, 2007. Studio Daily.
  80. http://www.cinematography.net/Files/Panavision/PV_digital_imaging/GenesisFAQs20070618.pdf
  81. http://www.panavision.com/content/hd900f?l=1&c=1&p=119 HD900F
  82. Web site: Category: Media. www.red.com.
  83. Web site: In Depth Analysis - DxOMark . 2017-06-17 . 2016-07-09 . https://web.archive.org/web/20160709082233/http://www.dxomark.com/Reviews/RED-Epic-Dragon-review-First-camera-to-break-the-100-point-DxOMark-sensor-score-barrier/In-Depth-Analysis . dead .
  84. Web site: DxOMark Confirms the Red Epic Dragon Sensor Outperforms the Nikon D800E. Felix. Esser. March 3, 2014. The Phoblographer.
  85. Web site: RED DRAGON Has Been Unleashed. Here is the First Footage from the 6K Camera. August 4, 2013. No Film School.
  86. Web site: Red Dragon vs Red MX: Is The Hype Real? (Part 01: Dynamic Range & Latitude). Indie Cinema. Academy. June 26, 2014. Vimeo.
  87. Web site: RED Goes Global Shutter with New Motion Mount for EPIC/SCARLET (Plus New DRAGON Footage). September 15, 2013. No Film School.
  88. http://s3.amazonaws.com/red_3/downloads/manuals/955-0002_v4.0_EPIC_Operation_%20Guide_REV-C.pdf
  89. Web site: DSMC2 S35 Low Light Optimized OLPF. www.red.com. 2019-06-22. 2019-03-20. https://web.archive.org/web/20190320164537/https://www.red.com/dsmc2-low-light-optimized-olpf. dead.
  90. Web site: EPIC-M DRAGON MONOCHROME w/ Side SSD Module and Ti Nikon Mount | RED Digital Cinema store (US) . 2014-06-15 . 2014-06-28 . https://web.archive.org/web/20140628041648/http://www.red.com/store/products/epic-dragon-monochrome-side-ssd-module-nikon . dead .
  91. Web site: EPIC-X MONOCHROME [BRAIN ONLY] | RED Digital Cinema store (US) . 2014-06-15 . 2014-06-15 . https://web.archive.org/web/20140615055916/http://www.red.com/store/products/epic-x-monochrome-brain-only . dead .
  92. Web site: RED 8K Sensor Test 2017. www.reduser.net. en. 2017-06-17. 2017-01-29. https://web.archive.org/web/20170129003531/http://www.reduser.net/forum/showthread.php?154113-RED-8K-Sensor-Test-2017. dead.
  93. Web site: RED Helium 8K DxOMark Sensor Score: 108 — A new all-time-high score!. David. Cardinal. January 10, 2017.
  94. Web site: RED Releases Komodo Price Before Its Final Specs. 2020-05-20. No Film School. en. 2020-05-21.
  95. Web site: Machu . Gunther . 2021-01-18 . RED KOMODO 6K Lab Test – Dynamic Range and Latitude Test – UPDATED . 2024-02-12 . CineD . en-US.
  96. Web site: RED Digital Cinema . red.com. 2011-11-03.
  97. Web site: RED ONE 1.8" SSD MODULE | RED Digital Cinema store (US) . 2014-07-08 . 2014-07-15 . https://web.archive.org/web/20140715011311/http://www.red.com/store/products/red-one-ssd-side-module-2 . dead .
  98. Web site: The Red Digital Camera Company. www.digital-intermediate.co.uk.
  99. http://nofilmschool.com/2015/09/red-raven-official-6000-4k-120fps-2k-240fps-prores-60fps-price-cost-release-date RED RAVEN Camera is Official
  100. Web site: Machu . Gunther . 2022-11-03 . RED V-RAPTOR 8K VV Lab Test: Rolling Shutter, Dynamic Range and Latitude – plus Video! . 2024-02-12 . CineD . en-US.
  101. Web site: Pro Sony pdf product information . sony.co.uk . 2011-11-03 . 2010-08-27 . https://web.archive.org/web/20100827002039/http://www.sony.co.uk/res/attachment/file/99/1178278942799.pdf . dead .
  102. Web site: Bones, Lightmeters, Lonsdale, Sony F35 | Film and Digital Times. www.fdtimes.com. 3 December 2009.
  103. Web site: Sony Professional - Products and Solutions to Redefine Your Business.
  104. Web site: SONY F65 CineAlta 4K | Los Angeles.
  105. Web site: Sony Professional - Products and Solutions to Redefine Your Business.
  106. Web site: PMW-F5 and F55 Firmware V1.2 Now Available. Anamorphic, WiFi, Cam and Reel ID and HDCAM SR. | Alister Chapman's Personal Blog.
  107. Web site: Pro Sony product page . sony.com . 2011-11-03.
  108. Web site: Sony NEX-FS100: Dynamic Range Test. November 11, 2013. YouTube.
  109. Web site: Sony Professional - Products and Solutions to Redefine Your Business.
  110. Web site: Testing the FS700: Dynamic Range. May 15, 2012. YouTube.
  111. Web site: Sony store product page . sony.com . 2011-11-03.
  112. Web site: Sony store product page . sony.com . 2011-11-03.
  113. Web site: Sony NEX-VG900 Full Frame camera topic . September 12, 2012.
  114. Web site: Pro Sony product page . sony.co.uk . 2011-11-03.
  115. Web site: AbelCine Tests the Sony F3 ISO Rating CineTechnica. 2017-06-17.
  116. Web site: Sony Releases More Details About The F5 4K Internal Recording Option. December 20, 2014.
  117. Web site: A New Hack Proves the Sony F5 Is Fully Capable of Internal 4K, but Sony Disabled It. August 27, 2014. No Film School.
  118. Web site: Sony FS7 Getting ProRes & DCI 4K Support in Free March 2015 Update. February 26, 2015. No Film School.
  119. https://nofilmschool.com/2018/02/sony-venice-shipments-begin Sony VENICE Shipments Begin
  120. http://www.visionresearch.com/Products/High-Speed-Cameras/Phantom-65/ Phantom 65 Camera
  121. http://www.visionresearch.com/Products/High-Speed-Cameras/Phantom-65/ The Phantom Flex Camera Digital High-Speed Camera
  122. Web site: Dynamic Range - Sony A7S vs. Arri, Canon, Panasonic & more. July 18, 2014.
  123. Web site: Subscribe. May 28, 2014. No Film School.
  124. Web site: Canon EOS 5D mark III — Specifications . 3 March 2012 . 3 November 2015 . https://web.archive.org/web/20151103132744/http://www.usa.canon.com/cusa/consumer/products/cameras/slr_cameras/eos_5d_mark_iii . dead .
  125. Web site: Magic Lantern squeezes 1/2 stop of dynamic range from Canon 5D Mk. III. www.imaging-resource.com.
  126. Web site: Canon EOS 6D — Specifications . 1 June 2014.
  127. http://www.dslrcameras.ca/2012/04/nikon-d3100-14-2mp-digital-slr-camera-with-18-55mm-f3-5-5-6-af-s-dx-vr-nikkor-zoom-lens.html Nikon D3100 14.2MP Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
  128. Web site: Nikon D3200: Tech Specs . Nikon Inc. . 2012-08-02.
  129. Web site: Digital SLR camera Nikon D4s . Nikon Corporation . 2012-01-26.
  130. Web site: Nikon D750 specifications . dpreview.com . 2015-03-08.
  131. Web site: Digital SLR camera Nikon D4s . Nikon . 2012-02-27.
  132. Web site: Panasonic GH4 Specs Clarified, Including 10-bit 4K from Its On-Board HDMI Port. March 21, 2014. No Film School.
  133. Web site: Panasonic GH5S Review - Specifications.
  134. Web site: Panasonic LUMIX GH5S Revisited – Review and Sample BRAW Footage . 30 November 2021 .
  135. Web site: PENTAX - K-01 Black . PENTAX RICOH IMAGING AMERICAS CORPORATION . 2012-02-02 . 2012-04-18 . 2012-05-23 . https://web.archive.org/web/20120523053303/http://pentaximaging.com/hybrid/K-01_Black#!product-specs . dead .
  136. Web site: Ricoh's Pentax K-3 III 26MP DSLR is finally here . dpreview . 2021-04-30 . 2021-04-05.
  137. Web site: Pentax K-30 16MP weather-sealed mid-level DSLR previewed . dpreview . 2012-05-21 . 2012-06-05.
  138. Web site: Pentax K-5 In-Depth Review . dpreview . 2010-12-01 . 2012-06-05.
  139. Web site: Digital Cameras: Digital Photography Reviews . dpreview . 2011-11-03.
  140. Web site: Does the $2,500 Sony a7S Have Dynamic Range Similar to an ARRI ALEXA?. July 21, 2014. No Film School.
  141. Web site: Sony a7S II Camera Announced with Internal 4K & 5-Axis Image Stabilization. September 11, 2015. No Film School.