| Year | Title | Director | Genre | Themes |
|---|
| 1912 | Bandits en automobile | Victorin-Hippolyte Jasset | Thriller | Bonnot Gang, Illegalism |
| 1913 | Germinal | Albert Capellani | Drama | Strike action |
| 1914 | La Commune | Armand Guerra | Drama | Paris Commune |
| 1914 | Martin Eden | Hobart Bosworth | Drama | Individualism |
| 1915 | Gus and the Anarchists | John A. Murphy | Comedy | |
| 1917 | In Again, Out Again | John Emerson | Comedy | Anarcho-pacifism |
| 1919 | The New Moon | Chester Withey | Adventure Drama | Russian Revolution |
| 1921 | The Earth | André Antoine | Drama | Property |
| 1922 | Cops | Edward F. Cline and Buster Keaton | Comedy | Anti-police sentiment |
| 1922 | The Strangers' Banquet | Marshall Neilan | Drama | Anarcho-syndicalism, Strike action |
| 1923 | Legally Dead | William Parke | Drama | Prison, Capital punishment |
| 1929 | The New Babylon | Grigori Kozintsev and Leonid Trauberg | Historical drama | Paris Commune |
| 1930 | All Quiet on the Western Front | Lewis Milestone | War Epic | Anti-war, PTSD, World War I |
| 1930 | L'Age d'Or | Luis Buñuel | Surrealism | |
| 1931 | The Front Page | Lewis Milestone | Comedy | Capital Punishment, Yellow Journalism |
| 1932 | ¡Que viva Mexico! | Sergei Eisenstein | Historical | History of Mexico (Mexican Revolution) |
| 1933 | Hallelujah, I'm a Bum | Lewis Milestone | Musical | Hobo lifestyle |
| 1933 | Prisoner 13 | Fernando de Fuentes | War Drama | Mexican Revolution |
| 1933 | Godfather Mendoza | Fernando de Fuentes | War Drama | Mexican Revolution, Zapatistas |
| 1933 | Zero for Conduct | Jean Vigo | Comedy drama | Anarchism and education |
| 1934 | L'Atalante | Jean Vigo | Romantic Comedy drama | Marriage, Jealousy |
| 1935 | A Night at the Opera | Sam Wood | Comedy | High society |
| 1935 | Toni | Jean Renoir | Drama | Migrant workers |
| 1936 | The Crime of Monsieur Lange | Jean Renoir | Satirical Crime drama | Cooperative |
| 1936 | Sabotage | Alfred Hitchcock | Thriller | Sabotage, Propaganda of the deed, Espionage |
| 1936 | Let's Go with Pancho Villa | Fernando de Fuentes | War Drama | Mexican Revolution, Pancho Villa |
| 1937 | Aurora de esperanza | Antonio Sau | Drama | Spanish Revolution of 1936 |
| 1937 | Barrios bajos | Pedro Puche | Drama | Prostitution, Second Spanish Republic |
| 1938 | Nuestro culpable | Fernando Mignoni | Comedy | Expropriation |
| 1938 | No quiero! No quiero! | Francisco Elías Riquelme | Comedy | |
| 1938 | Port of Shadows | Marcel Carné | Film noir | Desertion |
| 1938 | You Can't Take It with You | Frank Capra | Romantic comedy | Class divide |
| 1940 | His Girl Friday | Howard Hawks | Romantic comedy | Feminism, Gender, Love |
| 1940 | The Great Dictator | Charlie Chaplin | Political satire | Antisemitism, Fascism |
| 1941 | Love on the Dole | John Baxter | Drama | Great Depression, Unemployment benefits |
| 1941 | "Pimpernel" Smith | Leslie Howard | Thriller | Anti-Nazism, World War II |
| 1945 | | André Malraux and Boris Peskine | War | Spanish Civil War (Battle of Teruel) |
| 1948 | The Treasure of the Sierra Madre | John Huston | Western Adventure | |
| 1951 | Venom and Eternity | Isidore Isou | Experimental drama | Lettrism |
| 1952 | The Fighter | Herbert Kline | Film noir | Mexican Revolution |
| 1952 | Viva Zapata! | Elia Kazan | Historical drama | Emiliano Zapata, Mexican Revolution |
| 1953 | Les Vacances de Monsieur Hulot | Jacques Tati | Comedy | |
| 1954 | Animal Farm | John Halas & Joy Batchelor | Drama | Anti-Stalinism, Russian Revolution |
| 1954 | Salt of the Earth | Herbert Biberman | Drama | Feminism, Strike action, Syndicalism |
| 1955 | Rififi | Jules Dassin | Film noir | Illegalism |
| 1959 | The Great War | Mario Monicelli | Comedy drama War film | Italian front (World War I) |
| 1959 | The Death Ship | Georg Tressler | Adventure drama | Anti-nationalism, Bureaucracy |
| 1960 | Macario | Roberto Gavaldón | Fantasy drama | Day of the Dead, Colonial Mexico |
| 1960 | The Siege of Sidney Street | Robert S. Baker & Monty Berman | Historical drama | Tottenham Outrage (Siege of Sidney Street) |
| 1961 | Rosa Blanca | Roberto Gavaldón | Thriller | Petroleum politics, Political corruption |
| 1962 | A Girl... and a Million | Luciano Salce | Comedy drama | Italian economic miracle, Anti-work |
| 1962 | Lonely Are the Brave | David Miller | Contemporary Western | Illegal Immigration, Jailbreak |
| 1962 | Warriors Five | Leopoldo Savona | War | Italian resistance movement |
| 1963 | Germinal | Yves Allégret | Drama | Strike action |
| 1963 | The Organizer | Mario Monicelli | Drama | Industrial unionism |
| 1964 | Behold a Pale Horse | Fred Zinnemann | War | Spanish Civil War, Spanish Maquis |
| 1964 | Diary of a Chambermaid | Luis Buñuel | Drama | Bourgeoisie, Nationalism |
| 1964 | La vita agra | Carlo Lizzani | Comedy | Italian economic miracle, Strike action |
| 1965 | Lady L | Peter Ustinov | Comedy | Love |
| 1966 | Here Is Your Life | Jan Troell | Coming-of-age Drama | Revolutionary Socialism, World War I |
| 1967 | Entranced Earth | Glauber Rocha | Drama | Anti-electoralism, Political corruption |
| 1967 | The Elusive Avengers | Edmond Keosayan | Adventure | Russian Civil War, Ukrainian War of Independence |
| 1967 | The Wall | Serge Roullet | Drama | Capital punishment, Existentialist anarchism, Spanish Civil War, "The Wall" |
| 1967 | Week-end | Jean-Luc Godard | Black comedy | Bourgeoisie, Nihilism |
| 1968 | The Bofors Gun | Jack Gold | Drama | Allied-occupied Germany |
| 1968 | if.... | Lindsay Anderson | Drama | Insurrectionary anarchism, Anti-establishment |
| 1968 | Head | Bob Rafelson | Satirical Musical Adventure film | Freedom of Expression |
| 1968 | La Bande à Bonnot | Philippe Fourastié | Crime drama | Illegalism, Bonnot Gang |
| 1969 | Eros Plus Massacre | Yoshishige Yoshida | Biography | Anarchism, Free love, Ōsugi Sakae |
| 1969 | Gaily, Gaily | Norman Jewison | Comedy | Political corruption |
| 1969 | Sirokkó | Miklós Jancsó | Drama film | Assassination of Alexander I of Yugoslavia, Propaganda of the deed |
| 1969 | The Secret of Santa Vittoria | Stanley Kramer | War Dramedy | Anti-fascism |
| 1969 | The Milky Way | Luis Buñuel | Surrealist Comedy drama | Heresy |
| 1970 | Charles, Dead or Alive | Alain Tanner | Drama | Protests of 1968 |
| 1970 | Emiliano Zapata | Felipe Cazals | Historical drama | Emiliano Zapata, Mexican Revolution |
| 1970 | Malatesta | Peter Lilienthal | Biographical drama | Errico Malatesta |
| 1970 | Metello | Mauro Bolognini | Drama | Class struggle |
| 1970 | The Molly Maguires | Martin Ritt | Historical drama | Molly Maguires, Pinkertons, Strike action, Social justice |
| 1970 | Wind from the East | Dziga Vertov Group | Drama | Class struggle |
| 1971 | A Fistful of Dynamite | Sergio Leone | Epic Western | Mexican Revolution |
| 1971 | Joe Hill | Bo Widerberg | Biopic | Joe Hill, Industrial Workers of the World |
| 1971 | | Dušan Makavejev | Fantasy Comedy | Communism, Sexuality, Wilhelm Reich |
| 1971 | Sacco & Vanzetti | Giuliano Montaldo | Docudrama | Sacco and Vanzetti |
| 1972 | Lenin, You Rascal, You | Kirsten Stenbæk | Musical comedy | Vladimir Lenin, Ten Days That Shook the World |
| 1972 | Pink Flamingos | John Waters | Exploitation comedy | Sexual revolution |
| 1972 | St. Michael Had a Rooster | Paolo and Vittorio Taviani | Drama | Anarchism and Marxism |
| 1972 | Tout Va Bien | Jean-Luc Godard and Jean-Pierre Gorin | Political drama | Class struggle, May 68 |
| 1973 | Can Dialectics Break Bricks? | René Viénet | Comedy | Situationism, Dialectics |
| 1973 | El principio | Gonzalo Martínez Ortega | Historical drama | Mexican Revolution |
| 1973 | The Iceman Cometh | John Frankenheimer | Drama | Anarcho-syndicalism, Existentialism |
| 1973 | Love and Anarchy | Lina Wertmüller | Romantic drama | Anarchism, Anti-fascism, Relationship anarchy |
| 1973 | O Lucky Man! | Lindsay Anderson | Fantasy Comedy drama | Capitalism |
| 1973 | The Year 01 | Jacques Doillon, Alain Resnais, Jean Rouch | Comedy | Anarcho-syndicalism, Labor strike, Social ecology |
| 1974 | Allonsanfàn | Paolo and Vittorio Taviani | Drama | Comradeship |
| 1974 | Between Wars | Michael Thornhill | War drama | Anti-fascism, Psychiatry |
| 1974 | The Front Page | Billy Wilder | Black comedy | Capital Punishment, Yellow journalism |
| 1974 | La prima Angélica | Carlos Saura | Drama | Anti-fascism, Spanish Civil War |
| 1974 | Nada | Claude Chabrol | Social thriller | Propaganda of the deed |
| 1974 | The Phantom of Liberty | Luis Buñuel | Surrealist comedy | Mores |
| 1974 | Quebracho | Ricardo Wullicher | Drama | Anarcho-syndicalism |
| 1974 | Rebellion in Patagonia | Héctor Olivera | Period drama | Anarcho-syndicalism, Patagonia Rebelde |
| 1974 | We All Loved Each Other So Much | Ettore Scola | Comedy drama | Italian resistance movement |
| 1975 | Libera, My Love | Mauro Bolognini | Drama | Anarchism in Italy, Italian resistance movement |
| 1975 | Monty Python and the Holy Grail | Terry Gilliam & Terry Jones | Comedy | Anarcho-syndicalism, King Arthur, Monarchy |
| 1975 | Mother Küsters' Trip to Heaven | Rainer Werner Fassbinder | Drama | Anarchism and Marxism, Weimar Republic |
| 1975 | The Travelling Players | Theodoros Angelopoulos | Historical drama | History of Greece (Greek Civil War, Greek Resistance) |
| 1975 | Winstanley | Kevin Brownlow | Period drama | Diggers, English Revolution, Gerrard Winstanley, Ranters |
| 1976 | Letters from Marusia | Miguel Littín | Historical drama | Marusia massacre, Strike action |
| 1976 | Long Vacations of 36 | Jaime Camino | Drama | Bourgeoisie, Neutrality, Spanish Civil War |
| 1976 | Jonah Who Will Be 25 in the Year 2000 | Alain Tanner | Drama | Protests of 1968, Intentional community, Trade unionism |
| 1977 | Spoiled Children | Bertrand Tavernier | Drama | Tenants' union |
| 1978 | La Barricade du point du jour | René Richon | Historical drama | Paris Commune |
| 1978 | Ora sí ¡tenemos que ganar! | Raúl Kamffer | Drama | Magonism, Mexican Revolution |
| 1978 | A Man Called Autumn Flower | Pedro Olea | Drama | Gender variance, Queer anarchism, Dictatorship of Primo de Rivera |
| 1979 | Heart of the Forest | Manuel Gutiérrez Aragón | Drama | Spanish Maquis |
| 1980 | Alexander the Great | Theodoros Angelopoulos | Historical drama | Anarcho-communism, Class conflict, Dilessi murders |
| 1980 | The Crime of Cuenca | Pilar Miró | Drama | Crime of Cuenca, Miscarriage of justice |
| 1980 | Journeys from Berlin/1971 | Yvonne Rainer | Drama | Anarcha-feminism, Psychoanalysis, Red Army Faction, Russian Revolution |
| 1980 | La verdad sobre el caso Savolta | Antonio Drove | Drama | Anarcho-syndicalism, Pistolerismo |
| 1980 | The Mystery of Oberwald | Michelangelo Antonioni | Drama | Propaganda of the deed, Class conflict |
| 1981 | Deprisa, Deprisa | Carlos Saura | Crime drama | Juvenile delinquency |
| 1981 | Lenin in Paris | Sergei Yutkevich | Biopic | Vladimir Lenin |
| 1981 | L'ombre rouge | Jean-Louis Comolli | Thriller | Spanish Civil War |
| 1981 | Ragtime | Miloš Forman | Drama | Racism |
| 1981 | Reds | Warren Beatty | Period drama | Emma Goldman, John Reed, Russian Revolution |
| 1982 | Britannia Hospital | Lindsay Anderson | Black comedy | National Health Service |
| 1982 | Une chambre en ville | Jacques Demy | Musical drama | Strike action |
| 1983 | And the Ship Sails On | Federico Fellini | Historical drama | High society, Refugees, World War I |
| 1983 | Born in Flames | Lizzie Borden | Science fiction | Classism, Feminism, Heterosexism, Racism |
| 1983 | Sweet Bunch | Nikos Nikolaidis | Experimental Crime drama | Anti-statism, Surveillance |
| 1983 | Vive la sociale! | Gérard Mordillat | Comedy | Anarcho-communism |
| 1984 | Bicycles Are for the Summer | Jaime Chávarri | Drama | Spanish Civil War |
| 1984 | Nineteen Eighty-Four | Michael Radford | Dystopian Sci-fi | Anti-authoritarianism, Mass surveillance, Totalitarianism |
| 1984 | Suburbia | Penelope Spheeris | Drama/Thriller | Punk subculture, Squatting |
| 1985 | Bairoletto, la aventura de un rebelde | Atilio Polverini and Sebastián Larreta | Historical drama | Juan Bautista Bairoletto |
| 1985 | Die Küken kommen | Eckhart Schmidt | Comedy | |
| 1985 | Mambru Went to War | Fernando Fernán-Gómez | Drama | Death of Francisco Franco |
| 1986 | Shadows in Paradise | Aki Kaurismäki | Comedy drama | |
| 1986 | Year of Enlightment | Fernando Trueba | Coming-of-age | Francoist Spain, Love |
| 1987 | Dedé Mamata | Rodolfo Brandão | Drama | Military dictatorship in Brazil |
| 1987 | Matewan | John Sayles | Drama | Battle of Matewan, Strike action |
| 1988 | Ariel | Aki Kaurismäki | Drama | Proletariat |
| 1988 | They Live | John Carpenter | Sci-fi Action-thriller | Commercialization, Subliminal messaging |
| 1989 | My 20th Century | Ildikó Enyedi | Comedy drama | Anarcha-feminism |
| 1990 | ¡Ay Carmela! | Carlos Saura | Comedy drama | Spanish Civil War |
| 1990 | The Match Factory Girl | Aki Kaurismäki | Comedy drama | Proletariat |
| 1990 | Slacker | Richard Linklater | Comedy drama | Social class, Unemployment |
| 1991 | Manuel, le fils emprunté | François Labonté | | Refugees, Spanish Civil War |
| 1991 | Sandino | Miguel Littín | Biographical | Augusto César Sandino, United States occupation of Nicaragua |
| 1993 | Germinal | Claude Berri | Epic | Strike action |
| 1993 | The Strategy of the Snail | Sergio Cabrera | Comedy | Right to housing, Squatting |
| 1994 | La Vie sexuelle des Belges 1950–1978 | Jan Bucquoy | Biographical Comedy | Jan Bucquoy |
| 1995 | Land and Freedom | Ken Loach | War | Barcelona May Days, POUM, Spanish Civil War |
| 1995 | | Ennio Marzocchini | Drama | Biennio Rosso, Anti-fascism |
| 1995 | Long Live the Hobos! | Ana Poliak | Biography | Hobos, Immigration |
| 1996 | La Belle Verte | Coline Serreau | Sci-fi Comedy | Utopia |
| 1996 | Libertarias | Vicente Aranda | War | Anarcha-feminism, Mujeres Libres, Spanish Civil War |
| 1997 | The Son of Bakunin | Gianfranco Cabiddu | Drama | Anarchism in Italy |
| 1997 | Men with Guns | John Sayles | Drama | |
| 1998 | Le Poulpe | Guillaume Nicloux | Crime comedy | Political corruption |
| 1998 | The Girl of Your Dreams | Fernando Trueba | Drama | Anti-fascism, Spanish Civil War |
| 1998 | The Story of PuPu | Kensaku Watanabe | Comedy | |
| 1999 | Butterfly's Tongue | José Luis Cuerda | Drama | Education, Spanish Civil War |
| 1999 | Le Petit Voleur | Erick Zonka | Crime drama | Expropriation |
| 1999 | Human Resources | Laurent Cantet | Comedy drama | Employment, Social class |
| 1999 | Outlaw | Enzo Monteleone | Crime Comedy drama | Horst Fantazzini, Illegalism |
| 2000 | Anarchists | Yoo Young-sik | Action | Insurrectionary anarchism, Japanese occupation of Korea, Propaganda of the deed |
| 2000 | La Commune (Paris, 1871) | Peter Watkins | Historical drama | Paris Commune |
| 2000 | Murderous Maids | Jean-Pierre Denis | Biographical Crime drama | Christine and Léa Papin, Class conflict |
| 2000 | Together | Lukas Moodysson | Comedy drama | |
| 2001 | South West 9 | Richard Parry | Drama | Brixton Rave scene |
| 2001 | What to Do in Case of Fire? | Gregor Schnitzler | Action Comedy drama | Gentrification, Squatting |
| 2002 | The Anarchist Cookbook | Jordan Susman | Romantic comedy | Nihilism, The Anarchist Cookbook |
| 2003 | Acerchiata | Flavio Sciolè | art | Antifilm, Anarchist |
| 2004 | The Edukators | Hans Weingartner | Crime drama | Anti-capitalism |
| 2004 | Working Slowly (Radio Alice) | Guido Chiesa | Crime drama | Autonomism, Radio Alice, Pirate radio |
| 2005 | I Saw Ben Barka Get Killed | Serge Le Péron and Saïd Smihi | Drama | Mehdi Ben Barka |
| 2005 | This Revolution | Stephen Marshall | Thriller | 2003 invasion of Iraq, Black Bloc, Media bias |
| 2006 | Les Brigades du Tigre | Jérôme Cornuau | Crime drama | Bonnot Gang, Illegalism |
| 2006 | Salvador (Puig Antich) | Manuel Huerga | Biography | Capital punishment, Iberian Liberation Movement, Salvador Puig Antich |
| 2006 | V for Vendetta | James McTeigue | Political thriller | Anti-fascism, Propaganda of the deed |
| 2007 | Battle in Seattle | Stuart Townsend | Action-thriller | 1999 Seattle WTO protests, Economic inequality |
| 2007 | Homotopia | Eric Stanley & Chris Vargas | Drama | Cultural assimilation, Gay Shame, Queer anarchism |
| 2008 | The Anarchist's Wife | Maria Noelle and Peter Sehr | Period drama | Anti-fascism |
| 2008 | The Wave | Dennis Gansel | Thriller | Anti-fascism, The Third Wave (experiment) |
| 2012 | No God, No Master | Terry Green | Crime thriller | 1919 United States anarchist bombings, Ludlow Massacre, Sacco and Vanzetti |
| 2013 | The East | Zal Batmanglij | Thriller | Eco-terrorism, Green anarchism |
| 2013 | Night Moves | Kelly Reichardt | Thriller | Eco-terrorism |
| 2016 | Free State of Jones | Gary Ross | Period drama | Abolitionism, Civil rights, Free State of Jones |
| 2016 | Captain Fantastic | Matt Ross | Comedy-drama | Intentional community, Self-reliance, Anarcho-primitivism |
| 2017 | Anarchist from Colony | Lee Joon-ik | Biographical period drama | Fumiko Kaneko, Japanese dissidence during the early Shōwa period, Pak Yol |
| 2017 | Okja | Bong Joon-ho | Action-adventure | Animal Liberation Front, animal rights, veganarchism |
| 2018 | Gun City | | | |
| 2020 | The Trial of the Chicago 7 | Aaron Sorkin | Historical legal drama | Chicago Seven, 1968 Democratic National Convention protest activity, Black Panther Party, National Mobilization Committee to End the War in Vietnam, Students for a Democratic Society, Youth International Party |
| 2022 | How to Blow Up a Pipeline | Daniel Goldhaber | Action-Thriller | Eco-terrorism, Social justice, Property destruction, Environmental justice |
|
| Year | Title | Director | Themes |
|---|
| 1901 | Execution of Czolgosz with Panorama of Auburn Prison | Edwin S. Porter | Assassination of William McKinley, Leon Czolgosz |
| 1930 | À propos de Nice | Jean Vigo | Social inequality |
| 1963 | To Die in Madrid | Frédéric Rossif | Spanish Civil War |
| 1969 | My Girlfriend's Wedding | Jim McBride | Free love, Marriage of convenience |
| 1971 | Mexico, The Frozen Revolution | Raymundo Gleyzer | Mexican Revolution |
| 1973 | The Society of the Spectacle | Guy Debord | Situationism, The Spectacle, Mass marketing, Social alienation |
| 1974 | El Sopar | Pere Portabella | Prison, Salvador Puig Antich |
| 1976 | Deus, Pátria, Autoridade | Rui Simões | History of Portugal (5 October 1910 revolution, Estado Novo, Carnation Revolution) |
| 1979 | The Old Memory | Jaime Camino | Spanish Civil War |
| 1980 | The Free Voice of Labor | Steven Fischler and Joel Sucher | Jewish Anarchism |
| 1981 | Anarchism in America | Steven Fischler and Joel Sucher | Anarchism in USA |
| 1981 | The Decline of Western Civilization | Penelope Spheeris | Anarcho-punk, Punk rock in California |
| 1983 | Mientras el cuerpo aguante | Fernando Trueba | Chicho Sánchez Ferlosio, Anti-authoritarianism, Anarchism and Marxism |
| 1983 | Nice... À Propos de Jean Vigo | Manoel de Oliveira | Jean Vigo |
| 1983 | Signals Through the Flames | Sheldon Rochlin | The Living Theatre |
| 1991 | | Allan Segal | Middle East, Geopolitics |
| 1992 | | Mark Achbar and Peter Wintonick | Manufacturing Consent, Media bias, Noam Chomsky |
| 1993 | The Revenge of the Dead Indians | Henning Lohner | John Cage |
| 1995 | Nestor Makhno, Peasant of Ukraine | Hélène Châtelain | Nestor Makhno |
| 1997 | Living Utopia | Juan Gamero | Anarcho-syndicalism, Spanish Revolution |
| 1998 | A Place Called Chiapas | Nettie Wild | Zapatista Army of National Liberation |
| 1999 | Breaking the Spell | CrimethInc. | 1999 Seattle WTO protests, Anti-capitalism |
| 2000 | Ácratas | Virginia Martínez | Anarchism in Uruguay |
| 2000 | | Coleman Romalis | Emma Goldman |
| 2001 | Los cuentos del timonel | Eduardo Montes-Bradley | Osvaldo Bayer |
| 2001 | The Code | Hannu Puttonen | Free Software Movement |
| 2001 | Revolution OS | J. T. S. Moore | GNU, Free Software Movement |
| 2002 | Power and Terror | John Junkerman | Terrorism |
| 2003 | The Corporation | Mark Achbar and Jennifer Abbott | Corporatocracy |
| 2003 | Distorted Morality – America's War On Terror? | John Junkerman | War on Terror |
| 2003 | The Fourth World War | Richard Rowley | Israel-Palestine conflict |
| 2004 | The Diary of Sacco and Vanzetti | David Rothauser | Sacco and Vanzetti |
| 2004 | The Miami Model | Independent Media Center | Miami model |
| 2004 | The Take | Avi Lewis | Horizontalidad, Organizational Self-management |
| 2005 | The Oil Factor | Gerard Ungerman | Petroleum politics, War on Terror |
| 2006 | Lake of Fire | Tony Kaye | Abortion in the United States |
| 2006 | Sacco and Vanzetti | Peter Miller | Sacco and Vanzetti |
| 2006 | There Is No Authority But Yourself | Alexander Oey | Anarcho-punk, Crass |
| 2007 | In Prison My Whole Life | Marc Evans | Commonwealth v. Abu-Jamal |
| 2007 | Lucio | José María Goenaga & Aitor Arregi | Lucio Urtubia |
| 2008 | I Need That Record! | Brendan Toller | Counterculture, Independent record stores |
| 2010 | The Chicago Conspiracy | CrimethInc. | 2006 student protests in Chile, Armed resistance in Chile (1973–1990), Mapuche conflict, Military dictatorship of Chile (1973–1990) |
| 2010 | Spanish; Castilian: El cine libertario: Cuando las películas hacen historia[1] | José María Almela, Verónica Vigil | Anarchist cinema during the Spanish Civil War |
| 2011 | pickAxe | CrimethInc. | Ecotage |
| 2011 | END:CIV | Franklin López | Anti-civ, Peak Oil |
| 2011 | Hombres de ideas avanzadas | Diego Fidalgo | Joaquim Penina |
| 2011 | Je lutte donc je suis | Yannis Youlountas | Political struggles in Greece and Spain |
| 2013 | Simón, hijo del pueblo | Rolando Goldman & Julián Troksberg | Simón Radowitzky |
| 2016 | American Anarchist | Charlie Siskel | Interviews with William Powell, author of The Anarchist Cookbook, published in 1971. |
| 2016 | No Gods, No Masters: A History of Anarchism | Tancrède Ramonet | History of Anarchism | |
