List of dodecaphonic and serial compositions explained

This is an incomplete list of musical pieces composed in the twelve-tone technique and pieces that use serialism.

List of musical pieces composed in the twelve-tone technique

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List of pieces that use serialism

Organized by composer:

See also

Notes and References

  1. Horace Reisberg, "The Vertical Dimension in Twentieth Century Music", Aspects of Twentieth-Century Music, edited by Gary Wittlich, 362–72, citation on 370–71 (Englewood Cliffs, New Jersey: Prentice-Hall, 1975). .
  2. Robert L. Parker, "Carlos Chávez's Opus Ultimum: The Unfinished Cello Concerto". American Music 11, no. 4 (Winter 1993): 473–87. Citation on p. 479.
  3. Dimitri Kennaway, notes for recording, Naxos 8.557850, "credited with being the first British feature film score to employ the method [twelve-tone serialism] almost entirely."
  4. http://www.bl.uk/reshelp/findhelprestype/music/frankel/frankelmiddle/frankelmiddle.html British Library Frankel Biography – Middle Years
  5. Howard Pollack, Walter Piston (Ann Arbor, Mich: UMI Research Press, 1982): 35, 72–73. .
  6. Bruce Archibald, "Reviews of Records: Walter Piston: Symphony No. 7, Symphony No. 8, Louisville Orchestra, Jorge Mester; Walter Piston: Symphony No. 5, Louisville Orchestra, Robert Whitney; Walter Piston: Concerto for Viola and Orchestra, Paul Doktor, viola, Louisville Orchestra, Robert Whitney; Walter Piston: The Incredible Flutist, Louisville Orchestra, Jorge Mester", The Musical Quarterly 64, no. 2 (1978): 263–68 (citation on 267).
  7. Donald Chittum, Liner notes to Walter Piston: String Quartet No. 5, in American String Quartets, Volume II: 1900–1950, Kohon String Quartet, 3-LP set, Vox SVBX 5305 (New York: Vox, 1974).
  8. [Elliott Carter]
  9. Colin Mason, Hugo Cole, and David C.F. Wright, "Searle, Humphrey", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  10. Book: Frisius, Rudolf. Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts". Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto. Schott Musik International. 2008. 25. 978-3-7957-0249-6.
  11. [Robin Maconie]
  12. Joseph N. Straus, Stravinsky's Late Music, Cambridge Studies in Music Theory and Analysis (Cambridge: Cambridge University Press, 2001), 4. (cloth) .
  13. Book: Van der Graaf Generator – The Book. Jim. Christopulos. Phil. Smart. Phil and Jim Publishers. 58. 2005. 978-0-955-13370-1.
  14. Jacques Calonne, "Aspects d'un resume (Apropos d' Orbes pour orchestre)", Revue d'Esthetique 21 (1968), nos. 2–4 ("Musiques nouvelles"): 59–103.
  15. Dimitri Kennaway, notes for recording, Naxos 8.557850, "his [Frankel's] first published experimentation with serial technique"
  16. Gagné (2012), p.116.
  17. Nicole V. Gagné, Historical Dictionary of Modern and Contemporary Classical Music, Historical Dictionaries of Literature and the Arts (Lanham, Maryland: Scarecrow Press, 2012): 98. .
  18. Gilles Tremblay, "Note pour Cantique de durées", Revue d'esthetique 21 (1968), nos. 2–4 ("Musiques nouvelles"): 51–58.

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