The following is a list of works, both in film and other media, for which the Japanese filmmaker Akira Kurosawa made some documented creative contribution. This includes a complete list of films with which he was involved (including the films on which he worked as assistant director before becoming a full director), as well as his little-known contributions to theater, television and literature.
All the following are Japanese productions unless otherwise specified.
Year | English title | Japanese title | Romanized title< | -- ! scope="col" class="unsortable" | Notes | Ref. --> |
---|---|---|---|---|---|---|
1943 | Sanshiro Sugata | Sugata Sanshirō | ||||
1944 | The Most Beautiful | Ichiban utsukushiku | ||||
1945 | Sanshiro Sugata Part II | Zoku Sugata Sanshirō | ||||
The Men Who Tread on the Tiger's Tail | Tora no o wo fumu otokotachi | |||||
1946 | Those Who Make Tomorrow | Asu o tsukuru hitobito | ||||
No Regrets for Our Youth | Waga seishun ni kuinashi | |||||
1947 | One Wonderful Sunday | Subarashiki nichiyōbi | ||||
1948 | Drunken Angel | Yoidore tenshi | ||||
1949 | The Quiet Duel | Shizukanaru kettō | ||||
Stray Dog | Nora inu | |||||
1950 | Scandal | Sukyandaru (Shūbun) | ||||
Rashomon | Rashōmon | |||||
1951 | The Idiot | Hakuchi | ||||
1952 | Ikiru | Ikiru | ||||
1954 | Seven Samurai | Shichinin no samurai | ||||
1955 | I Live in Fear | Ikimono no kiroku | ||||
1957 | Throne of Blood | Kumonosu-jō | ||||
The Lower Depths | Donzoko | |||||
1958 | The Hidden Fortress | Kakushi toride no san akunin | ||||
1960 | The Bad Sleep Well | Warui yatsu hodo yoku nemuru | ||||
1961 | Yojimbo | Yōjinbō | ||||
1962 | Sanjurō | Tsubaki Sanjūrō | ||||
1963 | High and Low | Tengoku to jigoku | ||||
1965 | Red Beard | Akahige | ||||
1970 | Dodes'ka-den | Dodesukaden | ||||
1975 | Dersu Uzala | Derusu Uzāra | ||||
1980 | Kagemusha | Kagemusha | ||||
1985 | Ran | Ran | ||||
1990 | Dreams | Yume | ||||
1991 | Rhapsody in August | Hachigatsu no rapusodī (Hachigatsu no kyōshikyoku) | ||||
1993 | Madadayo | Mādadayo |
Note: Data for the remainder of this filmography is derived primarily from the complete filmography created by Kurosawa's biographer, Stuart Galbraith IV, supplemented by IMDb's Kurosawa page.
For the following films that Kurosawa directed, he also received a production credit:
In addition, Kurosawa received a production credit on one film that he himself did not direct: Haru no tawamure (1949) (Spring Flirtation), written and directed by Kajiro Yamamoto, on which he served as an associate producer.
Kurosawa wrote or co-wrote the screenplays for all the films he himself directed. However, to supplement his income, he also wrote scripts for other Japanese directors throughout the 1940s, and even through the 1950s and part of the 1960s, long after he had become world-famous. He also worked on the scripts for two Hollywood productions he was slated to direct, but which, for complex reasons, were completed by and credited to other directors (although he did shoot some scenes for Tora tora tora!, the footage from which has apparently not survived). Finally, near the end of his life, he completed scripts he intended to direct but did not live to make, which were then filmed by others. A table of all these screenplays is given below; all titles are Japanese productions unless otherwise noted.
Year | English title | Japanese title | Romanized title | Director | Notes | Ref. | ||
---|---|---|---|---|---|---|---|---|
1941 | Horse | Uma | Kajirō Yamamoto | Uncredited, but written alongside his mentor Kajirō Yamamoto.[1] | [2] | |||
1942 | Wind Currents of Youth | Seishun no kiryu | Shu Fushimizu | Based on "Construction of Love" and "The Life Plan" by Jun Minamikawa. | ||||
The Triumphant Song of the Wings | Tsubasa no gaika | Satsuo Yamamoto | Credited alongside Bonhei Sotoyama. | |||||
1943 | Sanshiro Sugata | Sugata Sanshirō | Akira Kurosawa | Based on the novel Sugata Sanshirō by judoka Tsuneo Tomita. | [3] | |||
1944 | Wrestling-ring Festival | Dohyōmatsuri | Santaro Marune | [4] | ||||
The Most Beautiful | Ichiban utsukushiku | Akira Kurosawa | ||||||
1945 | Bravo! Tasuke Isshin | Appare Isshin Tasuke | Kiyoshi Saeki | |||||
Sanshiro Sugata Part II | Zoku Sugata Sanshirō | Akira Kurosawa | Based on the novel Sugata Sanshirō by judoka Tsuneo Tomita. | |||||
The Men Who Tread on the Tiger's Tail | Tora no o wo fumu otokotachi | Akira Kurosawa | Based on the kabuki play Kanjinchō. | |||||
1946 | No Regrets for Our Youth | Waga seishun ni kuinashi | Akira Kurosawa | Credited alongside Eijiro Hisaita. Keiji Matsuzaki has an uncredited writer role. | ||||
1947 | Four Love Stories "First Love" | Yotsu no koi no monogatari (Dai ichi: Hatsukoi) | Shiro Toyoda | Omnibus film. Credited for first of four sections. | ||||
One Wonderful Sunday | Subarashiki nichiyōbi | Akira Kurosawa | Credited alongside Keinosuke Uegusa. | |||||
Snow Trail | Ginrei no hate | Senkichi Taniguchi | Received main credit.[5] Senkichi Taniguchi has an uncredited writer role. | |||||
1948 | The Portrait | Shōzō | Keisuke Kinoshita | |||||
Drunken Angel | Yoidore tenshi | Akira Kurosawa | Credited alongside Keinosuke Uegusa. | |||||
1949 | Lady from Hell | Jigoku no kifujin | Motoyoshi Oda | Credited alongside Motosada Nishikame. | ||||
The Quiet Duel | Shizukanaru kettō | Akira Kurosawa | Credited alongside Senkichi Taniguchi. Based on a play by Kazuo Kikuta. | |||||
Jakoman and Tetsu | Jakoman to Tetsu | Senkichi Taniguchi | Credited alongside Senkichi Taniguchi. Based on "Herring Fishery" by Keizo Kajino. | |||||
Stray Dog | Nora inu | Akira Kurosawa | Credited alongside Ryūzō Kikushima. | |||||
1950 | Escape at Dawn | Akatsuki no dassō | Senkichi Taniguchi | Credited alongside Senkichi Taniguchi. Based on a story by Yasujiro Tamura. | ||||
Scandal | Sukyandaru (Shūbun) | Akira Kurosawa | Credited alongside Ryūzō Kikushima. | |||||
Tetsu of Jilba | Jiruba no Tetsu | Isamu Kosugi | ||||||
Rashomon | Rashomon | Akira Kurosawa | Credited alongside Shinobu Hashimoto. Based on the short stories "In a Grove" and "Rashōmon" by Ryūnosuke Akutagawa.[6] | |||||
Fencing Master | Tateshi danpei | Masahiro Makino | ||||||
1951 | Beyond Love and Hate | Ai to nikushimi no kanata e | Senkichi Taniguchi | Credited alongside Senkichi Taniguchi.[7] | ||||
The Idiot | Hakuchi | Akira Kurosawa | Credited alongside Eijiro Hisaita. Based on The Idiot by Fyodor Dostoevsky. | |||||
The Den of Beasts | Kedamono no yado | Tatsuo Osone | ||||||
1952 | Vendetta for a Samurai | Araki Mataemon: Kettô kagiya no tsuji | Kazuo Mori | |||||
Sword for Hire | Sengoku burai | Hiroshi Inagaki | Credited alongside Hiroshi Inagaki. Based on a novel by Yasushi Inoue, serialized in Sunday Mainichi. | |||||
Ikiru | Ikiru | Akira Kurosawa | Credited alongside Shinobu Hashimoto and Hideo Ogumi. | |||||
1953 | Blow! Spring Wind | Fukeyo harukaze | Senkichi Taniguchi | Credited alongside Senkichi Taniguchi. | ||||
1954 | Seven Samurai | Shichinin no samurai | Akira Kurosawa | Credited alongside Shinobu Hashimoto and Hideo Ogumi. | ||||
1955 | Vanished Enlisted Man | Kieta chūtai | Akira Minura | Credited alongside Ryūzō Kikushima. | [8] | |||
I Live in Fear | Ikimono no kiroku | Akira Kurosawa | Credited alongside Shinobu Hashimoto and Hideo Ogumi. | |||||
Hiba Arborvitae Story | Asunaro monogatari | Hiromichi Horikawa | [9] | |||||
Sanshiro Sugata | Sugata Sanshirō | Shigeo Tanaka | First remake of Sanshiro Sugata (1943) based on Kurosawa's script. | |||||
1957 | Throne of Blood | Kumonosu-jō | Akira Kurosawa | Credited alongside Shinobu Hashimoto, Ryūzō Kikushima and Hideo Ogumi. Loosely based on Macbeth by William Shakespeare. | ||||
The Lower Depths | Donzoko | Akira Kurosawa | Credited alongside Hideo Oguni. Based on The Lower Depths by Maxim Gorky. | |||||
Three Hundred Miles through Enemy Lines | Tekichū ōdan sanbyaku ri | Issei Mori | Credited alongside Hideo Oguni.[10] | |||||
1958 | The Hidden Fortress | Kakushi toride no san akunin | Akira Kurosawa | Credited alongside Ryūzō Kikushima, Hideo Oguni, and Shinobu Hashimoto. | ||||
1959 | Saga of the Vagabonds | Sengoku guntōden | Toshio Sugie | Credited alongside Sadao Yamanaka. Based on a story by Juro Miyoshi. | ||||
1960 | The Bad Sleep Well | Warui yatsu hodo yoku nemuru | Akira Kurosawa | Credited alongside Hideo Oguni, Eijiro Hisata, Ryūzō Kikushima, and Shinobu Hashimoto. | ||||
1961 | Yojimbo | Yōjinbō | Akira Kurosawa | Credited alongside Hideo Oguni and Ryūzō Kikushima. | ||||
1962 | Sanjurō | Tsubaki Sanjurō | Akira Kurosawa | Credited alongside Hideo Oguni and Ryūzō Kikushima. Based on a novel by Shūgorō Yamamoto. | ||||
Fencing Master | Tateshi danpei | Harumi Mizuho | A remake of Fencing Master (1950), which was written by Kurosawa. | [11] | ||||
1963 | High and Low | Tengoku to jigoku | Akira Kurosawa | Credited alongside Hideo Oguni and Ryūzō Kikushima. Based on the novel King's Ransom by Ed McBain. | ||||
1964 | Jakoman and Tetsu | Jakoman to Tetsu | Kinji Fukasaku | A remake of Jakoman and Tetsu (1949), which was written by Kurosawa and Senkichi Taniguchi. Originally based on "Herring Fishery" by Keizo Kajino. | ||||
1965 | Red Beard | Akahige | Akira Kurosawa | Credited alongside Ryūzō Kikushima, Hideo Oguni, and Masato Ide. Based on the novel by Shūgorō Yamamoto. | ||||
Sanshiro Sugata | Sugata Sanshirō | Seiichirō Uchikawa | Second remake of Sanshiro Sugata (1943) based on Kurosawa's script. Kurosawa served as editor. | |||||
1970 | Tora! Tora! Tora! | Tora! Tora | Tora! | Richard Fleischer, Toshio Masuda, Kinji Fukasaku, Akira Kurosawa (portions removed) | Credit received by Larry Forrester, Hideo Oguni, Ryūzō Kikushima; Kurosawa's credit for directing and writing was removed after his firing in December 1969. Based on the books Tora! Tora | Tora by Gordon W. Prange and The Broken Seal by Ladislas Farago. | ||
Dodes'ka-den | Dodesukaden | Akira Kurosawa | Credited alongside Hideo Ogumi and Shinobu Hashimoto. Based on the novel The Town Without Seasons by Shūgorō Yamamoto. | |||||
1975 | Dersu Uzala | Derusu Uzāra | Akira Kurosawa | Japanese-Soviet co-production. Credited alongside Yuri Nagibin. Based on the novel Dersu Uzala by Vladimir Arsenyev. | ||||
1980 | Kagemusha | Kagemusha | Akira Kurosawa | Credited alongside Masato Ide. | ||||
1985 | Ran | Ran | Akira Kurosawa | French-Japanese co-production. Credited alongside Hideo Oguni and Masato Ide. Loosely based on the play King Lear by William Shakespeare. | ||||
Runaway Train | Andrei Konchalovsky | American production. Originally set to be directed by Kurosawa. Contributions by Ryūzō Kikushima and Hideo Oguni are uncredited. | ||||||
1990 | Dreams | Yume | Akira Kurosawa | Sole writer. | ||||
1991 | Rhapsody in August | Hachigatsu no rapusodī | Akira Kurosawa | Credited alongside Ishirō Honda. Based on the novel Nabe no naka by Kiyoko Murata. | ||||
1993 | Madadayo | Mādadayo | Akira Kurosawa | Credited alongside Ishirō Honda. Based on works by Hyakken Uchida. | ||||
2000 | After the Rain | Ame agaru | Takashi Koizumi | Posthumous script and final screenplay by Kurosawa. Based on a short story by Shūgorō Yamamoto. | ||||
Dora-heita | Doraheita | Kon Ichikawa | Credited alongside Kon Ichikawa, Keisuke Kinoshita, and Masaki Kobayashi. Based on the novel Diary of a Town Magistrate by Shuguro Yamamoto. | |||||
2002 | The Sea Is Watching | Umi wa miteta | Kei Kumai | Sole writer. Posthumous credit. | [12] |
In addition, Kurosawa wrote the following unproduced scripts, composed during the pre-war period in the 1930s and also the wartime period in the 1940s, either when he was still an assistant director or had just graduated to full director. Some of these won prizes in screenwriting contests, establishing his reputation as a promising talent even though they were never filmed.
Year | Romanization of Japanese Title | English Title | Director | Kurosawa's Credit |
---|---|---|---|---|
1936 | ||||
Shojo Hanazono | Paradise of the Virgin Flowers | Shigeo Yagura | Third Assistant Director | |
Enoken no senman chōja | Enoken's Ten Million (The Millionaire or Enoken the Millionaire) | Kajirō Yamamoto | Third Assistant Director | |
Zoku Enoken no senman chōja | Enoken's Ten Million Sequel | Kajirō Yamamoto | Third Assistant Director | |
Tōkyō rapusodi | Tokyo Rhapsody | Shū Fushimizu | Third Assistant Director | |
1937 | ||||
Sengoku guntō-den – Dai ichibu Tora-ōkami (Sengoku guntō-den – Zenpen Tora-ōkami) | Saga of the Vagabonds – Part One: Tiger-wolf | Eisuke Takizawa | Third Assistant Director | |
Sengoku guntō-den – Dai nibu Akatsuki no zenhin (Sengoku guntō-den – Kōhen Akatsuki no zenhin) | Saga of the Vagabonds – Part Two: Forward at Dawn | Eisuke Takizawa | Third Assistant Director | |
Otto no teisō – Haru kureba (Otto no teisō – Zenpen Haru kureba) | A Husband's Chastity – If Spring Comes | Kajirō Yamamoto | Third Assistant Director | |
Otto no teisō – Aki futatabi (Otto no teisō – Kōhen Aki futatabi) | A Husband's Chastity – Fall Again | Kajirō Yamamoto | Third Assistant Director | |
Nihon josei dokuhon | Japanese Women's Textbook | Kajirō Yamamoto (Volume I only) | Third Assistant Director (Volume I only) | |
Nadare | Avalanche | Mikio Naruse | Assistant Director | |
Enoken no chakkiri Kinta – Zenpen Mamayo sandogasa: Ikiha yoiyoi | Enoken's Chikiri Kinta Part 1 – Momma, the Hat: The Nice Way | Kajirō Yamamoto | Third Assistant Director | |
Enoken no chakkiri Kinta – Kōhen kaeri wa Kowai mateba hiyori | Enoken's Chikiri Kinta Part 2 – Returning Is Scary, but the Weather Will Clear If You Wait | Kajirō Yamamoto | Third Assistant Director | |
Utsukushiki taka | The Beautiful Hawk | Kajirō Yamamoto | Chief Assistant Director | |
1938 | ||||
Chinetsu | Subterranean Heat | Eisuke Takizawa | Chief Assistant Director | |
Tōjūrō no koi | Tojuro's Love | Kajirō Yamamoto | Chief Assistant Director | |
Tsuzurikata kyōshitsu | Composition Class | Kajirō Yamamoto | Chief Assistant Director | |
Enoken no bikkuri jinsei | Enoken's Surprising Life | Kajirō Yamamoto | Chief Assistant Director | |
1939 | ||||
Enoken no gatchiri jidai | Enoken's Shrewd Period | Kajirō Yamamoto | Chief Assistant Director | |
Chūshingura – Kōhen | Chushingura Part 2 | Kajirō Yamamoto | Chief Assistant Director | |
Nonki Yokochō | Easy Alley | Kajirō Yamamoto | Chief Assistant Director | |
1940 | ||||
Roppa no shinkon ryokō | Roppa's Honeymoon | Kajirō Yamamoto | Chief Assistant Director | |
Enoken no zangiri Kinta | Enoken's Cropped Kinta | Kajirō Yamamoto | Chief Assistant Director | |
Songokū – Zenpen | Songoku Part 1 | Kajirō Yamamoto | Chief Assistant Director | |
Songokū – Kōhen | Songoku Part 2 | Kajirō Yamamoto | Chief Assistant Director | |
1941 | ||||
Uma | Horse | Kajirō Yamamoto | Second Unit Director (Also, editor, co-screenwriter and co-director (uncredited)) |
Kurosawa edited all his own films, though he only occasionally took screen credit for it. There are, however, a few instances in which he edited the work of others, as listed below.
During the mid-to-late 1940s, for the first and apparently the only time in his career, Akira Kurosawa involved himself in a number of theater-related projects.
Prior to writing the screenplay to his film, Stray Dog (Nora Inu, 1949), Kurosawa created, in about six weeks, a novel based on the same story (presumably also called Stray Dog), which he never published. It was written in the style of one of his favorite writers, the French crime author Georges Simenon. Writing it was supposed to help him compose the script as quickly as possible, but he found that writing the screenplay took even longer than usual because of the complex differences between literature and film.
In 1980, inspired by the memoir of one of his heroes, Jean Renoir, he began to publish in serial form his autobiography, entitled Gama no abura (An Oily Toad). The book deals with the period from the director's birth to his winning the Golden Lion for Rashomon from the Venice Film Festival in 1951; the period from 1951 through 1980 is not covered. The title of the book is a reference to a legend according to which, if one places a deformed toad in a box full of mirrors, it will become so afraid of its own reflection that it will begin to sweat, and this sweat allegedly had medicinal properties. Kurosawa compared himself to the toad, nervous about having to contemplate, through the process of writing his life story, his own multiple "reflections." It was published as a book in Japan in 1981, and in English translation the following year under the title Something Like an Autobiography. The book's appearance coincided with the revival of interest in Kurosawa's work following the international release of Kagemusha.
In 1999, his book, Yume wa tensai de aru (A Dream Is a Genius) was published posthumously. It has not been translated into English, except for Chapter 3. This chapter consists of a selection of 100 of the director's favorite films, listed in chronological order, with detailed commentaries on each film, all given at the request of Kurosawa's daughter, Kazuko. (Since he deliberately limits himself to one film per director, however, the list emerges as more of a "favorite directors" list than a "greatest films" list.) This chapter, but not the remainder of the book, can be found in English on the Internet.
Complete Drawings (with text in Japanese) was published by Shogakukan in 1999.
The screenplays of many of Kurosawa's films have been published in English. For further information, consult the Wikipedia articles relating to the individual films.
A documentary about horses called Song of the Horse (or Uma no Uta), directed by Kurosawa, was broadcast in Japan, supposedly on August 31, 1970 (Kurosawa otherwise totally avoided working in television). Very little is known about the film, and its release date is even in question. For instance, though the film is often said to have aired in August 1970, it is thought that the film features footage of events that did not take place until the summer of 1971. It was considered a lost film for decades and was not available on home video in any form.[13]