The following is a sortable list of compositions by Rebecca Clarke, drawn largely from the lists found on the website of the Rebecca Clarke Society.[1] The works are categorized and sortable by genre, date of composition, and title.
| Genre | Date | width= | Title | width= | Scoring | width= | Notes | width= | Publisher / owner |
|---|---|---|---|---|---|---|---|---|---|
| Orchestral | 1941 | Combined Carols | for string orchestra | original for 2 violins, viola and cello | |||||
| Chamber music | 1907–1908 | Danse bizarre | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate | ||||
| Chamber music | 1907–1908 | Prelude | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate | ||||
| Chamber music | 1907–1908 | Nocturne | for 2 violins and piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | Rebecca Clarke Estate | ||||
| Chamber music | 1907–1908 | Finale | for 2 violins and piano | incomplete | Rebecca Clarke Estate | ||||
| Chamber music | 1907–1909 | Sonata | for violin and piano | in one movement | Rebecca Clarke Estate | ||||
| Chamber music | 1908–1909 | Sonata | for violin and piano | Rebecca Clarke Estate | |||||
| Chamber music | 1909 | Lullaby | for viola and piano | Oxford University Press | |||||
| Chamber music | 1913 | Lullaby on an Ancient Irish Tune | for viola and piano | Oxford University Press | |||||
| Chamber music | ca. 1916 | 2 Pieces | for viola (or violin) and cello | Oxford University Press | |||||
| Chamber music | 1917–1918 | Morpheus | for viola and piano | composed under the pseudonym "Anthony Trent" Morpheus is the Greek god of dreams. | Oxford University Press | ||||
| Chamber music | 1917–1918 | Untitled Work | for viola and piano | Oxford University Press | |||||
| Chamber music | 1918 | Lullaby | for viola and piano | Oxford University Press | |||||
| Chamber music | 1919 | for viola (or cello) and piano | Chester Music DaCapo Press Hildegard Publishing | ||||||
| Chamber music | 1921 | Chinese Puzzle | for violin (or viola) and piano | Oxford University Press | |||||
| Chamber music | 1921, 1925 | Chinese Puzzle | for flute, violin, viola and cello | original for violin and piano | Oxford University Press | ||||
| Chamber music | ?1921 | Epilogue | for cello and piano | Oxford University Press | |||||
| Chamber music | 1921 | Piano Trio | for violin, cello and piano | Winthrop Rogers DaCapo Press Boosey & Hawkes | |||||
| Chamber music | 1923 | Rhapsody | for cello and piano | Library of Congress | |||||
| Chamber music | 1924 | Comodo et amabile | for 2 violins, viola and cello | Oxford University Press | |||||
| Chamber music | 1924 | Midsummer Moon | for violin and piano | Oxford University Press | |||||
| Chamber music | 1926 | Poem | for 2 violins, viola and cello | Oxford University Press | |||||
| Chamber music | ca. 1940 | Untitled Works | for 2 instruments | 2 compositional studies; unfinished | |||||
| Chamber music | 1941 | Combined Carols | for 2 violins, viola and cello | also arranged for string orchestra | Rebecca Clarke Estate | ||||
| Chamber music | ?1940–1941 | Passacaglia on an Old English Tune in C minor | for viola (or cello) and piano | G. Schirmer Chappell Music Hildegard Publishing | |||||
| Chamber music | 1941 | Prelude, Allegro and Pastorale | for viola and clarinet | Oxford University Press | |||||
| Chamber music | ?1941 | Dumka | for violin, viola and piano | Oxford University Press | |||||
| Chamber music | 1944 | I'll Bid My Heart Be Still (Old Scottish Border Melody) | for viola and piano | Oxford University Press | |||||
| Piano | 1907–1908 | Theme and Variations | for piano | once believed lost; found in the Rebecca Clarke estate; premiered in 2003 | |||||
| Piano | ?1930 | Cortège | for piano | revised 1970s | |||||
| Choral | ca. 1906 | Now Fie on Love | for male chorus | Oxford University Press | |||||
| Choral | 1907 | Music, When Soft Voices Die | for mixed chorus | Oxford University Press | |||||
| Choral | ca. 1908 | A Lover's Dirge | for mixed chorus | Oxford University Press | |||||
| Choral | ca. 1909 | The Owl (When Cats Run Home and Light Is Come) | for mixed chorus | ||||||
| Choral | ca. 1911–1912 | Come, Oh Come, My Life's Delight | for mixed chorus | words by Thomas Campion; also for voice and piano | Oxford University Press | ||||
| Choral | ca. 1911–1912 | My Spirit Like a Charmed Bark Doth Float | for mixed chorus | Oxford University Press | |||||
| Choral | ca. 1911–1912 | Weep You No More Sad Fountains | for mixed chorus | words by anonymous (John Dowland?); also for voice and piano | |||||
| Choral | ca. 1914 | Philomela | for mixed chorus | Oxford University Press | |||||
| Choral | 1921 | He That Dwelleth in the Secret Place (Psalm 91) | for SATB soloists and mixed chorus | ||||||
| Choral | 1928 | There Is No Rose of Such Virtue | for baritone solo and alto, tenor, baritone, bass chorus | after a 15th-century English carol | Oxford University Press | ||||
| Choral | ca. 1937 | Ave Maria | for female chorus | ||||||
| Choral | ca. 1943 | Chorus from Hellas | for female chorus | Oxford University Press | |||||
| Vocal | ca. 1903 | Wandrers Nachtlied | for voice and piano | ||||||
| Vocal | 1904 | Ah, for the Red Spring Rose | for voice and piano | ||||||
| Vocal | 1904 | Aufblick | for voice and piano | ||||||
| Vocal | 1904 | Shiv and the Grasshopper | for voice and piano | ||||||
| Vocal | ca. 1904 | Chanson | for voice and piano | ||||||
| Vocal | ca. 1904 | Klage | for voice and piano | ||||||
| Vocal | ca. 1904 | O Welt | for voice and piano | ||||||
| Vocal | ca. 1904 | Stimme im Dunkeln | for voice and piano | ||||||
| Vocal | 1905 | Du | for voice and piano | ||||||
| Vocal | ca. 1905 | The Moving Finger Writes | for voice and piano | ||||||
| Vocal | ca. 1905 | Oh, Dreaming World | for voice and piano | ||||||
| Vocal | ca. 1905 | Wiegenlied | for voice, violin and piano | ||||||
| Vocal | 1906 | Durch die Nacht | for voice and piano | ||||||
| Vocal | ca. 1906 | Nach einem Regen | for voice and piano | ||||||
| Vocal | ca. 1907 | Das Ideal | for voice and piano | ||||||
| Vocal | 1907 | Magna est veritas | for voice and piano | ||||||
| Vocal | 1907 | Manche Nacht | for voice and piano | ||||||
| Vocal | 1907 | Nacht für Nacht | for 2 voices and piano | ||||||
| Vocal | 1907 | Vergissmeinnicht | for voice and piano | ||||||
| Vocal | ca. 1909 | Spirits | for 2 high voices and piano | ||||||
| Vocal | ca. 1910 | The Color of Life | for voice and piano | words from traditional Chinese writings | |||||
| Vocal | ca. 1910 | Return of Spring | for voice and piano | words from traditional Chinese writings | |||||
| Vocal | ca. 1910 | Tears | for voice and piano | words from traditional Chinese writings | |||||
| Vocal | ca. 1911 | The Folly of Being Comforted | for voice and piano | ||||||
| Vocal | ca. 1911–1912 1926 | Come, Oh Come, My Life's Delight | for voice and piano | words by Thomas Campion; original version for mixed chorus | |||||
| Vocal | ca. 1912 | The Cloths of Heaven | for voice and piano | ||||||
| Vocal | ca. 1912 | Shy One | for voice and piano | ||||||
| Vocal | ca. 1912 | Weep You No More Sad Fountains | for voice and piano | words by anonymous (John Dowland?); also for mixed chorus | Oxford University Press | ||||
| Vocal | ca. 1912–1913 | Away Delights | for 2 voices and piano | ||||||
| Vocal | ca. 1912–1913 | Hymn to Pan | for tenor, baritone and piano | ||||||
| Vocal | ca. 1913 | Infant Joy | for voice and piano | ||||||
| Vocal | 1919 | Down by the Salley Gardens | for voice and piano | words by William Butler Yeats; also for voice and violin | |||||
| Vocal | 1920 | Psalm 63 | for voice and piano | ||||||
| Vocal | 1922 | The Seal Man | for voice and piano | Winthrop Rogers Boosey & Hawkes | |||||
| Vocal | 1924 | Three Old English Songs | for voice and violin | Boosey & Hawkes | |||||
| Vocal | 1925 | June Twilight | for voice and piano | ||||||
| Vocal | 1926 | A Dream | for voice and piano | ||||||
| Vocal | 1926 | Poem (Adagio) | for voice and string quartet | Oxford University Press | |||||
| Vocal | 1926 | Sleep | for tenor, baritone and piano | words by John Fletcher; 2 versions | |||||
| Vocal | 1926 | Three Irish Country Songs | for voice and violin | ||||||
| Vocal | ca. 1926 | Take, O Take Those Lips Away | for tenor, baritone and piano | ||||||
| Vocal | 1927 | The Cherry-blossom Wand | for voice and piano | Oxford University Press | |||||
| Vocal | 1927 | Eight O'clock | for voice and piano | ||||||
| Vocal | ca. 1928 | Greeting | for voice and piano | ||||||
| Vocal | 1929 | The Aspidistra | for voice and piano | ||||||
| Vocal | 1929 | Cradle Song | for voice and piano | Oxford University Press | |||||
| Vocal | 1929–1933 | The Tiger (Tiger, Tiger) | for voice and piano | ||||||
| Vocal | ca. 1940 | Binnorie | for voice and piano | words after a traditional ballad The Twa Sisters | |||||
| Vocal | ca. 1940 | Daybreak | for voice and string quartet | Prairie Dawg Press | |||||
| Vocal | 1941 | Lethe | for voice and piano | ||||||
| Vocal | 1942 | The Donkey | for voice and piano | ||||||
| Vocal | 1919, 1950s | Down by the Salley Gardens | for voice and violin | words by William Butler Yeats; original for voice and violin | |||||
| Vocal | 1954 | God Made a Tree | for voice and piano | words by Katherine Kendall | |||||
| Vocal | Up-Hill | for voice and piano |