This is a complete list of the compositions by the Italian composer Ottorino Respighi (1879–1936).
This list can be sorted by catalogue number (P), year composed, title, and genre.
Catalog numbers were attributed by, an Italian musicologist who dedicated most of his activity to the study of the works of Respighi.
Cat. | Year | Title | Genre | Notes | |
---|---|---|---|---|---|
P 001 | 1893 | Piccola ouverture | Orchestra: small orchestra | ||
P 002 | 1894 | Preludio | Orchestra: small orchestra | ||
P 003 | 1894 | Harmonics schoolwork | Schoolwork | ||
P 004 | 1895 | Harmonics schoolwork | Schoolwork | ||
P 005 | 1896 | Polyphony schoolwork | Schoolwork | ||
P 006 | 1896 | Andante | Chamber music: piano | ||
P 007 | 1896 | Andante | Chamber music: piano | ||
P 008 | 1896 | L'ultima ebbrezza! | Song: voice and instrument | Romance for piano and soprano. Text by Ada Negri | |
P 009 | 1896 | Lagrime! | Song: voice and instrument | Romance for piano and tenor. Text by Ada Negri | |
P 010 | 1896 | Allegro da concerto in B minor | Chamber music: piano | ||
P 011 | 1896 | Notturno | Song: voice and instrument | Romance for piano and tenor. Text by Ada Negri | |
P 012 | 1897 | Tanto bella! | Song: voice and instrument | Romance for piano and tenor | |
P 013 | 1897 | Gösdemlan (Scorze di melone) | Chamber music: piano | Piano four hands | |
P 014 | 1897 | Counterpoint schoolwork | Schoolwork | ||
P 015 | 1897 | Sonata in D minor | Chamber music | For violin and piano | |
P 016 | 1897 | Sonata in F minor | Chamber music: piano | ||
P 017 | 1897 | Salutazione angelica | Song: choir, voice and orchestra | For soprano, choir and orchestra | |
P 018 | 1898 | String quartet no. 1 in D major | Chamber music | ||
P 019 | 1898 | Cortège | Chamber music | For string quartet. After Moritz Moszkowski | |
P 020 | 1898 | String quartet no. 2 in B flat major | Chamber music | ||
P 021 | 1898 | Quintet in G minor | Chamber music | For wind instruments | |
P 022 | 1898 | Suite No. 1 in G major | Chamber music: piano | ||
P 023 | 1898 | Preludio con fuoco in B flat minor / Fuga reale a tre voci in C major | Chamber music: piano | ||
P 024 | 1899 | Christus | Song: choir, voice and orchestra | Cantata in 2 parts | |
P 025 | 1899 | Fuga reale | Schoolwork | For 4 voices | |
P 026 | 1900 | Fuga | Schoolwork | For string quartet | |
P 027 | 1900 | Double quartet in D minor | Chamber music | For 4 violins, 2 violas, 2 cellos | |
P 028 | 1900 | Symphonic variations | Orchestra: large orchestra | ||
P 029 | 1900 | I persiani | Song: choir, voice and orchestra | Cantata. After Aeschylus. (First version) | |
P 030 | 1901 | Preludio, corale e fuga | Orchestra: large orchestra | ||
P 031 | 1901 | Sei pezzi 1. Berçeuse 2. Melodia 3. Leggenda 4. Valse caressante 5. Serenata 6. Aria | Chamber music | For violin and piano | |
P 032 | 1901 | Aria | Orchestra: string orchestra | For strings and organo | |
P 033 | 1901 | String quintet | Chamber music | Unfinished | |
P 034 | 1901 | Suite in E major | Orchestra: large orchestra | Revision: P 051 | |
P 035 | 1902 | Quintet in F minor | Chamber music | For piano and string quartet | |
P 036 | 1902 | Leggenda | Orchestra: instrument and orchestra | For violin and orchestra | |
P 037 | 1902 | Waltz in C sharp minor | Chamber music: piano | For piano four hands | |
P 038 | 1902 | Berçeuse | Chamber music | For strings | |
P 039 | 1902 | Miranda | Song: voice and instrument | For voice and piano. Text by Antonio Fogazzaro | |
P 040 | 1902 | Piano Concerto in A minor | Orchestra: instrument and orchestra | ||
P 041 | 1902 | Suite | Orchestra: string orchestra | For strings | |
P 042 | 1902 | Melodia e Valse caressante | Orchestra: instrument and orchestra | For flute and strings | |
P 043 | 1903 | Suite | Chamber music: piano | ||
P 044 | 1903 | Sei pezzi 1. Valse caressante 2. Canone 3. Notturno 4. Minuetto 5. Studio 6. Intermezzo-Serenata Preludio in D minor, p043a | Chamber music: piano | ||
P 045 | 1903 | Humoreske | Orchestra: instrument and orchestra | For violin and orchestra | |
P 046 | 1903 | String quartet in D flat major | Chamber music | ||
P 047 | 1903 | Minuetto | Orchestra: string orchestra | For strings | |
P 048 | 1903 | Di sera | Orchestra: instrument and orchestra | Adagio for 2 oboes and strings | |
P 049 | 1903 | Violin Concerto in A major | Orchestra: instrument and orchestra | ||
P 050 | 1903 | Fantasia slava in G minor | Orchestra: instrument and orchestra | For piano and orchestra | |
P 051 | 1903 | Suite in E major 1. Adagio - Allegro vivo 2. Adagio 3. Allegretto vivace 4. Allegro energico | Orchestra: large orchestra | Revision of P 034 | |
P 052 | 1904 | Storia breve | Song: voice and instrument | For mezzo-soprano and piano. Text by Ada Negri | |
P 053 | 1904 | String quartet no. 3 in D major | Chamber music | ||
P 054 | 1904 | Serenata | Orchestra: small orchestra | ||
P 055 | 1905 | Re Enzo | Opera | Libretto by Alberto Donini | |
P 056 | 1905 | Preludio | Chamber music | For organ | |
P 057 | 1905 | Suite. Pour instruments d'archet et flûte | Orchestra: instrument and orchestra | For flute and strings | |
P 058 | 1905 | Suite in G major 1. Preludio 2. Aria 3. Pastorale 4. Cantico | Orchestra: string orchestra | For strings and organ | |
P 059 | 1906 | Burlesca | Orchestra: large orchestra | ||
P 060 | 1906 | I persiani | Song: choir, voice and orchestra | Cantata. After Aeschylus. (Second version) | |
P 061 | 1906 | Quartet in D major | Chamber music | For quinton, viola d'amore, viola da gamba, viola da basso | |
P 062 | 1906 | Cinque pezzi 1. Romanza 2. Aubade 3. Madrigale 4. Berçeuse 5. Humoresque | Chamber music | For violin and piano | |
P 063 | 1906 | Luce | Song: voice and instrument | For mezzo-soprano and piano. Text by Ada Negri | |
P 064 | 1906 | Nebbie | Song: voice and instrument | For mezzo-soprano and piano. Text by Ada Negri | |
P 065 | 1906 | Nevicata | Song: voice and instrument | For mezzo-soprano and piano. Text by Ada Negri | |
P 066 | 1906 | Contrasto | Song: voice and instrument | For mezzo-soprano and piano. Text by Carlo Zangarini | |
P 067 | 1906 | Invito alla danza | Song: voice and instrument | For mezzo-soprano and piano. Text by Carlo Zangarini | |
P 068 | 1906 | Scherzo | Song: voice and instrument | For soprano and piano. Text by Carlo Zangarini | |
P 069 | 1906 | Stornellatrice | Song: voice and instrument | For soprano and piano. Text by Carlo Zangarini and Alberto Donini | |
P 070 | 1906 | Stornello from Re Enzo | Song: voice and instrument | For 1/2 voices and piano. Text by Alberto Donini | |
P 071 | 1906 | Cinque canti all'antica 1. L'udir talvolta (text by Giovanni Boccaccio) 2. Ma come potrei (text by Giovanni Boccaccio) 3. Ballata (text by Giovanni Boccaccio) 4. Bella porta di rubini 5. Canzone di Re Enzo (text by Alberto Donini) | Song: voice and instrument | For mezzo-soprano and piano | |
P 072 | 1906 | Sonata II | Transcriptions | For viola d'amore and cembalo. Original music by Attilio Ariosti | |
P 073 | 1906 | Sonata VI in D major | Transcriptions | For viola d'amore and cembalo. Original music by Attilio Ariosti | |
P 074 | 1907 | Notturno | Orchestra: large orchestra | ||
P 075 | 1908 | Concerto all'antica | Orchestra: instrument and orchestra | For violin and orchestra. Also known as Concerto in stile antico | |
P 076 | 1908 | Al mulino | Opera | Unfinished. Libretto by Alberto Donini | |
P 077 | 1908 | Sonata VI | Transcriptions | For violin and piano. Original music by Pietro Locatelli | |
P 078 | 1908 | Sonata in C | Transcriptions | For violin and piano. Original music by Nicola Porpora | |
P 079 | 1908 | Pastorale | Transcriptions | For violin and piano. Original music by Giuseppe Tartini | |
P 080 | 1908 | Sonata in E | Transcriptions | For violin and piano. Original music by Giuseppe Tartini | |
P 081 | 1908 | Sonata in A minor | Transcriptions | For violin and piano. Original music by Francesco Maria Veracini | |
P 082 | 1908 | Sonata VI | Transcriptions | For violin and piano. Original music by Francesco Maria Veracini | |
P 083 | 1908 | Sonata VII | Transcriptions | For violin and piano. Original music by Francesco Maria Veracini | |
P 084 | 1908 | Sonata in re F XIII n. 6 | Transcriptions | For violin and piano. Original music by Antonio Vivaldi | |
P 085 | 1908 | Sonata in E minor | Transcriptions | For violin, strings and organ. Original music by Johann Sebastian Bach | |
P 086 | 1908 | Pastorale | Transcriptions | For violin and strings. Original music by Giuseppe Tartini | |
P 087 | 1908 | Ciaccona | Transcriptions | For violin, strings and organ. Original music by Tomaso Antonio Vitali | |
P 088 | 1908 | Il lamento di Arianna | Transcriptions | Harmonization and orchestration by Repighi. Original music by Claudio Monteverdi | |
P 089 | 1909 | Sei melodie 1. In alto mare (text by Enrico Panzacchi) 2. Abbandono (text by Annie Vivanti) 3. Mattinata (text by Gabriele D'Annunzio) 4. Povero cor (text by Arturo Graf) 5. Si tu veux (text by Victor Hugo) 6. Soupir (text by Sully Prudhomme) | Song: voice and instrument | For voice and piano | |
P 090 | 1909 | Sei liriche 1. O falce di luna 2. Van li effluvi de le rose (text by Gabriele D'Annunzio) 3. Au milieu du jardin (text by Jean Moréas) 4. Nöel ancien 5. Serenata indiana (text by P. B. Shelley) 6. Pioggia (text by Vittoria Aganoor Pompilj) | Song: voice and instrument | For mezzo-soprano and piano. First series | |
P 091 | 1909 | String quartet in D minor (Ernst ist das Leben, heiter ist die Kunst) | Chamber music | ||
P 092 | 1910 | Tre pezzi | Chamber music | For organ | |
P 093 | 1910 | Pietà ti prenda, mio Dio | Transcriptions | Aria for contralto. After Bach's St Matthew Passion | |
P 094 | 1910 | Semirâma | Opera | Libretto by Alessandro Cerè | |
P 094a | 1910 | Semirâma | Song: voice and instrument | Version for voice and piano of the opera P 094 | |
P 095 | 1911 | Aretusa | Song: voice and orchestra | Poemetto lirico for mezzo-soprano and orchestra. Text after P. B. Shelley | |
P 095a | 1911 | Aretusa | Song: voice and instrument | Version for voice and piano of P 095 | |
P 096 | 1911 | E se un giorno tornasse... | Song: voice and instrument | Recitativo per mezzo-soprano. Text by Vittoria Aganoor Pompilj | |
P 097 | 1912 | Sei liriche 1. Notte (text by Ada Negri) 2. Su una violetta morta (text by P. B. Shelley) 3. Le repos en Égypte (text by Albert Samain) 4. Noël ancien (n. 2) 5. Piccola mano bianca 6. Nel giardino (text by Francesco Rocchi) | Song: voice and instrument | For mezzo-soprano and piano. Second series | |
P 098 | 1912 | Antiche cantate d'amore 1. Al tramontar del giorno (original music by Bernardo Pasquini) 2. Quanta invidia mi fai (original music by Benedetto Marcello) 3. Cantata (original music by Benedetto Marcello) 4. Son come farfallette 5. Evviva Rosabella (original music by Baldassare Galuppi) | Transcriptions | For voice and piano | |
P 099 | 1914 | Ouverture carnevalesca | Orchestra: large orchestra | ||
P 100 | 1914 | Marie Victoire | Opera | Libretto by Edmond Guiraud | |
P 101 | 1914 | Il tramonto | Song: voice and orchestra | Poemetto lirico for mezzo-soprano and string quartet. Text after P. B. Shelley | |
P 101a | 1914 | Il tramonto | Song: voice and instrument | Version for voice and piano of P 101 | |
P 102 | 1914 | Sinfonia drammatica | Orchestra: large orchestra | ||
P 103 | 1915 | Quattro rispetti toscani 1. Quando nasceste voi 2. Venitelo a vedere 'l mí piccino 3. Viene di là, lontano lontano 4. Razzolan, sopra a l'aia, le galline | Song: voice and instrument | For soprano and piano. Text by Arturo Birga | |
P 104 | 1915 | La sensitiva | Song: voice and orchestra | Poema lirico for mezzo-soprano and orchestra. Text after P. B. Shelley | |
P 104a | 1915 | La sensitiva | Song: voice and instrument | Version for voice and piano of P 104 | |
P 105 | 1915 | Canzone e danza. Sopra temi popolari russi per coro e orchestra. La canzone degli alatori e la canzone della strada | Song: choir, voice and orchestra | ||
P 105b | 1916 | Toccata in D Dorian | Chamber music: piano | ||
P 106 | 1916 | Fontane di Roma 1. La fontana di Valle Giulia all'alba 2. La fontana del Tritone al mattino 3. La fontana di Trevi al meriggio 4. La fontana di Villa Medici al tramonto | Orchestra: large orchestra | Symphonic poem | |
P 107 | 1917 | Deità silvane 1. I fauni 2. Musica in horto 3. Egle 4. Acqua 5. Crepuscolo | Song: voice and instrument | For soprano and piano. Text by Antonio Rubino | |
P 108 | 1917 | Cinque liriche 1. I tempi assai lontani 2. Canto funebre (text by P. B. Shelley) 3. Par les soires 4. Par l'etreinte (text by Jacques de Fersen) 5. La fine (text by Rabindranath Tagore) | Song: voice and instrument | For voice and piano | |
P 109 | 1917 | Antiche danze ed arie per liuto. Prima suite (secolo XVI) 1. Balletto detto "Il conte Orlando" (original music by Simone Molinaro) 2. Gagliarda (original music by Vincenzo Galilei) 3. Villanella 4. Passo mezzo e mascherada | Transcriptions | For orchestra | |
P 110 | 1917 | Violin Sonata in B minor | Chamber music | For violin and piano | |
P 111 | 1917 | Passacaglia | Transcriptions | For piano. Original music for organ by Girolamo Frescobaldi | |
P 112 | 1917 | Preludio e fuga in G minor | Transcriptions | For piano. Original music for organ by Girolamo Frescobaldi | |
P 113 | 1917 | Toccata e fuga in A minor | Transcriptions | For piano. Original music for organ by Girolamo Frescobaldi | |
P 114 | 1917 | Antiche danze ed arie per liuto. Prima suite (secoli XVI-XVII) 1. Balletto detto "Il conte Orlando" (original music by Simone Molinaro) 2. Villanella 3. Gagliarda (original music by Vincenzo Galilei) 4. Italiana 5. Siciliana 6. Passacaglia (original music by Ludovico Roncalli) | Transcriptions | For piano | |
P 115 | 1917 | Fontane di Roma | Chamber music: piano | Version for piano four hands of P 106 | |
P 116 | 1917 | Antiche danze ed arie per liuto. Prima suite (secolo XVI) | Transcriptions | Version for piano four hands of P 114 | |
P 117 | 1918 | Ai lancieri "Vittorio Emanuele II" | Song: choir, voice and orchestra | Hymn for voices and trumpets | |
P 118 | 1918 | Nun komm der Heiden Heiland | Transcriptions | For violin, cellos and double basses. Original music by Johann Sebastian Bach, on "Nun komm, der Heiden Heiland" | |
P 119 | 1918 | Il flauto di Pane | Song: voice and orchestra | ||
P 120 | 1918 | La Boutique fantasque | Ballet | After music by Gioachino Rossini | |
P 120a | 1918 | La Boutique fantasque | Chamber music: piano | Version for piano of P 120 | |
P 121 | 1919 | La donna sul sarcofago | Song: voice and instrument | For voice and piano. Text by Gabriele D'Annunzio | |
P 122 | 1919 | La statua | Song: voice and instrument | For voice and piano. Text by Gabriele D'Annunzio | |
P 123 | 1919 | Due liriche 1. Voici Noël 2. Il pleut, bergère (after L'hymnaire d'Adonis by J. de Fersen) | Song: voice and instrument | For voice and piano | |
P 124 | 1919 | Ballata delle gnomidi in A major | Orchestra: large orchestra | Symphonic poem after a text by Carlo Clausetti | |
P 125 | 1920 | Quattro liriche 1. Un sogno 2. La Najade 3. La sera 4. Sopra un'aria antica | Song: voice and instrument | For voice and piano. Text from Il poema paradisiaco by Gabriele D'Annunzio | |
P 126 | 1920 | Le astuzie femminili | Transcriptions | Opera by Domenico Cimarosa revised by Respighi | |
P 127 | 1920 | Intermezzo from La serva padrona | Transcriptions | Original music by Giovanni Paisiello | |
P 128 | 1920 | Sèvres de la vieille France | Ballet | ||
P 128a | 1920 | Sèvres de la vieille France | Chamber music: piano | Piano version of P 128 | |
P 129 | 1920 | La pentola magica | Ballet | ||
P 129a | 1920 | La pentola magica | Chamber music: piano | Piano version of P 129 | |
P 130 | 1920 | Scherzo veneziano | Ballet | ||
P 131 | 1920 | Tre preludi sopra melodie gregoriane | Chamber music: piano | ||
P 132 | 1921 | Quattro liriche su parole di poeti armeni. 1. No, non è morto il figlio tuo 2. La mamma è come il pane caldo 3. Io sono la madre (text by Costant Zarian) 4. Mattino di luce, sole di giustizia | Song: voice and instrument | For voice and piano | |
P 133 | 1921 | Adagio con variazioni | Orchestra: instrument and orchestra | For cello and orchestra | |
P 134 | 1921 | La bella addormentata nel bosco | Opera | Libretto by Gian Bistolfi. Marionette version of P 176 | |
P 135 | 1921 | Concerto gregoriano | Orchestra: instrument and orchestra | For violin and orchestra | |
P 135a | 1921 | Concerto gregoriano | Chamber music | Version for violin and piano of P 135 | |
P 136 | 1922 | La primavera | Song: choir, voice and orchestra | Lyric poem | |
P 136a | 1922 | La primavera | Song: voice and instrument | Version for voice and piano of P 136 | |
P 137 | 1922 | Belfagor | Opera | Libretto by Claudio Guastalla | |
P 138 | 1923 | Antiche danze e arie per liuto. Seconda suite (secoli XVI-XVII) 1. Laura soave (original music by Fabritio Caroso) 2. Danza rustica (original music by Jean-Baptiste Besard) 3. Campanae parisienses (unknown author) - Aria (original music by Marin Mersenne) 4. Bergamasca (original music by Bernardo Gianoncelli) | Transcriptions | For orchestra | |
P 139 | 1923 | Antiche danze e arie per liuto. Seconda suite (secoli XVI-XVII) | Transcriptions | Piano version of P 138 | |
P 140 | 1924 | Belfagor | Orchestra: large orchestra | Ouverture from P 137 | |
P 141 | 1924 | Pini di Roma 1. I pini di villa Borghese 2. I pini presso una catacomba 3. I pini del Gianicolo 4. I pini della Via Appia | Orchestra: large orchestra | Symphonic poem | |
P 142 | 1924 | Pini di Roma | Chamber music: piano | Version for piano four hands of P 141 | |
P 143 | 1924 | Quattro arie scozzesi 1. Wen the Key come Hame 2. Within a Mile of Edinburgh 3. My Heart in the Highlands 4. The Pipe of Dundee | Song: voice and instrument | For voice and piano | |
P 144 | 1924 | Quartetto dorico | Chamber music | For string quartet | |
P 145 | 1925 | Concerto in modo misolidio | Orchestra: instrument and orchestra | For piano and orchestra | |
P 145a | 1925 | Concerto in modo misolidio | Chamber music: piano | Version for two pianos of P 145 | |
P 146 | 1925 | Poema autunnale | Orchestra: instrument and orchestra | For violin and orchestra | |
P 146a | 1925 | Poema autunnale | Chamber music | Version for violin and piano of P 146 | |
P 147 | 1925 | Deità silvane 1. I fauni 2. Musica in horto 3. Egle 4. Acqua 5. Crepuscolo | Song: voice and orchestra | Lyrics for soprano and chamber orchestra | |
P 148 | 1925 | Rossiniana 1. Capri e Taormina 2. Lamento 3. Intermezzo 4. Tarantella puro sangue | Orchestra: large orchestra | Orchestral suite after Les riens by Gioachino Rossini | |
P 149 | 1926 | Sei pezzi per bambini 1. Romanza 2. Canto di caccia siciliano 3. Canzone armena 4. Natale, Natale! 5. Cantilena scozzese 6. Piccoli Highlanders | Chamber music: piano | For piano four hands | |
P 150 | 1926 | Vetrate di chiesa. Quattro impressioni per orchestra 1. La fuga in Egitto 2. S. Michele Arcangelo 3. Il mattutino di S. Chiara 4. S. Gregorio Magno | Orchestra: large orchestra | ||
P 151 | 1927 | Trittico botticelliano 1. La Primavera 2. L'adorazione dei Magi 3. La nascita di Venere | Orchestra: small orchestra | ||
P 152 | 1927 | La campana sommersa | Opera | Libretto by Claudio Guastalla | |
P 153 | 1928 | Impressioni brasiliane (Suite brasiliana) 1. Notte tropicale 2. Butantan 3. Canzone e danza | Orchestra: large orchestra | ||
P 154 | 1928 | Gli uccelli 1. Preludio (after music by Bernardo Pasquini) 2. La colomba (after music by Jacques de Gallot) 3. La gallina (after music by Jean-Philippe Rameau) 4. L'usignolo 5. Il cucú (after music by Bernardo Pasquini) | Orchestra: small orchestra | Suite for small orchestra | |
P 154a | 1928 | Gli uccelli | Chamber music: piano | Piano version of P 154 | |
P 155 | 1928 | Canzone sarda | Song: voice and instrument | For voice and piano | |
P 156 | 1928 | Toccata | Orchestra: instrument and orchestra | For piano and orchestra | |
P 157 | 1928 | Feste Romane 1. Circenses 2. Il Giubileo 3. L'Ottobrata 4. La Befana | Orchestra: large orchestra | Symphonic poem | |
P 158 | 1929 | Preludio e fuga in D major | Transcriptions | For orchestra. Original music by Johann Sebastian Bach | |
P 159 | 1930 | Passacaglia | Transcriptions | For orchestra. Original music by Johann Sebastian Bach | |
P 160 | 1930 | 5 Etude-tableaux | Transcriptions | Orchestration by Respighi. Original music by Sergei Rachmaninoff | |
P 161 | 1930 | Vocalism | Song: voice and instrument | For soprano or tenor and piano | |
P 162 | 1930 | Vocalism | Song: voice and instrument | For mezzo-soprano or baritone and piano | |
P 163 | 1930 | Vocalism | Song: voice and instrument | For contralto or bass and piano | |
P 164 | 1930 | Le funtanelle | Song: voice and instrument | For voice and piano. Popular melody from Abruzzo | |
P 165 | 1930 | Due liriche 1. Mon elué 2. Kroung (La Cigogne) | Song: voice and instrument | For voice and piano | |
P 166 | 1930 | Lauda per la natività del Signore | Song: choir, voice and orchestra | For voices, choir, pastoral instruments and piano four hands. Text by Jacopone da Todi | |
P 167 | 1930 | Tre Corali 1. Nun komm, der Heiden Heiland 2. Meine Seele erhebt den Herren 3. Wachet auf, ruft uns die Stimme | Transcriptions | For orchestra. From Choralvorspiele for organ by Johann Sebastian Bach | |
P 168 | 1930 | Suite della tabacchiera | Chamber music | Scherzo for wind instruments and piano four hands | |
P 169 | 1930 | Metamorphoseon modi XII | Orchestra: large orchestra | Theme and variations for orchestra | |
P 170 | 1931 | Maria egiziaca | Opera | Libretto by Claudio Guastalla | |
P 171 | 1931 | Belkis, regina di Saba | Ballet | ||
P 171a | 1931 | Belkis, regina di Saba | Song: voice and instrument | Version for voice and piano of P 171 | |
P 172 | 1931 | Antiche danze ed arie per liuto. Terza suite (secoli XVI-XVII) 1. Italiana 2. Arie di corte (original music by Jean-Baptiste Besard) 3. Siciliana 4. Passacaglia (original music by Ludovico Roncalli) | Transcriptions | For orchestra | |
P 173 | 1932 | Huntingtower | Orchestra: music for band | Ballade for band | |
P 174 | 1933 | Concerto a cinque | Orchestra: instrument and orchestra | For oboe, trumpet, violin, double bass, piano and string orchestra | |
P 175 | 1933 | La fiamma | Opera | Libretto by Claudio Guastalla | |
P 176 | 1933 | La bella dormente nel bosco | Opera | Libretto by Gian Bistolfi. Standard opera version of P 134 | |
P 177 | 1934 | Belkis, regina di Saba | Orchestra: large orchestra | Suite from ballet P 171 | |
P 178 | 1934 | Orfeo | Transcriptions | Revision by Respighi of the opera by Claudio Monteverdi. Libretto revised by Claudio Guastalla | |
P 179 | 1935 | Didone | Transcriptions | Cantata for soprano and orchestra. Original music by Benedetto Marcello | |
P 180 | 1935 | Lucrezia | Opera | Libretto by Claudio Guastalla. Music completed by Elsa Respighi and Ennio Porrino | |
P 181 | Unknown | Sonata in A minor | Chamber music: piano | First version | |
P 182 | Unknown | Sonata in A minor | Chamber music: piano | Second version | |
P 183 | Unknown | Presto | Chamber music: piano | ||
P 184 | Unknown | Lento | Chamber music: piano | ||
P 185 | Unknown | Scherzo | Chamber music: piano | ||
P 186 | Unknown | Allegretto vivace | Chamber music | For violin and piano | |
P 187 | Unknown | Giga | Chamber music | For violin and piano | |
P 188 | Unknown | Adagio con variazioni | Chamber music | For cello and piano | |
P 189 | Unknown | Sonata | Chamber music | For cello and piano | |
P 190 | Unknown | String quartet in D major | Chamber music | ||
P 191 | Unknown | Scherzo | Chamber music | For string quartet | |
P 192 | Unknown | La Pirrica | Transcriptions | For orchestra. Original music (Polacca and Preludio) by Frédéric Chopin | |
P 193 | Unknown | Untitled symphonic composition | Orchestra: large orchestra | Unfinished | |
P 194 | Unknown | Cello concerto in D major no. 2 | Transcriptions | Orchestral version. Original music by Luigi Boccherini | |
P 195 | Unknown | Follia di Spagna | Transcriptions | For violin and small orchestra. Original music by Arcangelo Corelli | |
P 196 | Unknown | Solvejgs Lied | Transcriptions | For choir. Original music by Edvard Grieg | |
P 197 | Unknown | Inno omerico ad Atena | Song: choir, voice and orchestra | Incidental music. Text by R. Cantarella. Unfinished | |
P 198 | Unknown | Kirie | Song: voices | Lost | |
P 199 | Unknown | Tre canti 1. Ballata 2. Stornellatrice 3. Notte | Song: voice and orchestra | For baritone and orchestra |