The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901).
The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
Revision of earlier opera, including translations with material musical changes.
Title | Libretto | Acts | Language | Premiere | Remarks | ||
---|---|---|---|---|---|---|---|
1 | Oberto, conte di San Bonifacio | Temistocle Solera | 2 | Italian | La Scala, Milan 17 Nov 1839 | Lightly revised three times after the première | |
2 | Un giorno di regno | Felice Romani | 2 | Italian | La Scala, Milan 5 Sep 1840 | Later revision known as Il finto Stanislao | |
3 | Nabucodonosor | Temistocle Solera | 4 | Italian | La Scala, Milan 9 Mar 1842 | Later known as Nabucco | |
4 | I Lombardi alla prima crociata | Temistocle Solera | 4 | Italian | La Scala, Milan 11 Feb 1843 | Based on an epic poem by Tommaso Grossi | |
5 | Ernani | 4 | Italian | La Fenice, Venice 9 Mar 1844 | Partially based on work by Victor Hugo | ||
6 | I due Foscari | Francesco Maria Piave | 3 | Italian | Teatro Argentina, Rome 3 Nov 1844 | Based on work by Lord Byron | |
7 | Giovanna d'Arco | Temistocle Solera | 3 | Italian | La Scala, Milan 15 Feb 1845 | Based on work by Friedrich Schiller | |
8 | Alzira | Salvatore Cammarano | 2 | Italian | San Carlo, Naples 12 Aug 1845 | ||
9 | Attila | Temistocle Solera Francesco Maria Piave | 3 | Italian | La Fenice, Venice 17 Mar 1846 | Acts 1 and 2 written, and Act 3 sketched, by Solera Act 3 completed by Piave. | |
10 | Macbeth | Francesco Maria Piave | 4 | Italian | La Pergola, Florence 14 Mar 1847 | ||
11 | I masnadieri | Andrea Maffei | 4 | Italian | Her Majesty's Theatre, London 22 Jul 1847 | Based on work by Friedrich Schiller | |
4a | Jérusalem | Temistocle Solera Alphonse Royer Gustave Vaëz | 4 | French | Salle Le Peletier, Paris 26 Nov 1847 | Revision and translation of I Lombardi alla prima crociata | |
12 | Il corsaro | Francesco Maria Piave | 3 | Italian | Teatro Grande, Trieste 25 Oct 1848 | Based on poem by Lord Byron | |
13 | La battaglia di Legnano | Salvatore Cammarano | 4 | Italian | Teatro Argentina, Rome 27 Jan 1849 | ||
14 | Luisa Miller | Salvatore Cammarano | 3 | Italian | San Carlo, Naples 8 Dec 1849 | Loosely based on Kabale und Liebe by Friedrich Schiller | |
15 | Stiffelio | Francesco Maria Piave | 3 | Italian | Teatro Grande, Trieste 16 Nov 1850 | ||
16 | Rigoletto | Francesco Maria Piave | 3 | Italian | La Fenice, Venice 11 Mar 1851 | Based on work by Victor Hugo | |
17 | Il trovatore | Salvatore Cammarano Leone Emanuele Bardare | 4 | Italian | Teatro Apollo, Rome 19 Jan 1853 | Cammarano died before completion; his libretto was restructured by Bardare | |
18 | La traviata | Francesco Maria Piave | 3 | Italian | La Fenice, Venice 6 Mar 1853 | ||
19 | Les vêpres siciliennes | Charles Duveyrier Eugène Scribe | 5 | French | Salle Le Peletier, Paris 13 June 1855 | ||
19a | Giovanna de Guzman | Charles Duveyrier Eugène Scribe Ettore Caimi | 5 | Italian | Teatro Regio, Parma 26 Dec 1855 | Revision and translation of Les vêpres siciliennes Also known as Batilda di Turenne in an 1858 Naples production[1] After 1861 most commonly known as I vespri siciliani | |
17a | Le trouvère | Salvatore Cammarano Leone Emanuele Bardare[2] [3] | 4 | French | La Monnaie, Brussels 20 May 1856 | Revision and translation of Il trovatore, with added ballet | |
20 | Simon Boccanegra | Francesco Maria Piave | 3 | Italian | La Fenice, Venice 12 Mar 1857 | ||
15a | Aroldo | Francesco Maria Piave | 4 | Italian | , Rimini 16 Aug 1857 | Revision of Stiffelio set in Anglo-Saxon Britain Act 3 expanded | |
21 | Un ballo in maschera | Antonio Somma | 3 | Italian | Teatro Apollo, Rome 17 Feb 1859 | Revision of the unperformed Gustavo III | |
22 | La forza del destino | Francesco Maria Piave | 4 | Italian | Bolshoi, Saint Petersburg 10 Nov 1862 | ||
10a | Macbeth | Francesco Maria Piave | 4 | Italian | Théâtre Lyrique, Paris 21 Apr 1865 | Revised version with cuts including Macbeth's final aria | |
23 | Don Carlos | Joseph Méry Camille du Locle | 5 | French | Salle Le Peletier, Paris 11 Mar 1867 | ||
23a | Don Carlo | Joseph Méry Camille du Locle | 5 | Italian | Royal Italian Opera House, London 4 Jun 1867 | Translation of Don Carlos, first performed with unauthorised amendments and cuts Italian première of this version took place on 4 Jun 1867 at the Teatro Comunale, Bologna. | |
22a | La forza del destino | Francesco Maria Piave Antonio Ghislanzoni | 4 | Italian | La Scala, Milan 27 Feb 1869 | Revised version, with text added by Ghislanzoni | |
24 | Aida | Antonio Ghislanzoni | 4 | Italian | Khedivia, Cairo 24 Dec 1871 | ||
23b | Don Carlo | Joseph Méry Camille du Locle Achille de Lauzières Antonio Ghislanzoni | 5 | Italian | San Carlo, Naples Nov / Dec 1872 | Revised version, with text added by Ghislanzoni | |
20a | Simon Boccanegra | Francesco Maria Piave Arrigo Boito | 3 | Italian | La Scala, Milan 24 Mar 1881 | Revised version, with text changed and added by Boito Act 1 Council Chamber finale added in this version | |
23c | Don Carlo | Joseph Méry Camille du Locle Charles-Louis-Étienne Nuitter Achille de Lauzières | 4 | Italian | La Scala, Milan 10 Jan 1884 | Second revised version, omitting Act 1 and the ballet Initial revisions in French (from Don Carlos) by du Locle and Nuittier (working with Verdi) First performed in an Italian translation by Zanardini (incorporating previous work of de Lauzières) | |
23d | Don Carlo | Joseph Méry Camille du Locle Charles-Louis-Étienne Nuitter Achille de Lauzières Angelo Zanardini | 5 | Italian | Teatro Municipale, Modena 29 Dec 1886 | Third revised version, restoring Act 1 | |
25 | Otello | Arrigo Boito | 4 | Italian | La Scala, Milan 5 Feb 1887 | ||
26 | Falstaff | Arrigo Boito | 3 | Italian | La Scala, Milan 9 Feb 1893 |
for mixed solo voices
for mixed chorus and orchestra
for female voices
for double chorus and orchestra
Piano
Orchestral
Chamber
Notes
Sources