List of compositions by Franz Schubert (1812) explained
Franz Schubert's compositions of 1812 are mostly in the Deutsch catalogue (D) range D 13–37, and include:
- Instrumental works:
- Vocal music:
Table
List
|-| data-sort-value="013" | 13| data-sort-value="013" | 13| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="724,00" | VII/2, 4| data-sort-value="Fugue, D 013" | Fugue, D 13| data-sort-value="key D minor" | D minor| data-sort-value="1812-01-01" | | For piano?; By Schubert?|-| data-sort-value="014" | 14| data-sort-value="014" | 14| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="Overture, D 014" | Overture, D 14| data-sort-value="ZZZZ" || data-sort-value="1812-01-01" | | Piano sketch; Lost|-| data-sort-value="015" | 15| data-sort-value="015" | 15| data-sort-value="XXX,1895" | (1895)| data-sort-value="2010,590" | XX, 10
No. 590/1| data-sort-value="407,A5" | IV, 7
Anh. No. 5| data-sort-value="Geistertanz, Der, D 015" | Der Geistertanz, D 15| data-sort-value="text Die bretterne Kammer der Toten erbebt 1" | Die bretterne Kammer der Toten erbebt| data-sort-value="1812-01-01" | | data-sort-value="Text by Matthisson, Friedrich von, Die bretterne Kammer der Toten erbebt 1" | Text by Matthisson (other settings:, 116 and 494); Fragment|-| data-sort-value="015.1" | 15| data-sort-value="015.1" | 15A| data-sort-value="XXX,1895" | (1895)| data-sort-value="2010,590A" | XX, 10
No. 590/2| data-sort-value="407,A6" | IV, 7
Anh. No. 6| data-sort-value="Geistertanz, Der, D 015A" | Der Geistertanz, D 15A| data-sort-value="text Die bretterne Kammer der Toten erbebt 2" | Die bretterne Kammer der Toten erbebt| data-sort-value="1812-01-02" | | data-sort-value="Text by Matthisson, Friedrich von, Die bretterne Kammer der Toten erbebt 2" | Text by Matthisson (other settings:, 116 and 494); Fragment|-| data-sort-value="016" | 16| data-sort-value="016" | 16| data-sort-value="XXX,1940" | (1940)| data-sort-value="ZZZZ" || data-sort-value="802,11" | VIII, 2
No. 11| data-sort-value="Counterpoint exercises, D 016" | Counterpoint exercises, D 16| data-sort-value="key G minor A minor" | G minor (Nos. 1–4); A minor (Nos. 5–7)| data-sort-value="1823-01-01" | 1823?| Seven exercises in double counterpoint|-| data-sort-value="017" | 17| data-sort-value="017" | 17| data-sort-value="XXX,1940" | (1940)| data-sort-value="ZZZZ" || data-sort-value="802,37" | VIII, 2
No. 37| data-sort-value="Composition exercises, D 17" | Composition exercises, D 17| data-sort-value="text Quell' innocente figlio" | Quell' innocente figlio| data-sort-value="1812-01-01" | 1812?| Text by Metastasio, from Isacco I, "Aria dell' Angelo"; Nine settings with corrections by Salieri; No. 1, for s, related to ; No. 2 for ss; Nos. 3 and 5–6 for sat; Nos. 4 and 7–8 for satb (No. 7 not in 1940 publ.)|-| data-sort-value="018" | 18| data-sort-value="018" | 18| data-sort-value="XXX,1890" | (1890)| data-sort-value="0500,001" | V No. 1| data-sort-value="603,01" | VI, 3 No. 1| data-sort-value="String Quartet, D 018" | String Quartet No. 1| data-sort-value="key G minor B major" | G minor / B major| data-sort-value="1810-01-01" | 1810–1811| Andante, Presto vivace – Minuet – Andante – Presto|-| data-sort-value="019" | 19| data-sort-value="019" | 19| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="String Quartet, D 019" | String Quartet, D 19| data-sort-value="ZZZZ" || data-sort-value="1810-01-01" | 1810–1811| Lost|-| data-sort-value="019.1" | 19A| data-sort-value="019.1" | 19A| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="String Quartet, D 019A" | String Quartet, D 19A| data-sort-value="ZZZZ" || data-sort-value="1810-01-01" | 1810–1811| Lost|-| data-sort-value="999.00192" || data-sort-value="019.2" | 19B| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="Waltzes and a March, D 019B" | Waltzes and a March, D 19B| data-sort-value="ZZZZ" || data-sort-value="1812-01-01" | 1812–1813?| For piano; Lost|-| data-sort-value="020" | 20| data-sort-value="020" | 20| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="Overture, D 020" | Overture, D 20| data-sort-value="key B-flat major" |B major| data-sort-value="1812-01-01" | 1812| For string quartet; Lost|-| data-sort-value="021" | 21| data-sort-value="021" | 21| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="Variations, 06, D 021" | Six Variations, D 21| data-sort-value="key E-flat major" |E major| data-sort-value="1812-01-01" | 1812| For piano; Lost|-| data-sort-value="022" | 22| data-sort-value="022" | 22| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="Minuets, 12, D 022" | Twelve Minuets with Trios, D 22| data-sort-value="ZZZZ" || data-sort-value="1812-01-01" | 1812| For piano; Lost|-| data-sort-value="023" | 23| data-sort-value="023" | 23| data-sort-value="131,1830-3" | 131p,3
(1830)| data-sort-value="2001,006" | XX, 1
No. 6| data-sort-value="406,04" | IV, 6
No. 4| Klaglied| data-sort-value="text Meine Ruh ist dahin, meine Freud ist entflohn" | Meine Ruh ist dahin, meine Freud ist entflohn| data-sort-value="1812-01-01" | 1812| data-sort-value="Text by Rochlitz, Johann Friedrich, Meine Ruh ist dahin, meine Freud ist entflohn" | Text by Rochlitz|-| data-sort-value="024" | 24| data-sort-value="024" | 24| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="Variations, 07, D 024" | Seven Variations, D 24| data-sort-value="key F major" |F major| data-sort-value="1812-01-01" | 1812?| For piano; Fragment; Lost|-| data-sort-value="999.00241" || data-sort-value="024.1" | 24A| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="724,00" | VII/2, 4| data-sort-value="Fugue, D 024A" | Fugue, D 24A| data-sort-value="key C major" | C major| data-sort-value="1812-06-21" | summer
1812?| For keyboard (organ or piano); Partly reused in |-| data-sort-value="999.00242" || data-sort-value="024.2" | 24B| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="724,00" | VII/2, 4| data-sort-value="Fugue, D 024B" | Fugue, D 24B| data-sort-value="key G major" | G major| data-sort-value="1812-06-21" | summer
1812?| For keyboard (organ or piano); Two versions|-| data-sort-value="999.00243" || data-sort-value="024.3" | 24C| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="724,00" | VII/2, 4| data-sort-value="Fugue, D 024C" | Fugue, D 24C| data-sort-value="key D minor" | D minor| data-sort-value="1812-06-21" | summer
1812?| For keyboard (organ or piano)|-| data-sort-value="999.00244" || data-sort-value="024.4" | 24D| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="724,00" | VII/2, 4 Anh.| data-sort-value="Fugue, D 024D" | Fugue, D 24D| data-sort-value="key C major" | C major| data-sort-value="1812-06-21" | summer
1812?| For piano; Fragment; Partly reused in |-| data-sort-value="999.00245" || data-sort-value="024.5" | 24E| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="105,A1" | I, 5 Anh.| data-sort-value="Mass, D 024E" | Mass, D 24E| data-sort-value="key F major" | F major?
Gloria – Credo| data-sort-value="1812-06-21" | summer
1812?| data-sort-value="Text: Mass ordinary 01" | Text: Mass ordinary (other settings:, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For SATB and orchestra; Fragment of a Gloria and a Credo; Partly based on |-| data-sort-value="025" | 25| data-sort-value="025" | 25| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="802,00" | VIII, 2| data-sort-value="Counterpoint exercises, D 025" | Counterpoint exercises, D 25| data-sort-value="ZZZZ" || data-sort-value="1812-06-18" | started
18/6/1812| Four 2-part and three 3-part counterpoint exercises; Four 2-part imitation exercises|-| data-sort-value="999.00251" || data-sort-value="025.1" | 25A| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="802,00" | VIII, 2| data-sort-value="Counterpoint exercises, D 025A" | Counterpoint exercises, D 25A| data-sort-value="ZZZZ" || data-sort-value="1812-06-21" | summer
1812?| Two 4-part counterpoint exercises|-| data-sort-value="999.00252" || data-sort-value="025.2" | 25B| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="802,00" | VIII, 2| data-sort-value="Counterpoint exercises, D 025B" | Counterpoint exercises, D 25B| data-sort-value="ZZZZ" || data-sort-value="1812-06-21" | summer
1812?| Fifteen 3-part counterpoint exercises|-| data-sort-value="999.00253" || data-sort-value="025.3" | 25C| data-sort-value="ZZZZ" || data-sort-value="ZZZZ" || data-sort-value="802,00" | VIII, 2| data-sort-value="Fugue, D 025C" | Fugue, D 25C| data-sort-value="key F major" | F major| data-sort-value="1812-06-21" | summer
1812?| Counterpoint exercise for two voices; Fragment|-| data-sort-value="026" | 26| data-sort-value="026" | 26| data-sort-value="XXX,1886" | (1886)| data-sort-value="0200,002" | II No. 2| data-sort-value="505,03" | V, 5| data-sort-value="Overture, D 026" | Overture, D 26| data-sort-value="key D major" | D major| data-sort-value="1812-06-26" | 26/6/1812| For orchestra|-| data-sort-value="027" | 27| data-sort-value="027" | 27| data-sort-value="XXX,1928" | (1928)| data-sort-value="ZZZZ" || data-sort-value="108,00" | I, 8| data-sort-value="Salve Regina, D 027" | Salve Regina, D 27| data-sort-value="key F major" | F major
Salve Regina| data-sort-value="1812-06-28" | 28/06/1812| data-sort-value="Text: Salve Regina 1" | Text: Salve Regina (other settings:, 223, 386, 676 and 811); For s and orchestra|-| data-sort-value="028" | 28| data-sort-value="028" | 28| data-sort-value="XXX,1923" | (1923)| data-sort-value="ZZZZ" || data-sort-value="607,01" | VI, 7 No. 1| data-sort-value="Piano Trio No. 0" | Piano Trio, D 28, a.k.a. Sonata| data-sort-value="key B-flat major" | B major| data-sort-value="1812-08-28" | 27/7/1812–
28/8/1812| Allegro|-| data-sort-value="029" | 29| data-sort-value="029" | 29| data-sort-value="XXX,1888" | (1888)| data-sort-value="1100,009" | XI No. 9| data-sort-value="724,00" | VII/2, 4| data-sort-value="Andante, D 029" | Andante, D 29| data-sort-value="key C major" | C major| data-sort-value="1812-09-09" | 9/9/1812| For piano; Related to and 36|-| data-sort-value="030" | 30| data-sort-value="030" | 30| data-sort-value="XXX,1894" | (1894)| data-sort-value="2001,005" | XX, 1
No. 5| data-sort-value="404,00" | IV, 4| data-sort-value="Jungling am Bache, Der, D 030" | Der Jüngling am Bache, D 30| data-sort-value="text An der Quelle sass der Knabe 1" | An der Quelle saß der Knabe| data-sort-value="1812-09-24" | 24/9/1812| data-sort-value="Text by Schiller, Friedrich, An der Quelle sass der Knabe 1" | Text by Schiller (other settings: and 638)|-| data-sort-value="031" | 31| data-sort-value="031" | 31| data-sort-value="XXX,1888" | (1888)| data-sort-value="1400,014" | XIV No. 14| data-sort-value="105,01" | I, 5| data-sort-value="Kyrie, D 031" | Kyrie, D 31| data-sort-value="key D minor" | D minor
Kyrie| data-sort-value="1812-09-25" | 25/9/1812| data-sort-value="Text: Mass ordinary 02" | Text: Mass ordinary (other settings:, 45, 49, 56, 66, 105, 167, 324, 452, 678, 755 and 950); For stSATB and orchestra; First part of a Mass|-| data-sort-value="032" | 32| data-sort-value="032" | 32| data-sort-value="XXX,1890" | (1890)
(1897)
(1954)| data-sort-value="0500,002" | V No. 2
XXII v5| data-sort-value="603,04" | VI, 3 No. 4| data-sort-value="String Quartet, D 032" | String Quartet No. 2| data-sort-value="key C major" | C major| data-sort-value="1812-10-01" | Sep.–Oct.
1812| Presto (publ. in 1890) – Andante – Minuet (publ. in 1890, music partly reappears in No. 12) – Allegro con spirito (publ. partly in 1897)|-| data-sort-value="033" | 33| data-sort-value="033" | 33| data-sort-value="XXX,1940" | (1940)| data-sort-value="ZZZZ" || data-sort-value="802,38" | VIII, 2
No. 38| data-sort-value="Composition exercises, D 33" | Composition exercises, D 33| data-sort-value="text Entra l'uomo allor che nasce" | Entra l'uomo allor che nasce| data-sort-value="1812-10-01" | Sep.–Oct.
1812| Text by Metastasio, from Isacco II, "Aria di Abramo"; Six settings (No. 1 for s, Nos. 2 for sa, No. 3 for sat, Nos. 4–6 for satb) and an Allegretto (b?), with corrections by Salieri|-| data-sort-value="034" | 34| data-sort-value="034" | 34| data-sort-value="XXX,1940" | (1940)| data-sort-value="ZZZZ" || data-sort-value="802,39" | VIII, 2
No. 39| data-sort-value="Composition exercises, D 34" | Composition exercises, D 34| data-sort-value="text Te solo adoro" | Te solo adoro| data-sort-value="1812-11-05" | 5/11/1812| Text by Metastasio, from Betulia liberata II, "Aria di Achior"; For satb; Two versions of start; With corrections by Salieri|-| data-sort-value="035" | 35| data-sort-value="035" | 35| data-sort-value="XXX,1940" | (1940)| data-sort-value="ZZZZ" || data-sort-value="802,40" | VIII, 2
No. 40| data-sort-value="Composition exercises, D 35" | Composition exercises, D 35| data-sort-value="text Serbate, o Dei custodi" | Serbate, o Dei custodi| data-sort-value="1812-12-01" | Oct.–Dec.
1812| Text by Metastasio, from La clemenza di Tito I, 5; Three settings (No. 1 for satb, No. 2 for SATB, No. 3 for t and accompaniment); With corrections by Salieri|-| data-sort-value="036" | 36| data-sort-value="036" | 36| data-sort-value="XXX,1890" | (1890)| data-sort-value="0500,003" | V No. 3| data-sort-value="603,05" | VI, 3 No. 5| data-sort-value="String Quartet, D 036" | String Quartet No. 3| data-sort-value="key B-flat major" | B major| data-sort-value="1813-02-21" | 19/11/1812–
21/2/1813| Allegro – Andante – Minuet – Allegretto|-| data-sort-value="037" | 37| data-sort-value="037" | 37| data-sort-value="074,1827" | 74
(1827)| data-sort-value="1900,001" | XIX
No. 1| data-sort-value="303,01" | III, 3 No. 1| data-sort-value="Advokaten, Die" | Die Advokaten| data-sort-value="text Mein Herr, ich komm' mich anzufragen" | Mein Herr, ich komm' mich anzufragen| data-sort-value="1812-12-27" | 25/12/1812–
27/12/1812| data-sort-value="Text by Rustenfeld, Eduard von, Mein Herr, ich komm' mich anzufragen" | Text by ; For ttb and piano|}
