List of compositions by André Previn explained

André Previn has composed film scores (including many songs), jazz pieces and contemporary classical music. His earliest compositions known at least by name/type are student works from the mid-1940s (a clarinet sonata, a string quartet, a rhapsody for violin and orchestra and some art songs). They were written at the same time as he did his first work for the movies (1946) and his first jazz recordings (1945).

He composed the music for the film musical It's Always Fair Weather (1955), and music for five new songs written with Alan Jay Lerner for the film Paint Your Wagon (1969).

In Hollywood between 1946 and 1969, Previn also worked extensively as an adaptor, winning his four Academy Awards (out of 13 nominations) for works in this category: Gigi (Original score by Frederick Loewe for the film), Porgy and Bess (stage-to-film adaptation of George Gershwin's opera score), Irma la Douce (the film used the score of the stage musical by Marguerite Monnot, but the songs themselves were omitted) and My Fair Lady (stage-to-film adaptation of Fredrick Loewe's musical score). While working as an adaptor, Previn regularly modified the original compositions. At times, he was adding some own music, orchestrating, conducting and playing piano, as well.

In later years, he has concentrated on composing contemporary classical music. In this field, Previn's works as a composer "combine expressionistic harmony with a strong tendency towards tonality. They are rhythmic and metrically complex, marvelously orchestrated, and include flashes of idioms associated with jazz and symphonic film music. Despite the crossover appeal that Previn's art music provokes in the ears of many commentators, Previn does not see himself as a postmodern musician, trying to mix musical styles and elements to create new kinds of aesthetic experiences."[1] For example, he collaborated with Tom Stoppard on Every Good Boy Deserves Favour,[2] a play with substantial musical content, which was first performed in London in 1977 with Previn conducting the LSO. His first opera, A Streetcar Named Desire, premiered at the San Francisco Opera in 1998. It quickly developed into one of the most widely played contemporary operas.[3] His second opera, Brief Encounter, based on the 1945 movie of the same name, was premiered at Houston Grand Opera on May 1, 2009.[4] His numerous other contemporary classical works include vocal, chamber, and orchestral music. His contemporary classical music was premiered by artists like Vladimir Ashkenazy, Janet Baker, Yuri Bashmet, Renée Fleming, Yo-Yo Ma, Anne-Sophie Mutter, Itzhak Perlman, John Williams, the Emerson String Quartet, the Boston Symphony Orchestra, the Leipzig Gewandhaus Orchestra, the London Symphony Orchestra, the New York Philharmonic, the Philadelphia Orchestra, the Pittsburgh Symphony Orchestra and the Vienna Philharmonic. The closest working relationships with regard to Previn's contemporary classical music are with violinist Anne-Sophie Mutter, having premiered eight works between 2001 and 2015, and with the Boston Symphony Orchestra, having premiered (as an ensemble or with smaller groups or soloists from its ranks) nine works between 1996 and 2012.

Catalog raisonné

For a full catalog raisonné containing the dates, places and participants of premieres as well as the names and sources for lost works (especially the early chamber and orchestral music), abandoned works (like the opera Silk or the film score to Goodbye, Mr. Chips), rejected works (like the film score to See No Evil) and withdrawn works (like the Cello Concerto No. 1) see Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 279-294.

Opera

Theater

Orchestral music (selection)

Chamber music (selection)

Solo piano music (selection)

Songs and song cycles

Film scores (selection)

Original scores

Adaptation of original scores or songs by others

Adaptation for film of stage musical or opera by others

Adaptation for film of classical music by others

Television Theme Music

Notable jazz and pop songs (from soundtracks or jazz records selection)

Notes and References

  1. Frédéric Döhl, André Previn, in: Charles Hiroshi Garrett (Ed.): New Grove Dictionary of American Music. 2nd Edition, Oxford University Press, New York 2012.
  2. News: Every Good Boy Deserves Favour . The Guardian . Michael Billington . January 19, 2009 . September 6, 2009.
  3. Frédéric Döhl: Movie for the stage? Zu André Previns Opern, in Archiv für Musikwissenschaft 69/1 (2012), p. 55.
  4. Frédéric Döhl: About the Task of Adapting a Movie Classic for the Opera Stage: On André Previn’s A Streetcar Named Desire (1998) and Brief Encounter (2009), in: Frédéric Döhl & Gregor Herzfeld (eds.): In Search of the Great American Opera: Tendenzen des amerikanischen Musiktheaters, Münster 2016, .
  5. Web site: Previn's publisher G. Schirmer announced this Violin Sonate as "No. 2", but there is an earlier third Violin Sonata from around 1960 (like other early compositions possibly rejected by the composer in later years), see Frédéric Döhl, André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 285, 292. 2012-06-24.
  6. http://www.musicsalesclassical.com/composer/work/1249/49105 Morning Rain and Warm Evening | André Previn - Wise Music Classical

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