List of composers in literature explained
This list includes fictional representations of real (named) composers and musicians, and fictional characters under other names that are generally agreed to be based on a specific composer, or sometimes a composite of several.
Johann Sebastian Bach
Arnold Bax
- Rebecca West: Harriet Hume (1929) (The title character based on Harriet Cohen)[3]
Ludwig van Beethoven
Bix Beiderbecke
William Sterndale Bennett
Hector Berlioz
- Anthony Burgess: Mozart & the Wolf Gang (1991)[5]
- Jude Morgan: Symphony (2006)[8]
- Elizabeth Sara Sheppard: Charles Auchester (1853) (as Florimond Anastasa)
Lord Berners
Hildegard of Bingen
- Mary Sharratt: Illuminations (2012)[5]
Mario Braggiotti
Benjamin Britten
- Ian McEwan: Amsterdam (1998) (Clive Linley, correspondencies with Britten)[11]
Thomas Busby
- George Borrow: Lavengro (1851) (as editor of the "Universal Review")
Frédéric Chopin
Harriet Cohen
Michael Costa
- Elizabeth Sara Sheppard: Charles Auchester (1853) (as St Michel)
Noël Coward
Christian Darnton
Claude Debussy
- Pierre La Mure: Clair de lune (1962)[16]
- Marcel Proust: À la recherche du temps perdu (1913-27) (aspects of Vinteuil, see also Franck and Saint-Saëns)
Frederick Delius
Edward J Dent
Delia Derbyshire
Arnold Dolmetsch
Edward Elgar
César Franck
- Marcel Proust: À la recherche du temps perdu (1913-27) (aspects of Vinteuil, see also Debussy and Saint-Saëns)
George Gershwin
Carlo Gesualdo
- David Pownall: Music to Murder By (1976)[20]
Jimmy Glover
Eugene Aynsley Goossens
- Inez Baranay: Pagan (1990)
- Louis Nowra: The Devil is a Woman (2004)
Glenn Gould
- Christopher Miller: Sudden Noises from Inanimate Objects: A Novel in Liner Notes (2004)[22]
Cecil Gray
Jan Hambourg
George Frideric Handel
- Nick Drake: All the Angels: Handel and the First Messiah (2015)
Josef Matthias Hauer
Charles Edward Horsley
- Elizabeth Sara Sheppard: Charles Auchester (1853) (as Charles Auchester)
John Pyke Hullah
- Elizabeth Sara Sheppard: Charles Auchester (1853) (as Lenhart Davy)[24]
Halfdan Jebe
- C F Keary: The Journalist (1898) (as Hauch)[27]
Maurice Jacobson
Joseph Joachim
- Elizabeth Sara Sheppard: Charles Auchester (1853) (as Charles Auchester)[24]
Aram Khachaturian
Constant Lambert
Henry Lawes
Madame Levinskaya
Franz Liszt
Elisabeth Lutyens
Alma Mahler
- Max Phillips: The Artist’s Wife (2001)[34]
- Mary Sharratt: Ecstasy (2018)[35]
Gustav Mahler
Florence Ashton Marshall (and her sister, the clarinettist Frances Marshall)
Fanny Mendelssohn
- Peter Härtling: Liebste Fenchel (2011)
- Elizabeth Sara Sheppard: Charles Auchester (1853) (as Maria Cerinthea)[24]
Felix Mendelssohn
- Anthony Burgess: Mozart & the Wolf Gang (1991)[5]
- Pierre La Mure: Beyond Desire (1955)[40]
- Elizabeth Sara Sheppard: Charles Auchester (1853) (as Seraphael)[41]
Noel Mewton-Wood
- Sonia Orchard: The Virtuosso (2009)[42]
Wolfgang Amadeus Mozart
Hubert Parry
Helen Perkin
- Carl Ginsburg: Medicine Journeys: Ten Stories (Center Press, 1983) (as Mrs Todd Ashby)[43]
Sergei Prokofiev
- Anthony Burgess: Mozart & the Wolf Gang (1991)[5]
- David Pownall: Master Class (1982)[20]
Maurice Ravel
Notes and References
- A. H. Weiler. "Chronicle of Anna Magdalena Bach (1968)" in The New York Times, April 7, 1969
- Erin Douglass. 'A novel envisions what it would be like to study with Bach', Christian Science Monitor, 29 April 2022
- https://corymbus.co.uk/the-music-that-time-forgot/ Corymbus: The Music That Time Forgot
- https://unbound.com/books/immortal/ Duchan, Jessica. Immortal at Unbound
- Freya Parr. 'Ten of the best (and worst) novels about composers', BBC Music Magazine, 26 February 2019
- https://www.nyrb.com/products/mr-beethoven?variant=37889862893736 New York Review of Books, 26 October, 2021
- https://www.proquest.com/openview/06291dc2408e6362/1?pq-origsite=gscholar&cbl=2796 British Musician and Musical News, Vol. 7 no 67, July 1931, p. 153
- https://www.publishersweekly.com/9780312369514 review, Publishers Weekly
- Amory, Mark. Lord Berners: The Last Eccentric (1999)
- The Letters of Scott Fitzgerald, ed. Andrew Turnbull (1964), p. 570
- Robert E Kohn. 'The Fivesquare "Amsterdam" of Ian McEwan', in Critical Survey, Vol. 16, No. 1 (2004), pp. 89-106
- Diedre Bair. 'Getting even with Chopin', in The New York Times, 11 August 1985, Section 7, p.9
- https://www.panmacmillan.com/authors/nell-stevens/briefly-a-delicious-life/9781529083422 Pan Macmillian
- Fry, Helen. Music & men : the life and loves of Harriet Cohen (2008)
- Collett, Derek (2015). His Own Executioner: The Life of Nigel Balchin. SilverWood. .
- https://news.google.com/newspapers?id=y8AtAAAAIBAJ&pg=2934,4991485&dq=pierre-la-mure&hl=en Claire de Lune review
- Amos, William. The Originals: Who's Really Who in Fiction (1990)
- Audrey Wollen. 'The Writer Who Burned Her Own Books', in The New Yorker, 3 January, 2023
- Richard Lines. 'George Moore's Evelyn Innes', in The Norwood Review No 174 (2008)
- https://www.bloomsbury.com/uk/composer-plays-9781870259415/ The Composer Plays, Oberon (1996)
- http://www.mitchelljameskaplan.com/ Rhapsody, by Mitchell James Kaplan
- https://www.therestisnoise.com/2004/09/sudden_noises.html Alex Ross, The Rest is Noise blog (2004)
- Book: Leo Hamalian. D.H. Lawrence and Nine Women Writers. 1996. Fairleigh Dickinson Univ Press. 978-0-8386-3603-9. 51.
- M.C. Rintoul: Dictionary of Real People and Places in Fiction (2014)
- https://www.amazon.co.uk/Anthony-Powell-Dancing-Music-Time/dp/0241143837/ref=sr_1_1?s=books&ie=UTF8&qid=1536519618&sr=1-1&keywords=dancing+to+the+music+of+time Spurling, Hilary: Dancing to the Music of Time, Hamish Hamilton, 2017
- 'Willa Cather and the Professor's House', in Western American Literature, Vol. 7, No. 1, A Willa Cather Issue (Spring 1972), pp. 13-24
- https://books.google.com/books?id=HbQ4DwAAQBAJ&dq=Charles+Francis+Keary+The+Journalist&pg=PA175 Boyle, Andrew J. Delius and Norway (2017), p. 175
- Bluemel, Kristin. George Orwell and the Radical Eccentrics: Intermodernism in Literary London (2004), Chapter 1, p.27-66
- Lloyd, Stephen. Constant Lambert: Beyond The Rio Grande. Woodbridge: The Boydell Press, 2014.
- Allis, Michael. Temporaries and Eternals: The Music Criticism of Aldous Huxley (2013), p. 56
- https://www.sunypress.edu/p-3852-nelida.aspx Nélida, Suny Press
- Walker, Alan. Franz Liszt: The Weimar Years, 1848–1861 (1989), p. 250
- Henry Reed: Hilda Tablet and Others, BBC Books, London, 1971
- https://www.artinfiction.com/novels/the-artist-s-wife Art in Fiction: The Artist's Wife
- https://www.artinfiction.com/novels/ecstasy Art in Fiction. Ecstacy
- https://www.faber.co.uk/product/9780571212316-mahlers-conversion/ Faber, Mahler's Conversion
- https://mahlerfoundation.org/mahler/contemporaries/thomas-mann/ 'Thomas Mann', Mahler Foundation
- Werley, Matthew. Mahler in Context (2020), Chapter 32, 'Influences in Literature'
- Shannon Draucker. Sounding Bodies: Acoustical Science and Musical Erotics in Victorian Literature (2024)
- Beyond Desire review, The Age. 12 December, 1956
- Weliver, Phyllis. The Musical Crowd in English Fiction (2006)
- https://www.harpercollins.com.au/9780732288075/the-virtuoso/ Harper Collins, The Virtuosso
- https://gurdjieffclub.com/en/helen-ejdi/ 'Helen Adie', at Gurdjieff Club