Outline of classical architecture explained

The following outline is provided as an overview of and topical guide to classical architecture:

Classical architecture  - architecture of classical antiquity, that is, ancient Greek architecture and the architecture of ancient Rome. It also refers to the style or styles of architecture influenced by those. For example, most of the styles originating in post-Renaissance Europe can be described as classical architecture. This broad use of the term is employed by Sir John Summerson in The Classical Language of Architecture.

What type of thing is classical architecture?

Classical architecture can be described as all of the following:

Classical architectural structures

Ancient Greek architectural structures

Ancient Greek architecture  - architecture produced by the Greek-speaking people (Hellenic people) whose culture flourished on the Greek mainland and Peloponnesus, the Aegean Islands, and in colonies in Asia Minor and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC. Ancient Greek architecture is best known from its temples, and the Parthenon is a prime example.

Types of temple

Ancient Roman architectural structures

Ancient Roman architecture  - the Roman architectural revolution, also known as the concrete revolution, was the widespread use in Roman architecture of the previously little-used architectural forms of the arch, vault, and dome. A crucial factor in this development that saw a trend to monumental architecture was the invention of Roman concrete (also called opus caementicium).

Architectural styles

Architectural style

Architectural elements

Building elements

Building materials

Classical orders

Classical orders

Greek orders

Roman orders

Types of buildings and structures

Classical architecture organizations

Classical architecture publications

Persons influential in classical architecture

See also

References

External links

Notes and References

  1. Cecil Grayson, in Kunstkronik 213 (1960:359ff, and Münchener Jahrbuch der Bildenden Kunst 11 (1960), demonstrated that the bulk of the composition was carried out between these dates.