See also: List of chord progressions.
The following is a list of musical chords and simultaneities:
Code | Chord type | |
---|---|---|
Major | Major chord | |
Minor | Minor chord | |
Augmented | Augmented chord | |
Diminished chord | ||
Indeterminate | Indeterminate chord | |
Predominant | Predominant chord | |
Suspended | Suspended chord | |
M3+d5 | Major third, flat five | |
Just | Just intonation | |
Bitonal | Bitonal chord | |
Atonal | Atonal chord |
Chord on C | Sound | p.c. #s | Quality | |||
Augmented chord | 3-12 | 0 4 8 | Augmented | |||
Augmented eleventh chord[1] | 6-34 | 0 4 7 t 2 6 | Major | |||
4-19 | 0 4 8 e | Augmented | ||||
Augmented seventh chord | 4-24 | 0 4 8 t | Augmented | |||
3–8 4-25 4-27B | 0 4 t 0 4 6 t 0 4 7 t | Predominant | ||||
3-10 | 0 3 6 | Diminished | ||||
4-18 | 0 3 6 e | Diminished | ||||
Diminished seventh chord (leading-tone and secondary chord) | 4-28 | 0 3 6 9 | Diminished | |||
3-11 | 0 4 7 | Major | ||||
6-33 | 0 4 7 t 2 5 | Major | ||||
5-31 | 0 4 7 t 1 | Major | ||||
5-34 | 0 4 7 t 2 | Major | ||||
3-11 | 0 3 7 | Minor | ||||
4-27 | 0 4 7 t | Major | ||||
4-25 | 0 4 6 t | Diminished | ||||
Dominant seventh sharp nine / Hendrix chord | 5-32 | 0 4 7 t 3 | Major | |||
7-35 | 0 4 7 t 2 5 9 | Major | ||||
4-6 | 0 5 6 7 | Just | ||||
5-32 | 0 7 9 1 4 | Bitonal | ||||
5-z17 | 0 8 e 4 9 | Atonal | ||||
4-27 | 0 3 6 t | Diminished | ||||
4-27 | 0 4 7 t | Major | ||||
Leading-tone triad | 3-10 | 0 3 6 | Diminished | |||
Lydian chord | 5-20 | 0 4 7 e 6 | Major | |||
Magic chord | 8 | 0 1 5 6 t 0 3 5 | Just | |||
Major chord | 3-11 | 0 4 7 | Major | |||
Major eleventh chord | 6-z25 | 0 4 7 e 2 5 | Major | |||
Major seventh chord | 4-20 | 0 4 7 e | Major | |||
Major seventh sharp eleventh chord | 5-30 | 0 4 8 e 6 | Augmented | |||
Major sixth chord | 4-26 | 0 4 7 9 | Major | |||
Major sixth ninth chord ("6 add 9", Nine six,[2] 6/9) | 5-35 | 0 4 7 9 2 | Major | |||
Major ninth chord | 5-27 | 0 4 7 e 2 | Major | |||
Major thirteenth chord | 7-35 | 0 4 7 e 2 5 9 | Major | |||
Mediant | 3-11 | 0 3 7 | Minor | |||
Minor chord | 3-11 | 0 3 7 | Minor | |||
Minor eleventh chord | 6-32 | 0 3 7 t 2 5 | Minor | |||
Minor major seventh chord | 4-19 | 0 3 7 e | Minor | |||
Minor ninth chord | 5-27 | 0 3 7 t 2 | Minor | |||
Minor seventh chord | 4-26 | 0 3 7 t | Minor | |||
Minor sixth chord | 4-27 | 0 3 7 9 | Minor | |||
Minor sixth ninth chord (6/9) | 5-29 | 0 3 7 9 2 | Minor | |||
Minor thirteenth chord | 7-35 | 0 3 7 t 2 5 9 | Minor | |||
Mystic chord | 6-34 | 0 6 t 4 9 2 | Atonal | |||
Neapolitan chord | 3-11 | 1 5 8 | Major | |||
Ninth augmented fifth chord[3] [4] | 5-33 | 0 4 8 t 2 | Augmented | |||
Ninth flat fifth chord | 5-33 | 0 4 6 t 2 | M3+d5 | |||
Northern lights chord | 11-1 | 1 2 8 0 3 6 7 t e 4 7 | Atonal | |||
data-sort-value="Ode-to-Napoleon hexachord" | "Ode-to-Napoleon" hexachord | 6-20 | 0 1 4 5 8 9 | Atonal | ||
Petrushka chord | 6-30 | 0 1 4 6 7 t | Bitonal | |||
Power chord P5 | 2-5 | 0 7 | Indeterminate | |||
Psalms chord | 3-11 | 0 3 7 | Minor | |||
3-11 | 0 4 7 | Major | ||||
3-10 | 0 3 6 | Diminished | ||||
3-11 | 0 3 7 | Minor | ||||
Seven six chord[5] | 5-25 | 0 4 7 9 t | Major | |||
Seventh suspension four chord[6] | 4-23 | 0 5 7 t | Suspended | |||
So What chord | 5-35 | 0 5 t 3 7 | Bitonal | |||
Suspended chord | 3-9 | 0 5 7 | Suspended | |||
Subdominant | 3-11 | 0 4 7 | Major | |||
Subdominant parallel | 3-11 | 0 3 7 | Minor | |||
Submediant | 3-11 | 0 3 7 | Minor | |||
Subtonic | 3-11 | 0 4 7 | Major | |||
Supertonic | 3-11 | 0 3 7 | Minor | |||
Thirteenth flat ninth chord | 6-27 | 0 4 7 t 1 x 9[7] | Major | |||
Thirteenth flat ninth flat fifth chord | 6-z49 | 0 4 6 t 1 x 9 | M3+d5 | |||
Tonic counter parallel | 3-11 | 0 3 7 | Minor | |||
Tonic | 3-11 | 0 4 7 | Major | |||
Tonic parallel | 3-11 | 0 3 7 | Minor | |||
Tristan chord | 4-27 | 0 3 6 t | Predominant | |||
Viennese trichord | 3-5A | 0 1 6 or 0 6 7 | Atonal |