A list of avant-garde and experimental films made in the 1930s. Unless where noted, all films had sound and were in black and white.
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Title | Director | Cast | Nation | Notes |
1930 | ||||
L'Âge d'Or | Luis Buñuel | Gaston Modot, Lya Lys, Max Ernst | France | Surrealist feature, produced by Charles de Noailles[1] |
Autour de la fin du monde | Eugène Deslaw | Abel Gance | France | Extraordinary, semi-experimental "making of" documentary shot on set of Abel Gance's "La fin du monde;" silent[2] |
Apteka (Pharmacy) | Stefan Themerson, Franciszka Themerson | Poland | Rayographic animation, lost[3] | |
Aimless Walk | Alexandr Hackenschmied (Alexander Hammid) | Czechoslovakia | City film[4] | |
Borderline | Kenneth Macpherson | Paul Robeson, H.D. | United Kingdom | Pool film; silent[5] |
A City Symphony | Herman G. Weinberg | United States | City film, never shown, disassembled and partly used in Autumn Fire[6] | |
Crying for the Carolines | Leon Schlesinger, Neil McGuire | Milton Charles | United States | A "Spooney Melodie;" Semi-abstract music short[7] [8] |
Earth | Oleksandr Dovzhenko | Soviet Union | Silent feature; part of the director's Ukraine Trilogy. | |
It's a Bird | Harold Mueller | Charles Bowers, Lowell Thomas | United States | Semi-animated short where an egg transforms into an automobile[9] |
Ein Lichtspiel: Schwarz/Weiss/Grau | László Moholy-Nagy | |||
Light Rhythms | Francis Brugière, Oswell Blakeston | United Kingdom | Light-oriented, non-animated abstract film[10] | |
Mechanical Principles | Ralph Steiner | United States | Abstract film based on machinery; sometimes dated to 1933[11] | |
Mennschen am Sonntag (People on Sunday) | Curt Siodmak, Robert Siodmak, Edgar G. Ulmer, Fred Zinnemann, Rochus Gliese | Erwin Splettstößer, Brigitte Borchert | Weimar Republic | City film, partly written by Billy Wilder; silent[12] |
The Power of Suggestion | M.G. MacPherson (director), Jean D. Michelson (editor) | United States | Artkino[13] production; Lost film[14] | |
À propos de Nice | Jean Vigo | France | City film | |
Romance Sentimentale | Grigory Alexandrov, Sergei Eisenstein | Mara Griy | France | "Étude cinematographique"[15] |
The Story of a Nobody | Jo Gerson, Louis Hirshman | United States | Experiment in subjective camerawork, Lost film[16] | |
Studie(s) Nr. 2-4 | Oskar Fischinger | Weimar Republic | Abstract animations; Nr. 4 Lost[17] | |
R.5, Ein Spiel in Linien (Studie Nr. 5) | Oskar Fischinger | Weimar Republic | Abstract animation | |
Studie Nr. 6 | Oskar Fischinger | Weimar Republic | Abstract animation | |
Such Is Life | Vera Baranovskaya, Theodor Pištěk | Czechoslovakia | Czech avant-garde social realist feature; silent[18] | |
Tomatos Another Day | James Sibley Watson Jr. | United States | Absurdist comedy written by Alec Wilder[19] | |
The Trap | M.G. MacPherson (director), Jean D. Michelson (editor) | United States | Artkino production, Lost film | |
Wochenende (Weekend) | Walter Ruttmann | Weimar Republic | Audio-only film collage; no image[20] | |
Yamekraw | Murray Roth | Hugo Marianni & His Mediterraneans | United States | Vitaphone "opera film" visualization of tone poem by James Price Johnson, heavily indebted to German expressionism.[21] [22] [23] |
1931 | ||||
Autumn Fire | Herman G. Weinberg | Erna Bergman, Willy Hildebrand | United States | Cinematic poem; mixed nature and city film |
A Bronx Morning | Jay Leyda | United States | City film; silent[24] | |
City of Contrasts | Irving Browning | United States | City film[25] | |
Dance Film | Ralph Steiner | United States | Dance film | |
A Day in Santa Fe | Lynn Riggs, James Hughes | United States | City film[26] | |
Douro, Faina Flouval | Manoel de Oliveira | Portugal | City film | |
Enthusiasm: Symphony of the Donbass | Dziga Vertov | Soviet Union | Documentary film with montage of both visuals and sound | |
Hearts of the West | Theodore Huff | United States | Genre parody | |
Imperial Valley | Seymour Stern | United States | Experimental documentary, sometimes dated to 1932 or 1933; Stern taken off production which was finished by others, Lost film[27] [28] | |
Limite | Mário Peixoto | Olga Breno, Raul Schnoor | Brazil | Advertised as 'pure cinema;' first Brazilian avant-garde film[29] |
At the Prague Castle | Alexandr Hackenschmied | Czechoslovakia | Semi-documentary | |
Panther Woman of the Needle Trades, or The Lovely Life of Little Lisa | Ralph Steiner | Elizabeth Hawes, Morris Carnovsky | United States | Satire, print extant at MOMA |
Portrait of a Young Man in Three Movements | Henwar Rodakiewicz | United States | Feature length experimental film, begun in 1925[30] [31] | |
Studie(s) Nr. 7-9 | Oskar Fischinger | Weimar Republic | Abstract animation | |
Surf and Seaweed | Ralph Steiner | United States | Photographic abstract film, sometimes dated to 1930.[32] | |
The Light Penetrates the Darkness | Otakar Vávra, František Pilát | Czechoslovakia | Photographic abstract film[33] | |
Taris, roi de l'eau | Jean Vigo | France | Documentary about a swimming champion | |
1932 | ||||
Blood of a Poet | Lee Miller, Pauline Carton, Odette Talazacuez | France | Surrealist feature, produced by Charles de Noailles; often misdated to 1930–31[34] | |
Burleska | Jan Kučera | Czechoslovakia | Experimental short; Kučera's only film[35] | |
Destiny | Josef Berne | United States | Dated "ca. 1932" | |
Europa | Stefan Themerson, Franciszka Themerson | Poland | Abstract animation, based on the poem by Anatol Stern; lost, but partially reconstructed in 1984 | |
The Fortune Teller | Jerome Hill | United States | Tinting and hand-coloring added in the 1960s[36] [37] | |
Granite, a.k.a. The Quarry | Ralph Steiner | United States | ||
Harbor Scenes | Ralph Steiner | United States | ||
Histoire du soldat inconnu | Henri Storck | Belgium | ||
L'idée | Berthold Bartosch | France | Surreal animation; music by Arthur Honegger | |
Koloraturen (Coloratura) | Oskar Fischinger | Weimar Republic | Abstract animation | |
Kuhle Wampe | Bertolt Brecht, Slatan Dudow | Weimar Republic | Agitprop film, written by Bertolt Brecht with music by Hanns Eisler. | |
Land of the Sun | Seymour Stern | United States | Experimental documentary[38] | |
Little Geezer | Theodore Huff | United States | Genre parody[39] | |
Ornament Sound Experiments | Oskar Fischinger | Weimar Republic | Synthetic sound experiments | |
Poem 8 | Emlen Etting | Mary Binney Montgomery, Caresse Crosby | United States | Dance film, shot in 8mm, silent[40] |
Před maturitou (Before Matriculation) | Svatopluk Innemann, Vladislav Vančura | Jindřich Plachta, František Smolík | Czechoslovakia | Semi-experimental feature film[41] |
Qué vivá México! | Sergei Eisenstein, Grigori Alexandrov | Félix Balderas, Martín Hernández | Mexico | Begun in 1931, never completed by Eisenstein; edited into numerous other films[42] |
Studie(s) Nr. 10-11 | Oskar Fischinger | Weimar Republic | Abstract animation | |
Studie Nr. 12 | Oskar Fischinger, Hans Fischinger | Weimar Republic | Abstract animation | |
Sur les bords de la caméra (Pictures on the Sideline) | Henri Storck | Belgium | ||
Visions of Lourdes | Charles Dekeukeleire | Belgium | ||
1933 | ||||
7 till 5 | Norman McLaren | United Kingdom | Amateur city film[43] | |
Dawn to Dawn | Josef Berne, Seymour Stern | Julie Haydon, Ole M. Ness, Frank Eklof | United States | a.k.a. "Black Dawn," short, Naturalist melodrama[44] |
Deserter | Vsevolod Pudovkin | Boris Livanov, Vasili Kovrigin | Soviet Union | Asynchronous use of sound and image[45] |
Drobiazg Melodyjny (Moment Musical) | Stefan Themerson, Franciszka Themerson | Poland | Rayographic animation, Lost | |
Footnote to Fact | Lewis Jacobs | United States | City film[46] | |
G-3 | Ralph Steiner | United States | Also dated to 1932[47] | |
Las Hurdes: Tierra Sin Pan | Luis Buñuel | Abel Jacquin, Alexandre O'Neill | Spain | Documentary, co-written by Buñuel and Surrealist poet Pierre Unik, with music by Darius Milhaud |
In the Icy Wastes of Dialectical Materialism | Luis Buñuel, Charles de Noailles | France | Re-edited section of L'age d'or, rendered as comedy and shown in leftist theaters in Eastern Europe; lost.[48] | |
Lot in Sodom | James Sibley Watson Jr., Melville Webber | Friedrich Haak, Hildegarde Watson | United States | Experimental short based on Biblical story[49] |
Mr. Motorboat's Last Stand | John Flory, Theodore Huff | Leonard Stirrup | United States | Satire[50] |
On the Sunny Side | Vladislav Vančura | Filip Balek-Brodský, Hana Bečková | Czechoslovakia | Didactic feature film[51] |
Une nuit sur le mont chauve | Alexandre Alexieff, Claire Parker | France | First pinscreen animation, also dated to 1934, 1931[52] | |
Oil—A Symphony in Motion | M.G. MacPherson (director), Jean D. Michelson (editor) | United States | Only extant Artkino production[53] [54] [55] [56] | |
Oramunde | Emlen Etting | Caresse Crosby, Mary Binney Montgomery | United States | Dance film[57] |
Poslovi konzula Dorgena (Consul Dorgen's Business) | Oktavijan Miletić | Šime Marov, Ivan Alpi-Rauch | Yugoslavia | Experimental dramatic short; won a prize awarded by Louis Lumière[58] [59] |
Prostoy sluchay (A Simple Case) | Vsevolod Pudovkin | Aleksandr Baturin, Mariya Belousova | Soviet Union | Naturalist drama, begun in 1931; silent[60] |
Pueblo | Seymour Stern | United States | Experimental documentary; never finished, Lost film | |
Synchromy | Mary Ellen Bute, Lewis Jacobs, Joseph Schillinger | United States | Abstract animation, never completed[61] | |
Tilly Losch in the Dance of Her Hands | Norman Bel Geddes | Tilly Losch | United States | Dance film, dated 1930–33 |
The Earth Sings | Karel Plicka, Alexandr Hackenschmied | Czechoslovakia | Experimentally edited ethnographic semi-documentary, with music score | |
Zéro de conduite | Jean Vigo | France | ||
1934 | ||||
Atoms of Eternity | Čeněk Zahradníček | Czechoslovakia | ||
Beyond This Open Road | B. Vivian Braun | United Kingdom | ||
Café Universal | Ralph Steiner | United States | Satire featuring members of The Group Theatre | |
Camera Makes Whoopee | Norman McLaren | United Kingdom | Amateur film; montage experiments[62] | |
La Joie de vivre | Anthony Gross, Hector Hoppin | France | Stylized, surreal animated film[63] | |
The Furies | Slavko Vorkapich | United States | Surreal special effects insert for feature, "Crime without Passion"[64] | |
Hands | Ralph Steiner, Willard Van Dyke | United States | Sponsored by the Works Project Administration; also dated 1936-7 and edited into later films[65] | |
Happiness | Aleksandr Medvedkin | Petr Zinoviev, Elena Egorova | Soviet Union | Soviet satire; stylized, silent[66] |
The Hearts of Age | William Vance, Orson Welles | Virginia Nicolson, Orson Welles | United States | Amateur experimental film, made at the Todd School, Chicago |
Kreise (Circles) | Oskar Fischinger | Weimar Republic | Abstract animation, exists in two versions, color | |
Liebesspiel | Oskar Fischinger | Nazi Germany | Abstract animation, first exhibited posthumously; silent | |
Man of Aran | Robert J. Flaherty | Ireland | Fictionalised documentary | |
Marijka nevěrnice (Faithless Maritza) | Vladislav Vančura | Hana Maria Pravda | Czechoslovakia | Semi-experimental feature[67] |
Muratti Greift Ein (Muratti Gets in the Act) | Oskar Fischinger | Nazi Germany | Dancing cigarette animation, Gasparcolor | |
Prisoner | Roman Freulich | George Sari, Jack Rockwell | United States | Expressionistic short, made in Hollywood, lost film |
Quadrate (Squares) | Oskar Fischinger | Nazi Germany | Abstract animation, silent, Gasparcolor | |
Rhythm in Light | Mary Ellen Bute | United States | Abstract animation[68] | |
Ein Spiel in Farben (A Play in Colors) | Oskar Fischinger | Nazi Germany | Abstract animation, a.k.a. Studie No. 11a, color | |
Studie Nr. 13 (Coriolan Fragment) | Oskar Fischinger | Nazi Germany | Abstract animation, unfinished | |
Sweet Land of Liberty | Leo Hurwitz | United States | Satirical documentary; Lost film[69] | |
Žijeme v Praze (We Live in Prague) | Otakar Vávra | Czechoslovakia | City film[70] | |
1935 | ||||
A Colour Box | Len Lye | United Kingdom | ||
Colour Cocktail | Norman McLaren | United Kingdom | Abstract animation; lost film[71] | |
Ghost Town: The Story of Fort Lee | Theodore Huff, Mark Borgatte | United States | Semi-documentary[72] | |
Gypsy Night | Josef Berne, Harold Hecht | United States | Musical short, set in a Gypsy camp, color[73] | |
The Hands on Tuesday | Čeněk Zahradníček | Czechoslovakia | [74] | |
Hollywood | Vic Kandel, Robert Del Duca | United States | Satire, Lost film | |
Kinetic Molpai | Ted Shawn | Ted Shawn and his Men Dancers | United States | Modern dance film[75] |
Komposition in Blau (Composition in Blue) | Oskar Fischinger | Nazi Germany | Abstract animation in Gasparcolour | |
November | Otakar Vávra, Alexandr Hackenschmied | Czechoslovakia | ||
Muratti Privat | Oskar Fischinger | Nazi Germany | Dancing cigarette animation, black and white | |
Pie in the Sky | Ralph Steiner, Elia Kazan, Molly Day Thatcher, Irving Lerner | Elia Kazan, Russell Collins | United States | Satire[76] |
Pink Guards On Parade | Oskar Fischinger | Nazi Germany | Abstract advertisement, Gasparcolor, unfinished; recreation on video made in 2000 by William Moritz | |
Poison | Man Ray | Man Ray, Meret Oppenheim | France | Double "portrait" film of Ray and Oppenheim[77] |
Polychrome Phantasy | Norman McLaren | Canada | Abstract animation, color[78] | |
Synchromy No. 2 | Mary Ellen Bute, Ted Nemeth | United States | Abstract animation[79] | |
Zwarcie (Short Circuit) | Stefan Themerson, Franciszka Themerson | Poland | Abstract animation, music by Witold Lutoslawski, Lost | |
1936 | ||||
145 W 21 | Rudy Burckhardt | Paul Bowles, Aaron Copland | United States | [80] |
The Birth of the Robot | Len Lye | United Kingdom | ||
Black and White Rhapsody | Martin Frič | Czechoslovakia | City film | |
Dada | Mary Ellen Bute, produced by Ted Nemeth | United States | Abstract animation, black and white[81] | |
Hell Unlimited | Helen Biggar, Norman McLaren | United Kingdom | Anti-war political short[82] | |
The New Architecture and the London Zoo | László Moholy-Nagy | United Kingdom | ||
Redes | Emilio Gómez Muriel, Fred Zinnemann | Silvio Hernández, Rafael Hinojosa | Mexico | Cinematography by Paul Strand, music by Silvestre Revueltas; Eisenstein-influenced revolutionary film[83] |
Rose Hobart | Joseph Cornell | United States | Collage film[84] | |
1937 | ||||
Even—As You and I | LeRoy Robbins, Harry Hay | United States | ||
Escape | Mary Ellen Bute, produced by Ted Nemeth | United States | Abstract animation, color | |
Monsieur Fantômas | Ernst Moerman | Belgium | ||
An Optical Poem | Oskar Fischinger | United States | Abstract animation, distributed by MGM, color | |
Parabola | Mary Ellen Bute, Ted Nemeth, Bill Nemeth, Rutherford Boyd | United States | Abstract animation[85] | |
Przygoda Czlowieka Poczciwego (The Adventure of a Good Citizen) | Stefan Themerson, Franciszka Themerson | Poland | Satire | |
Seeing the World No. 1: A Trip to New York CIty | Rudy Burckhardt | United States | City film | |
Silnice spívá (The Highway Sings) | Elmar Klos, Alexandr Hackenschmied | Czechoslovakia | Experimental advertising film | |
1938 | ||||
Bookstalls | Joseph Cornell | United States | Collage film, title added posthumously; Silent[86] | |
Carousel: Animal Opera | Joseph Cornell | United States | Collage film | |
The Children's Jury | Joseph Cornell | United States | Collage film, Silent | |
The Children's Trilogy: Cotillion, The Midnight Party, The Children's Party | Joseph Cornell | United States | Collage film, put into a final form by Larry Jordan ca. 1967–70, Silent | |
Family Film | José Val del Omar | Spain | ||
Fragment from Caroland's Mansion | Frank Stauffacher | United States | [87] | |
Jack's Dream | Joseph Cornell | United States | Collage film, put into a final form by Larry Jordan ca. 1970 | |
N or NW | Len Lye | United Kingdom | ||
Thimble Theater | Joseph Cornell | United States | Collage film, title added posthumously; Silent | |
Tree Trunk to Head | Lewis Jacobs | Chaim Gross | United States | Semi-documentary, silent[88] |
1939 | ||||
The City | Ralph Steiner, Willard Van Dyke | United States | City film for New York World's Fair, written by Pare Lorentz[89] | |
Dance of the Colors | Hans Fischinger | Germany | Abstract animation, color | |
Haiti | Rudy Burckhardt | United States | [90] [91] [92] | |
Love on the Wing | Norman McLaren | United Kingdom | Abstract animation, color[93] | |
Scherzo | Norman McLaren | United Kingdom | Abstract animation, color | |
Spare Time | Humphrey Jennings | United Kingdom | Short documentary about British people at leisure, inspired by Mass Observation | |
Spook Sport | Mary Ellen Bute, Ted Nemeth, Norman McLaren | United States | Abstract animation, color, animation by McLaren | |
Stars and Stripes | Norman McLaren | United Kingdom | Abstract animation, color[94] | |
Time in the Sun | Marie Seton | United Kingdom | Composite film, made of footage shot by Sergei Eisenstein for Qué vivá México![95] | |