List of academic publishing works on Madonna explained

Madonna's life and work has generated various academics works, which includes scholarly articles and other published works, mostly covered by literary and academic journals as well as by others educational publishers like those from university pressess. The list is limited to only those that appeared first by a peer-reviewed outlet, or published in compendiums. Also, these works have been published in different languages other than English.

First scholarly articles about her is believed to be dated on 1985.^[1] Scholar Suzanna Danuta Walters commented that academic writings about her, "has produced at least one major academic text devoted to Madonna", while for professor Jane Desmond, "the relevant bibliography is vast". Australian historian Robert Aldrich once commented she is a "performer of inimitable ubiquity" in the academia as she "has saturated the pages of academic journals".^[2] To Alina Simone, in her academic studies "there is no dearth of material about Madonna, but an overwhelming excess".^[3] Associate professor José F. Blanco, wrote in The Journal of Popular Culture that "it can be argued that Madonna is overexposed in academic research".

Thesis such as Like a thesis: postmodern readings of Madonna music videos (1991) by Madonna scholar, Charles W Wells are included because they received academic and press coverage. In 1998, French academic Georges-Claude Guilbert wrote his thesis Madonna: un mythe postmoderne. Others of these publications received citations from other scholars and observers appearing in citation indexes, or were preserved by university libraries. In addition, others thesis were published as books. Music professor Antoni Pizà noted that during the late 20th century, it became a fad in the United States to write doctoral dissertations on Madonna. American journalist Hank Stuever said that Madonna's dissertations piled up and some were collected into a tome called The Madonna Connection (1993).^[4] She has been part of multiple lectures around the world.

Academic and critical journal articles

In English

Title	Year	Author(s)	Journal	Pages	Identifiers	Notes
Madonna	1987		Performing Arts Journal	17–20	Vol. 10 issue 3	An essay about Madonna.	^[5]
Living to Tell: Madonna’s Resurrection of the Fleshly	1990		Genders	148–166	issue 7	A study on Madonna and her music.	^[6]
The Effects of Race, Gender, and Fandom on Audience Interpretations of Madonna's Music Videos	1990		Journal of Communication	88–102	Vol. 40 issue 2	An audience reception using Madonna's videos "Papa Don't Preach" and "Open Your Heart".	^[7]
Like a critique: A postmodern essay on Madonna's postmodern video like a prayer	1991		Popular Music and Society	59–68	Vol. 15 issue 1	A study on video of "Like a Prayer".	^[8]
Madonna	1991/92		Ploughshares	221–230	Vol. 17 issue 4	Literary studies on Madonna.	^[9]
The Laugh of Madonna: Censorship and Oppositional Discourse	1992		The Journal of the Midwest Modern Language Association	41–46	Vol. 25 issue 1	A study on Madonna and her music.	^[10]
Our Lady of MTV: Madonna's "Like a Prayer"	1992		Boundary 2	163–183	Vol. 19 issue 2	Commentaries about Madonna and her video "Like a Prayer" as well, the Madonna scholars.	^[11]
Madonna's postmodern feminism: Bringing the margins to the center	1992		Southern Communication Journal	120–131	Vol. 57 issue 2	Essay about how Madonna used postmodernism to challenge accepted norms of sex and gender.	^[12]
Justify My Ideology: Madonna and traditional values	1992		Popular Music and Society	75–84	Vol. 16 issue 2	A criticism and analysis of the music video for Madonna's song, "Justify My Love" (1990).	^[13]
Like a virgin-mother?: materialism and maternalism in the songs of Madonna	1992		Cultural Studies	73–96	Vol. 6 issue 1	A criticism and analysis of the music video for Madonna's song, "Material Girl" (1984).	^[14]
Sex, Madonna, & Mia: Press Reflections	1993		The Antioch Review	503–518	Vol. 51 issue 4	Talks about press reaction towards Madonna's book Sex.	^[15]
Madonna's Sex: Constitutional Stewardship or Administrative Fantasies?	1993		Administrative Theory & Praxis	37–51	Vol. 15 issue 2	Examines reaction towards Madonna's book Sex.	^[16]
Madonna	1993		The Journal of Popular Culture	1–12	Vol. 27 issue 1	A criticism and analysis of Madonna as a public figure.	^[17]
Feminist assessment of emancipatory potential and Madonna's contradictory gender practices	1996		Quarterly Journal of Speech	125–141	Vol. 82 issue 2	A feminist‐schizoanally piece noted that the hallmark of Madonna's career was her contradictory play with gender roles and images.	^[18]
Electrifying Fragments: Madonna and Postmodern Performance	1996		New Theatre Quarterly	99–107	Vol. 12 issue 46	Studied Madonna's image in terms of the concept of "punctum" a concept defined by Roland Barthes.	^[19]
Like a Prophet - On Christian Interpretations of a Madonna Video	1996		Scripta Instituti Donneriani Aboensis	151–174	Vol. 16	An analysis on "Like a Prayer" since Christian and art perspectives.	^[20]
Madonna — mother of mirrors	1997		Cultural Studies	138–187	Vol. 11 issue 1		^[21]
The Aesthetics of Music Video: An Analysis of Madonna's 'Cherish	1998		Popular Music	153–185	Vol. 17 issue 2	Focused in her video "Cherish".	^[22]
Not an Immaculate Reception: ideology, The Madonna Connection, and academic wannabes	1999		Velvet Light Trap	37	Vol. 22 issue 5	Examines the criticism towards Madonna scholars by her own experience.	^[23]
Madonna and Hypertext: Liberatory Learning in Art Education	2000		Studies in Art Education	376–389	Vol. 41 issue 4	Examines the use of computer hypertext as a base for art education in high school and used Madonna's videos as example.	^[24]
The Madonna Experience: A U.S. Icon Awakens a Puerto Rican Adolescent's Feminist Consciousness	2001			118–130	Vol. 22 issue 2	Talks about Madonna's Puerto Rican performance from her Girlie Show in 1993, and the impact she had in the country.	^[25]
Trollope's Material Girl	2002		The Yearbook of English Studies	36–51	Vol. 32	Essay takes the 'Madonna phenomenon' as its point of departure to propose that, far from being unique to postmodernity, the representational project that emerges from Madonna's "Material Girl" song already motivated cultural production in the nineteenth century.	^[26]
Material Girl or Managerial Girl? Charting Madonna's brand ambition	2003		Business Horizons	2–10	Vol. 46 issue 4	Talks about Madonna's brand in the perspective of business and marketing.	^[27]
All You Need Is LAV: Madonna and Postmodern Kabbalah	2005		The Jewish Quarterly Review	611–624	Vol. 95 issue 4	Madonna's study of Kabbalah and integrating Kabbalistic themes in her cultural productions.	^[28]
"Sigmund Freud, Analyze This": How Madonna Situates "Die Another Day" Beyond the Pleasure Principle	2006		Studies in Popular Culture	77–97	Vol. 29 issue 1		^[29]
The Semiotics of Performance and Success in Madonna	2012		The Journal of Popular Culture	173–196	Vol. 45 issue 1	Talks about Madonna's long -standing success.	^[30]
Madonna as a symbol of reflexive modernisation	2013		Celebrity Studies	144–154	Vol. 4 issue 2	Discuss the communication of social and cultural tensions embodied in Madonna.	^[31]
From Old Media Whore to New Media Troll: The online negotiation of Madonna's ageing body	2013		Feminist Media Studies	288–302	Vol. 13 issue 2	Commentaries about Madonna's age and body since a feminist perspective.	^[32]
How to Fashion an Archetype: Madonna as Anima Figure	2014		The Journal of Popular Culture	1153–1166	Vol. 47 issue 6	Talks about Madonna's image, such as her reinvention, identities and her cultural impact.	^[33]
The Icon and the Text: American Book History and the Construction of the World's Largest-Grossing Illustrated Book, Madonna's Sex (1992)	2020		Journal of American Studies	184–211		Examines Madonna's success of her first book Sex.	^[34]

Non-English

Title	Year	Author(s)	Journal	Language	Pages	Identifiers	Notes
Watching Madonna: Anmerkungen zu einer feministischen Medien-/Geschlechterforschung	1996		Essen: Die blaue Eule		23–44		An essay on Madonna and her cultural impact.	^[35]
L'autobiographie post-moderne, "post-mortem": Madonna auto(bio)graphe	2002		L'Esprit Créateur		66–75	Vol. 42 issue 4	Socio-cultural study on Madonna.	^[36]
Die Another Day: Madonna and the Post-Modern Kabbalah	2002		Zmanim: A Historical Quarterly		4–11	issue 91	A study of Madonna's song "Die Another Day".	^[37]
Madonna'nın Feminizmi: Postmodern Bir Kimlik Sorunsalı	2008		Toplum ve Demokrasi Dergisi		91–106	Vol. 4 issue 2	The study analysis through Madonna, as an important representation of postmodern identity the feminism, postmodernism and identity.	^[38] ^[39]
Construção de persona midiática: um estudo de caso da pop star Madonna	2011		Revista científica da faminas		1–38	Vol. 7 issue 1	A post-structuralism analysis on Madonna's work.	^[40]
«Um rosto tão conhecido quanto o nosso próprio»: a construção da imagem pública e da idolatria a Madonna	2011		Comunicação & cultura		99–115	issue 12	As part of the "Fãs e celebridades" commentaries.	^[41]
Mujeres, violencia y posfeminismo en los vídeos de Madonna	2014		Área Abierta		23–41	Vol. 14 issue 3	A study based on Madonna's videos analyzing post-feminism theory.	^[42]
Nem todas querem ser Madonna: representações sociais da mulher carioca, de 50 anos ou mais	2014		Estudos Feministas		173–193	Vol. 22 issue 1	It focuses on Madonna and her age and modern media's reflection of what it means to be over 50 for a woman.	^[43]
Madonna, 'sex' e o fetichismo pós-moderno	2019		Sociologia: Revista da Faculdade de Letras da Universidade do Porto		71–87	Vol. 38	A postdoctoral research.	^[44]
Los vídeos musicales de Madonna como performances audiovisuales	2022		Cuadernos De Investigación Musical		151–162	issue 15	Studies of Madonna's performances.	^[45]

Partial and secondary

Title	Year	Author(s)	Journal	Pages	Identifiers	Notes
Musicologists, Sociologists and Madonna	1993		Innovation: The European Journal of Social Science Research	277–289	Vol. 6 issue 3	Studies how the popular music has been dominated largely by sociology, rather than musicology with a particular focus on Madonna.	^[46]
Strike a pose: the framing of Madonna and Frida Kahlo	1993		Texas Studies in Literature and Language	440–452	Vol. 35 issue 4	Explores Frida Kahlo-Madonna relation and how her art proliferated throughout the world since the singer confessed to being her fan.	^[47]
Legal Radicals in Madonna's Closet: The Influence of Identity Politics, Popular Culture, and a New Generation on Critical Legal Studies	1994		Stanford Law Review	1835–1861	Vol. 46 issue 6	Piece was reviewed by legal scholar Naomi Mezey.	^[48]
Shakespeare's Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas	1995		Contemporary Theatre Review	7–16	Vol. 2 issue 3	Cross-reference male gaze analysis on Cleopatra and Madonna.	^[49]
The making of matriarchy: A comparison of Madonna and Margaret Thatcher	1997		Journal of Gender Studies	33–42	Vol. 6 issue 1	The article reviews a selection of the plethora of academic literature available on Madonna and the limited amount on Thatcher. Explores subjects such as matriarchy.	^[50]
Angelina and Madonna: Why All the Fuss?: an Exploration of the Rights of the Child and Intercountry Adoption within African Nations	2007		Chicago Journal of International Law	323–354	Vol. 8 issue 1 art. 1	Explore the issues of the international adoptions by celebrities, focused in the cases of Angelina Jolie and Madonna.	^[51]
Madonna or Don McLean? The effect of order of exposure on relative liking	2010		Journal of Consumer Psychology	442–451	Vol. 20 issue 4	Talks about the effects of order; for example listening to one version of a song before another. They used as an example Don McLean's "American Pie" and Madonna's cover of that song.	^[52]
Toward a Concept of Post-Postmodernism or Lady Gaga’s Reconfigurations of Madonna	2013		Reconstruction: Studies in Contemporary Culture	1–2	Vol. 12 issue 4	An essay that talks about post-postmodernism with the Gaga-Madonna relation.	^[53]
Hating Madonna and loving Tom Ford: gender, affect and the ‘extra-curricular’ celebrity	2014		Celebrity Studies	59–74	Vol. 5 issue 1–2	Explore criticisms towards Madonna's film W.E., and commentaries from Naomi Wolf on the case, comparing how Tom Ford received "rapturous" reviews with A Single Man to further suggests a gender bias to Madonna as artist.	^[54]
Celebrity as Celebration of Privatization in Global Development: A Critical Feminist Analysis of Oprah, Madonna, and Angelina	2015		Communication, Culture & Critique	163–181	Vol. 8 issue 2	Explore the global philanthropy by media figures through the case of Oprah Winfrey, Angelina Jolie and Madonna.	^[55]

Conferences, congresses, seminar and courses

Madonna has been part of multiple lectures around the world. Following, a few examples:

Title	Year	Author(s)	Institution	Language	Pages	Identifiers	Notes
Madonna: Feminist Icon or Material Girl?	1993		University of California, Santa Barbara				Held in January 1993, Santa Barbara, University of California, and organized by the Women's Center.
Studies In Gender & Performance: Madonna Undressed	1993		University of Colorado				According to Polly McLean, an assistant journalist professor, the point of the class was "to get students to apply critical means of analysis to areas that are contemporary in society". She played Madonna songs and videos as part of the class, emphasizing issues raised in their images.	^[56]
Issues In Gender & Media Performance: The Madonna Phenomenon	1994		University of Colorado				The objective of the course was to formulate new ways to look at performance, via the performer. Using Madonna's videos and films explore the presentation of gender in costuming, makeup, gesturing and movement.	^[57]
Madonna: The Music and the Phenomenon	1997		University of Amsterdam				A 40-hours class examining just what makes Madonna tick. More than 200 students signed to the course and their knowledge was tested in a final examination. They used resources such as the book The Madonna Connection (1993) or a Dutch book about Madonna's lyrics of more than 200 songs recorded by the singer.	^[58] ^[59] ^[60]
20 Years of Madonna: New Approaches to Madonna's Cultural Transformations	2001		Cambridge University Press		293–294	Vol. 20 issue 2	Talks about Madonna's 20 years of career covering topics such as multiculturalism, all-American culture and motherhood among others. According to academic journal Music Theory Online, it was also presented to the International Association for the Study of Popular Music (IASPM). It was published in the academic journal Popular Music.	^[61] ^[62]
La traducción de Madonna	2005		Comillas Pontifical University		703–712		Translation studies based on Madonna's music presented in the international congress at the Asociación de Investigación y Especialización sobre Temas Iberoamericanos (AIETI).	^[63]
Case one: Madonna	2008		Wiley-Blackwell		1–4		A case study of Madonna's enduring success and applied in the marketing discourse.	^[64]
Madonna On the Couch': A psychoanalytic view on Madonna's music videos	2008		University of Leipzig		22		Seminar paper from the year 2007 and published in 2008. Discuss psychoanalysis with Sigmund Freud theories using Madonna and her music videos in particular.	^[65]
A influência das artes no videoclipe Vogue (1990) da cantora Madonna	2012		Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)		14	Congress n. XIII	Held at the XIII congress of Congresso de Ciências da Comunicação na Região Sul – Chapecó as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom).	^[66]
MDNA forever	2012		Congreso Internacional de la Asociación Universitaria de Estudios de las Mujeres (AUDEM)		65–76		Presented by Salvatore Bartolotta from National University of Distance Education at the Congreso Internacional de la Asociación Universitaria de Estudios de las Mujeres (AUDEM).	^[67] ^[68]
"Who's that girl? Madonna y la cultura pop contemporánea"	2015		University of Oviedo				A series of classes started in September and finished in December 2015 by a varied of academic experts in different areas. It marked the first time Oviedo devoted a course to a female singer.	^[69] ^[70]
Uma análise da carreira da cantora Madonna através de plataformas de divulgação de música	2016		Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)		15	Congress n. XVIII	Held at the XVIII congress of Congresso de Ciências da Comunicação na Região Nordeste – Caruaru as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom) in which, was explored Madonna's career since the digital music era.	^[71]
Bitch I'm Madonna: As rupturas no roteiro perfomático de uma diva pop	2018		Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom)		15	Congress n. 41	Held at the 41st congress of Congresso Brasileiro de Ciências da Comunicação – Joinville as part of the Sociedade Brasileira de Estudos Interdisciplinares da Comunicação (Intercom).	^[72]
China Studies Academic Seminar: Madonna goes East	2019		Xi'an Jiaotong-Liverpool University				Focuses on the construction of Madonna's star image in China and explores how Madonna's music was introduced to China.	^[73]

Theses and dissertations

Title	Year	Author(s)	Institution	Pages (total)	Identifiers	Notes
Like a thesis: postmodern readings of Madonna music videos	1991		Florida State University	230		It received academic attention and press coverage by outlets such as Orlando Sentinel and Tampa Bay Times.	^[74] ^[75]
Madonna, the material girl revealed through dramatistic inquiry	1992		San Diego State University	68		M.A. thesis.	^[76]
The Madonna phenomenon: a sociological perspective	1992		University of Houston	135		Archived at University of Houston Libraries.	^[77]
Raunch or resistance: Making meanings of Madonna, a cultural studies approach to the rock video	1992		University of Windsor	234		Preserved also at the National Library of Canada and Leddy Library.	^[78]
Madonna: playing in the heart of darkness	1993		University of California, Berkeley	134		M.A. in English.	^[79]
Reading images of Madonna music videos	1997		Cedar Crest College	35		A senior honors thesis.	^[80]
Re-(e)valu(ate/ing) Madonna : understanding the success of post-modernity's greatest diva	1999		Harvard University	42		It was featured in the guide of thesis at the university.	^[81] ^[82]
Madonna, an American pop icon of feminism and counter-hegemony	2000		Lehigh University	60		As part of the department of history.	^[83]
Marketing Madonna: celebrity agency across the cultural industry	2006		York University	349		Also preserved at Université du Québec à Rimouski.	^[84] ^[85]
Madonna & Black Culture Appropriation in the MTV Generation	2007		Harvard University	70		It was featured in the guide of thesis at the university.
The commodification of religion within celebrity culture with special focus on Madonna and Kabbalah	2008		Memorial University of Newfoundland	85		Honours dissertation of B.A. Preserved at the Centre for Newfoundland Studies.	^[86]
Madonna's confession: sound, self, and survival in a love song	2008		University of California, Los Angeles	218		Ph.D dissertation.
"Who's that girl?"-reconstructing gender: a cultural study of Madonna's music video	2014		Hong Kong Polytechnic University	117		M.A. thesis.	^[87]

Non-English thesis and dissertations

Title	Year	Author(s)	Institution	Language	Pages (total)	Identifiers	Notes
Madonna: un mythe postmoderne	1998		Paris Nanterre University		2 (vol.)		Thesis for English studies.	^[88]
"Express yourself - Madonna be with you": Madonna-Fans und ihre Lebenswelt	1998		Augsburg University		347		A thesis that was later published as a book. It is preserved at the Harvard Library.	^[89]
Madonna: where's that girl? Starimage und Erotik im medialen Raum	2002		Christian-Albrecht University of Kiel		559		To apply a doctorate in music videos.	^[90]
Madonna revidiert: Rekursivität im Videoclip	2004		Free University of Berlin		301		It was later published as a book.	^[91]
Madonna: uma vida de marketing e mídia	2006		Universidade Santa Cecília		94			^[92]
La representació de cançons en gèneres audiovisuals musicals: Anàlisi de dos documentals musicals subtitulats i d'onze videoclips de Madonna	2008		University of Vic - Central University of Catalonia		222		Explored the usage of subtitles through Madonna's music.	^[93]
Madonna as a cultural icon and a children's author: diplomsko delo	2009		University of Ljubljana		100			^[94]
A fabricação do ídolo pop: a análise textual de videoclipes e a construção da imagem de Madonna	2011		Federal University of Bahia		200		Based on Madonna's videography and image.	^[95]
Das Spiel mit dem Ich: die Dekonstruktion postmoderner Medienikonen am Beispiel Madonna	2012		University of Tübingen		193		It was later published as a book in 2014.	^[96]
Like a Queen; Madonna und ihr Hof auf der Bühne in Zeiten des Social Media (Like a Queen - Madonna & the stage as court in the era of social media)	2013		University of Vienna		75		Published both in English and German.	^[97]
“You must be my Lucky Star”: Crítica, agendamento e valor sobre a obra da cantora Madonna na Revista Rolling Stone	2015		Federal University of Paraíba		150		It was cited in A revista Tropos: Comunicação, Sociedade e Cultura of Universidade Federal do Acre.	^[98] ^[99]

Book sources

• Book: Desmond, Jane. Dancing Desires: Choreographing Sexualities on and Off the Stage. University of Wisconsin Press. 2001. 0299170500. Jane Desmond.
• Book: Fenner. Bevis. Stephen. Hill. Media and Cultural Theory. Bookboon. 2010. 978-0-415-31705-4. Stephen Hill (academic).
• Book: Guilbert, Georges-Claude. Madonna as Postmodern Myth. McFarland. 2015. 978-0-786-48071-5. Georges-Claude Guilbert.
• Book: Hall. Susan G. Dennis. Hall. American Icons. Greenwood Publishing Group. 2010. 978-0-275-98431-1. registration.
• Book: Jeffreys, Sheila. Beauty And Misogyny: Harmful Cultural Practices In The West. Routledge. 2005. 978-1-848-72448-8. Sheila Jeffreys.
• Book: Love, Joanna K.. Soda Goes Pop: Pepsi-Cola Advertising and Popular Music. University of Michigan Press. 2019. 978-0472054022.
• Book: Pizà, Antoni. El doble silenci reflexions sobre música i músics. Edicions Documenta Balear. 2003. 8495694859. Antoni Pizà. ca.
• Book: Walters, Suzanna Danuta. Material girls: making sense of feminist cultural theory. University of California Press. 1995. 0520915682. Suzanna Danuta Walters.

Notes and References

1. Web site: Aus der Ursuppe des Trash. May 17, 2010. March 31, 2021. Süddeutsche Zeitung. Caroline. von Lowtzow. live. July 26, 2020. https://web.archive.org/web/20200726050346/https://www.sueddeutsche.de/kultur/neues-madonna-album-hard-candy-aus-der-ursuppe-des-trash-1.219271. de. 1–2.
2. Book: Who's Who in Contemporary Gay and Lesbian History: From World War II to the Present Day. M; Madonna. 2020. Robert. Aldrich. Robert Aldrich (historian). Garry. Wotherspoon. limited. Routledge. Google Books. 978-1000150285. May 21, 2022. October 1, 2022. https://web.archive.org/web/20221001120636/https://www.google.com/books/edition/Who_s_Who_in_Contemporary_Gay_and_Lesbia/T_3vDwAAQBAJ?hl=en&gbpv=1&dq=. live.
3. Web site: 'Madonnaland,' by Alina Simone. February 27, 2022. May 3, 2016. https://archive.today/20160503061100/http://www.nytimes.com/2016/03/06/books/review/madonnaland-by-alina-simone.html?_r=0. T: The New York Times Style Magazine. Naomi. Fry. March 3, 2016. live.
4. News: The Age Of Madonna: Touched for a Very Long Time. The Washington Post. August 10, 2008. August 1, 2022. Hank Stuever. Hank. Stuever. 2.
5. Madonna. 1987. Performing Arts Journal. May 18, 2022. Harold. Jaffe. Harold Jaffe. 17–20. 10.2307/3245449. 10. 3. MIT Press. 3245449. May 19, 2022. https://web.archive.org/web/20220519041830/https://www.jstor.org/stable/3245449. live.
6. Living to Tell: Madonna's Resurrection of the Fleshly. 1990. Genders. May 18, 2022. Susan. McClary. Susan McClary. 148–166. 7. University of Texas Press. October 1, 2022. https://web.archive.org/web/20221001120644/https://www.utexaspressjournals.org/doi/abs/10.5555/gen.1990.7.1. live.
7. The Effects of Race, Gender, and Fandom on Audience Interpretations of Madonna's Music Videos. June 1990. Journal of Communication. May 18, 2022. Jane D.. Brown. Laurie. Schulze. 88–102. 2. 40. Oxford University Press. 10.1111/j.1460-2466.1990.tb02264.x.
8. Like a critique: A postmodern essay on Madonna's postmodern video like a prayer. 1991. Popular Music and Society. May 18, 2022. Stephen E.. Young. 59–68. 15. 1. 10.1080/03007769108591423. University of Tennessee.
9. Madonna. 1991–1992. Ploughshares. May 18, 2022. Jane. Miller. Jane Miller. 221–230. 17. 4. Ladette Randolph. 40350837. May 19, 2022. https://web.archive.org/web/20220519044022/https://www.jstor.org/stable/40350837. live.
10. The Laugh of Madonna: Censorship and Oppositional Discourse. 1992. The Journal of the Midwest Modern Language Association. May 18, 2022. Greta. Gaard. Greta Gaard. 41–46. 25. 1. University of Iowa. 10.2307/1315073 . 1315073 .
11. Our Lady of MTV: Madonna's "Like a Prayer". 1992. Boundary 2. May 18, 2022. Carla. Freccero. 163–183. 19. 2. 10.2307/303538. Duke University Press. 303538. May 25, 2022. https://web.archive.org/web/20220525115626/https://www.jstor.org/stable/303538. live.
12. Madonna's postmodern feminism: Bringing the margins to the center. 1992. Southern Communication Journal. May 18, 2022. Cathy. Schwichtenberg. 120–131. 57. 2. 10.1080/10417949209372858. University of Georgia. 146555627 . May 19, 2022. https://web.archive.org/web/20220519132209/https://www.tandfonline.com/doi/abs/10.1080/10417949209372858?src=recsys&. live.
13. Justify my ideology: Madonna and traditional values. 1992. Popular Music and Society. May 18, 2022. Janelle L.. Wilson. Gerald E.. Markle. 75–84. 2. 16. Western Michigan University. 10.1080/03007769208591477. May 19, 2022. https://web.archive.org/web/20220519132207/https://www.tandfonline.com/doi/abs/10.1080/03007769208591477?src=recsys&. live.
14. Like a virgin-mother?: Materialism and maternalism in the songs of Madonna. 1992. Cultural Studies. May 18, 2022. Barbara. Bradby. 73–96. 6. 1. 10.1080/09502389200490041. Routledge. May 19, 2022. https://web.archive.org/web/20220519132211/https://www.tandfonline.com/doi/abs/10.1080/09502389200490041?src=recsys&. live.
15. Sex, Madonna, & Mia: Press Reflections. 1993. The Antioch Review. May 19, 2022. Daniel. Harris. 503–518. 51. 4. Antioch College. 4612818 .
16. Madonna's Sex: Constitutional Stewardship or Administrative Fantasies?. 1993. Administrative Theory & Praxis. May 19, 2022. Douglas F.. Morgan. 37–51. 15. 2. Taylor & Francis. 25611061. May 25, 2022. https://web.archive.org/web/20220525115626/https://www.jstor.org/stable/25611061. live.
17. Madonna. 1993. The Journal of Popular Culture. May 18, 2022. Steve. Allen. 1–12. 27. 1. 10.1111/j.0022-3840.1993.1654646800.x. Wiley-Blackwell. May 19, 2022. https://web.archive.org/web/20220519142412/https://onlinelibrary.wiley.com/doi/10.1111/j.0022-3840.1993.1654646800.x. live.
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76. Web site: Madonna, the material girl revealed through dramatistic inquiry. 1992. May 20, 2022. San Diego State University. October 1, 2022. https://web.archive.org/web/20221001120640/https://csu-sdsu.primo.exlibrisgroup.com/discovery/fulldisplay?vid=01CALS_SDL:01CALS_SDL&tab=Everything&docid=alma991030755409702901&searchScope=EVERYTHING&context=L&lang=en. live.
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79. Web site: Madonna: playing in the heart of darkness. 1993. May 20, 2022. University of California, Berkeley. June 4, 2020. https://web.archive.org/web/20200604072415/http://oskicat.berkeley.edu/record=b15702630~S1. dead.
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