The UK Singles Chart is the official record chart in the United Kingdom. Prior to 1969 there was no official singles chart;[1] [2] [3] however, The Official Charts Company and Guinness' British Hit Singles & Albums regard the canonical sources as New Musical Express (NME) before 10 March 1960 and Record Retailer from then until 15 February 1969 when Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) to compile the charts.[1] [4] The choice to use Record Retailer as the canonical source for the 1960s has been contentious because NME (which continued compiling charts beyond March 1960) had the biggest circulation of periodicals in the decade and was more widely followed.[1] [2]
As well as the chart compilers mentioned previously, Melody Maker, Disc and Record Mirror all compiled their own charts during the decade. Due to the lack of any official chart the BBC aggregated results from all these charts to announce its own Pick of the Pops chart. One source explains that the reason for using the Record Retailer chart for the 1960s was that it was "the only chart to have as many as 50 positions for almost the entire decade". The sample size of Record Retailer in the early 1960s was around 30 stores whereas NME and Melody Maker were sampling over 100 stores. In 1969, the first BMRB chart was compiled using postal returns of sales logs from 250 record shops.
In terms of number-one singles, The Beatles were the most successful group of the decade having seventeen singles reach the top spot.[5] The longest duration of a single at number-one was eight weeks and this was achieved on three occasions: "It's Now or Never" by Elvis Presley in 1960; "Wonderful Land" by The Shadows in 1962 and "Sugar, Sugar" by The Archies in 1969. The Beatles' song "She Loves You" became the best-selling single of all time in 1963, a record it held until 1977 when band member Paul McCartney's new band, Wings, surpassed it with "Mull of Kintyre".[6] "She Loves You" was the best-selling song of the decade and one of fourteen songs believed to have sold over one million copies in the 1960s.[7]
scope=row style="background-color:#FFFF99" | † | Best-selling single of the year[8] | |
---|---|---|---|
scope=row style="background-color:lightblue" | ‡ | Best-selling single of the decade |
scope=col | scope=col | Artist | scope=col | Single | scope=col | Record label | scope=col | Week starting date | scope=col | Weeks at number one | |
---|---|---|---|---|---|---|---|---|---|---|---|
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | Emile Ford and the Checkmates | "What Do You Want to Make Those Eyes at Me For?" | 6 | ||||||||
scope=row style="text-align:center;" | "Starry Eyed" | 1 | |||||||||
scope=row style="text-align:center;" | "Why" | 4 | |||||||||
scope=row style="text-align:center;" | "Poor Me" | 2 | |||||||||
scope=row style="text-align:center;" | "Running Bear" | 2 | |||||||||
scope=row style="text-align:center;" | "My Old Man's a Dustman" | 4 | |||||||||
scope=row style="text-align:center;" | 100 | "Do You Mind?" | 1 | ||||||||
scope=row style="text-align:center;" | 101 | "Cathy's Clown" | Warner Bros. | 7 | |||||||
scope=row style="text-align:center;" | 102 | "Three Steps to Heaven" | London | 2 | |||||||
scope=row style="text-align:center;" | 103 | "Good Timin'" | MGM | 3 | |||||||
scope=row style="text-align:center;" | 104 | "Please Don't Tease" | 1 | ||||||||
scope=row style="text-align:center;" | 105 | "Shakin' All Over" | HMV | 1 | |||||||
scope=row style="text-align:center;" | Cliff Richard and the Shadows | "Please Don't Tease" | 2 | ||||||||
scope=row style="text-align:center;" | 106 | "Apache" | 5 | ||||||||
scope=row style="text-align:center;" | 107 | "Tell Laura I Love Her" | 3 | ||||||||
scope=row style="text-align:center;" | 108 | "Only the Lonely" | London | 2 | |||||||
scope=row style="text-align:center;" | 109 | "It's Now or Never" † | 8 | ||||||||
scope=row style="text-align:center;" | 110 | Cliff Richard and the Shadows | "I Love You" | 2 | |||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 111 | "Poetry in Motion" | London | 2 | |||||||
scope=row style="text-align:center;" | 112 | "Are You Lonesome Tonight?" | 4 | ||||||||
scope=row style="text-align:center;" | 113 | "Sailor" | Pye | 1 | |||||||
scope=row style="text-align:center;" | 114 | "Walk Right Back" / "Ebony Eyes" | Warner Bros. | 3 | |||||||
scope=row style="text-align:center;" | 115 | "Wooden Heart" † | 6 | ||||||||
scope=row style="text-align:center;" | 116 | "Blue Moon" | Pye International | 2 | |||||||
scope=row style="text-align:center;" | 117 | "On the Rebound" | RCA | 1 | |||||||
scope=row style="text-align:center;" | 118 | "You're Driving Me Crazy" | Parlophone | 1 | |||||||
scope=row style="text-align:center;" | 119 | "Surrender" | 4 | ||||||||
scope=row style="text-align:center;" | 120 | "Runaway" | London | 3 | |||||||
scope=row style="text-align:center;" | 121 | "Temptation" | Warner Bros. | 2 | |||||||
scope=row style="text-align:center;" | 122 | "Well I Ask You" | Decca | 1 | |||||||
scope=row style="text-align:center;" | 123 | "You Don't Know" | Columbia | 3 | |||||||
scope=row style="text-align:center;" | 124 | "Johnny Remember Me" | Top Rank | 3 | |||||||
scope=row style="text-align:center;" | 125 | "Reach for the Stars" / "Climb Ev'ry Mountain" | Columbia | 1 | |||||||
scope=row style="text-align:center;" | "Johnny Remember Me" | Top Rank | 1 | ||||||||
scope=row style="text-align:center;" | 126 | "Kon-Tiki" | 1 | ||||||||
scope=row style="text-align:center;" | 127 | "Michael" | HMV | 1 | |||||||
scope=row style="text-align:center;" | 128 | "Walkin' Back to Happiness" | Columbia | 3 | |||||||
scope=row style="text-align:center;" | 129 | "(Marie's the Name) His Latest Flame" / "Little Sister" | 4 | ||||||||
scope=row style="text-align:center;" | 130 | "Tower of Strength" | Philips | 3 | |||||||
scope=row style="text-align:center;" | 131 | "Moon River" | HMV | 2 | |||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 132 | Cliff Richard and the Shadows | "" | 6 | |||||||
scope=row style="text-align:center;" | 133 | "Can't Help Falling in Love" / "Rock-A-Hula Baby" | 4 | ||||||||
scope=row style="text-align:center;" | 134 | "Wonderful Land" | 8 | ||||||||
scope=row style="text-align:center;" | 135 | "Nut Rocker" | Top Rank | 1 | |||||||
scope=row style="text-align:center;" | 136 | "Good Luck Charm" | 5 | ||||||||
scope=row style="text-align:center;" | 137 | "Come Outside" | Parlophone | 2 | |||||||
scope=row style="text-align:center;" | 138 | "I Can't Stop Loving You" | HMV | 2 | |||||||
scope=row style="text-align:center;" | 139 | "I Remember You" † | 7 | ||||||||
scope=row style="text-align:center;" | 140 | "She's Not You" | 3 | ||||||||
scope=row style="text-align:center;" | 141 | "Telstar" | Decca | 5 | |||||||
scope=row style="text-align:center;" | 142 | "Lovesick Blues" | 5 | ||||||||
scope=row style="text-align:center;" | 143 | "Return to Sender" | 3 | ||||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 144 | "" / "Bachelor Boy" | 3 | ||||||||
scope=row style="text-align:center;" | 145 | "Dance On!" | 1 | ||||||||
scope=row style="text-align:center;" | 146 | "Diamonds" | Decca | 3 | |||||||
scope=row style="text-align:center;" | 147 | "" | 3 | ||||||||
scope=row style="text-align:center;" | 148 | "Summer Holiday" | 2 | ||||||||
scope=row style="text-align:center;" | 149 | "Foot Tapper" | 1 | ||||||||
scope=row style="text-align:center;" | Cliff Richard and the Shadows | "Summer Holiday" | 1 | ||||||||
scope=row style="text-align:center;" | 150 | "How Do You Do It?" | 3 | ||||||||
scope=row style="text-align:center;" | 151 | "From Me to You" | 7 | ||||||||
scope=row style="text-align:center;" | 152 | "I Like It" | 4 | ||||||||
scope=row style="text-align:center;" | 153 | "Confessin'" | 2 | ||||||||
scope=row style="text-align:center;" | 154 | "" | 1 | ||||||||
scope=row style="text-align:center;" | 155 | "Sweets for My Sweet" | Pye | 2 | |||||||
scope=row style="text-align:center;" | 156 | "Bad to Me" | Parlophone | 3 | |||||||
scope=row style="text-align:center;" | 157 | "She Loves You" ‡ | 4 | ||||||||
scope=row style="text-align:center;" | 158 | "Do You Love Me" | Decca | 3 | |||||||
scope=row style="text-align:center;" | 159 | "You'll Never Walk Alone" | 4 | ||||||||
scope=row style="text-align:center;" | "She Loves You" ‡ | 2 | |||||||||
scope=row style="text-align:center;" | 160 | "I Want to Hold Your Hand" | 5 | ||||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 161 | "Glad All Over" | Columbia | 2 | |||||||
scope=row style="text-align:center;" | 162 | "Needles and Pins" | Pye | 3 | |||||||
scope=row style="text-align:center;" | 163 | "Diane" | Decca | 1 | |||||||
scope=row style="text-align:center;" | 164 | "Anyone Who Had a Heart" | Parlophone | 3 | |||||||
scope=row style="text-align:center;" | 165 | "Little Children" | Parlophone | 2 | |||||||
scope=row style="text-align:center;" | 166 | "Can't Buy Me Love" † | 3 | ||||||||
scope=row style="text-align:center;" | 167 | "" | Columbia | 2 | |||||||
scope=row style="text-align:center;" | 168 | "Don't Throw Your Love Away" | Pye | 2 | |||||||
scope=row style="text-align:center;" | 169 | "Juliet" | Philips | 1 | |||||||
scope=row style="text-align:center;" | 170 | "You're My World" | Parlophone | 4 | |||||||
scope=row style="text-align:center;" | 171 | "It's Over" | London | 2 | |||||||
scope=row style="text-align:center;" | 172 | "The House of the Rising Sun" | Columbia | 1 | |||||||
scope=row style="text-align:center;" | 173 | "It's All Over Now" | 1 | ||||||||
scope=row style="text-align:center;" | 174 | "" | 3 | ||||||||
scope=row style="text-align:center;" | 175 | "Do Wah Diddy Diddy" | HMV | 2 | |||||||
scope=row style="text-align:center;" | 176 | "Have I the Right?" | Pye | 2 | |||||||
scope=row style="text-align:center;" | 177 | "You Really Got Me" | Pye | 2 | |||||||
scope=row style="text-align:center;" | 178 | "I'm Into Something Good" | Columbia | 2 | |||||||
scope=row style="text-align:center;" | 179 | "Oh, Pretty Woman" | 2 | ||||||||
scope=row style="text-align:center;" | 180 | "" | Pye | 3 | |||||||
scope=row style="text-align:center;" | "Oh, Pretty Woman" | London | 1 | ||||||||
scope=row style="text-align:center;" | 181 | "Baby Love" | Stateside | 2 | |||||||
scope=row style="text-align:center;" | 182 | "Little Red Rooster" | 1 | ||||||||
scope=row style="text-align:center;" | 183 | "I Feel Fine" | 5 | ||||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 184 | Georgie Fame and the Blue Flames | "Yeh, Yeh" | Columbia | 2 | ||||||
scope=row style="text-align:center;" | 185 | "Go Now" | Decca | 1 | |||||||
scope=row style="text-align:center;" | 186 | "You've Lost That Lovin' Feelin'" | London | 2 | |||||||
scope=row style="text-align:center;" | 187 | "Tired of Waiting for You" | Pye | 1 | |||||||
scope=row style="text-align:center;" | 188 | "I'll Never Find Another You" | 2 | ||||||||
scope=row style="text-align:center;" | 189 | "It's Not Unusual" | Decca | 1 | |||||||
scope=row style="text-align:center;" | 190 | "" | 3 | ||||||||
scope=row style="text-align:center;" | 191 | "Concrete and Clay" | Decca | 1 | |||||||
scope=row style="text-align:center;" | 192 | "" | Columbia | 1 | |||||||
scope=row style="text-align:center;" | 193 | "Ticket to Ride" | 3 | ||||||||
scope=row style="text-align:center;" | 194 | "King of the Road" | Philips | 1 | |||||||
scope=row style="text-align:center;" | 195 | "Where Are You Now" | Pye | 1 | |||||||
scope=row style="text-align:center;" | 196 | "Long Live Love" | Pye | 3 | |||||||
scope=row style="text-align:center;" | 197 | "Crying in the Chapel" | 1 | ||||||||
scope=row style="text-align:center;" | 198 | "I'm Alive" | Parlophone | 1 | |||||||
scope=row style="text-align:center;" | "Crying in the Chapel" | 1 | |||||||||
scope=row style="text-align:center;" | "I'm Alive" | Parlophone | 2 | ||||||||
scope=row style="text-align:center;" | 199 | "Mr. Tambourine Man" | CBS | 2 | |||||||
scope=row style="text-align:center;" | 200 | "Help!" | 3 | ||||||||
scope=row style="text-align:center;" | 201 | "I Got You Babe" | Atlantic | 2 | |||||||
scope=row style="text-align:center;" | 202 | "" | 2 | ||||||||
scope=row style="text-align:center;" | 203 | "Make It Easy on Yourself" | Philips | 1 | |||||||
scope=row style="text-align:center;" | 204 | "Tears" † | Columbia | 5 | |||||||
scope=row style="text-align:center;" | 205 | "Get Off of My Cloud" | 3 | ||||||||
scope=row style="text-align:center;" | 206 | "" | 3 | ||||||||
scope=row style="text-align:center;" | 207 | "Day Tripper" / "We Can Work It Out" | 5 | ||||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 208 | "Keep On Running" | Fontana | 1 | |||||||
scope=row style="text-align:center;" | 209 | "Michelle" | Pye | 3 | |||||||
scope=row style="text-align:center;" | 210 | "These Boots Are Made for Walkin'" | Reprise | 4 | |||||||
scope=row style="text-align:center;" | 211 | "" | Philips | 4 | |||||||
scope=row style="text-align:center;" | 212 | "Somebody Help Me" | Fontana | 2 | |||||||
scope=row style="text-align:center;" | 213 | "You Don't Have to Say You Love Me" | Philips | 1 | |||||||
scope=row style="text-align:center;" | 214 | "Pretty Flamingo" | HMV | 3 | |||||||
scope=row style="text-align:center;" | 215 | "Paint It Black" | 1 | ||||||||
scope=row style="text-align:center;" | 216 | "Strangers in the Night" | Reprise | 3 | |||||||
scope=row style="text-align:center;" | 217 | "Paperback Writer" | 2 | ||||||||
scope=row style="text-align:center;" | 218 | "Sunny Afternoon" | Pye | 2 | |||||||
scope=row style="text-align:center;" | 219 | Georgie Fame and the Blue Flames | "Get Away" | Columbia | 1 | ||||||
scope=row style="text-align:center;" | 220 | "Out of Time" | Immediate | 1 | |||||||
scope=row style="text-align:center;" | 221 | "With a Girl Like You" | Fontana | 2 | |||||||
scope=row style="text-align:center;" | 222 | "Yellow Submarine" / "Eleanor Rigby" | 4 | ||||||||
scope=row style="text-align:center;" | 223 | "All or Nothing" | Decca | 1 | |||||||
scope=row style="text-align:center;" | 224 | "Distant Drums" | RCA | 5 | |||||||
scope=row style="text-align:center;" | 225 | "Reach Out I'll Be There" | Tamla Motown | 3 | |||||||
scope=row style="text-align:center;" | 226 | "Good Vibrations" | Capitol | 2 | |||||||
scope=row style="text-align:center;" | 227 | "Green, Green Grass of Home" † | Decca | 7 | |||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 228 | "I'm a Believer" | RCA | 4 | |||||||
scope=row style="text-align:center;" | 229 | "This Is My Song" | Pye | 2 | |||||||
scope=row style="text-align:center;" | 230 | "Release Me" † | Decca | 6 | |||||||
scope=row style="text-align:center;" | 231 | Frank and Nancy Sinatra | "Somethin' Stupid" | Reprise | 2 | ||||||
scope=row style="text-align:center;" | 232 | "Puppet on a String" | Pye | 3 | |||||||
scope=row style="text-align:center;" | 233 | "Silence Is Golden" | CBS | 3 | |||||||
scope=row style="text-align:center;" | 234 | "" | Deram | 6 | |||||||
scope=row style="text-align:center;" | 235 | "All You Need Is Love" | 3 | ||||||||
scope=row style="text-align:center;" | 236 | "San Francisco (Be Sure to Wear Flowers in Your Hair)" | CBS | 4 | |||||||
scope=row style="text-align:center;" | 237 | "" | Decca | 5 | |||||||
scope=row style="text-align:center;" | 238 | "Massachusetts" | Polydor | 4 | |||||||
scope=row style="text-align:center;" | 239 | "Baby Now That I've Found You" | Pye | 2 | |||||||
scope=row style="text-align:center;" | 240 | "Let the Heartaches Begin" | Pye | 2 | |||||||
scope=row style="text-align:center;" | 241 | "Hello, Goodbye" | 7 | ||||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 242 | "" | CBS | 1 | |||||||
scope=row style="text-align:center;" | 243 | "Everlasting Love" | CBS | 2 | |||||||
scope=row style="text-align:center;" | 244 | "Mighty Quinn" | Fontana | 2 | |||||||
scope=row style="text-align:center;" | 245 | "Cinderella Rockefella" | Philips | 3 | |||||||
scope=row style="text-align:center;" | 246 | "" | Fontana | 1 | |||||||
scope=row style="text-align:center;" | 247 | "Lady Madonna" | 2 | ||||||||
scope=row style="text-align:center;" | 248 | "Congratulations" | 2 | ||||||||
scope=row style="text-align:center;" | 249 | "What a Wonderful World" | HMV | 4 | |||||||
scope=row style="text-align:center;" | 250 | "Young Girl" | CBS | 4 | |||||||
scope=row style="text-align:center;" | 251 | "Jumpin' Jack Flash" | 2 | ||||||||
scope=row style="text-align:center;" | 252 | "Baby, Come Back" | President | 3 | |||||||
scope=row style="text-align:center;" | 253 | "I Pretend" | Columbia | 1 | |||||||
scope=row style="text-align:center;" | 254 | "Mony Mony" | Major Minor | 2 | |||||||
scope=row style="text-align:center;" | 255 | "Fire" | Track | 1 | |||||||
scope=row style="text-align:center;" | "Mony Mony" | Major Minor | 1 | ||||||||
scope=row style="text-align:center;" | 256 | "Do It Again" | Capitol | 1 | |||||||
scope=row style="text-align:center;" | 257 | "I've Gotta Get a Message to You" | Polydor | 1 | |||||||
scope=row style="text-align:center;" | 258 | "Hey Jude" † | 2 | ||||||||
scope=row style="text-align:center;" | 259 | "Those Were the Days" | Apple | 6 | |||||||
scope=row style="text-align:center;" | 260 | "With a Little Help from My Friends" | Regal Zonophone | 1 | |||||||
scope=row style="text-align:center;" | 261 | "" | RCA | 4 | |||||||
scope=row style="text-align:center;" | 262 | "Lily the Pink" | Parlophone | 3 | |||||||
scope=row style="text-align:center;" colspan=6 bgcolor=#F2F2F2 | |||||||||||
scope=row style="text-align:center;" | 263 | "Ob-La-Di, Ob-La-Da" | CBS | 1 | |||||||
scope=row style="text-align:center;" | "Lily the Pink" | Parlophone | 1 | ||||||||
scope=row style="text-align:center;" | "Ob-La-Di, Ob-La-Da" | CBS | 2 | ||||||||
scope=row style="text-align:center;" | 264 | "Albatross" | Blue Horizon | 1 | |||||||
scope=row style="text-align:center;" | 265 | "Blackberry Way" | Regal Zonophone | 1 | |||||||
scope=row style="text-align:center;" | 266 | "" | 2 | ||||||||
scope=row style="text-align:center;" | 267 | "Where Do You Go To (My Lovely)?" | United Artists | 4 | |||||||
scope=row style="text-align:center;" | 268 | "I Heard It Through the Grapevine" | Tamla Motown | 3 | |||||||
scope=row style="text-align:center;" | 269 | "Israelites" | Pyramid | 1 | |||||||
scope=row style="text-align:center;" | 270 | "Get Back" | 6 | ||||||||
scope=row style="text-align:center;" | 271 | "Dizzy" | Stateside | 1 | |||||||
scope=row style="text-align:center;" | 272 | "" | 3 | ||||||||
scope=row style="text-align:center;" | 273 | "Something in the Air" | Track | 3 | |||||||
scope=row style="text-align:center;" | 274 | "Honky Tonk Women" | 5 | ||||||||
scope=row style="text-align:center;" | 275 | "In the Year 2525" | RCA | 3 | |||||||
scope=row style="text-align:center;" | 276 | "Bad Moon Rising" | Liberty | 3 | |||||||
scope=row style="text-align:center;" | 277 | "Je t'aime... moi non plus" | Major Minor | 1 | |||||||
scope=row style="text-align:center;" | 278 | "I'll Never Fall in Love Again" | Capitol | 1 | |||||||
scope=row style="text-align:center;" | 279 | "Sugar, Sugar" † | RCA | 8 | |||||||
scope=row style="text-align:center;" | 280 | "Two Little Boys" | Columbia | 6 |
The following artists achieved three or more number-one hits during the 1960s.
scope=col | Artist | scope=col | Number ones | scope=col | Weeks at number one |
---|---|---|---|---|---|
scope=row | 17 | 69 | |||
scope=row | 11 | 44 | |||
scope=row | 8 | 18 | |||
scope=row | 7 | 20 | |||
scope=row | 5 | 16 | |||
scope=row | 4 | 17 | |||
scope=row | 3 | 12 | |||
scope=row | Gerry and the Pacemakers | 3 | 11 | ||
scope=row | 3 | 9 | |||
scope=row | 3 | 7 | |||
scope=row | 3 | 7 | |||
scope=row | 3 | 7 | |||
scope=row | 3 | 5 | |||
scope=row | 3 | 4 |
The following record labels had five or more number ones on the UK Singles Chart during the 1960s.
scope=col | Record label | scope=col | Number ones |
---|---|---|---|
Columbia | 35 | ||
Parlophone | 23 | ||
Decca | 22 | ||
Pye/Pye International | 19 | ||
RCA | 17 | ||
CBS | 7 | ||
London | 7 | ||
HMV | 7 | ||
Philips | 7 | ||
Fontana | 5 | ||
The Shadows instrumental, "Apache", is the oldest 1960s release to be awarded a gold record but not the first to actually receive the award.[9] The awarding of seventeen gold records to records released in the 1960s is documented and, notably, five were awarded to releases by The Beatles. Although The Righteous Brothers first released "Unchained Melody" in August 1965 it had more success after being re-released in the 1990s reaching number one and selling over one million copies.[10]
Artist | Song | Year of millionth sale[11] [12] [13] | |
---|---|---|---|
"Apache" | 1963 | ||
"It's Now or Never" | 1960 | ||
"Stranger on the Shore" | 1962 | ||
"The Young Ones" | 1962 | ||
"I Remember You" | 1962 | ||
"She Loves You" | 1963 | ||
"I Want to Hold Your Hand" | 1963 | ||
"Can't Buy Me Love" | 1964 | ||
"I Feel Fine" | 1964 | ||
"Tears" | 1965 | ||
"The Carnival Is Over" | 1965 | ||
"Day Tripper" / "We Can Work It Out" | 1965–66 | ||
"Green, Green Grass of Home" | 1966 | ||
"Release Me" | 1967 | ||
"The Last Waltz" | 1967 | ||
"Congratulations" | 1968[14] | ||
"Sugar, Sugar" | 1970.[15] |