The UK Albums Chart is a record chart based on weekly album sales in the United Kingdom; during the 1960s, a total of 57 albums reached number one. The sources are the Melody Maker chart until March 1960, and the Record Retailer chart from March 1960 onwards.
nth album to top the UK Albums Chart | |||
scope=row style="text-align:center;" | re | Return of an album to number one | |
---|---|---|---|
bgcolor=#FFFF99 align=center | Best-selling album of the year[1] [2] [3] [4] [5] [6] [7] [8] [9] [10] | ||
bgcolor=lightblue align=center | Best-selling album of the decade |
scope=col | scope=col | Artist | scope=col | Album | scope=col | Record label | scope=col | Reached number one | scope=col | Weeks at number one | |
---|---|---|---|---|---|---|---|---|---|---|---|
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | 18 | Top Rank | 1 | ||||||||
scope=row style="text-align:center;" | Original soundtrack | South Pacific | RCA Victor | 19 | |||||||
scope=row style="text-align:center;" | 19 | Elvis Is Back! | RCA | 1 | |||||||
scope=row style="text-align:center;" | Original soundtrack | South Pacific | RCA Victor | 5 | |||||||
scope=row style="text-align:center;" | 20 | 101 Strings | Down Drury Lane to Memory Lane | Pye Golden Guinea | 5 | ||||||
scope=row style="text-align:center;" | Original soundtrack | South Pacific | RCA Victor | 13 | |||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | 21 | G.I. Blues | RCA | 7 | |||||||
scope=row style="text-align:center;" | Original soundtrack | South Pacific | RCA Victor | 1 | |||||||
scope=row style="text-align:center;" | G.I. Blues | RCA | 3 | ||||||||
scope=row style="text-align:center;" | Original soundtrack | South Pacific | RCA Victor | 1 | |||||||
scope=row style="text-align:center;" | G.I. Blues | RCA | 12 | ||||||||
scope=row style="text-align:center;" | Original soundtrack | South Pacific | RCA Victor | 4 | |||||||
scope=row style="text-align:center;" | 22 | George Mitchell Minstrels | HMV | 4 | |||||||
scope=row style="text-align:center;" | Original soundtrack | South Pacific | RCA Victor | 1 | |||||||
scope=row style="text-align:center;" | George Mitchell Minstrels | HMV | 1 | ||||||||
scope=row style="text-align:center;" | Original soundtrack | South Pacific | RCA Victor | 1 | |||||||
scope=row style="text-align:center;" | George Mitchell Minstrels | HMV | 1 | ||||||||
scope=row style="text-align:center;" | 23 | Columbia | 4 | ||||||||
scope=row style="text-align:center;" | George Mitchell Minstrels | HMV | 1 | ||||||||
scope=row style="text-align:center;" | Columbia | 1 | |||||||||
scope=row style="text-align:center;" | 24 | & The Shadows | 21 Today | Columbia | 1 | ||||||
scope=row style="text-align:center;" | 25 | George Mitchell Minstrels | Another Black and White Minstrel Show | HMV | 8 | ||||||
scope=row style="text-align:center;" | 26 | Blue Hawaii | 1 | ||||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | 27 | & The Shadows | Columbia | 6 | |||||||
scope=row style="text-align:center;" | Blue Hawaii | RCA | 17 | ||||||||
scope=row style="text-align:center;" | 28 | Original soundtrack | West Side Story | Philips | 5 | ||||||
scope=row style="text-align:center;" | 29 | Pot Luck | RCA | 5 | |||||||
scope=row style="text-align:center;" | Original soundtrack | West Side Story | Philips | 1 | |||||||
scope=row style="text-align:center;" | Pot Luck | RCA | 1 | ||||||||
scope=row style="text-align:center;" | Original soundtrack | West Side Story | Philips | 1 | |||||||
scope=row style="text-align:center;" | 30 | , Chris Barber and Acker Bilk | Pye Golden Guinea | 1 | |||||||
scope=row style="text-align:center;" | Original soundtrack | West Side Story | Philips | 3 | |||||||
scope=row style="text-align:center;" | , Chris Barber and Acker Bilk | Pye Golden Guinea | 1 | ||||||||
scope=row style="text-align:center;" | 31 | Out of the Shadows | Columbia | 3 | |||||||
scope=row style="text-align:center;" | Original soundtrack | West Side Story | Philips | 1 | |||||||
scope=row style="text-align:center;" | Out of the Shadows | Columbia | 1 | ||||||||
scope=row style="text-align:center;" | 32 | George Mitchell Minstrels | On Stage with the George Mitchell Minstrels | HMV | 2 | ||||||
scope=row style="text-align:center;" | Original soundtrack | West Side Story | Philips | 1 | |||||||
scope=row style="text-align:center;" | Out of the Shadows | Columbia | 1 | ||||||||
scope=row style="text-align:center;" | George Mitchell Minstrels | HMV | 2 | ||||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | Original soundtrack | West Side Story | Philips | 1 | |||||||
scope=row style="text-align:center;" | Out of the Shadows | Columbia | 2 | ||||||||
scope=row style="text-align:center;" | 33 | & The Shadows | Summer Holiday | 14 | |||||||
scope=row style="text-align:center;" | 34 | Please Please Me | Parlophone | 30 | |||||||
scope=row style="text-align:center;" | 35 | With the Beatles | Parlophone | 21 | |||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | 36 | Decca | 12 | ||||||||
scope=row style="text-align:center;" | 37 | Parlophone | 21 | ||||||||
scope=row style="text-align:center;" | 38 | Beatles for Sale | Parlophone | 7 | |||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | 39 | Decca | 3 | ||||||||
scope=row style="text-align:center;" | Beatles for Sale | Parlophone | 1 | ||||||||
scope=row style="text-align:center;" | Decca | 6 | |||||||||
scope=row style="text-align:center;" | 40 | CBS | 1 | ||||||||
scope=row style="text-align:center;" | Decca | 1 | |||||||||
scope=row style="text-align:center;" | Beatles for Sale | Parlophone | 3 | ||||||||
scope=row style="text-align:center;" | CBS | 1 | |||||||||
scope=row style="text-align:center;" | 41 | Bringing It All Back Home | CBS | 1 | |||||||
scope=row style="text-align:center;" | 42 | Original soundtrack | RCA Victor | 10 | |||||||
scope=row style="text-align:center;" | 43 | Help! | Parlophone | 9 | |||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 10 | ||||||||
scope=row style="text-align:center;" | 44 | Rubber Soul | Parlophone | 8 | |||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 10 | ||||||||
scope=row style="text-align:center;" | 45 | Aftermath | Decca | 8 | |||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 7 | ||||||||
scope=row style="text-align:center;" | 46 | Revolver | Parlophone | 7 | |||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 18 | ||||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | 47 | RCA Victor | 7 | ||||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 7 | ||||||||
scope=row style="text-align:center;" | 48 | More of The Monkees | RCA Victor | 1 | |||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 1 | ||||||||
scope=row style="text-align:center;" | More of The Monkees | RCA Victor | 1 | ||||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 1 | ||||||||
scope=row style="text-align:center;" | 49 | Sgt. Pepper's Lonely Hearts Club Band | Parlophone | 23 | |||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 1 | ||||||||
scope=row style="text-align:center;" | Sgt. Pepper's Lonely Hearts Club Band | Parlophone | 1 | ||||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 3 | ||||||||
scope=row style="text-align:center;" | Sgt. Pepper's Lonely Hearts Club Band | Parlophone | 2 | ||||||||
scope=row style="text-align:center;" | 50 | Val Doonican Rocks, But Gently | Pye | 3 | |||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 1 | ||||||||
scope=row style="text-align:center;" | Sgt. Pepper's Lonely Hearts Club Band | Parlophone | 1 | ||||||||
scope=row style="text-align:center;" | 51 | Tamla Motown | 1 | ||||||||
scope=row style="text-align:center;" | 52 | & The Supremes | Greatest Hits | Tamla Motown | 3 | ||||||
scope=row style="text-align:center;" | 53 | John Wesley Harding | CBS | 10 | |||||||
scope=row style="text-align:center;" | 54 | Scott 2 | Philips | 1 | |||||||
scope=row style="text-align:center;" | John Wesley Harding | CBS | 3 | ||||||||
scope=row style="text-align:center;" | 55 | Love, Andy | CBS | 1 | |||||||
scope=row style="text-align:center;" | 56 | Stax | 1 | ||||||||
scope=row style="text-align:center;" | 57 | Ogdens' Nut Gone Flake | Immediate | 6 | |||||||
scope=row style="text-align:center;" | 58 | Delilah | Decca | 1 | |||||||
scope=row style="text-align:center;" | 59 | Simon & Garfunkel | Bookends | CBS | 5 | ||||||
scope=row style="text-align:center;" | Delilah | Decca | 1 | ||||||||
scope=row style="text-align:center;" | Simon & Garfunkel | Bookends | CBS | 2 | |||||||
scope=row style="text-align:center;" | 60 | Hollies' Greatest | Parlophone | 6 | |||||||
scope=row style="text-align:center;" | Original soundtrack | RCA Victor | 1 | ||||||||
scope=row style="text-align:center;" | Hollies' Greatest | Parlophone | 1 | ||||||||
scope=row style="text-align:center;" | 61 | Apple | 7 | ||||||||
scope=row style="text-align:center;" colspan=6 | |||||||||||
scope=row style="text-align:center;" | 62 | Columbia | 1 | ||||||||
scope=row style="text-align:center;" | Apple | 1 | |||||||||
scope=row style="text-align:center;" | Columbia | 1 | |||||||||
scope=row style="text-align:center;" | 63 | & The Supremes | Diana Ross & The Supremes Join The Temptations | Tamla Motown | 4 | ||||||
scope=row style="text-align:center;" | 64 | Cream | Goodbye | 2 | |||||||
scope=row style="text-align:center;" | 2 | ||||||||||
scope=row style="text-align:center;" | Cream | Goodbye | 1 | ||||||||
scope=row style="text-align:center;" | 1 | ||||||||||
scope=row style="text-align:center;" | Cream | Goodbye | Polydor | 1 | |||||||
scope=row style="text-align:center;" | Columbia | 1 | |||||||||
scope=row style="text-align:center;" | 65 | On the Threshold of a Dream | Deram | 2 | |||||||
scope=row style="text-align:center;" | 66 | Nashville Skyline | CBS | 4 | |||||||
scope=row style="text-align:center;" | 67 | His Orchestra, His Chorus, His Singers, His Sound | CBS | 3 | |||||||
scope=row style="text-align:center;" | 68 | According to My Heart | RCA International | 4 | |||||||
scope=row style="text-align:center;" | 69 | Jethro Tull | Stand Up | Island | 3 | ||||||
scope=row style="text-align:center;" | 70 | From Elvis in Memphis | RCA Victor | 1 | |||||||
scope=row style="text-align:center;" | Jethro Tull | Stand Up | Island | 2 | |||||||
scope=row style="text-align:center;" | 71 | Blind Faith | Blind Faith | Polydor | 2 | ||||||
scope=row style="text-align:center;" | 72 | Abbey Road | Apple | 11 | |||||||
scope=row style="text-align:center;" | 73 | Let It Bleed | Decca | 1 | |||||||
scope=row style="text-align:center;" | Abbey Road | Apple | 6 |
Six artists spent 20 weeks or more at number one on the albums chart during the 1960s.
scope=col | Artist | scope=col | Number-one albums | scope=col | Weeks at number one |
---|---|---|---|---|---|
scope=row | 10 | 155 | |||
scope=row | 5 | 47 | |||
scope=row | [11] | 5 | 33 | ||
scope=row | 4 | 31 | |||
scope=row | [12] | 3 | 21 | ||
scope=row | 4 | 20 |
Eight record labels spent 20 weeks or more at number one on the albums chart during the 1960s.
scope=col | Record label | scope=col | Number-one albums | scope=col | Weeks at number one |
---|---|---|---|---|---|
scope=row | Parlophone | 9 | 141 | ||
scope=row | RCA Victor | 5 | 134 | ||
scope=row | RCA Records | 4 | 46 | ||
scope=row | Columbia | 6 | 39 | ||
scope=row | Decca Records | 5 | 33 | ||
scope=row | CBS Records | 7 | 31 | ||
scope=row | Apple Records | 2 | 21 |