The Official Vinyl Albums Chart is a weekly record chart compiled by the Official Charts Company (OCC) on behalf of the music industry in the United Kingdom since April 2015. It lists the 40 most popular albums in the gramophone record (or "vinyl") format.[1] This is a list of the albums which reached number one on the Official Vinyl Albums Chart in the 2010s.
nth album to top the Official Vinyl Albums Chart | |||
scope=row style="text-align:center;" | re | Return of an album to number one | |
---|---|---|---|
bgcolor=#FFFF99 align=center | Best-selling vinyl album of the year | ||
bgcolor=lightblue align=center | Best-selling vinyl album of the decade[2] |
scope=col | scope=col | Artist | scope=col | Album | scope=col | Record label | scope=col | Reached number one (for the week ending) | scope=col | Weeks at number one | scope=col | Ref. | |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
scope=row style="text-align:center;" colspan=7 | |||||||||||||
scope=row style="text-align:center;" | 1 | Carrie & Lowell | Asthmatic Kitty | 1 | [3] | ||||||||
scope=row style="text-align:center;" | 2 | All Time Low | Future Hearts | Hopeless | 1 | [4] | |||||||
scope=row style="text-align:center;" | 3 | Manic Street Preachers | The Holy Bible 20 | Sony | 1 | [5] | |||||||
scope=row style="text-align:center;" | 4 | Alabama Shakes | Sound and Color | ATO | 1 | [6] | |||||||
scope=row style="text-align:center;" | 5 | Blur | The Magic Whip | Parlophone | 1 | [7] | |||||||
scope=row style="text-align:center;" | 6 | Mumford & Sons | Wilder Mind | Gentlemen of the Road | 1 | [8] | |||||||
scope=row style="text-align:center;" | 7 | Hairless Toys | Play It Again Sam | 1 | [9] | ||||||||
scope=row style="text-align:center;" | 8 | Saturns Pattern | Parlophone | 1 | [10] | ||||||||
scope=row style="text-align:center;" | 9 | The Vaccines | English Graffiti | Columbia | 1 | [11] | |||||||
scope=row style="text-align:center;" | 10 | Jamie XX | In Colour | Young Turks | 1 | [12] | |||||||
scope=row style="text-align:center;" | 11 | Muse | Drones | Helium 3/Warner Bros | 1 | [13] | |||||||
scope=row style="text-align:center;" | 12 | The Stone Roses | The Stone Roses | Silvertone | 1 | [14] | |||||||
scope=row style="text-align:center;" | 13 | My Love Is Cool | Dirty Hit | 1 | [15] | ||||||||
scope=row style="text-align:center;" | 14 | Joy Division | Unknown Pleasures | Rhino | 1 | [16] | |||||||
scope=row style="text-align:center;" | 15 | Lucy Rose | Work It Out | Columbia | 1 | [17] | |||||||
scope=row style="text-align:center;" | 16 | Four Tet | Morning/Evening | Text | 1 | [18] | |||||||
scope=row style="text-align:center;" | 17 | Tame Impala | Currents | Fiction | 1 | [19] | |||||||
scope=row style="text-align:center;" | 18 | Amused to Death | Columbia | 1 | [20] | ||||||||
scope=row style="text-align:center;" | 19 | Led Zeppelin | Presence | Rhino | 1 | [21] | |||||||
scope=row style="text-align:center;" | 20 | Positive Songs for Negative People | Polydor | 1 | [22] | ||||||||
scope=row style="text-align:center;" | 21 | Frank Carter & The Rattlesnakes | Blossom | International Death Cult | 1 | [23] | |||||||
scope=row style="text-align:center;" | 22 | AFX | Orphaned Deejay Selek 2006–08 | Warp | 1 | [24] | |||||||
scope=row style="text-align:center;" | 23 | Foals | What Went Down | Warner | 1 | [25] | |||||||
scope=row style="text-align:center;" | 24 | Iron Maiden | The Book of Souls | Parlophone | 1 | [26] | |||||||
scope=row style="text-align:center;" | 25 | The Libertines | Anthems for Doomed Youth | EMI | 1 | [27] | |||||||
scope=row style="text-align:center;" | 26 | Rattle That Lock | Columbia | 1 | [28] | ||||||||
scope=row style="text-align:center;" | 27 | Noel Gallagher's High Flying Birds | Sour Mash | 1 | [29] | ||||||||
scope=row style="text-align:center;" | 28 | Editors | In Dream | Play It Again Sam | 1 | [30] | |||||||
scope=row style="text-align:center;" | 29 | John Grant | Grey Tickles, Black Pressure | Bella Union | 1 | [31] | |||||||
scope=row style="text-align:center;" | 30 | Nothing but Thieves | Nothing but Thieves | RCA | 1 | [32] | |||||||
scope=row style="text-align:center;" | 31 | Divers | Drag City | 1 | [33] | ||||||||
scope=row style="text-align:center;" | 32 | If I Can Dream | Sony | 2 | [34] | ||||||||
scope=row style="text-align:center;" | 33 | Jeff Lynne's ELO | Alone in the Universe | RCA | 1 | [35] | |||||||
scope=row style="text-align:center;" | 34 | Adele | 25 | XL | 2 | [36] | |||||||
scope=row style="text-align:center;" | 35 | Coldplay | A Head Full of Dreams | Parlophone | 1 | [37] | |||||||
scope=row style="text-align:center;" | re | Adele | 25 | XL | 2 | [38] | |||||||
scope=row style="text-align:center;" colspan=7 | |||||||||||||
scope=row style="text-align:center;" | 36 | Back to Black | Island | 2 | [39] | ||||||||
scope=row style="text-align:center;" | 37 | Blackstar | RCA | 6 | [40] | ||||||||
scope=row style="text-align:center;" | 38 | Foo Fighters | Saint Cecilia | RCA | 1 | [41] | |||||||
scope=row style="text-align:center;" | 39 | The 1975 | I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It | Dirty Hit/Polydor | 1 | [42] | |||||||
scope=row style="text-align:center;" | 40 | The Coral | Distance Inbetween | Ignition | 1 | [43] | |||||||
scope=row style="text-align:center;" | 41 | You and I | Columbia/Legacy | 1 | [44] | ||||||||
scope=row style="text-align:center;" | 42 | Iggy Pop | Post Pop Depression | Caroline/IGHO | 1 | [45] | |||||||
scope=row style="text-align:center;" | re | Back to Black | Island | 1 | [46] | ||||||||
scope=row style="text-align:center;" | 43 | Last Shadow Puppets | Everything You've Come to Expect | Domino | 1 | [47] | |||||||
scope=row style="text-align:center;" | 44 | Deftones | Gore | Reprise | 1 | [48] | |||||||
scope=row style="text-align:center;" | 45 | The Man Who Sold the World | Simply Vinyl | 1 | [49] | ||||||||
scope=row style="text-align:center;" | re | Back to Black | Island | 1 | [50] | ||||||||
scope=row style="text-align:center;" | 46 | Prince | Purple Rain | Rhino | 3 | [51] | |||||||
scope=row style="text-align:center;" | 47 | Changesonebowie | Parlophone | 1 | [52] | ||||||||
scope=row style="text-align:center;" | 48 | Catfish and the Bottlemen | The Ride | Island | 1 | [53] | |||||||
scope=row style="text-align:center;" | 49 | Sony Classical | 1 | [54] | |||||||||
scope=row style="text-align:center;" | 50 | Rival Sons | Hollow Bones | Earache | 1 | [55] | |||||||
scope=row style="text-align:center;" | 51 | Radiohead | A Moon Shaped Pool | XL | 2 | [56] | |||||||
scope=row style="text-align:center;" | 52 | Blink-182 | California | BMG | 1 | [57] | |||||||
scope=row style="text-align:center;" | 53 | Biffy Clyro | Ellipsis | 14th Floor | 1 | [58] | |||||||
scope=row style="text-align:center;" | 54 | Love & Hate | Polydor | 1 | [59] | ||||||||
scope=row style="text-align:center;" | 55 | Bear's Den | Red Earth & Pouring Rain | Communion | 1 | [60] | |||||||
scope=row style="text-align:center;" | re | Radiohead | A Moon Shaped Pool | XL | 1 | [61] | |||||||
scope=row style="text-align:center;" | 56 | Blossoms | Blossoms | EMI | 1 | [62] | |||||||
scope=row style="text-align:center;" | 57 | Sony Classical | 1 | [63] | |||||||||
scope=row style="text-align:center;" | 58 | Golden Sings That Have Been Sung | Dead Oceans | 1 | [64] | ||||||||
scope=row style="text-align:center;" | 59 | De La Soul | and the Anonymous Nobody... | AOI | 1 | [65] | |||||||
scope=row style="text-align:center;" | 60 | Jamie T | Trick | Virgin | 1 | [66] | |||||||
scope=row style="text-align:center;" | 61 | Nick Cave and the Bad Seeds | Skeleton Tree | Bad Seed | 1 | [67] | |||||||
scope=row style="text-align:center;" | 62 | Led Zeppelin | The Complete BBC Sessions | Rhino | 1 | [68] | |||||||
scope=row style="text-align:center;" | 63 | Chapter and Verse | Columbia | 1 | [69] | ||||||||
scope=row style="text-align:center;" | re | Radiohead | A Moon Shaped Pool | XL | 1 | [70] | |||||||
scope=row style="text-align:center;" | 64 | Green Day | Revolution Radio | Reprise | 1 | [71] | |||||||
scope=row style="text-align:center;" | 65 | Oasis | Be Here Now | Big Brother | 1 | [72] | |||||||
scope=row style="text-align:center;" | 66 | Original Cast Recording | Lazarus | Columbia | 1 | [73] | |||||||
scope=row style="text-align:center;" | 67 | Courteeners | Mapping the Rendezvous | Ignition | 1 | [74] | |||||||
scope=row style="text-align:center;" | 68 | Pink Floyd | The Dark Side of the Moon | Rhino | 1 | [75] | |||||||
scope=row style="text-align:center;" | 69 | Original Soundtrack | Trainspotting | 1 | [76] | ||||||||
scope=row style="text-align:center;" | 70 | Metallica | Hardwired... to Self-Destruct | Blackened/Vertigo | 1 | [77] | |||||||
scope=row style="text-align:center;" | 71 | Before the Dawn | Noble & Brite | 1 | [78] | ||||||||
scope=row style="text-align:center;" | 72 | The Wonder of You | Legacy/RCA | 1 | [79] | ||||||||
scope=row style="text-align:center;" | 73 | You Want It Darker | Columbia | 1 | [80] | ||||||||
scope=row style="text-align:center;" | re | Back to Black | Island | 1 | [81] | ||||||||
scope=row style="text-align:center;" colspan=7 | |||||||||||||
scope=row style="text-align:center;" | 74 | Original Soundtrack | Guardians of the Galaxy - Awesome Mix | Hollywood | 1 | [82] | |||||||
scope=row style="text-align:center;" | re | Back to Black | Island | 1 | [83] | ||||||||
scope=row style="text-align:center;" | 75 | Bowie Legacy | Parlophone | 1 | [84] | ||||||||
scope=row style="text-align:center;" | 76 | I See You | Young Turks | 1 | [85] | ||||||||
scope=row style="text-align:center;" | 77 | Frank Carter & the Rattlesnakes | Modern Ruin | International Death Cult | 1 | [86] | |||||||
scope=row style="text-align:center;" | 78 | Original Soundtrack | Pulp Fiction | MCA | 1 | [87] | |||||||
scope=row style="text-align:center;" | 79 | Elbow | Little Fictions | Polydor | 1 | [88] | |||||||
scope=row style="text-align:center;" | 80 | Rag'n'Bone Man | Human | Best Laid Plans/Columbia | 1 | [89] | |||||||
scope=row style="text-align:center;" | 81 | Prisoner | Blue Note/Pax Am | 1 | [90] | ||||||||
scope=row style="text-align:center;" | re | Rag'n'Bone Man | Human | Best Laid Plans/Columbia | 1 | [91] | |||||||
scope=row style="text-align:center;" | 82 | ÷ | Asylum | 2 | [92] | ||||||||
scope=row style="text-align:center;" | 83 | Sgt. Pepper's Lonely Hearts Club Band | Apple Corps | 1 | [93] | ||||||||
scope=row style="text-align:center;" | re | ÷ | Asylum | 1 | [94] | ||||||||
scope=row style="text-align:center;" | 84 | Goldfrapp | Silver Eye | Mute | 1 | [95] | |||||||
scope=row style="text-align:center;" | 85 | Father John Misty | Pure Comedy | Bella Union | 1 | [96] | |||||||
scope=row style="text-align:center;" | re | ÷ | Asylum | 1 | [97] | ||||||||
scope=row style="text-align:center;" | 86 | Cracked Actor - Live In Los Angeles 74 | Parlophone | 1 | [98] | ||||||||
scope=row style="text-align:center;" | 87 | Gorillaz | Humanz | Parlophone | 1 | [99] | |||||||
scope=row style="text-align:center;" | 88 | Kasabian | For Crying Out Loud | Columbia | 1 | [100] | |||||||
scope=row style="text-align:center;" | 89 | Harry Styles | Columbia | 1 | [101] | ||||||||
scope=row style="text-align:center;" | 90 | Erasure | World Be Gone | Mute | 1 | [102] | |||||||
scope=row style="text-align:center;" | re | Sgt. Pepper's Lonely Hearts Club Band | Apple Corps | 2 | [103] | ||||||||
scope=row style="text-align:center;" | 91 | London Grammar | Truth Is a Beautiful Thing | Ministry of Sound | 1 | [104] | |||||||
scope=row style="text-align:center; | 92 | Royal Blood | How Did We Get So Dark? | Warner | 1 | [105] | |||||||
scope=row style="text-align:center; | 93 | Radiohead | OK Computer | XL | 1 | [106] | |||||||
scope=row style="text-align:center; | 94 | Hot Fuss | UMC/Virgin | 1 | [107] | ||||||||
scope=row style="text-align:center; | re | Radiohead | OK Computer | XL | 1 | [108] | |||||||
scope=row style="text-align:center; | 95 | Original Soundtrack | Baby Driver | Columbia | 1 | [109] | |||||||
scope=row style="text-align:center; | 96 | and | Crooked Calypso | EMI | 1 | [110] | |||||||
scope=row style="text-align:center; | 97 | Arcade Fire | Everything Now | Columbia | 1 | [111] | |||||||
scope=row style="text-align:center; | 98 | and Trevor Jones | Labyrinth - Ost | UMC/Virgin | 1 | [112] | |||||||
scope=row style="text-align:center; | 99 | 24-7 Rock Star Shit | Sonic Blew | 1 | [113] | ||||||||
scope=row style="text-align:center; | 100 | Neck Deep | The Peace and the Panic | Hopeless | 1 | [114] | |||||||
scope=row style="text-align:center; | 101 | Queens of the Stone Age | Villains | Matador | 1 | [115] | |||||||
scope=row style="text-align:center; | 102 | LCD Soundsystem | American Dream | Columbia/DFA | 1 | [116] | |||||||
scope=row style="text-align:center; | 103 | The National | Sleep Well Beast | 4AD | 1 | [117] | |||||||
scope=row style="text-align:center; | 104 | Foo Fighters | Concrete and Gold | Columbia | 1 | [118] | |||||||
scope=row style="text-align:center; | 105 | Wonderful Wonderful | EMI | 1 | [119] | ||||||||
scope=row style="text-align:center; | 106 | Wolf Alice | Visions of a Life | Dirty Hit | 1 | [120] | |||||||
scope=row style="text-align:center;" | 107 | As You Were | Warner | 2 | [121] | ||||||||
scope=row style="text-align:center;" | 108 | Listen Without Prejudice Vol. 1 | Sony | 1 | [122] | ||||||||
scope=row style="text-align:center;" | 109 | Stereophonics | Scream Above the Sounds | Parlophone | 1 | [123] | |||||||
scope=row style="text-align:center;" | 110 | The Thrill of It All | Capitol | 1 | [124] | ||||||||
scope=row style="text-align:center;" | 111 | Shed Seven | Instant Pleasures | BMG | 1 | [125] | |||||||
scope=row style="text-align:center;" | 112 | Morrissey | Low in High School | BMG | 1 | [126] | |||||||
scope=row style="text-align:center;" | 113 | Noel Gallagher's High Flying Birds | Who Built the Moon? | Sour Mash | 1 | [127] | |||||||
scope=row style="text-align:center;" | 114 | U2 | Songs of Experience | Island | 1 | [128] | |||||||
scope=row style="text-align:center;" | re | Noel Gallagher's High Flying Birds | Who Built the Moon? | Sour Mash | 1 | [129] | |||||||
scope=row style="text-align:center;" | re | ÷ | Asylum | 2 | [130] | ||||||||
scope=row style="text-align:center;" colspan=7 | |||||||||||||
scope=row style="text-align:center;" | re | Back to Black | Island | 1 | [131] | ||||||||
scope=row style="text-align:center;" | re | Original Soundtrack | Guardians of the Galaxy - Awesome Mix | Hollywood | 1 | [132] | |||||||
scope=row style="text-align:center;" | 115 | Shame | Songs of Praise | Dead Oceans | 1 | [133] | |||||||
scope=row style="text-align:center;" | 116 | First Aid Kit | Ruins | Columbia | 1 | [134] | |||||||
scope=row style="text-align:center;" | 117 | Jeff Wayne | Jeff Wayne's Musical Version of The War of the Worlds | Sony | 1 | [135] | |||||||
scope=row style="text-align:center;" | 118 | Simple Minds | Walk Between Worlds | BMG | 1 | [136] | |||||||
scope=row style="text-align:center;" | 119 | Beautiful People Will Ruin Your Life | The Wombats | 1 | [137] | ||||||||
scope=row style="text-align:center;" | 120 | The Temperance Movement | A Deeper Cut | Earache | 1 | [138] | |||||||
scope=row style="text-align:center;" | 121 | Low | Parlophone | 1 | [139] | ||||||||
scope=row style="text-align:center;" | 122 | All Nerve | 4AD | 1 | [140] | ||||||||
scope=row style="text-align:center;" | 123 | Jimi Hendrix | Both Sides of the Sky | Sony | 1 | [141] | |||||||
scope=row style="text-align:center;" | 124 | The Magic Gang | The Magic Gang | Warner/Yala | 1 | [142] | |||||||
scope=row style="text-align:center;" | 125 | Staying at Tamara's | Columbia | 1 | [143] | ||||||||
scope=row style="text-align:center;" | 126 | Various Artists | Atlantic | 1 | [144] | ||||||||
scope=row style="text-align:center;" | 127 | Golden | BMG | 1 | [145] | ||||||||
scope=row style="text-align:center;" | 128 | Manic Street Preachers | Resistance Is Futile | Columbia | 1 | [146] | |||||||
scope=row style="text-align:center;" | 129 | Welcome to the Blackout (Live London '78) | Parlophone | 1 | [147] | ||||||||
scope=row style="text-align:center;" | 130 | Blossoms | Cool Like You | EMI | 1 | [148] | |||||||
scope=row style="text-align:center;" | 131 | Be More Kind | Polydor | 1 | [149] | ||||||||
scope=row style="text-align:center;" | 132 | Arctic Monkeys | Tranquility Base Hotel & Casino | Domino | 1 | [150] | |||||||
scope=row style="text-align:center;" | 133 | Tell Me How You Really Feel | Marathon Artists | 1 | [151] | ||||||||
scope=row style="text-align:center;" | 134 | Biffy Clyro | 14th Floor | 1 | [152] | ||||||||
scope=row style="text-align:center;" | 135 | Father John Misty | God's Favourite Customer | Bella Union | 1 | [153] | |||||||
scope=row style="text-align:center;" | 136 | My Generation | Polydor | 1 | [154] | ||||||||
scope=row style="text-align:center;" | 137 | Call the Comet | New Voodoo | 1 | [155] | ||||||||
scope=row style="text-align:center;" | 138 | Panic! at the Disco | Pray for the Wicked | Fueled by Ramen | 1 | [156] | |||||||
scope=row style="text-align:center;" | 139 | Florence & the Machine | High as Hope | EMI | 1 | [157] | |||||||
scope=row style="text-align:center;" | 140 | Lighting Matches | Insanity | 1 | [158] | ||||||||
scope=row style="text-align:center;" | 141 | Rolling Stones | Hot Rocks 1964–1971 | Decca Pop | 1 | [159] | |||||||
scope=row style="text-align:center;" | 142 | Various Artists | Now That's What I Call Music | Virgin/EMI | 2 | [160] | |||||||
scope=row style="text-align:center;" | 143 | James | Living in Extraordinary Times | Infectious | 1 | [161] | |||||||
scope=row style="text-align:center;" | 144 | Miles Kane | Coup de Grace | EMI | 1 | [162] | |||||||
scope=row style="text-align:center;" | 145 | Slaves | Acts of Fear and Love | EMI | 1 | [163] | |||||||
scope=row style="text-align:center;" | 146 | Interpol | Marauder | Matador | 1 | [164] | |||||||
scope=row style="text-align:center;" | 147 | Idles | Joy as an Act of Resistance | Partisan | 1 | [165] | |||||||
scope=row style="text-align:center;" | 148 | Spiritualized | And Nothing Hurt | Bella Union | 1 | [166] | |||||||
scope=row style="text-align:center;" | 149 | Aphex Twin | Collapse | Warp | 1 | [167] | |||||||
scope=row style="text-align:center;" | 150 | Suede | The Blue Hour | Rhino | 1 | [168] | |||||||
scope=row style="text-align:center;" | 151 | Nick Cave and the Bad Seeds | Bad Seed | 1 | [169] | ||||||||
scope=row style="text-align:center;" | 152 | Twenty One Pilots | Trench | Warner | 1 | [170] | |||||||
scope=row style="text-align:center;" | 153 | Bottle It In | Matador | 1 | [171] | ||||||||
scope=row style="text-align:center;" | 154 | Natural Rebel | BMG | 1 | [172] | ||||||||
scope=row style="text-align:center;" | 155 | Suspiria | XL | 1 | [173] | ||||||||
scope=row style="text-align:center;" | 156 | No Tourists | BMG | 1 | [174] | ||||||||
scope=row style="text-align:center;" | 157 | Muse | Simulation Theory | Warner | 1 | [175] | |||||||
scope=row style="text-align:center;" | 158 | Mumford & Sons | Delta | Gentleman of the Road/Island | 1 | [176] | |||||||
scope=row style="text-align:center;" | 159 | Queen | Greatest Hits | UMC | 1 | [177] | |||||||
scope=row style="text-align:center;" | 160 | A Brief Inquiry into Online Relationships | Dirty Hit/Polydor | 1 | [178] | ||||||||
scope=row style="text-align:center;" | re | Queen | Greatest Hits | UMC | 3 | [179] | |||||||
scope=row style="text-align:center;" colspan=7 | |||||||||||||
scope=row style="text-align:center;" | 161 | Nirvana | Nevermind | Geffen | 1 | [180] | |||||||
scope=row style="text-align:center;" | re | Queen | Greatest Hits | UMC | 1 | [181] | |||||||
scope=row style="text-align:center;" | re | Various Artists | Atlantic | 1 | [182] | ||||||||
scope=row style="text-align:center;" | 162 | Twilight Sad | It Won/t Be Like This All the Time | Rock Action | 1 | [183] | |||||||
scope=row style="text-align:center;" | 163 | Bring Me the Horizon | Amo | RCA | 1 | [184] | |||||||
scope=row style="text-align:center;" | 164 | Ripples | EMI | 1 | [185] | ||||||||
scope=row style="text-align:center;" | 165 | Queen | Virgin | 1 | [186] | ||||||||
scope=row style="text-align:center;" | 166 | J.Cole | KOD | Interscope | 1 | [187] | |||||||
scope=row style="text-align:center;" | 167 | Sleaford Mods | Eton Alive | Extreme Eating | 1 | [188] | |||||||
scope=row style="text-align:center;" | 168 | Hozier | Wasteland, Baby! | Island | 1 | [189] | |||||||
scope=row style="text-align:center;" | 169 | Foals | Everything Not Saved Will Be Lost – Part 1 | 1 | [190] | ||||||||
scope=row style="text-align:center;" | 170 | The Cinematic Orchestra | To Believe | Ninja Tune | 1 | [191] | |||||||
scope=row style="text-align:center;" | 171 | Mansun | Six | Kscope | 1 | [192] | |||||||
scope=row style="text-align:center;" | 172 | When We All Fall Asleep, Where Do We Go? | Interscope | 2 | [193] | ||||||||
scope=row style="text-align:center;" | 173 | Fontaines D.C. | Dogrel | Partisan | 1 | [194] | |||||||
scope=row style="text-align:center;" | 174 | Fat White Family | Serf's Up | Domino | 1 | [195] | |||||||
scope=row style="text-align:center;" | 175 | Catfish and the Bottlemen | The Balance | Island | 1 | [196] | |||||||
scope=row style="text-align:center;" | 176 | Frank Carter & the Rattlesnakes | End of Suffering | International Death Cult | 1 | [197] | |||||||
scope=row style="text-align:center;" | 177 | Here Comes the Cowboy | Caroline | 1 | [198] | ||||||||
scope=row style="text-align:center;" | 178 | Divinely Uninspired to a Hellish Extent | EMI | 1 | [199] | ||||||||
scope=row style="text-align:center;" | 179 | Morrissey | California Son | BMG | 1 | [200] | |||||||
scope=row style="text-align:center;" | 180 | Further | 1 | [201] | |||||||||
scope=row style="text-align:center;" | 181 | Pink Floyd | The Division Bell | Rhino | 1 | [202] | |||||||
scope=row style="text-align:center;" | 182 | Joy Division | Unknown Pleasures | 1 | [203] | ||||||||
scope=row style="text-align:center;" | 183 | The Raconteurs | Help Us Stranger | Third Man | 1 | [204] | |||||||
scope=row style="text-align:center;" | 184 | BMG/Rhino | 1 | [205] | |||||||||
scope=row style="text-align:center;" | 185 | Spice Girls | Greatest Hits | Virgin | 1 | [206] | |||||||
scope=row style="text-align:center;" | 186 | Various Artists | Tiny Changes - A Celebration Of | Atlantic | 1 | [207] | |||||||
scope=row style="text-align:center;" | 187 | Anima | XL Recordings | 1 | [208] | ||||||||
scope=row style="text-align:center;" | 188 | Kaiser Chiefs | Duck | Polydor | 1 | [209] | |||||||
scope=row style="text-align:center;" | 189 | Original Cast Recording | Doctor Who - Wave of Destruction | Demon | 1 | [210] | |||||||
scope=row style="text-align:center;" | 190 | Slipknot | We Are Not Your Kind | Roadrunner | 1 | [211] | |||||||
scope=row style="text-align:center;" | 191 | No Man's Land | Polydor | 1 | [212] | ||||||||
scope=row style="text-align:center;" | 192 | New Model Army | From Here | EarMUSIC | 1 | [213] | |||||||
scope=row style="text-align:center;" | 193 | Oasis | Definitely Maybe | Big Brother | 1 | [214] | |||||||
scope=row style="text-align:center;" | 194 | Bat For Lashes | Lost Girl | Bat For Lashes | 1 | [215] | |||||||
scope=row style="text-align:center;" | 195 | Hypersonic Missiles | Polydor | 1 | [216] | ||||||||
scope=row style="text-align:center;" | 196 | Why Me? Why Not. | Warner | 1 | [217] | ||||||||
scope=row style="text-align:center;" | 197 | Abbey Road | Apple Corps | 2 | [218] | ||||||||
scope=row style="text-align:center;" | 198 | Elbow | Giants of All Sizes | Polydor | 1 | [219] | |||||||
scope=row style="text-align:center;" | 199 | Foals | Everything Not Saved Will Be Lost – Part 2 | Warner | 1 | [220] | |||||||
scope=row style="text-align:center;" | 200 | Stereophonics | Kind | Parlophone | 1 | [221] | |||||||
scope=row style="text-align:center;" | 201 | Kiwanuka | Polydor | 1 | [222] | ||||||||
scope=row style="text-align:center;" | 202 | Nick Cave and the Bad Seeds | Ghosteen | Ghosteen | 1 | [223] | |||||||
scope=row style="text-align:center;" | 203 | Various artists | Peaky Blinders | UMC | 1 | [224] | |||||||
scope=row style="text-align:center;" | 204 | Coldplay | Everyday Life | Parlophone | 1 | [225] | |||||||
scope=row style="text-align:center;" | 205 | Fleetwood Mac | Rumours | Wea | 1 | [226] | |||||||
scope=row style="text-align:center;" | 206 | Who | Polydor | 1 | [227] | ||||||||
scope=row style="text-align:center;" | 207 | Fine Line | Columbia | 1 | [228] |
18 record labels have topped the chart for at least three weeks.
scope=col | Record label | scope=col | Number-one albums | scope=col | Weeks at number one |
---|---|---|---|---|---|
Columbia | 18 | 19 | |||
Parlophone | 13 | 13 | |||
XL | 5 | 12 | |||
Polydor | 11 | 11 | |||
RCA | 6 | 11 | |||
Island | 6 | 11 | |||
Warner | 10 | 11 | |||
BMG | 10 | 10 | |||
EMI | 9 | 9 | |||
Rhino | 9 | 9 | |||
Asylum | 1 | 6 | |||
Sony | 5 | 6 | |||
UMC | 2 | 6 | |||
Apple Corps | 2 | 5 | |||
Dirty Hit | 2 | 4 | |||
Domino | 3 | 3 | |||
International Death Cult | 3 | 3 | |||
Virgin | 3 | 3 |
10 artists topped the chart for at least three weeks.
scope=col | Artist | scope=col | Number-one albums | scope=col | Weeks at number one |
---|---|---|---|---|---|
David Bowie | 8 | 13 | |||
Amy Winehouse | 1 | 7 | |||
Ed Sheeran | 1 | 6 | |||
Queen | 2 | 6 | |||
The Beatles | 2 | 5 | |||
Radiohead | 1 | 5 | |||
Adele | 1 | 4 | |||
Elvis Presley | 2 | 3 | |||
Frank Carter & the Rattlesnakes | 3 | 3 | |||
Nick Cave and the Bad Seeds | 3 | 3 |