The following is a list of 2018 box office number-one films in South Korea. When the number-one film in gross is not the same as the number-one film in admissions, both are listed.
Date | Film | Gross | Notes | |
---|---|---|---|---|
1 | [1] |
| ||
2 | [2] | Claimed the #1 spot on its third week of release | ||
3 | [3] | Beat new releases Keys to the Heart and Coco | ||
4 | Keys to the Heart | [4] | With positive reviews from audiences, the film rise to the #1 spot on its second week of release | |
5 | Psychokinesis | [5] | ||
6 | [6] | Dominated the weekend box office with 48% revenue share | ||
7 | Black Panther | [7] | - Dominated the weekend box office with 51% revenue share - Beat and new release Golden Slumber | |
8 | [8] | First 2018 release to have topped the box office for 2 consecutive weeks | ||
9 | The Princess and the Matchmaker | [9] | ||
10 | The Vanished | [10] | ||
11 | Be with You | [11] | Dominated the weekend box office with 45% revenue share | |
12 | Pacific Rim Uprising | [12] | ||
13 | [13] | Beat Ready Player One, and became the first Korean horror film to topped the weekend box office since The Wailing in 2016 | ||
14 | [14] | The film topped Box Office by admissions with 513,648 attendance. | ||
Ready Player One | The film topped Box Office by gross with higher gross than Gonjiam: Haunted Asylum | |||
15 | Rampage | [15] | ||
16 | [16] | |||
17 | [17] | - Highest-grossing film in South Korea's all-time weekend box office (second by admissions) - Dominated weekend box office with 95% revenue share - Became fastest film to reach 4 million admissions in South Korea's cinema history, and also the first film to reach 1.3 million admissions in a single day screening | ||
18 | [18] | Dominated weekend box office with 75% revenue share | ||
19 | [19] | - Fastest foreign film to reach 10 million admissions in South Korea. - Dominated box office with 57% revenue share - Became first 2018 release to have topped the weekend box office for 3 consecutive weeks | ||
20 | Deadpool 2 | [20] | - Dominated the weekend box office with 64% revenue share - First R-rated film to top the box office in South Korea in 2018 | |
21 | Believer | [21] | - Dominated weekend box office with 54% revenue share - Fastest domestic film to reach 1 million admissions in 2018 (to date). | |
22 | [22] | - Dominated weekend box office with 63% revenue share - Fastest domestic film to reach 3 million admissions in 2018 (to date). | ||
23 | [23] | - Set new record as biggest opening day for a foreign film in South Korea with gross and 1.18 million admissions - Dominated weekend box office with 72% revenue share | ||
24 | [24] | |||
25 | [25] | |||
26 | [26] | |||
27 | Ant-Man and the Wasp | [27] | Dominated weekend box office with 69% revenue share | |
28 | [28] | Marvel Cinematic Universe's films totaled 100 million admissions in South Korean with this film. | ||
29 | Incredibles 2 | [29] | - Dominated weekend box office with 47% revenue share - Became first animated feature film to topped weekend box office in South Korea, since Your Name in January 2017 - Highest opening gross for a Pixar film in South Korea, beating previous record set by Toy Story 3 | |
30 | [30] | - Dominated weekend box office with 66% revenue share - Biggest opening day in July for a foreign film in South Korea with gross - Highest opening weekend gross in the Mission: Impossible film series | ||
31 | [31] | Dominated weekend box office with 71% revenue share. Set various records during its opening weekend in South Korea: - Set a new record for the biggest opening day by admissions with 1.25 million admissions, beating the record set by (1.18 million admissions) | ||
32 | [32] | - Set a new record for becoming the fastest film to reach 7, 8, and 9 million admissions in South Korea - Suffer 58% drop on its second weekend, due to competitive debut weekend for The Spy Gone North | ||
33 | The Witness | [33] | Face competitive weekend with The Spy Gone North, which grossing around | |
34 | On Your Wedding Day | [34] | Dominated 30% of revenue share, while total 75% of revenue share dominated by domestic films. Local films take top four spots at weekend Box Office, for the first time since August last year in the same week (34th week) | |
35 | [35] | Become first domestic romance film to have topped Box Office for 2 consecutive weeks, since Time Renegades in 2016. Also first romantic comedy film to have done so, since My Love, My Bride in 2014 | ||
36 | Searching | [36] | - Dominated weekend box office with 50% revenue share - Increased 62% in gross compared to its debut weekend, biggest second weekend increase for a foreign film that topped box office in South Korea, beat previous record (+18.9%) set by Frozen in 2014 - First foreign thriller film to topped box office since Gone Girl in 2014 | |
37 | [37] | - First foreign thriller film to have topped box office for 2 consecutive weeks, since Gone Girl in 2014 - Managed to lead the box office despite the period blockbuster Monstrum and American sci-fi action The Predator debut on the same weekend | ||
38 | The Great Battle | [38] | Dominated 42% of revenue share despite a competitive weekend with Fengshui, The Negotiation, and The Nun debut on the same weekend | |
39 | [39] | - Dominated 43% of revenue share, local films are taking the top four spots at weekend box office - Becoming fastest Chuseok Holiday film to surpassed 3 million admissions, beat previous record set by Masquerade in 2012 | ||
40 | Venom | [40] | - Dominated 44% of revenue share, head-to-head with Dark Figure of Crime which released on the same day (grossed with 38% revenue share) - Biggest opening day for Marvel Character solo film in South Korea all-time - Fourth biggest opening day for a foreign film in South Korea all-time | |
41 | Dark Figure of Crime | [41] | - Rose to first place during its second weekend, though having 44% drop in gross compared to its debut weekend - Along with Venom (grossed), the two films together accounted 70% of revenue share. | |
42 | First Man | [42] | - Dominated 29% of revenue share, head-to-head with Dark Figure of Crime which grossed with 25% revenue share - Lowest attendance for film that topped box office this year (349,875 attendance from 3 days weekend) | |
43 | Rampant | [43] | Dominated box office with 52% revenue share | |
44 | Intimate Strangers | [44] | - Dominated box office with 52% revenue share - Highest opening day and debut weekend for a domestic comedy film since Luck Key in 2016 - Fastest comedy film to surpassed 1 million admissions this year | |
45 | [45] | |||
46 | [46] | |||
47 | Bohemian Rhapsody | [47] | ||
48 | Default | [48] | ||
49 | [49] | |||
50 | Bohemian Rhapsody | [50] | ||
51 | Aquaman | [51] | ||
52 | [52] |
Rank | Title | Release date | Admissions | Domestic gross | |
---|---|---|---|---|---|
1 | August 1, 2018 | 12,274,996 | |||
2 | December 20, 2017 | 5,872,007 | |||
3 | The Great Battle | September 19, 2018 | 5,440,186 | ||
4 | Intimate Strangers | October 31, 2018 | 5,293,435 | ||
5 | December 27, 2017 | 5,290,310 | |||
6 | Believer | May 22, 2018 | 5,063,684 | ||
7 | The Spy Gone North | August 8, 2018 | 4,974,520 | ||
8 | Dark Figure of Crime | October 3, 2018 | 3,789,321 | ||
9 | Default | November 28, 2018 | 3,747,954 | ||
10 | Keys to the Heart | January 17, 2018 | 3,419,339 |
Rank | Title | Release date | Admissions | Domestic gross |
---|---|---|---|---|
1 | April 25, 2018 | 11,212,710 | ||
2 | Bohemian Rhapsody | October 31, 2018 | 9,224,587 | |
3 | July 25, 2018 | 6,584,915 | ||
4 | June 6, 2018 | 5,661,128 | ||
5 | Ant-Man and the Wasp | July 4, 2018 | 5,448,134 | |
6 | Black Panther | February 14, 2018 | 5,399,227 | |
7 | Venom | October 3, 2018 | 3,888,096 | |
8 | Deadpool 2 | May 16, 2018 | 3,784,602 | |
9 | Coco | January 11, 2018 | 3,510,017 | |
10 | Aquaman | December 19, 2018 | 3,491,860 | |