| Lilyan Tashman | |
| Birth Date: | October 23, 1896 |
| Birth Place: | New York City, U.S. |
| Death Place: | New York City, U.S. |
| Occupation: | Actress |
| Years Active: | 1914–1934 |
| Resting Place: | Washington Cemetery |
| Spouse: | |
Lilyan Tashman (October 23, 1896 – March 21, 1934) was an American stage, silent film, and sound film actress.
Born in 1896 in Brooklyn, New York to a Jewish family, Tashman was the youngest of eight children, born to Morris Tashman, a manufacturer of children's clothes, and his wife, Rose Cook Tashman. Her grandparents were Isaac and Rose Schlomowitz Tashman,[1] and her siblings were named Bertha, Kitty, Jennie, Annie, Sarah, Gustav and Hattie.[2] She attended high school in Brooklyn and later graduated from a finishing school.
Tashman worked as a model. Her blonde hair and a unique type of beauty appealed to artists, who employed her. From her earliest recollections she yearned to appear on the stage. By 1914, she had also starting working in vaudeville, on a bill that included the up and coming double act Eddie Cantor and Al Lee. Tashman and Lee were married in 1914, separated in 1920, and divorced in 1921. Cantor and Lee broke up, with Cantor going on to a successful solo career, Lee going on to become a manager for George White's Scandals and Tashman trying out for whatever Broadway show she could find.
Several tries by Tashman to get on the stage were largely failures. By the age of seventeen she had given up hope, when she met Florenz Ziegfeld. The meeting happened on an afternoon when she was eating at a Broadway restaurant. A mutual acquaintance introduced them at the producer's request. He quickly asked Lilyan if she wanted to appear in one of his shows as a Ziegfeld girl. In 1916, at the age of 20, she made the first of her Ziegfeld Follies appearances with a cast of newcomers that included Marion Davies and Peggy Hopkins Joyce. She stayed with the show for its 1917 and 1918 seasons. In 1919, Tashman left the Ziegfeld company for bigger and better opportunities.
Later in 1919, she was given a job by the producer David Belasco in a comedy called The Gold Diggers starring Ina Claire. The show was a success, and ran for two years and in addition to her own supporting role, Tashman acted as Claire's understudy.
In 1921, she made her first film Experience with Richard Barthelmess and Nita Naldi. After a period of misfortune in New York in which one show closed, and she was fired from another, Tashman decided to move to Hollywood to further her film career.
On coming to Hollywood, Lilyan was cast in a supporting role in a Mabel Normand film, Head Over Heels (1922). When The Garden of Weeds (1924) came into production. Her part in the stage play secured for Lilyan the same place in the film. From then on Tashman appeared in many motion picture roles and became a prominent figure in the world of film. At first, she worked for independent film companies but later, she was featured in productions being made by the largest organizations in the industry.
It was while acting in the film Ports of Call (1925) that the actress met her soon-to-be husband Edmund Lowe. By this time she and Al Lee had divorced. She married Lowe on 21 September 1925. The wedding occurred before the release of the film and the two made their home in Hollywood. Edmund and Lilyan resided in an Art Deco home thought to have been designed by Tashman. Both maintained their acting careers.
As a couple, Tashman and Lowe became more prominent in Hollywood than they had as single people. They entertained lavishly in their Beverly Hills home, and Tashman began appearing on "Best Dressed" lists. Their respective film careers began to improve as a result of the publicity they were beginning to generate.
By 1925, Tashman had built a reasonable career as a film actress. She appeared in Pretty Ladies (Joan Crawford and Myrna Loy also taking small roles). Other film roles of note included "Seven Days" (1926), "Texas Steer" (1926), "Camille" (1927), "So This Is Paris" (1928), "Craig's Wife" (1928), "The Trial of Mary Dugan" (1929), "The Marriage Playground" (1929), and "The Gold Diggers of Broadway" (1929), and the pre-Production Code comedy "Girls About Town" (1931).
Over the next few years, Tashman appeared in numerous supporting roles, and several starring roles and, with the advent of talking pictures, made an easy transition. She had a rich contralto voice and a confident delivery of dialogue after years spent on the stage.
After a busy year in 1931 in which Tashman appeared in eight films, she began to reduce her work schedules while newspapers speculated about the state of her health. After denying repeatedly that there was a problem with her health, Tashman was eventually hospitalized, and upon her release answered further rumors with a statement saying that she had undergone an appendectomy. It was only when she died soon after, that it was revealed she had died of cancer. Hospital authorities described the cause of her death as an advanced tumorous condition. She was conscious until the end according to A.J. Gertenbach, managing director of the hospital. Edmund Lowe was beside her bed as she died. The couple lived in New York at 73 East 70th Street.
Tashman was 37 years old when she died at 2:15 at Doctor's Hospital, 170 East End Avenue, on March 21, 1934. She had undergone an operation the previous Friday. Rabbi Rev. Dr. Samuel H. Goldenson of Temple Emanu-El performed the funeral service at the Universal Funeral Chapel, 597 Lexington Avenue in New York City. Tashman was later interred at the plot of the Palestine Lodge 71, I.O.S.B., Washington Cemetery, Brooklyn, New York.
| Year | Title | Role | Notes | |
|---|---|---|---|---|
| 1921 | Experience | Pleasure | First feature film Lost film | |
| 1922 | Head Over Heels | Efith Penfield | ||
| 1924 | Nellie, the Beautiful Cloak Model | Nita | ||
| Manhandled | Pinkie Moran | |||
| Winner Take All | Felicity Brown | Lost film | ||
| The Garden of Weeds | Hazel | Lost film | ||
| The Dark Swan | Sybil Johnson | Lost film | ||
| Is Love Everything? | Edythe Stanley | |||
| 1925 | Ports of Call | Lillie | Lost film | |
| The Parasite | Laura Randall | |||
| Declassée | Mrs. Leslie | |||
| A Broadway Butterfly | Thelma Perry | Lost film | ||
| I'll Show You the Town | Fan Green | |||
| Pretty Ladies | Selma Larson | Film survives, but the color sequences are lost | ||
| The Girl Who Wouldn't Work | Greta Verlaine | |||
| Seven Days | Bella Wilson | Lost film | ||
| Bright Lights | Gwen Gould | Lost film | ||
| 1926 | Rocking Moon | Sasha Larianoff | ||
| The Skyrocket | Ruby Wright | Lost film | ||
| Whispering Smith | Marion Sinclair | |||
| Siberia | Beautiful Blonde | Lost film | ||
| So This Is Paris | Georgette Lalle, a dancer | |||
| For Alimony Only | Narcissa Williams | |||
| Love's Blindness | Alice, Duchess of Lincolnwood | Lost film | ||
| Camille | Olympe | Incomplete film | ||
| 1927 | Don't Tell the Wife | Suzanna | ||
| Evening Clothes | Minor Role | Lost film Uncredited | ||
| The Woman Who Did Not Care | Iris Carroll | |||
| The Prince of Headwaiters | Mae Morin | Lost film | ||
| The Stolen Bride | Ilona Taznadi | |||
| A Texas Steer | Dixie Style | Lost film | ||
| French Dressing | Peggy Nash | Lost film | ||
| 1928 | Craig's Wife | Mrs. Passmore | Lost film | |
| Happiness Ahead | Kay Sears | Lost film | ||
| Phyllis of the Follies | Mrs. Decker | |||
| Lady Raffles | Lillian | |||
| Take Me Home | Derelys Devore | Lost film | ||
| Manhattan Cocktail | Mrs. Renov | Lost film | ||
| 1929 | A Real Girl | Minnie | ||
| The Lone Wolf's Daughter | Velma | Lost film | ||
| The Trial of Mary Dugan | Dagmar Lorne | |||
| Bulldog Drummond | Irma Peterson | |||
| Gold Diggers of Broadway | Eleanor | Incomplete film | ||
| The Marriage Playground | Joyce Wheater | |||
| New York Nights | Peggy | |||
| 1930 | No, No, Nanette | Lucille Early | Lost film, only the soundtrack survives | |
| Puttin' On the Ritz | Goldie Devere | Film survives, but it has been cut down by twenty minutes, the title cards at the start and end have been edited and altered, and the technicolor sequences partially survive in only black-and-white | ||
| On the Level | Lynn Crawford | |||
| The Matrimonial Bed | Sylvaine | |||
| Leathernecking | Edna | Lost | ||
| The Cat Creeps | Cicily | Lost film | ||
| 1931 | One Heavenly Night | Fritzi Vajos | ||
| Finn and Hattie | The 'Princess' | |||
| Millie | Helen 'Hel' Riley | |||
| Up Pops the Devil | Polly Griscom | |||
| Murder by the Clock | Laura Endicott | |||
| The Mad Parade | Lil Wheeler | Forgotten Women (US re-release title) | ||
| The Road to Reno | Mrs. Jackie Millet | |||
| Girls About Town | Marie Bailey | |||
| 1932 | The Wiser Sex | Claire Foster | ||
| Those We Love | Valerie | |||
| Scarlet Dawn | Vera Zimina | |||
| 1933 | Wine, Women and Song | Frankie Arnette | ||
| Mama Loves Papa | Mrs. McIntosh | |||
| Too Much Harmony | Lucille Watkins | |||
| 1934 | Riptide | Sylvia Wilson | ||
| 1936 | Frankie and Johnnie | Nellie Bly | released posthumously |