Lillian Glinn Explained

Lillian Glinn
Birth Date:10 May 1902
Birth Place:Hillsboro, Texas, U.S.
Death Place:Richmond, California, U.S.
Instrument:Vocals
Years Active:1920s only
Label:Columbia

Lillian Glinn (May 10, 1902 – July 22, 1978)[1] was an American classic female blues and country blues singer and songwriter. She spent most of her career in black vaudeville. Among her popular recordings were "Black Man Blues," "Doggin' Me Blues"[2] and "Atlanta Blues."[3] The blues historian Paul Oliver commented that there were a number of female blues singers who "deserve far greater recognition than they have had", and one of those he cited was Glinn.[4]

Biography

Glinn was born in Hillsboro, Texas, and later moved to Dallas.[3]

She was first noticed singing spirituals in church by Hattie Burleson, who also went on to become a performer. Under Burleson's guidance, Glinn became successful in vaudeville and by 1927 was signed to a recording contract with Columbia. Glinn took part in six recording sessions, in New Orleans, Atlanta and Dallas, from 1927 to 1929.[3] She recorded a total of 22 tracks.[3] Her specialty was slow blues ballads using her rich and heavy contralto voice.[5] Her songs concentrated on the harsher side of life and sometimes included sexual innuendo.[3] Her recordings, including her April 1928 recording of "Shake It Down", gained her national recognition.[4]

The musicologist David Evans noted that "it is quite likely that many of Lillian Glinn's blues without any listed composer were her own material. If so, she would be the exception among Columbia's female blues singers".[6]

Following this period of activity, Glinn retreated to a church-based life and moved to California, where she married the Rev. O. P. Smith.[3]

Her entire recorded work was released in 1994 by Document Records.[7]

She was interviewed and photographed by Paul Oliver in 1971.[5] [8]

Compilation discography

Year Title Record label
1987 Lillian Glinn & Mae Glover Story of the Blues
1994 Complete Recorded Works (1927 1929) Document
[9]

See also

Notes and References

  1. Eagle, Bob L.; LeBlanc, Eric S. Blues: A Regional Experience. Santa Barbara, California: Praeger. p. 524
  2. Web site: RSA : Doggin' Me Blues. Rsa.fau.edu.
  3. Web site: Lillian Glinn . Head, James . Handbook of Texas Online . Texas State Historical Association. September 20, 2011.
  4. Book: Oliphant , Dave . 1996. Texan Jazz. University of Texas Press. Austin. 0-292-76044-2. 71. registration.
  5. Web site: [{{AllMusic|class=artist|id=p80394|pure_url=yes}} Lillian Glinn: Biography]. Huey, Steve . Allmusic.com . September 20, 2011.
  6. Book: Evans , David . 1982. Big Road Blues. University of California Press . Los Angeles. 0-520-03484-8. 67.
  7. Web site: Lillian Glinn, Complete Recorded Works (1927–1929): Credits . AllMusic. 1994-06-02 . 2014-01-27.
  8. Book: Oliver , Paul . 2009. Barrelhouse Blues: Location Recording and the Early Traditions of the Blues. BasicCivitas Books . New York. 978-0-465-00881-0. 77.
  9. Web site: Lillian Glinn: Discography . AllMusic.com . 1994-06-02 . 2014-01-27.