| Lilith | |
| Producer: | Robert Rossen |
| Director: | Robert Rossen |
| Based On: | Lilith by J.R. Salamanca |
| Starring: | Warren Beatty Jean Seberg Peter Fonda Kim Hunter |
| Music: | Kenyon Hopkins |
| Cinematography: | Eugen Schüfftan |
| Editing: | Aram Avakian |
| Color Process: | black and white |
| Studio: | Centaur Productions |
| Distributor: | Columbia Pictures |
| Runtime: | 114 minutes |
| Country: | United States |
| Language: | English |
| Gross: | $1,100,000[1] |
Lilith is a 1964 American drama film written and directed by Robert Rossen starring Warren Beatty and Jean Seberg. Based on a novel by J.R. Salamanca, it was Rossen's final film.[2]
Set in a private mental institution, Chestnut Lodge in Rockville, Maryland, the film tells of a trainee occupational therapist, a troubled ex-soldier named Vincent Bruce, who is fascinated by seductive, artistic, schizophrenic patient Lilith Arthur. Lilith reminds him of his mother, who was mentally disturbed and took her own life.
Vincent is successful in helping Lilith emerge from seclusion and leave the institutional grounds for a day in the country, and later escorts her on excursions in which she is alone with him. She attempts to seduce him, and eventually Bruce tells Lilith he is in love with her. During an excursion to a carnival, he witnesses her behaving inappropriately towards a young boy. After the excursion, they sleep together and start meeting regularly. Growing increasingly jealous, Vincent follows Lilith to her meetings with Mrs. Meaghan, an older female patient, with whom she has an affair. When Stephen Evshevsky, a patient who is in love with Lilith, presents her a gift, Vincent returns it to him, suggesting that Lilith refused it. The unstable Stephen commits suicide.
Vincent tries to convince Lilith that they had conspired in driving Stephen into committing suicide, but she rejects him. Lilith revives memories of her brother's suicide, which she implies was due to her attempt to initiate an incestuous relationship with him. Later, she goes on a destructive rampage in her room and winds up in a catatonic state. The shattered Vincent approaches his superiors and asks them to help him.
Produced by Rossen's Centaur Productions[3] and financed mainly by distributor Columbia Pictures, Lilith was shot on location over a period of six weeks in a rented boarding house and the Killingsworth Taylor mansion, Long Island, and in Rockville, Maryland, where the clinic was located.[4] One week of shooting was done in the studio. Rossen, already weakened by illness and medication when filming started, finished the film in complete exhaustion. According to Jean Seberg, this was owed in parts to Rossen's and Beatty's permanent confrontations over how to play his role.[5]
Lilith had originally been chosen by the MPAA as the official American entry to the 1964 Venice Film Festival, but was withdrawn after press reports that festival director Luigi Chiarini had disparaged its artistic merit.[6] [7] It screened at the New York Film Festival on 19 September 1964. Upon its subsequent cinema release, the film turned out a commercial failure.[8]
Press reactions to Lilith were mostly negative when it was first released. After the film's presentation at the New York Film Festival, the critic of the New York Times wrote a reserved review, praising the "striking images" and Jean Seberg's "fresh, flighty, fearsome performance", but faulting the lack of a "lucid demonstration of what the whole thing means" and weak acting by Warren Beatty and Peter Fonda.
Reviews in later years were more sympathetic, calling it "ambitious" and "sadly underrated" (Chris Lloyd, Time Out)[9] and "a masterpiece" (Dave Kehr, Chicago Reader).[10] In the 1975 The New Biographical Dictionary of Film, David Thomson described Lilith as "an oddity, the only one of [Rossen's] films that seems passionate, mysterious and truly personal. The other films will look increasingly dated and self-contained, but Lilith may grow."[11] In her 2015 review for The Village Voice, critic Melissa Anderson saw in Lilith a "fascinatingly fractured" film which recalled Last Year at Marienbad, pointing out the presence of Jean Seberg "who most indelibly imprints the film with otherworldliness".[12]
Lilith reached #6 in the 1965 best films list of Cahiers du Cinéma.[13] Jean Seberg was nominated for the Golden Globe Award for Best Actress by the Hollywood Foreign Press Association.
The Academy Film Archive preserved Lilith in 2000.[14]
In 2013, the Harvard Film Archive screened Lilith as part of its retrospective on Robert Rossen.[15]