| Lights and Sounds | |
| Type: | Album |
| Artist: | Yellowcard |
| Cover: | YellowcardLightsandSounds.jpg |
| Alt: | A black-and-white picture of palm trees placed in 4 different squares |
| Released: | January 24, 2006 |
| Recorded: | May–June 2005 |
| Studio: | Sunset Sound, Los Angeles, California |
| Genre: | Alternative rock |
| Length: | 52:42 |
| Label: | Capitol |
| Producer: | Neal Avron |
| Prev Title: | Ocean Avenue |
| Prev Year: | 2003 |
| Next Title: | Paper Walls |
| Next Year: | 2007 |
Lights and Sounds is the fifth studio album by American rock band Yellowcard, released on January 24, 2006, in the United States through Capitol Records. Lights and Sounds is Yellowcard's first concept album, which was inspired to reflect what the band was feeling at the time of production and how they have matured in the process. Lights and Sounds also departs from the sounds on Yellowcard's previous album, Ocean Avenue (2003), which broke away from its pop punk sound to a more alternative rock album.
Lights and Sounds debuted to mixed reviews from contemporary music critics, receiving criticism as the album fell short from the standard set by its predecessor, Ocean Avenue. Upon the album's release, it charted at number five on Billboard's 200 and Top Internet Albums' charts, making it the band highest charting album to date. The album accumulated sales of just over 315,000 copies, which failed to match the 2 million sales of their previous album. Yellowcard went on to explain that the disappointment of the sales were due to their going "a bit too far" with the expectations they had thought the album would exceed. Lights and Sounds was certified Gold by the Recording Industry Association of America (RIAA).
The album yielded two singles, "Lights and Sounds" and "Rough Landing, Holly". While the band was promoting the album, lead guitarist Ben Harper parted ways with the band. Following Harper's departure, the band revealed that they had entered their "highest and lowest" points because of Harper's departure from the band. To accommodate the album's promotion, Yellowcard replaced Harper with guitarist Ryan Mendez.
After almost two years of touring in support of their 2003 album, Ocean Avenue, Yellowcard took a few months off. In December 2004, vocalist Ryan Key and bassist Peter Mosely moved to New York City to write songs for their upcoming album,[1] [2] [3] while the rest of the band remained in Los Angeles.
As Key and Mosely stayed in New York, they admitted that there was a delay when it came to start writing songs for the album.[4] Key, however, did explain that they were writing "weird, obscure, not-too-mellow" tracks and working on notebooks that he compiled while the band was touring. He also noted that he was able to write for a couple of hours and would receive over "15-20 ideas" that he could take out for the band, so once they all got together, they can start collaborating on the record. Mosely, also in discussion of this, added that the reason it took them so long was because they were "scared to death" with the writing. Mosely concluded that once the writing had begun, the process was easier on them. It was also during this time that Key and Mosely began to turn their apartment into a studio, adding a drum kit, guitar amps, and even including a piano. While Key and Mosely began the development of the songs, the rest of the members would occasionally fly to New York to check on the progress.[5]
In April 2005, the band met in Los Angeles and began working at the Sunset Sound studios.[6] The following month in an interview with MTV News, lead guitarist Ben Harper revealed that the writing process was finished. In addition, Harper commented that the band recorded 19 songs for the album, 13 of which made the final cut. Sessions were held at Sunset Sound in May and June 2005, with producer Neal Avron. Recording was handled by Bradley Cook and Avron, with assistance from Bill Mims and Pro Tools engineer Travis Huff. Tom Lord-Alge mixed the recordings, with assistance from Femio Hernández, at South Beach Studios in Miami, Florida. Ted Jensen mastered the album at Sterling Sound in New York City.
With Lights and Sounds, Yellowcard broke away from their original pop punk sound to a more alternative rock album.[7] The album is somewhat of a concept album, made to reflect what Yellowcard was feeling at the time of production. Ryan Key, in discussion of this, said that Ocean Avenue was about "finding your place in the world" and explained that Lights and Sounds was about "realizing that you've gotten lost".[8] The band has cited Radiohead's Kid A (2000) and Guns N' Roses' 1991 albums Use Your Illusion I and Use Your Illusion II as major influences for the album. Yellowcard also credit Aphex Twin, Mouse on Mars and Explosions in the Sky for inspiration, regarding the music sound in the album.[3]