Aeroacoustics is a branch of acoustics that studies noise generation via either turbulent fluid motion or aerodynamic forces interacting with surfaces. Noise generation can also be associated with periodically varying flows. A notable example of this phenomenon is the Aeolian tones produced by wind blowing over fixed objects.
Although no complete scientific theory of the generation of noise by aerodynamic flows has been established, most practical aeroacoustic analysis relies upon the so-called aeroacoustic analogy, proposed by Sir James Lighthill in the 1950s while at the University of Manchester. whereby the governing equations of motion of the fluid are coerced into a form reminiscent of the wave equation of "classical" (i.e. linear) acoustics in the left-hand side with the remaining terms as sources in the right-hand side.
The modern discipline of aeroacoustics can be said to have originated with the first publication of Lighthill in the early 1950s, when noise generation associated with the jet engine was beginning to be placed under scientific scrutiny.
Lighthill rearranged the Navier–Stokes equations, which govern the flow of a compressible viscous fluid, into an inhomogeneous wave equation, thereby making a connection between fluid mechanics and acoustics. This is often called "Lighthill's analogy" because it presents a model for the acoustic field that is not, strictly speaking, based on the physics of flow-induced/generated noise, but rather on the analogy of how they might be represented through the governing equations of a compressible fluid.
The continuity and the momentum equations are given by
\begin{align} | \partial\rho |
\partialt |
+\nabla ⋅ \left(\rhov\right)&=0,\\
\partial | |
\partialt |
\left(\rhov\right)+\nabla ⋅ (\rhovv)&=-\nablap+\nabla ⋅ \boldsymbol\tau, \end{align}
where
\rho
v
p
\boldsymbol\tau
vv
\partial2\rho | |
\partialt2 |
=\nabla ⋅ \left[\nabla ⋅ (\rhovv)+\nablap-\nabla ⋅ \boldsymbol\tau\right].
Subtracting
2\nabla | |
c | |
0 |
2\rho
c0
\partial2\rho | |
\partialt2 |
2\rho | |
-c | |
0\nabla |
=\nabla\nabla:T, T=\rhovv+
2 | |
(p-c | |
0\rho)I-\boldsymbol\tau, |
where
\nabla\nabla
T
\partial2\rho | |
\partialt2 |
| ||||||||||
-c | ||||||||||
0\nabla |
, Tij=\rhovivj+(p-
2 | |
c | |
0\rho)\delta |
ij-\tauij.
Each of the acoustic source terms, i.e. terms in
Tij
\rhovivj
(p-
2 | |
c | |
0\rho)\delta |
ij
\tauij
In practice, it is customary to neglect the effects of viscosity on the fluid as it effects are small in turbulent noise generation problems such as the jet noise. Lighthill provides an in-depth discussion of this matter.
In aeroacoustic studies, both theoretical and computational efforts are made to solve for the acoustic source terms in Lighthill's equation in order to make statements regarding the relevant aerodynamic noise generation mechanisms present. Finally, it is important to realize that Lighthill's equation is exact in the sense that no approximations of any kind have been made in its derivation.
In their classical text on fluid mechanics, Landau and Lifshitz[1] derive an aeroacoustic equation analogous to Lighthill's (i.e., an equation for sound generated by "turbulent" fluid motion), but for the incompressible flow of an inviscid fluid. The inhomogeneous wave equation that they obtain is for the pressure
p
\rho
If one is to allow for approximations to be made, a simpler way (without necessarily assuming the fluid is incompressible) to obtain an approximation to Lighthill's equation is to assume that
p-p0=c
2(\rho-\rho | |
0) |
\rho0
p0
(*)
1 | ||||||
|
\partial2p | |
\partialt2 |
| ||||
-\nabla |
And for the case when the fluid is indeed incompressible, i.e.
\rho=\rho0
\rho0
1 | ||||||
|
\partial2p | |
\partialt2 |
2p=\rho | ||||
-\nabla | ||||
|
A similar approximation [in the context of equation <math>(*)\,</math>], namely
T ≈ \rho0\hatT
Of course, one might wonder whether we are justified in assuming that
p-p0=c
2(\rho-\rho | |
0) |
\rho\ll\rho0
p\llp0
p
\rho
However, even after the above deliberations, it is still not clear whether one is justified in using an inherently linear relation to simplify a nonlinear wave equation. Nevertheless, it is a very common practice in nonlinear acoustics as the textbooks on the subject show: e.g., Naugolnykh and Ostrovsky[2] and Hamilton and Morfey.[3]