| The Life of Oharu | |
| Director: | Kenji Mizoguchi |
| Cinematography: | Yoshimi Hirano |
| Editing: | Toshio Gotō |
| Music: | Ichirō Saitō |
| Distributor: | Shintoho |
| Runtime: | 136 minutes[1] |
| Country: | Japan |
| Language: | Japanese |
is a 1952 Japanese historical drama film directed by Kenji Mizoguchi. The screenplay by Yoshikata Yoda is based on various stories from Saikaku Ihara's 1686 work The Life of an Amorous Woman. Kinuyo Tanaka stars as Oharu, a one-time concubine of a daimyō (and mother of a later daimyō) who struggles to escape the stigma of having been forced into prostitution by her father.
The story opens on Oharu as an old woman in a temple, looking at a vast collection of statues of Arhats, whose faces remind her of the events of her life. As a young woman in a noble family, the daughter of a samurai, she is courted by a neighboring Lord's retainer, Katsunosuke, and runs away with him. They are caught, and as a result (due to their class difference) he is executed and her family banished from court. Oharu attempts suicide but fails. Sometime later, a messenger from the local Lord visits her village in search of a mistress for the Lord. After an exhaustive search, Oharu is found to meet every criterion and is sold to Lord Matsudaira with the hope she will bear him a son. She does, but then, with her purpose served, is sent home with minimal compensation to the dismay of her father, who has worked up quite a debt in the meantime. He sends her to be a courtesan in the pleasure district, but there, too, she fails and is again sent home.
Oharu goes to serve the family of a woman who must hide the fact that she is bald from her husband. When Oharu's past as a courtesan becomes known, the woman's husband hopes to take advantage of her. His wife becomes jealous of Oharu and makes her chop off her hair, but Oharu retaliates, revealing the woman's secret. She again must leave—this time she marries a fan maker who is killed shortly after during a robbery. She attempts to become a nun, but Oharu is thrown out after being caught naked with a man seeking reimbursement for an unauthorized gift (it is made clear this is rape by Oharu's claims and distraught demeanor). She is thrown out of the temple, becomes a prostitute, but fails even at that.
The narrative finally returns to the opening scene, in the temple full of statues. Oharu collapses. When she awakens, her mother is by her bedside, having heard a rumor as to where Oharu was living. She learns that her father has died, and that so too has Lord Matsudaira. Oharu's son is now the young Lord, and is searching for his mother. Hoping to meet him and live in his palace, she returns to the Lord's house, only to be chastised for the "shameful" events of her life after her banishment from the palace so long ago. To keep her past a secret, she is to be imprisoned within the compounds, never to leave, but also never to be with her son. The young lord does deign to grant her the one-time privilege of looking upon him as he walks by. She chases after him through the compound, is herself pursued by his guards, and in the confusion, ends up escaping to pass the rest of her life as a wandering nun, begging for alms at every doorstep.
The Japanese filmmaker Akira Kurosawa cited The Life of Oharu as one of his 100 favorite films.[2]
The Life of Oharu received the International Prize at the 1952 Venice International Film Festival.[3] [4] Composer Ichirō Saitō received the 1952 Mainichi Film Award for The Life of Oharu, Inazuma, Mother and Himitsu.[5]
Mizoguchi's film was included in Kinema Junpo's 2009 "critics top 200" list[6] [7] and in the British Film Institute's 2020 "The best Japanese film of every year – from 1925 to now" list.[8]