| Libuše Niklová | |
| Birth Name: | Libuše Kyseláková |
| Birth Date: | 1934 4, df=y |
| Birth Place: | Zlín, Czechoslovakia |
| Death Place: | Zlin, Czechoslovakia |
| Occupation: | Toy designer |
| Years Active: | 1954–1981 |
| Known For: | Accordion animal toys and inflatable sitting toys |
| Partner: | František Nikl |
Libuše Niklová (née Kyselaková) (1 April 1934 – 5 June 1981) was a Czech toy designer and national treasure. A world-renowned designer and innovator, she created over 230 original toys. Well-known are her rubber figurines, accordion animals, and inflatable toys. Her work is represented in museum collections around the world, including at the Musée des Arts décoratifs in Paris, the Museum of Modern Art in New York, the Victoria and Albert Museum in London, the National Museum of Modern Art in Tokyo, and the Museum of Decorative Arts in Prague in Prague. In 2012, on the occasion of the annual Czech Grand Design Awards, she was the first female designer ever to be inducted into the Hall of Fame.[1] [2]
Niklová was born on 1 April 1934 in Zlín as Libuše Kyseláková. In the years 1949 to 1953, she studied, then a new field, the shaping of plastic materials at the Zdeněk Nejedlý State School of Applied Arts in Zlín and Uherské Hradiště. After graduating in 1954, she joined the Gumotex factory in Břeclav, where she worked until 1964. In 1958, she married the painter František Nikl, a high school classmate. In 1960, they had a son, the Czech painter, writer, and theater artist Petr Nikl, and in 1968 a daughter. In 1961, Niklová started working at Fatra Napajedla. During the course of her career, she obtained patents for nine inventions and three national industrial designs.[3] She died on 5 June 1981, in Gottwaldov (Zlín).[4]
At Gumotex Břeclav, where she worked after graduation, Niklová mainly designed squeaky rubber toys, primarily figures and animals. These were initially made from pressed and foam rubber, then from blown PVC, and in the 1960s, cast from PVC and hand-dyed with latex paints. She also created souvenir toys, including for the 2nd Czechoslovak Spartakiad or the Brno Fairs and Exhibitions.[5]
After the birth of her son Peter, Niklová worked at Fatra Napajedla, from 1961 to 1980. Among her most famous creations are a black accordion tomcat, a ram, and a crocodile. She also designed the packaging in which the unassembled toy, a construction kit, was sold. She also designed inflatable and squeaky toys for small children. From the 1970s, she began designing larger inflatable and sit-on toys that were lightweight and washable. The Horse, the Rhinoceros, the Caterpillar, the Giraffe, the Lion, and the Polar Bear were among the followers of the Buffalo, whose prototype was created in 1971. Serial production began in 1973.[6]
Niklová created over 230 original toys, many of which were produced in many color variants.[7]
Rubber squeaky toys
for Gumotex Břeclav, 1954–1964
Niklová designed 62 rubber toys, most of them squeaky, with the exception of a few dolls that do not have a squeaker. Many of these toys were also produced in several color variants, hand-dyed with latex paints. She also designed a few toys as souvenirs, for example for the Spartakiad or Brno fairs and exhibitions.[8]
Accordion toys
for Fatra Napajedla, 1963–1967
Niklová designed twelve accordion toys, ten animals, a baby, and a train called Toot-Toot.
Vernian toys
for Fatra Napajedla, 1966
Niklová designed three toys based on characters from Jules Verne novels: Nautilus, Albatros, and Epouvante. These were designed for Expo 67 in Montreal, though they did not appear, as the Communist government deemed them to be "too Western". They eventually went into production, though Epouvante remained only as a prototype and was never mass-produced.[9]
Inflatable toys
for Fatra Napajedla, 1963–1980
Niklová designed 140 inflatable toys. They were both for playing in water and on land, and some could also be used as children's furniture or for hopping on. She also designed boats, sunbeds, water circles, or pools. Some of these toys produced sound.[10]
Niklová’s work has been featured in various exhibitions for over sixty years.[11] [12]