| Author: | (trad.) Qu Yuan |
| Published: | c. 3rd century BCE |
| Li Sao | |
| Pic: | Li Sao (Chinese characters).svg |
| Piccap: | "Li Sao" in seal script (top), Traditional (middle), and Simplified (bottom) Chinese characters |
| Picupright: | 0.45 |
| S: | 离骚 |
| T: | 離騷 |
| L: | "Encountering Sorrow" |
| P: | Lí Sāo |
| W: | Li2 Sao1 |
| J: | Lei4 Sou1 |
| Y: | Lèih Sōu |
| Tl: | Lī So |
| Mc: | Lje Saw |
| Oc-Bs: | *[r]aj [s]ˤu |
"Li Sao" (; translation: "Encountering Sorrow") is an ancient Chinese poem from the anthology Chuci traditionally attributed to Qu Yuan. Li Sao dates from the 3rd century BCE, during the Chinese Warring States period.
The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan of the Kingdom of Chu, who died about 278 BCE.
Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental incorporations into various documents of ancient miscellany. The rest of the Chuci anthology is centered on the "Li Sao", the purported biography of its author Qu Yuan.
In "Li Sao", the poet despairs that he has been plotted against by evil factions at court with his resulting rejection by his lord and then recounts a series of shamanistic spirit journeys to various mythological realms, engaging or attempting to engage with a variety of divine or spiritual beings, with the theme of the righteous minister unfairly rejected sometimes becoming exaggerated in the long history of later literary criticism and allegorical interpretation. It dates from the time of King Huai of Chu, in the third century BCE.
The meaning of the title "Li Sao" is not straightforward. In the biography of Qu Yuan, li sao is explained as being as equivalent to li you (Sima Qian, Shiji or the Records of the Grand Historian). Inference must be made that 'meeting with sorrow' must have been meant.
However, the 1st century CE scholar Ban Gu explicitly glossed the title as "encountering sorrow".[1] [2]
The Li Sao begins with the poet's introduction of himself, his ancestry, and his former shamanic glory. He references his current situation, and then recounts his fantastical physical and spiritual trip across the landscapes of ancient China, real and mythological. "Li Sao" is a seminal work in the large Chinese tradition of landscape and travel literature.[3]
"Li Sao" is also a political allegory in which the poet laments that his own righteousness, purity, and honor are unappreciated and go unused in a corrupt world. The poet alludes to being slandered by enemies and being rejected by the king he served (King Huai of Chu).
As a representative work of Chu poetry it makes use of a wide range of metaphors derived from the culture of Chu, which was strongly associated with a Chinese form of shamanism, and the poet spends much of "Li Sao" on a spirit journey visiting with spirits and deities. The poem's main themes include Qu Yuan's falling victim to intrigues in the court of Chu, and subsequent exile; his desire to remain pure and untainted by the corruption that was rife in the court; and also his lamentation at the gradual decline of the once-powerful state of Chu.
The poet decides to leave and join Peng Xian, a figure that many believe to be the God of Sun. Wang Yi, the Han dynasty commentator to the Chuci, believed Peng Xian to have been a Shang dynasty official who, legend says, drowned himself after his wise advice was rejected by the king (but this legend may have been of later make, influenced by the circumstances of Qu Yuan drowning himself). Peng Xian may also have been an ancient shaman who later came to symbolize hermit seclusion.[4]
The poem has a total of 373 lines[5] and about 2400 characters, which makes it one of the longest poems dating from Ancient China. It is in the fu style.[5] The precise date of composition is unknown, it would seem to have written by Qu Yuan after his exile by King Huai; however, it seems to have been before Huai's captivity in the state of Qin began, in 299 BCE.
The poem was reissued in the 19th century by Pan Zuyin (1830–90), a linguist who was a member of the Qing Dynasty staff. It was reissued as four volumes with two prefaces, with one by Xiao Yuncong.[6]
. Stephen Owen (sinologist) . An Anthology of Chinese Literature: Beginnings to 1911 . registration . New York . W.W. Norton . 1996 . 0-393-97106-6 .