Li Huayi Explained

Li Huayi (; born 1948) is a contemporary ink artist whose admiration for the monumental landscapes of the Northern Song dynasty with his training in both traditional Chinese ink and Western art, inspired him to create his own style of ink painting.[1]

Li has established a distinct connection between contemporary and traditional, and nature and humanity, by integrating his contemporary perspective with the eternal values of traditional literati painting.[2]

Li Huayi's works are collected by museums worldwide including the British Museum, the Asian Art Museum of San Francisco, the Art Institute of Chicago, the Harvard Art Museums, the Brooklyn Museum, the Honolulu Museum of Art, the Suzhou Museum, M+ Hong Kong and the Hong Kong Museum of Art.

Early life

Li Huayi was born in 1948 in Shanghai, China. At the age of six, he learned the art of traditional ink painting under the tutelage of Wang Jimei in private. When he was sixteen, Li began his studies of Western art with Zhang Chongren, who had studied at the Belgian Royal Academy and who was known for his realistic watercolors.[3] During the Cultural Revolution (1966 - 1976), Li was exempt from being sent to the countryside and allowed to remain in Shanghai to paint Soviet-style propaganda murals as a result of his dexterity with brush and ink, and his training in Western art.

In the late 1970s, after the Cultural Revolution, Li Huayi traveled throughout China's significant scenic, historic and cultural sites including the monumental peaks of Huangshan in Anhui Province, which are often depicted in many of his paintings. In Gansu Province, Li studied the Buddhist cave temples at Dunhuang, teaching himself the early history of Chinese painting and gaining an understanding of religious painting. In 1978, Li traveled to Beijing where he saw his first Northern Song landscape painting and first major exhibition of modern Western art; both of which left him with deep and lasting impressions.

Move to the United States

In 1982, Li Huayi and his wife immigrated to San Francisco. There, he enrolled at the Academy of Art, San Francisco, to study Western art and he completed his master's degree in 1984. In the same year, Li held his first one-man exhibition in America at the Pacific Asia Museum in Pasadena, featuring a combination of his Dunhuang-style paintings and his 'Abstract Expressionist' works. His abstract paintings received critical acclaim from the art historian and scholar of Chinese painting, Michael Sullivan.

Artistic development

Inspiration and early works

In the 1980s, Li experimented with abstract forms of splash-ink, combining some elements of collage. During this period, he discovered his artistic calling to create something new in the most important traditional Chinese painting theme: landscape.[4]

The Northern Song School tradition kept looming over Li Huayi. The first Northern Song painting he saw was Fan Kuan's Scene Under Snow, in 1978 at the Beijing Palace Museum. In 1989, Li visited the National Palace Museum in Taipei, where Guo Xi's Early Spring left lasting impressions.

Monumental landscape

Li’s works of the 1990s evoke the landscape imagery of Li Cheng (919-967), Fan Kuan (active 990-1030), and Guo Xi (after 1000-ca. 1090). The faceted cliffs and gnarled pines in his compositions remind many of Huangshan's mountain peaks in Anhui Province. However, instead of the traditional mountain landscape paintings depicted at a distance, Li provides close-up details and places his viewers intimately within the landscape. By pulling the cliffs and pines in the center of the composition close to the viewer, he or she directly feels the monumentality of nature.

Multiple screens installation

Since ancient times, painting on screens has been common practice in the East, providing a bridge for the artistry of two-dimensional surfaces to three-dimensional works in physical space.[5] Having considered the viewing experience of his audience, Li aimed to produce greater visual impact through the format of a screen. Since 2006, by placing a landscape hanging scroll in front of a backdrop of large, ink-and-brush filled panels, Li creates works of three-dimensional space in the form of installation art. This combination of traditional brush-and-ink painting with a contemporary presentation, suggests Li’s innovative approach and opened up the potential of physical space in his art.

Ink on gilded screens

In the mid-2000s, Li Huayi has experimented with painting landscapes on gold leaf. He has accepted the challenge of applying ink and pigments to the smooth polished surface of gold leaf, which is vastly different from the surfaces of absorbent paper and silk on which he previously worked. Li has even purchased unpainted antique Japanese gilded screens in order to explore how earlier Japanese artists used their pigments and ink on such a surface. After experimenting for years, he created his first ink on gilded screen in 2008. Up to 2018, he has finished 4 works on golden paper and 26 works of ink on antique Japanese gilded screens.[6]

Ink on gold or silver leaf

Since 2018, Li challenged himself in expanding the boundaries of his gilded series. Instead of applying ink to a gilded background, he first draws his composition on silk fabric and then lays gold leaf on top. Released from the limitations of a gilded background, the artist may alternate between solid and impressionistic ink strokes on silk as much as he wishes. The light of the painting no longer comes from its background, but rather it reflects the light shone upon it. At the same time, the artist begins to incorporate silver leaf, which produces a luminescence akin to moonshine in his paintings.[7]

Recent developments

Since the 1990s, Li Huayi has participated in solo and group exhibitions on an international scale at Stanford University, the Museum of Fine Arts, Boston, the National Art Museum of China, and was part of China 5000 Years Exhibition at the Guggenheim Museum in New York in 1999.[8]

In September 2017, his 3-month solo exhibition Fantasies on Paper and Enchantment in Gold was exhibited at the Suzhou Museum in China. The exhibition presented 18 paintings from different periods of Li's artistic endeavor, covering representative works selected from the "Monumental Landscapes series", the "Water Scenes series", the "Multiple Screens Installation series" and the “Gilded Screen Series”, offering audiences a comprehensive understanding of Li’s artistic developments over the prior 15 years.[9]

In May 2018, international publisher Rizzoli and Kwai Fung Art Publishing in Hong Kong published a monograph on Li Huayi. The comprehensive publication includes more than 160 works representing each major period from 1993 – 2017, together with insightful art analysis, and provided bird’s eye views as well as microscopic details of the artist’s work.[10]

In August 2019, the Honolulu Museum of Art in Hawaii hosted a 4-month retrospective exhibition Contemporary Landscapes: Li Huayi for Li Huayi. This exhibition traced the artist’s career over three decades, including works never before seen by the public, as well as highlights from various stages of his artistic growth, in formats from hanging scrolls and gold screens to installations.[11]

In November 2021, Kwai Fung Hin Art Gallery organised Infinities Between Ink and Gold - Recent Works of Li Huayi at F Hall, Tai Kwun, Hong Kong, presenting 12 pieces of Li's recent works from 2018-2021, showing his mastery in integrating gold foil with sophisticated ink and brushstrokes on silk.

Solo exhibitions

Group exhibitions

Collections

Li Huayi’s works are widely collected by worldwide museums and institutions including:

Publications

External links

Notes and References

  1. Web site: Li Huayi. Kwai Fung Hin. en. 2019-05-07.
  2. Book: Li, Huayi, 1948-. The monumental landscapes of Li Huayi. 2004. Asian Art Museum--Chong-Moon Lee Center for Asian Art and Culture. Knight, Michael, 1953-, Tsuruta, Kazuhiro., Asian Art Museum of San Francisco.. 0939117266. San Francisco. 57209588.
  3. Book: Mountain landscapes by Li Huayi. Eskenazi London. 2007. 978-1-873609-23-1.
  4. Book: Li Huayi. Li, Huayi. Shen, Kuiyi, Kwai, Catherine. 2018. 978-8891816375. First. New York. 1012679124.
  5. Book: Fantasies on Paper and Enchantments in Gold. Suzhou Museum. 2017. China: Jiangsu. 76.
  6. Web site: Work on Gilded Screens 金屏風 . 2022-07-08 . Li Huayi . en.
  7. Book: Infinities Between Ink and Gold - Catalogue Raisonné of the Gilded Works by Li Huayi 2008-2021 . Kwai Fung Art Publishing House . 2022 . 978-988-15623-0-2 . 19.
  8. Web site: Li Huayi Solo Exhibitions. Li Huayi. en. 2019-05-07.
  9. Web site: Exhibition - Special Exhibition - SUZHOU MUSEUM. www.szmuseum.com. 2019-05-07.
  10. Web site: Li Huayi: Landscapes from a Master's Heart - Rizzoli New York. Kwai. Catherine. www.rizzoliusa.com. en-US. 2019-05-07.
  11. Web site: Honolulu Museum of Art » Contemporary Landscapes: Li Huayi. honolulumuseum.org. 2019-05-07.
  12. Web site: Event: Art021 Shanghai Contemporary Art Fair - Solo Exhibition of Li Huayi. Kwai Fung Hin. en. 2019-05-25.
  13. Web site: Exhibition - Special Exhibition - SUZHOU MUSEUM. www.szmuseum.com. 2019-05-25.
  14. Web site: Event: Art Basel Hong Kong - Solo Exhibition of Li Huayi. Kwai Fung Hin. en. 2019-05-25.
  15. Web site: Landscapes in New Dimensions • Li Huayi 21 March - 21 April 2017. Kwai Fung Hin. en. 2019-05-25.
  16. Web site: Exotica • Recent Works of Li Huayi 22 March - 21 May 2016. Kwai Fung Hin. en. 2019-05-25.
  17. Web site: Waterfalls, rocks and bamboo by Li Huayi Eskenazi. www.eskenazi.co.uk. 2019-05-25.
  18. Web site: Images of the Mind - The Ink Painting of Li Huayi exhibition ARTLINKART Chinese contemporary art database. www.artlinkart.com. 2019-05-25.
  19. Book: Li Huayi. Li, Huayi, 1948-. 李華弌, 1948-. 2011. Beijing Tian'an shi jian dang dai yi shu chu ban she. Weng Ling., Shen, Kuiyi, 1954-, 翁菱., 沈揆一, 1954-. 9789881815064. Beijing. 753321946.
  20. Book: Li, Huayi, 1948-. The twelve animals of the zodiac. 2011. Eskenazi. Eskenazi Ltd.. 978-1873609347. London. 758001610.
  21. Book: Trees, Rocks, Mist and Mountains by Li Huayi. Eskenzai. 2010. 978-1873609323. London, UK.
  22. Book: MAUDSLEY, Catherine. Li Huayi at 60: Paintings in the Yiqingzhai Collection. The Ink Society. 2008. Hong Kong.
  23. Book: Li, Huayi, 1948-. Mountain landscapes. 2007. Eskenazi. Knight, Michael J., Eskenazi Ltd.. 978-1873609231. London. 184907256.
  24. Book: The landscapes of Li Huayi = Li Hua-i shan shui tso pʹin chan : exhibition and sale, May 19-June 7, 1997.. Li, Hua-i.. 李華弌, 1948-. 1997. Kaikodo. Kaikodo (Gallery : New York, N.Y.). 9627956074. New York, N.Y.. 39463802.
  25. Web site: The Weight of Lightness: Ink Art at M+ Curatorial Statement. Keepthinking. www.westkowloon.hk. en. 2019-05-25.
  26. Web site: "Boundless: Ongoing – Chinese Ink Art 2017" Opening April 25 in Chongqing CAFA ART INFO. en-US. 2019-05-25.
  27. Book: Kwai, Catherine. Li Huayi: Landscapes from a Master's Heart. Rizzoli International Publications Inc. 2018. 978-88-918163-7-5. Milan, Italy. 288–289.
  28. Pine Trees and Spring, ink and color on paper, 2008
  29. Web site: Publication: Li Huayi - Exotica. Kwai Fung Hin. en. 2019-05-25.
  30. Book: Li Huayi (Exhibition Catalogue for "Associated Exhibition of Contemporary Ink Painting by Li Huayi and Li Jin"). Gallery 100. 2012. Taipei, Taiwan.
  31. Book: In Concert: Landscapes by Li Huayi and Zhang Hong. Kaikodo. 1999. 962-7956-22-8. Hong Kong.