Lewis Warsh Explained

Lewis Warsh
Birth Date:9 November 1944
Birth Place:Bronx, NY
Nationality:American
Education:M.A.
Alma Mater:City College of New York
Genre:Poetry, prose, collage
Movement:Second generation of New York School of Poets
Spouse:Katt Lissard

Lewis Warsh (9 November 1944 – 15 November 2020) was an American poet, visual artist, professor, prose writer, editor, and publisher. He was a principal member of the second generation of the New York School poets,;[1] however, he has said that “no two people write alike, even if they’re associated with a so-called ‘school’ .”[2] Professor of English at Long Island University and founding director (2007–2013) of their MFA program in creative writing, Warsh lived in Manhattan with his wife, playwright-teacher Katt Lissard, whom he married in 2001.

Life and Work

Warsh was born in Bronx, NY and received his BA and MA in English from City College of New York. He also attended Kenneth Koch’s poetry class at the New School. He began writing poetry and fiction in his early teens, and first published his poems in the mimeo magazine Wild Dog, an issue guest-edited by Joanne Kyger, in 1965. In the summer of 1965 he attended The Berkeley Poetry Conference where he met Anne Waldman at Robert Duncan’s reading.[3] The two married and moved to 33 St. Mark’s Place in the Lower East Side of New York. It was during that time that the two founded Angel Hair Magazine and Books, which became a seminal part of the mimeo revolution. Warsh and Waldman’s apartment “proved to be a center for the new New York School and the relationship of that coterie to the Poetry Project.”[4] Their apartment also played a part of the “[s]ocial links between musicians and poets throughout the East Village…” Warsh recollects Lou Reed and other Velvet Underground members dropping in to Warsh and Waldman's 33 St. Mark's Place to listen to The Velvet Underground and Nico for the first time: "And we were living on St. Mark’s Place, which was like the center of the East Village, and the Electric Circus is up the street, and I have this memory of the Velvet Underground coming to our apartment … they were saying ‘This is the first time we’ve heard this record,’ and it was the Banana record.”[5] Warsh’s community also grew to include Ted Berrigan, Bernadette Mayer, Ron Padgett, Bill Berkson, Joe Brainard and George Schneeman, among many others. During this time his first books of poems were published —The Suicide Rates (1967), Highjacking (1968), and Moving Through Air (1968).

After his breakup with Waldman, Warsh lived in Bolinas, California from October 1969 to August 1970, where his neighbors included Joanne Kyger, Tom Clark, Bill Berkson, Bobbie Louise Hawkins and Robert Creeley. In the spring of 1971, he took over the reading series at Intersection in San Francisco from Andrei Codrescu. The “series lasted about six months and was many ways a temporary West Coast version of the Poetry Project; Robert Creeley and Ted Berrigan shared a bill, Joe Brainard and Joanne Kyger read together, Philip Whalen read with Allen Ginsberg, and so on.”

From 1973 to 1974 he lived in Cambridge, Massachusetts and co-edited The Boston Eagle with William Corbett and Lee Harwood, before returning to New York in 1974.

Bernadette Mayer and Warsh began living together spring 1975. They initially moved from New York to an old farmhouse in Worthington, Massachusetts and later to an apartment in Lenox. During this time their two daughters were born, Marie in 1975 and Sophia in 1977. Also, in 1977 the two decided to start United Artists Magazine and Books. Warsh wrote:

We were living in relative isolation in Lenox, Massachusetts, and editing a magazine put us in touch with poets and friends we had left behind in New York. We managed to buy an inexpensive mimeo machine in Pittsfield and we produced the magazine in the living room of our large apartment on the main street of Lenox. The beauty of mimeographing is that we could control every aspect of production ourselves, that I could stay up all night and produce a new issue by morning if I wanted. The first issue reflects our geographical shift and contains work by ourselves and our immediate neighbors, Clark Coolidge and Paul Metcalf. Our idea was, whenever possible, to publish large amounts of a few poets’ work in each issue, as opposed to one or two poems by a lot of people. Among the regular contributors to subsequent issues were Ted Berrigan, Alice Notley, Diane Ward, and Bill Berkson.[6]
The mimeo magazine United Artists published eighteen issues from 1977 to 1983. United Artists Books is still publishing and is now “one of the oldest independent publishing companies in the United States that focuses primarily on publishing books of poetry.”[7] In 1979, Warsh and Mayer and family moved to Henniker, New Hampshire, where they taught at New England College, and where their son Max was born.

In 1980 they returned to the Lower East Side in New York, just a few blocks from their close friends Alice Notley and Ted Berrigan who were living on St. Mark's Place. Also, according to Warsh, many of the young poets around The Poetry Project entered their lives during this time—Gary Lenhart, Greg Masters, Eileen Myles, Bob Holman, Steve Levine, Mitch Highfill, Kim Lyons, Bob Rosenthal, Rochelle Kraut, among others.[8]

Warsh's teaching career began in 1985 when Paul Auster recommended him to teach a graduate creative writing course at Long Island University, and Siri Hustvedt recommended him to teach undergraduate courses at Queens College. Between 1985 and 2018 he taught at Naropa University, SUNY Albany, Queens College, Fairleigh Dickinson University, The Poetry Project, The Bowery Poetry Club, and Long Island University.

Although Warsh's visual work in collage appeared in print as early as 1973, accompanying his translation of Robert Desnos’ Night of Loveless Nights, it wasn't until 1996 that he completely embraced the medium. “[They] seem a natural if not inevitable extension of his writing, and portray a visual dimension that is sumptuous, alluring and mysterious.”[9]

Warsh's unpublished novel, Delusions of Being Observed, was serialized in The Brooklyn Rail, from October 2016 to June 2018.[10]

Awards and honors

Lewis Warsh's awards and honors include grants from the National Endowment for the Arts, the New York Foundation for the Arts, the Creative Artists Public Service Foundation, the Fund for Poetry and the Poet's Foundation. In 1993 he has also received an Editor's Fellowship Award from the Coordinating Council on Literary Magazines, and a James Shestack award from the American Poetry Review. In 2005 he was the recipient of the Gertrude Stein Award for Innovative Poetry in English.

Publications

Poetry

Fiction

Autobiography

Translation

Editor

Anthologies

External links

Notes and References

  1. Web site: Lewis Warsh. 2018-08-15. Poetry Foundation. en-us. Poetry Foundation. 2018-08-15.
  2. Book: Kane, Daniel. What Is Poetry: Conversations with the American Avant-Garde. Teachers & Writers. 2003. 978-0915924646. New York. 161.
  3. Book: Angel Hair Sleeps with a Boy in My Head: The Angel Hair Anthology. Granary Books. 2001. 1-887123-50-4. Waldman. Anne. New York. xx. Warsh. Lewis.
  4. Book: Kane, Daniel. All Poets Welcome: The Lower East Side Poetry Scene in the 1960s. University of California Press. 2003. 978-0520233850. Berkeley. 161, 179. registration.
  5. Book: Kane, Daniel. "Do You Have a Band?": Poetry and Punk Rock in New York City. Columbia University Press. 2017. 9780231162975. New York.
  6. News: United Artists . 2016-09-08. From a Secret Location. 2018-08-15. en-US.
  7. Web site: United Artists Books. www.unitedartistsbooks.com. 2018-08-15.
  8. Fall 2012. Lewis Warsh: Interview Conducted by Steve Clay. Mimeo Mimeo. 7. 20.
  9. Web site: Lewis Warsh Granary Books. granarybooks.com. 2018-08-15.
  10. Web site: The Brooklyn Rail Contributor - Lewis Warsh. brooklynrail.org. 2018-08-16.

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