Les saltimbanques explained

Les saltimbanques
Type:Opéra-comique
Composer:Louis Ganne
Translated Name:The Acrobats
Librettist:Maurice Ordonneau
Language:French
Premiere Location:Théâtre de la Gaîté, Paris

Les saltimbanques (The Acrobats) is an opéra-comique in three acts, libretto by Maurice Ordonneau, music by Louis Ganne, first performed at the Théâtre de la Gaîté, Paris, on 30 December 1899. In the third act a ballet entitled Les Bohemiennes was danced by Julia Duval, Briant, the women of the corps de ballet and a troupe of acrobats, Les Manzoni.

Roles

RoleVoice typePremiere cast,[1]
30 December 1899
(Conductor: Perpignan)
Suzannesoprano
Marionsoprano
Paillassetenor
Madame BernandinJane Evans
Grand PingouinbaritoneLucien Noel
André de LangeacbaritoneEtienne Perrin
MalicornebaritoneVauthier
Comte des EtiquettesBernard
BernandinDacheux
Le baron de ValengoujonJallier
Saltimbinques

Synopsis

Suzanne was abandoned as a child and taken in by Malicorne, director of a circus. She is friend with Paillasse (who loves her), Grand-Pingouin (who is also attracted to her), and Marion (who is Grand-Pingouin's lover). Suzanne is pursued by soldiers but rescued by a young officer, André, and the attraction between them is immediate. The brutal Malicorne abuses Suzanne one time too many, and she escapes with Paillasse, Grand-Pingouin, and Marion.

Suzanne and her friends have formed a little troupe called "Les Gigoletti". They are invited to perform at the Castle of the Count des Étiquettes, who is André's uncle. However, Malicorne happens to be there as well, recognises them and wants them arrested on the pretext they own him money. The Count pays the sum just as André arrives.

Suzanne sings a song she has learned in childhood, which is in fact a song the Count has composed and that nobody knows. From this song, it is discovered that she is his long lost daughter. Being of high birth, she and André can be married, but she also feels sorrow that she will be leaving her friends.

Discography

Sources

Notes and References

  1. Stoullig E. Les Annales du Théâtre et de la Musique, 25eme edition, 1899. Librairie Paul Ollendorff, Paris, 1900, p240-242.